Tuner (radio)

In electronics and radio, a tuner is a type of receiver subsystem that receives RF transmissions, such as AM or FM broadcasts, and converts the selected carrier frequency into a form suitable for further processing or output, such as to an amplifier or loudspeaker. A tuner is also a standalone home audio product, component, or device called an AM/FM tuner or a stereo tuner that is part of a hi-fi or stereo system, or a TV tuner for television broadcasts. The verb tuning in radio contexts means adjusting the receiver to detect the desired radio signal carrier frequency that a particular radio station uses. Tuners were a major consumer electronics product in the 20th century but in practice are often integrated into other products in the modern day, such as stereo or AV receivers or portable radios.

The purpose of a tuner's design is to reduce noise and have a strong ability to amplify the wanted signal. Tuners may be monophonic or stereophonic, and generally output left and right channels of sound. Tuners generally include a tuning knob or keypad to adjust the frequency, i.e. the intended radio station, measured in megahertz (e.g. 101.1 MHz). Mistuning is the greatest source of distortion in FM reception. Some models realize manual tuning by means of mechanically operated ganged variable capacitors (gangs). Often several sections are provided on a tuning capacitor, to tune several stages of the receiver in tandem, or to allow switching between different frequency bands. A later method used a potentiometer supplying a variable voltage to varactor diodes in the local oscillator and tank circuits of front end tuner, for electronic tuning. Modern radio tuners use a superheterodyne receiver with tuning selected by adjustment of the frequency of a local oscillator. This system shifts the radio frequency of interest to a fixed frequency so that it can be tuned with fixed-frequency band-pass filter. Still later, phase locked loop methods were used, with microprocessor control.^{[citation needed]}

The crystal radio receiver is the simplest kind of radio receiver or tuner, and was the basis for the first commercially successful type of radio product design. Inexpensive and reliable, it was sold in millions of units and became popular in kits used by hobbyists, and was a major factor in the popularity of radio broadcasting around 1920. The crystal radio consists of an antenna, a variable inductor and a variable capacitor connected in parallel. This creates a tank circuit which responds to one resonant frequency when combined with a detector, also known as a demodulator (diode D1 in the circuit). Stereophonic receivers include a decoder as well.

Vacuum tubes made crystal sets obsolete in the 1920s due to their effective amplification. From the 1920s until the 1960s, most tuners used a vacuum tube-based design. Manufacturing shifted to solid state electronics in the 1960s, but this didn't always result in improved sound quality compared to the older tube tuners. The radiogram, which combined a gramophone with a radio, was a predecessor of the hi-fi tuner.

The transistor was invented in 1947 and largely replaced tubes. The MOSFET was used because it is capable of handling larger inputs than bipolar transistors. Starting in the 1960s, Japanese transistor radios, which were cheaper despite their crudeness compared to American designs, began to outcompete the American products in the portable radio market. Eventually, after switching from germanium to silicon transistors, the Japanese consumer electronics companies achieved a dominant market position. Heathkit, an American company which had supplied popular kits for electronic devices since the 1940s, went out of business in 1980.

FM broadcasting originated in the United States and was adopted as a worldwide standard. FM broadcasting in stereo in the USA began in 1961 when authorized by the FCC. This led to greater demand for new radio stations and better technology in radios. The growth of hi-fi stereo systems and car radios in turn led to a boost in FM listening. FM surpassed AM radio in 1978. FM also doubled the number of stations, enabling specialized broadcasts for different genres of music. It also required consumers to purchase new equipment. The broadcast audio FM band (88 – 108 MHz in most countries) is around 100 times higher in frequency than the AM band and provides enough space for a bandwidth of 50 kHz. This bandwidth is sufficient to transmit both stereo channels with almost the full hearing range. ^{[citation needed]}

The Post–World War II economic expansion in the US led to the growth of hi-fi products, increasingly seen as high tech hardware, with requisite jargon, and separated into premium quality components with high-class aesthetics and marketing. The 1970s and 80s were the peak period for the hi-fi audio market. Demand increased for stereo products which fueled the growth of the industry as Japan caught up with the US. Standalone audio stereo FM tuners are still sought after for audiophile and TV/FM DX applications, especially those produced in the 1970s and early 1980s, when performance and manufacturing standards were higher. The McIntosh MR78 (1972) is known as one of the first FM tuners precise enough to tune into a weaker station broadcast on the same frequency as another stronger signal.

As a result of circuit miniaturization, tuners began to be integrated with other products such as amplifiers and preamps, and other digital electronics, and marketed as AV or stereo receivers for home theater or hi-fi systems. The Japanese development of silicon transistor technology led to popular radio products in the 1980s such as the boombox and the Sony Walkman. Although integrated hi-fi stereo systems and AV or stereo receivers contain integrated tuners, separate components are sometimes preferred for higher quality. Separating amplification also often increases overall performance.