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Velvet Goldmine
Velvet Goldmine is a 1998 musical drama film written and directed by Todd Haynes from a story by Haynes and James Lyons. It is set in Britain during the glam rock days of the early 1970s, and tells the story of fictional bisexual pop star Brian Slade, who faked his own death. The film was nominated for the Palme d'Or at the 1998 Cannes Film Festival and won the award for the Best Artistic Contribution. Sandy Powell received a BAFTA Award for Best Costume Design and was nominated for an Academy Award for Best Costume Design. The film uses non-linear storytelling to achieve exposition while interweaving the vignettes of its various characters.
In 1984, British journalist Arthur Stuart is writing an article about the withdrawal from public life of 1970s glam rock star Brian Slade following a death hoax ten years earlier, and is interviewing those who had a part in the entertainer's career. As each person recalls their thoughts, it becomes the introduction of the vignette for that particular segment in Slade's personal and professional life.
Part of the story involves Stuart's family's reaction to his homosexuality, and how the gay and bisexual glam rock stars and music scene gave him the strength to come out. Rock shows, fashion, and rock journalism all play a role in showing the youth culture of 1970s Britain, as well as the gay culture of the time. At the beginning of his career, Slade is married to Mandy. When he comes to the United States, he seeks out American rock star Curt Wild and they become involved in each other's lives. The vignettes show Wild and Slade becoming increasingly difficult to work with as they become more famous. They suffer breakdowns in their personal and professional relationships. Eventually, Slade's career ends following the critical and fan backlash from his stage publicity stunt where he faked his own murder.
As he gets closer to the truth of where Slade is now, Stuart is suddenly told by his editor that the story is no longer of public interest and Stuart has been assigned to the Tommy Stone tour. Coincidentally, Stuart has just discovered that, unknown to most, Tommy Stone is the new pseudonym and persona of Brian Slade. It is revealed that Stuart was also at the concert where Slade faked his death, and that after seeing Wild perform on another night, Wild and Stuart had a sexual encounter. Eventually, Stuart confronts Tommy Stone and once again encounters Wild, who casually offers him a piece of jewellery once owned by Oscar Wilde.
The film centers on Brian Slade, a bisexual and androgynous glam rock icon who was patterned after David Bowie, Bryan Ferry, Jobriath and Marc Bolan. Director Todd Haynes requested access to Bowie's song catalogue along with a personal blessing to make the film, but Bowie refused, saying that he intended to make a similar film about the time. Ewan McGregor co-stars in the role of Curt Wild, a genre-defying performer who doesn't back down from sex, nudity or drugs on or off stage and whose biographical details are based on Iggy Pop (who grew up in a Michigan trailer park) and Lou Reed (whose parents sent him to electroshock therapy to 'cure' his homosexual feelings). Also featured are Christian Bale as the young glam rock fan and reporter Arthur Stuart and Toni Collette as Slade's wife, Mandy, who is based on Bowie's first wife, Angela. Eddie Izzard stars as Slade's manager, Jerry Devine.
The tale strongly parallels Bowie's relationships with Reed and Pop in the 1970s and 1980s. Brian Slade's gradually overwhelming stage persona of "Maxwell Demon" and his backing band, "Venus in Furs", resemble Bowie's Ziggy Stardust persona and backing band the Spiders from Mars. As with Slade and Wild, Bowie produced records for and with, Pop and Reed. The band name "Venus in Furs" is taken from a song by Lou Reed's early band, the Velvet Underground, which was taken from Leopold von Sacher-Masoch's eponymous novel, which appeared on their first album. Maxwell Demon was the name of an early band of Brian Eno, a long-time Bowie associate, whose music is heard at various points in the film.
Haynes has said that the story is also about the love affair between America and Britain, New York City and London, in the way each music scene feeds off and influences each other. Little Richard is shown as an early influence on Brian Slade. Little Richard inspired the Beatles and Bowie, who in turn inspired many other bands. Little Richard has also been cited by Haynes as the inspiration for Jack Fairy.
The film is strongly influenced by the ideas and life of Oscar Wilde (seen in the film as a progenitor of glam rock), and refers to events in his life and quotes his work on dozens of occasions. Jean Genet (the subject of Haynes' previous film, Poison, and the putative inspiration for the title of Bowie's song "The Jean Genie") is referred to in imagery and also quoted in dialogue.
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Velvet Goldmine
Velvet Goldmine is a 1998 musical drama film written and directed by Todd Haynes from a story by Haynes and James Lyons. It is set in Britain during the glam rock days of the early 1970s, and tells the story of fictional bisexual pop star Brian Slade, who faked his own death. The film was nominated for the Palme d'Or at the 1998 Cannes Film Festival and won the award for the Best Artistic Contribution. Sandy Powell received a BAFTA Award for Best Costume Design and was nominated for an Academy Award for Best Costume Design. The film uses non-linear storytelling to achieve exposition while interweaving the vignettes of its various characters.
In 1984, British journalist Arthur Stuart is writing an article about the withdrawal from public life of 1970s glam rock star Brian Slade following a death hoax ten years earlier, and is interviewing those who had a part in the entertainer's career. As each person recalls their thoughts, it becomes the introduction of the vignette for that particular segment in Slade's personal and professional life.
Part of the story involves Stuart's family's reaction to his homosexuality, and how the gay and bisexual glam rock stars and music scene gave him the strength to come out. Rock shows, fashion, and rock journalism all play a role in showing the youth culture of 1970s Britain, as well as the gay culture of the time. At the beginning of his career, Slade is married to Mandy. When he comes to the United States, he seeks out American rock star Curt Wild and they become involved in each other's lives. The vignettes show Wild and Slade becoming increasingly difficult to work with as they become more famous. They suffer breakdowns in their personal and professional relationships. Eventually, Slade's career ends following the critical and fan backlash from his stage publicity stunt where he faked his own murder.
As he gets closer to the truth of where Slade is now, Stuart is suddenly told by his editor that the story is no longer of public interest and Stuart has been assigned to the Tommy Stone tour. Coincidentally, Stuart has just discovered that, unknown to most, Tommy Stone is the new pseudonym and persona of Brian Slade. It is revealed that Stuart was also at the concert where Slade faked his death, and that after seeing Wild perform on another night, Wild and Stuart had a sexual encounter. Eventually, Stuart confronts Tommy Stone and once again encounters Wild, who casually offers him a piece of jewellery once owned by Oscar Wilde.
The film centers on Brian Slade, a bisexual and androgynous glam rock icon who was patterned after David Bowie, Bryan Ferry, Jobriath and Marc Bolan. Director Todd Haynes requested access to Bowie's song catalogue along with a personal blessing to make the film, but Bowie refused, saying that he intended to make a similar film about the time. Ewan McGregor co-stars in the role of Curt Wild, a genre-defying performer who doesn't back down from sex, nudity or drugs on or off stage and whose biographical details are based on Iggy Pop (who grew up in a Michigan trailer park) and Lou Reed (whose parents sent him to electroshock therapy to 'cure' his homosexual feelings). Also featured are Christian Bale as the young glam rock fan and reporter Arthur Stuart and Toni Collette as Slade's wife, Mandy, who is based on Bowie's first wife, Angela. Eddie Izzard stars as Slade's manager, Jerry Devine.
The tale strongly parallels Bowie's relationships with Reed and Pop in the 1970s and 1980s. Brian Slade's gradually overwhelming stage persona of "Maxwell Demon" and his backing band, "Venus in Furs", resemble Bowie's Ziggy Stardust persona and backing band the Spiders from Mars. As with Slade and Wild, Bowie produced records for and with, Pop and Reed. The band name "Venus in Furs" is taken from a song by Lou Reed's early band, the Velvet Underground, which was taken from Leopold von Sacher-Masoch's eponymous novel, which appeared on their first album. Maxwell Demon was the name of an early band of Brian Eno, a long-time Bowie associate, whose music is heard at various points in the film.
Haynes has said that the story is also about the love affair between America and Britain, New York City and London, in the way each music scene feeds off and influences each other. Little Richard is shown as an early influence on Brian Slade. Little Richard inspired the Beatles and Bowie, who in turn inspired many other bands. Little Richard has also been cited by Haynes as the inspiration for Jack Fairy.
The film is strongly influenced by the ideas and life of Oscar Wilde (seen in the film as a progenitor of glam rock), and refers to events in his life and quotes his work on dozens of occasions. Jean Genet (the subject of Haynes' previous film, Poison, and the putative inspiration for the title of Bowie's song "The Jean Genie") is referred to in imagery and also quoted in dialogue.