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Vietnamese ceramics
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Vietnamese ceramics
Vietnamese ceramics refers to ceramic art and pottery as a form of Vietnamese art and industry. Vietnamese pottery and ceramics has a long history spanning back to thousands of years ago, including long before Chinese domination, as archeological evidence supports.
Much of Vietnamese pottery and ceramics after the Chinese-domination era was largely influenced by Chinese ceramics, but has developed over time to be distinctly Vietnamese. Vietnamese potters combined indigenous and Chinese elements. They also experimented with both original and individual styles as well as incorporated features from other cultures, such as Cambodia, India and Champa.
Vietnamese ceramics were an essential part of the trade between Vietnam and its neighbors during pre-modern times through all the periods.
The early Luo Yue ceramics has dominated aboriginal characteristics of Dongsonian culture.
During the Chinese domination periods, the local Dong Son culture started fading away and Vietnamese ceramics were being influenced by Chinese ceramics.
After reclaiming independence from China in 938, the Vietnamese craftsman under sovereign royal rules began designing and manufacturing ceramic productions independently of China. Vietnamese Lý-Trần period's creamy-white celadon and white-brown gốm hoa nâu ceramics have local characteristics and are distinctly different from Chinese ceramics. Dragon "Nāga" decoration and motif became common during the Ly period, and appeared on steles, ceramics, along with Bodhi leaf, lotus, water, makara (मकर) and Buddha. Cham script were inscribed on terracotta bricks used for constructing religious buildings.
The Vietnamese had begun exporting their ceramic productions at least since late 13th century to 14th century. According to archaeological findings in Vietnam and other countries from the 14th century, some Vietnamese ceramics and coins dated 1330 have been recovered from the sites in Japan, the Philippines, and Indonesia.
During the 15th-century Chinese occupation of Vietnam, Vietnamese potters readily adopted cobalt underglaze, which had already gained popularity in export markets. Vietnamese blue-and-white wares sometimes featured two types of cobalt pigment: Middle Eastern cobalt yielded a vivid blue but was more expensive than the darker cobalt from Yunnan, China.
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Vietnamese ceramics
Vietnamese ceramics refers to ceramic art and pottery as a form of Vietnamese art and industry. Vietnamese pottery and ceramics has a long history spanning back to thousands of years ago, including long before Chinese domination, as archeological evidence supports.
Much of Vietnamese pottery and ceramics after the Chinese-domination era was largely influenced by Chinese ceramics, but has developed over time to be distinctly Vietnamese. Vietnamese potters combined indigenous and Chinese elements. They also experimented with both original and individual styles as well as incorporated features from other cultures, such as Cambodia, India and Champa.
Vietnamese ceramics were an essential part of the trade between Vietnam and its neighbors during pre-modern times through all the periods.
The early Luo Yue ceramics has dominated aboriginal characteristics of Dongsonian culture.
During the Chinese domination periods, the local Dong Son culture started fading away and Vietnamese ceramics were being influenced by Chinese ceramics.
After reclaiming independence from China in 938, the Vietnamese craftsman under sovereign royal rules began designing and manufacturing ceramic productions independently of China. Vietnamese Lý-Trần period's creamy-white celadon and white-brown gốm hoa nâu ceramics have local characteristics and are distinctly different from Chinese ceramics. Dragon "Nāga" decoration and motif became common during the Ly period, and appeared on steles, ceramics, along with Bodhi leaf, lotus, water, makara (मकर) and Buddha. Cham script were inscribed on terracotta bricks used for constructing religious buildings.
The Vietnamese had begun exporting their ceramic productions at least since late 13th century to 14th century. According to archaeological findings in Vietnam and other countries from the 14th century, some Vietnamese ceramics and coins dated 1330 have been recovered from the sites in Japan, the Philippines, and Indonesia.
During the 15th-century Chinese occupation of Vietnam, Vietnamese potters readily adopted cobalt underglaze, which had already gained popularity in export markets. Vietnamese blue-and-white wares sometimes featured two types of cobalt pigment: Middle Eastern cobalt yielded a vivid blue but was more expensive than the darker cobalt from Yunnan, China.
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