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Yang Yuyu
Yang Yuyu was born Yang Ying-feng (Chinese:楊英風, January 17, 1926 – October 21, 1997) in Yilan, also known by his nickname Yu-yu (呦呦), was a Taiwanese sculptor. He was renowned for his late-period modernist abstract composite forms, stainless steel material, and Chinese aesthetics.
Yang Yuyu was born into a prominent family in Yilan, Taiwan. As the eldest son, he was affectionately known as "Yu-yu". His parents were engaged in business in Beiping (now Beijing) for an extended period. After graduating from elementary school in 1940, he went to Beiping to study and often spent his spare time sketching. He received instruction from Kuo Po-chuan (郭柏川), Asai Takeshi (淺井 武), and Samukawa Norimi (寒川 典美).
In 1944, Yang went to the Architecture Department at Tokyo University of the Arts (formerly Tokyo Fine Arts School), where he studied sculpture under Fumio Asakura (朝倉 文夫) and Isoya Yoshida (吉田 五十八). During this period, he developed an interest in environmental art, particularly in landscape design. Later, he applied for a leave of absence due to physical discomfort. He returned to Beiping in 1946 and enrolled in the Department of Fine Arts at Fu Jen Catholic University (私立北平輔仁大學). The following year, he married his cousin Li Ding (李定) and taught art at the Lanyang Girls' High School (蘭陽女中) before becoming a botanical illustrator for the National Taiwan University in Taipei. In 1948, he enrolled in the Art Department at National Taiwan Normal University, marking his third university education. He was a student of Chang Dai-chien (張大千) and Pu Xinyu (溥心畬).
In 1951, Yang Yuyu dropped out of the Department of Fine Arts at National Taiwan Normal University and began working as an art editor for "Feng Nian Magazine (豐年雜誌)". Over his 11-year career as an editor, he created numerous local woodblock prints and cartoons. In 1953, his sculpture "Sudden Rain (驟雨)" won the "Taiyang Award (台陽賞)" at the 16th Taiyang Art Exhibition (台陽美術展覽會). In 1956, his Buddhist sculpture "Elevated Beyond Measure (仰之彌高)" was exhibited at the international exhibition "São Paulo Art Biennial". In 1960, he held his first solo exhibition at National Museum of History.
In 1961, Yang resigned as art editor and began to focus on sculpture. In 1962, he and Xiu Zelan (修澤蘭) designed the Taichung Teachers' Association Building (臺中教師會館, now the Internship Hotel of The Affiliated Taichung Senior Agricultural Vocational High School of National Chung Hsing University, 中興大學附屬台中高農的附設實習旅館). During this time, he was also quite active in the Fifth Moon Group (五月畫會), leading young painters onto the international stage. He received a silver award at the Hong Kong International Painting Salon Exhibition that year. The following year (1963), he began to work with stainless steel and spent three years living in Italy, organizing many exhibitions that introduced Chinese modern art to Europe. Upon his return to Taiwan in 1966, Yang began creating his stone landscape sculpture series in Hualien and received the "Golden Medal Award (金爵獎)" from the Art Society of Republic of China (中華民國畫協會). In the 1970s, designed many modern sculptures for hotels, theme parks, and large buildings.
On March 14, 1970, Yang Yuyu created "Advent of the Phoenix (鳳凰來儀)", a work measuring 7 meters high and 9 meters wide, which was exhibited at the Chinese (Republic of China) Pavilion designed by I.M. Pei (貝聿銘) at the World Expo in Osaka, Japan. A smaller replica of the artwork was placed in front of the Taipei Fubon Bank building on Zhongshan North Road, Section 2 in Taipei.
In 1973, Yang created "QE Gate", also known as "East-West Gate", which was placed on Wall Street in Manhattan, New York City, showcasing a philosophical aesthetic inspired by the Eastern concept of emptiness.
In 1975, Yang used bamboo and rattan to create sculptures and props for the Cloud Gate Dance Theatre's (雲門舞集) production of "Legend of the White Snake (白蛇傳)". However, the sculpture backdrop "Snake Nest" and the original bamboo curtain were destroyed in a fire at the Cloud Gate rehearsal studio in Bali in 2008. In 2010, the Cloud Gate Dance Theatre recreated the "Snake Nest" and bamboo curtain based on the original designs.
Yang Yuyu
Yang Yuyu was born Yang Ying-feng (Chinese:楊英風, January 17, 1926 – October 21, 1997) in Yilan, also known by his nickname Yu-yu (呦呦), was a Taiwanese sculptor. He was renowned for his late-period modernist abstract composite forms, stainless steel material, and Chinese aesthetics.
Yang Yuyu was born into a prominent family in Yilan, Taiwan. As the eldest son, he was affectionately known as "Yu-yu". His parents were engaged in business in Beiping (now Beijing) for an extended period. After graduating from elementary school in 1940, he went to Beiping to study and often spent his spare time sketching. He received instruction from Kuo Po-chuan (郭柏川), Asai Takeshi (淺井 武), and Samukawa Norimi (寒川 典美).
In 1944, Yang went to the Architecture Department at Tokyo University of the Arts (formerly Tokyo Fine Arts School), where he studied sculpture under Fumio Asakura (朝倉 文夫) and Isoya Yoshida (吉田 五十八). During this period, he developed an interest in environmental art, particularly in landscape design. Later, he applied for a leave of absence due to physical discomfort. He returned to Beiping in 1946 and enrolled in the Department of Fine Arts at Fu Jen Catholic University (私立北平輔仁大學). The following year, he married his cousin Li Ding (李定) and taught art at the Lanyang Girls' High School (蘭陽女中) before becoming a botanical illustrator for the National Taiwan University in Taipei. In 1948, he enrolled in the Art Department at National Taiwan Normal University, marking his third university education. He was a student of Chang Dai-chien (張大千) and Pu Xinyu (溥心畬).
In 1951, Yang Yuyu dropped out of the Department of Fine Arts at National Taiwan Normal University and began working as an art editor for "Feng Nian Magazine (豐年雜誌)". Over his 11-year career as an editor, he created numerous local woodblock prints and cartoons. In 1953, his sculpture "Sudden Rain (驟雨)" won the "Taiyang Award (台陽賞)" at the 16th Taiyang Art Exhibition (台陽美術展覽會). In 1956, his Buddhist sculpture "Elevated Beyond Measure (仰之彌高)" was exhibited at the international exhibition "São Paulo Art Biennial". In 1960, he held his first solo exhibition at National Museum of History.
In 1961, Yang resigned as art editor and began to focus on sculpture. In 1962, he and Xiu Zelan (修澤蘭) designed the Taichung Teachers' Association Building (臺中教師會館, now the Internship Hotel of The Affiliated Taichung Senior Agricultural Vocational High School of National Chung Hsing University, 中興大學附屬台中高農的附設實習旅館). During this time, he was also quite active in the Fifth Moon Group (五月畫會), leading young painters onto the international stage. He received a silver award at the Hong Kong International Painting Salon Exhibition that year. The following year (1963), he began to work with stainless steel and spent three years living in Italy, organizing many exhibitions that introduced Chinese modern art to Europe. Upon his return to Taiwan in 1966, Yang began creating his stone landscape sculpture series in Hualien and received the "Golden Medal Award (金爵獎)" from the Art Society of Republic of China (中華民國畫協會). In the 1970s, designed many modern sculptures for hotels, theme parks, and large buildings.
On March 14, 1970, Yang Yuyu created "Advent of the Phoenix (鳳凰來儀)", a work measuring 7 meters high and 9 meters wide, which was exhibited at the Chinese (Republic of China) Pavilion designed by I.M. Pei (貝聿銘) at the World Expo in Osaka, Japan. A smaller replica of the artwork was placed in front of the Taipei Fubon Bank building on Zhongshan North Road, Section 2 in Taipei.
In 1973, Yang created "QE Gate", also known as "East-West Gate", which was placed on Wall Street in Manhattan, New York City, showcasing a philosophical aesthetic inspired by the Eastern concept of emptiness.
In 1975, Yang used bamboo and rattan to create sculptures and props for the Cloud Gate Dance Theatre's (雲門舞集) production of "Legend of the White Snake (白蛇傳)". However, the sculpture backdrop "Snake Nest" and the original bamboo curtain were destroyed in a fire at the Cloud Gate rehearsal studio in Bali in 2008. In 2010, the Cloud Gate Dance Theatre recreated the "Snake Nest" and bamboo curtain based on the original designs.
