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Yann Tiersen
Yann Pierre Tiersen (born 23 June 1970) is a French musician and composer from Brittany. His musical career is split between studio recordings, music collaborations, and film soundtracks songwriting. His music incorporates a large variety of classical and contemporary instruments, primarily the electric guitar, the piano, synthesisers, and the violin, but he also includes instruments such as the melodica, xylophone, toy piano, harpsichord, piano accordion, and even a typewriter.
Tiersen is often mistaken for a soundtrack composer; he himself states that "I'm not a composer and I really don't have a classical background," but his real focus is on touring and recording studio albums, which are often used for film soundtracks. Tracks taken from his first three studio albums were used for the soundtrack of the 2001 French film Amélie.
Tiersen was born in 1970 in Brest, in the department of Finistère, part of Brittany in northwestern France, into a French family of Belgian and Norwegian origins. He started learning to play the piano at the age of four, the violin at the age of six, and received classical training at several musical academies, including those in Rennes, Nantes, and Boulogne-sur-Mer. In the early 1980s, he was influenced as a teenager by the punk subculture, and bands like The Stooges and Joy Division. When he was 13, he broke his violin, bought an electric guitar, and formed a rock band. Tiersen was living in Rennes back then, home to the three-day music festival Rencontres Trans Musicales, which is held annually in December. That gave him the opportunity to see acts like Nirvana, Einstürzende Neubauten, Nick Cave and the Bad Seeds, The Cramps, Television, and Suicide. A few years later, when his band parted, Tiersen bought a cheap mixing desk, an 8-track reel-to-reel tape recorder, and started recording music on his own with a synthesiser, a sampler, and a drum machine.
Let's live in an enormous world of sound we can use randomly, with no rules at all. Let's play with sound, forget all knowledge and instrumental skills, and just use instinct — the same way punk did.
Before releasing film scores under his own name, Tiersen recorded background music for a number of plays and short films. During the summer of 1993, Tiersen stayed in his apartment with an electric guitar, a violin and a piano accordion, recording music on his own; he was guided by what he calls "a musical anarchic vision". By the end of the summer, Tiersen had recorded over forty tracks, which would most be used later on for his first two albums. Tiersen's debut album, La Valse des monstres, limited to 1,000 copies, was first released in June 1995 by independent record label Sine Terra Firma, and then reissued by Nancy-based record label Ici d'ailleurs in 1998 as the second album of its catalogue. The 17-track-album was inspired by and written for the theatrical adaptations of Tod Browning's 1932 cult classic Freaks, and Yukio Mishima's 1955 version of Noh play The Damask Drum. In April 1996, one year later, he released Rue des cascades, a collection of short pieces recorded with a toy piano, a harpsichord, a violin, a piano accordion, and a mandolin. The title track, sung by French solo singer Claire Pichet, was used the following year for the Palme d'Or nominated French drama film The Dreamlife of Angels, and several tracks received greater exposure when they were featured on the Jean-Pierre Jeunet's film Amélie, five years later. Tiersen usually plays most of the music instruments himself during both studio recording sessions and his live sets; he has won theatrical appeal as a one-man show and was invited to play, among others, at the 1996 edition of the Avignon Festival, the oldest live arts festival in France.
I was amazed with the way the lighthouse rays revealed some hidden details of the land, how we can rediscover something we have in front of us everyday, only thanks to a light pointing at it.
Tiersen rose to domestic fame upon the release of his third studio album, Le Phare (The Lighthouse), in 1998. The album was recorded in self-imposed seclusion on the isle of Ushant (Breton: Enez Eusa, French: Ouessant) at the end of the English Channel which marks the most north-western point of territorial France. Tiersen spent two months there, living in a rented house. At night-time, he would watch the Phare du Creach, one of the most powerful lighthouses in the world, and was fascinated by the stunning scenery repeated every night. Le Phare, which featured Claire Pichet, French singer and songwriter Dominique A, and Belgian drummer and percussionist Sacha Toorop, sold over 160,000 copies, confirming Tiersen's status as one of the most innovative artists of his generation and commencing a run of successful albums. Three songs from this album, "La Dispute", "La Noyée" and "Sur le fil" were later featured on the 2001 soundtrack Amélie, while "L'Homme aux bras ballants", written and composed by Dominique A, was also featured on Laurent Gorgiard's 1997 short animation soundtrack of the same name. Its single "Monochrome", sung by Dominique A, was a radio hit and propelled the album into the charts. Le Phare was his first album to climb to number 50 in the French Albums Chart.
During that period, Tiersen provided a new arrangement and played strings, vibraphone, bell, the mandolin, the electric guitar and bass guitar for the song "À ton étoile" by French rock band Noir Désir which was featured on their 1998 remix album One Trip/One Noise[citation needed]. He recorded songs for the soundtrack of several films, including the award-winning and multi-nominated film The Dreamlife of Angels (French: La Vie rêvée des anges) (1998), André Téchiné's Alice et Martin (1998) and Christine Carrière's Qui plume la lune? (1999). Tiersen also recorded Bästard ~ Yann Tiersen, a three-track-extended-play released in 1998 in collaboration with French electronic rock band Bästard, and his first live album, Black Session: Yann Tiersen. The live album was recorded on 2 December 1998 as he played the opening act of the Rencontres Trans Musicales in the Salle Serreau at the Théâtre National de Bretagne in Rennes, for the C'est Lenoir French broadcast show on the public radio station France Inter. The album features the chamber pop group The Divine Comedy fronted by Northern Irish singer and songwriter Neil Hannon, the French rock band Noir Désir with singer and songwriter Bertrand Cantat, singer and illustrator Françoiz Breut, French rock band The Married Monk (Christian Quermalet, Philippe Lebruman, Etienne Jaumet, Nicolas Courret), French folk rock group Les Têtes Raides (Christian Olivier, Grègoire Simon, Pascal Olivier, Anne-Gaëlle Bisquay, Serge Bégout, Jean-Luc Millot, and Edith Bégou), the string quartet Quatuor à cordes, guitarist and composer Olivier Mellano, and author Mathieu Boogaerts, as well as his usual collaborators and friends, Claire Pichet and Dominique A. The album was recorded by France International, mastered by Radio France, and released in CD format one year later on 2 November 1999.[citation needed]
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Yann Tiersen
Yann Pierre Tiersen (born 23 June 1970) is a French musician and composer from Brittany. His musical career is split between studio recordings, music collaborations, and film soundtracks songwriting. His music incorporates a large variety of classical and contemporary instruments, primarily the electric guitar, the piano, synthesisers, and the violin, but he also includes instruments such as the melodica, xylophone, toy piano, harpsichord, piano accordion, and even a typewriter.
Tiersen is often mistaken for a soundtrack composer; he himself states that "I'm not a composer and I really don't have a classical background," but his real focus is on touring and recording studio albums, which are often used for film soundtracks. Tracks taken from his first three studio albums were used for the soundtrack of the 2001 French film Amélie.
Tiersen was born in 1970 in Brest, in the department of Finistère, part of Brittany in northwestern France, into a French family of Belgian and Norwegian origins. He started learning to play the piano at the age of four, the violin at the age of six, and received classical training at several musical academies, including those in Rennes, Nantes, and Boulogne-sur-Mer. In the early 1980s, he was influenced as a teenager by the punk subculture, and bands like The Stooges and Joy Division. When he was 13, he broke his violin, bought an electric guitar, and formed a rock band. Tiersen was living in Rennes back then, home to the three-day music festival Rencontres Trans Musicales, which is held annually in December. That gave him the opportunity to see acts like Nirvana, Einstürzende Neubauten, Nick Cave and the Bad Seeds, The Cramps, Television, and Suicide. A few years later, when his band parted, Tiersen bought a cheap mixing desk, an 8-track reel-to-reel tape recorder, and started recording music on his own with a synthesiser, a sampler, and a drum machine.
Let's live in an enormous world of sound we can use randomly, with no rules at all. Let's play with sound, forget all knowledge and instrumental skills, and just use instinct — the same way punk did.
Before releasing film scores under his own name, Tiersen recorded background music for a number of plays and short films. During the summer of 1993, Tiersen stayed in his apartment with an electric guitar, a violin and a piano accordion, recording music on his own; he was guided by what he calls "a musical anarchic vision". By the end of the summer, Tiersen had recorded over forty tracks, which would most be used later on for his first two albums. Tiersen's debut album, La Valse des monstres, limited to 1,000 copies, was first released in June 1995 by independent record label Sine Terra Firma, and then reissued by Nancy-based record label Ici d'ailleurs in 1998 as the second album of its catalogue. The 17-track-album was inspired by and written for the theatrical adaptations of Tod Browning's 1932 cult classic Freaks, and Yukio Mishima's 1955 version of Noh play The Damask Drum. In April 1996, one year later, he released Rue des cascades, a collection of short pieces recorded with a toy piano, a harpsichord, a violin, a piano accordion, and a mandolin. The title track, sung by French solo singer Claire Pichet, was used the following year for the Palme d'Or nominated French drama film The Dreamlife of Angels, and several tracks received greater exposure when they were featured on the Jean-Pierre Jeunet's film Amélie, five years later. Tiersen usually plays most of the music instruments himself during both studio recording sessions and his live sets; he has won theatrical appeal as a one-man show and was invited to play, among others, at the 1996 edition of the Avignon Festival, the oldest live arts festival in France.
I was amazed with the way the lighthouse rays revealed some hidden details of the land, how we can rediscover something we have in front of us everyday, only thanks to a light pointing at it.
Tiersen rose to domestic fame upon the release of his third studio album, Le Phare (The Lighthouse), in 1998. The album was recorded in self-imposed seclusion on the isle of Ushant (Breton: Enez Eusa, French: Ouessant) at the end of the English Channel which marks the most north-western point of territorial France. Tiersen spent two months there, living in a rented house. At night-time, he would watch the Phare du Creach, one of the most powerful lighthouses in the world, and was fascinated by the stunning scenery repeated every night. Le Phare, which featured Claire Pichet, French singer and songwriter Dominique A, and Belgian drummer and percussionist Sacha Toorop, sold over 160,000 copies, confirming Tiersen's status as one of the most innovative artists of his generation and commencing a run of successful albums. Three songs from this album, "La Dispute", "La Noyée" and "Sur le fil" were later featured on the 2001 soundtrack Amélie, while "L'Homme aux bras ballants", written and composed by Dominique A, was also featured on Laurent Gorgiard's 1997 short animation soundtrack of the same name. Its single "Monochrome", sung by Dominique A, was a radio hit and propelled the album into the charts. Le Phare was his first album to climb to number 50 in the French Albums Chart.
During that period, Tiersen provided a new arrangement and played strings, vibraphone, bell, the mandolin, the electric guitar and bass guitar for the song "À ton étoile" by French rock band Noir Désir which was featured on their 1998 remix album One Trip/One Noise[citation needed]. He recorded songs for the soundtrack of several films, including the award-winning and multi-nominated film The Dreamlife of Angels (French: La Vie rêvée des anges) (1998), André Téchiné's Alice et Martin (1998) and Christine Carrière's Qui plume la lune? (1999). Tiersen also recorded Bästard ~ Yann Tiersen, a three-track-extended-play released in 1998 in collaboration with French electronic rock band Bästard, and his first live album, Black Session: Yann Tiersen. The live album was recorded on 2 December 1998 as he played the opening act of the Rencontres Trans Musicales in the Salle Serreau at the Théâtre National de Bretagne in Rennes, for the C'est Lenoir French broadcast show on the public radio station France Inter. The album features the chamber pop group The Divine Comedy fronted by Northern Irish singer and songwriter Neil Hannon, the French rock band Noir Désir with singer and songwriter Bertrand Cantat, singer and illustrator Françoiz Breut, French rock band The Married Monk (Christian Quermalet, Philippe Lebruman, Etienne Jaumet, Nicolas Courret), French folk rock group Les Têtes Raides (Christian Olivier, Grègoire Simon, Pascal Olivier, Anne-Gaëlle Bisquay, Serge Bégout, Jean-Luc Millot, and Edith Bégou), the string quartet Quatuor à cordes, guitarist and composer Olivier Mellano, and author Mathieu Boogaerts, as well as his usual collaborators and friends, Claire Pichet and Dominique A. The album was recorded by France International, mastered by Radio France, and released in CD format one year later on 2 November 1999.[citation needed]
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