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Zendrum
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Zendrum LT played by Jonathan Coulton

A Zendrum is a hand-crafted MIDI controller that is used as a percussion instrument. The Zendrum was influenced by the "Drumitar," invented by Future Man. There are several Zendrum models that are well-suited for live performances: the Z1, ZX, EXP, ZAP series, LT and the Mallet Pro series and Melodic Finger. The Zendrum ZX and Z1 can be worn like a guitar and consists of a triangular hardwood body with 24 touch-sensitive round MIDI triggers. The EXP has 29 triggers and additional controls. The Zendrum LT can also be worn with a guitar strap, and has 25 MIDI triggers in a symmetrical layout, which provides an ambidextrous playing surface. The ZAP series is designed more for table top use or on a drum stand, with the ZAP1 having 19 triggers, and the ZAP2 having 25 triggers. The triggers are played by tapping or slapping with the fingers or hands. As a controller, the Zendrum does not make any sound by itself. It uses an electronic interface called MIDI to control synthesizers, samplers, drum machines, sound modules, computers or other electronic drum devices that generates the musical and percussive sounds. The Mallet Pro Series is laid out and played like a traditional mallet instrument, like a marimba. The Mallet Pro series has naturally resonating solid walnut bars as triggers.

Playing

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Once the Zendrum is hooked up via MIDI to a sound module, and connected to an amplified loudspeaker or headphones, the player can tap or slap the triggers. The triggers on a Zendrum are velocity sensitive, which means that the volume of each note depends on how hard the corresponding trigger is hit. Depending on what it is connected to, and how it is programmed or configured, the signal from the velocity level of the Zendrum's trigger can also be used to alter variances in timbre, panning, and other expressive aspects of the sound. The Zendrum is often used to play drum or percussion instrument parts, but it can also used to perform the sounds from tuned instruments, ranging from steel drums or vibraphone to piano, bass, guitar, or bells. Sustained sounds like organs or string orchestra "patches" can be played, but they require a different technique to control. A sustain pedal can be plugged into a Zendrum to allow the sound to sustain, otherwise, depending on how it is programmed to receive trigger signals, the sound will have a clipped or staccato feel.

The playing styles and techniques that work best on the Zendrum are quite different from those of a traditional acoustic drum. Traditional drumming (especially for a drum kit) requires a certain amount of "limb independence," whereas the Zendrum requires more "finger independence." Also, traditional drumming is more than just triggering sounds; a drummer playing a physical kit gets important feedback in the way his or her sticks bounce and react from the surfaces of the drums and cymbals. Depending on the technology and style of the MIDI drum kit, a player has varying levels of feedback similar to a traditional drum kit. The Zendrum (with the exception of the Mallet pro series) requires a playing technique similar to tapping one's fingers on a table, except that the Zendrum triggers are sensitive to velocity. The majority of the Zendrum models are designed to be worn like a guitar, allowing the player to stand up and walk around using either wired or wireless MIDI connections. Where a traditional drum kit can is typically played with 2 hands and 2 feet, the Zendrum can be triggered with all ten fingers and the palms of both hands much like a conga or other hand percussion instrument.

History

[edit]
Drumitar — modified from a SynthAxe previously owned by jazz musician Lee Ritenour

MIDI sound generators have long been able to make realistic drum sounds, but the traditional keyboard of a synthesizer is not always well suited to playing percussion. MIDI triggers can be retrofitted onto the traditional drum kit to allow drummers to play synthesizer or sampled drum sounds (or other sounds) using their regular drum kit. In most live settings, drummers and percussionists are situated in the back of the stage, and limited in their movement. Futureman (a.k.a. Roy-El, a.k.a. Roy Wooten), the percussionist for Béla Fleck and the Flecktones, uses a Synthaxe Drumitar to trigger drum sounds on several MIDI sound modules, which allows him to move around on the stage. Inspired by Futureman's Drumitar in 1991, David Haney created his interpretation of a portable electronic drum trigger by using a triangular piece of wood and piezoelectric sensors as triggers. With friend, fellow drummer and co-inventor Kim Daniel, they refined the shape of the instrument. Originally, the first Zendrum used a 24 cable snake to trigger drum sound modules (one cable for each trigger), but then they upgraded it to MIDI in 1993 after a meeting with Peter Gabriel and Manu Katché. David and Kim patented their design in 1994. Starting in 1995, David Haney and Kim Daniel began a series of experiments with Futureman and engineer Chris deHaas to expand on the Zendrum idea and technology. In 2008, the Zendrum ZAP (Zendrum Articulated Programmer) was released. It is a smaller Zendrum with a hexagonal layout designed for studio and 'desktop' use. The Mallet Pro series and Melodic Finger controllers were added to the Zendrum family of instruments in late 2013 to early 2014.

See also

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References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Zendrum

View on Grokipedia
from Grokipedia
The Zendrum is a hand-crafted percussion instrument that is worn like a guitar and played using the hands and fingers to trigger electronic drum sounds, effects, and other programmable audio samples. Invented in 1991 by electronics expert David Haney and refined through collaboration with master craftsman Kim Daniel, the Zendrum evolved from early electronic drum prototypes dating back to 1986, drawing inspiration from Roy Wooten's Drumitar while emphasizing portability and expressiveness. The instrument's design features a series of velocity-sensitive triggers arranged in a grid or layout resembling guitar frets, typically ranging from 24 to 30 per model, which connect via to drum modules, synthesizers, or software for customizable sound mapping. Key models in the Percussive Series include the wearable (24 triggers, $1,600–$1,850) for stage performance, the more advanced AXIS (30 triggers with additional controls, $1,800–$2,050), and compact stationary options like the ZAP ($1,800–$2,050) for desk or stand use, all hand-built in the United States with options for custom finishes and lifetime warranties on select variants. As of 2025. Since its commercialization in 1993 with the founding of Zendrum Corporation in , the instrument has been adopted by prominent musicians for its visual and sonic versatility on stage, including early users , of , , , and members of , as well as later performers like and John Mahon of the . This innovation has positioned the Zendrum as a bridge between traditional percussion and modern electronic music production, enabling fluid, guitar-like performance techniques for complex rhythmic and melodic expression.

Design and Construction

Physical Build

The Zendrum is hand-crafted in Atlanta, Georgia, with each instrument personally designed and built by its creator, David Haney, emphasizing custom workmanship and attention to detail. Its body is constructed from high-quality hardwoods, including korina, , rock maple, figured cherry, and , selected for durability and . These woods are finished in natural or custom options such as vintage sunburst, purple sparkle, piano black, or tobacco burst, allowing for personalized aesthetics while maintaining a lightweight yet robust structure. The ergonomic body shape adopts a guitar-like form factor, typically triangular or contoured for comfort, enabling it to be worn with a during or positioned on a or lap for stationary play. This design prioritizes wearability and , with variations in size across models—for instance, compact versions like the AXIS measure approximately 25 inches in length and weigh 8 pounds, while larger models like the EXP extend to 32 inches and 7-8 pounds. Accessories enhance versatility, including padded gig bags for transport, adjustable straps with strap-locks for secure wearing, and optional mounting adapters for snare stands to facilitate live setups. Certain models, such as the MFX, incorporate adjustable threaded feet to customize the playing angle for desktop use. Select instruments come with a lifetime , covering the wooden body against manufacturing defects under normal use.

Triggers and MIDI Integration

The Zendrum employs velocity-sensitive triggers, typically numbering 24 to 30 per model, arranged in ergonomic clusters to facilitate hand and finger percussion playing. These round or large triggers detect strike force (velocity), converting physical impacts into note-on and note-off messages with dynamic velocity values ranging from 0 to 127, enabling expressive control over volume and in connected sound sources. MIDI integration allows the Zendrum to function as a versatile controller for synthesizers, samplers, or drum machines, transmitting data via standard protocol on channels 1 through 16, with options for channel-per-trigger assignment to layer multiple instruments simultaneously. Note assignments are customizable per trigger ( notes 0-127), supporting features like 4-note switching for graduated responses and seven response curves to tailor sensitivity, ensuring precise articulation without requiring advanced drumming techniques. Additional controls enhance functionality, including one to two momentary switches for sustain or program changes, assignable continuous control knobs for real-time modulation, up to three 1/4-inch trigger input jacks for external , and a input compatible with or volume pedals to produce held notes or swells. The Z4 circuitboard, standard in all current models, provides high-resolution processing for these elements and is available as a retrofit upgrade for early wooden models from 1994-2009, improving and output stability. Wireless MIDI capabilities were pioneered in 1993 through a custom circuit developed by engineer , enabling cable-free transmission for live performances, such as during Peter Gabriel's tour with musician Manu Katche, and remain an optional upgrade in modern variants using systems like the Midi Jet Pro.

Playing Technique

Basic Operation

The Zendrum is typically positioned by wearing it with a guitar-style strap around the shoulders for hands-free mobility during performance, or placed on a tabletop or lap for stationary play. To begin operation, connect the instrument's MIDI output to a compatible , drum module, or computer via a MIDI cable, often using a power merge box for signal merging and powering the device with a 12V DC supply. Basic playing involves tapping the velocity-sensitive triggers with the fingers, rather than using drumsticks, to generate notes; the force of the tap determines the note's volume and intensity, where a light touch produces a soft sound and a firm strike yields a louder one. These triggers can be assigned to specific drum sounds, melodic notes, or audio samples through mapping software such as ZenEdit, which allows users to configure note assignments, channels, and velocity parameters visually on a computer interface. Additionally, integrated switches and knobs enable basic controls like program changes to switch sound sets or modulation for effects such as sustain. Effective play requires developing finger independence, akin to technique, to coordinate multiple simultaneous taps across the triggers without interference, facilitating rhythmic patterns and polyphonic output. The instrument's touch-sensitive , detailed in trigger hardware specifications, support this by responding to precise finger placements.

Performance Applications

The Zendrum's versatility stems from its interface, enabling it to function as a percussion controller for and bass lines, a melodic instrument for chords and bass patterns, or a generator of experimental sounds such as bird calls or sound effects by triggering corresponding samples or synthesizers. This flexibility allows performers to assign any MIDI-compatible sound to its triggers, supporting a wide range of musical expressions without the limitations of traditional acoustic instruments. In live performances, the Zendrum's wearable design, strapped like a guitar, provides significant advantages by allowing standing play without a full , enabling mobility on stage within cable constraints or via wireless MIDI setups. Its compact form facilitates quick setups under five minutes and easy portability, reducing logistical challenges, while the visual novelty of a body-worn finger percussion device enhances audience engagement. Additionally, it offers adjustable volume control to suit quiet venues without feedback issues, making it ideal for diverse stage environments from coffeehouses to large concerts. In studio settings, the Zendrum excels at triggering audio samples and loops via , facilitating mashups and remixes by associating pads with pre-recorded elements for seamless integration into digital audio workstations. This capability supports efficient and layering, as performers can map triggers to specific samples without the need for extensive microphone setups or tuning adjustments. The instrument integrates well with other gear, such as in guitar where the Zendrum handles percussion and bass to complement the guitarist's fingerpicking, creating a fuller duo sound through varied kit programming. It also connects to software like DAWs for real-time control of parameters, including program changes and effects, enhancing creative workflows in both and recording. Despite its advantages, the Zendrum presents challenges, including a for polyphonic playing where multiple simultaneous triggers enable chordal or layered expressions, requiring practice to coordinate finger techniques effectively. Integration with sustain pedals or switches for holding melodic notes adds complexity, as performers must configure these to avoid unintended note overlaps while maintaining fluid performance. Basic finger tapping, similar to those used in foundational operation, demands consistent practice to overcome initial fatigue and build precision.

History and Development

Origins and Invention

The origins of the Zendrum can be traced to the experimental work of drummer David Haney in the mid-1980s. In 1986, Haney built his first electronic drumkit using affordable piezoelectric sensors and components salvaged from old drum pads, paired with early drum machines to explore electronic percussion possibilities. This initial project marked the beginning of Haney's efforts to create more versatile and portable electronic drumming solutions. A key inspiration arrived in 1991 when Haney attended a by , where he witnessed Roy "Future Man" Wooten's innovative performance on the Drumitar, a custom electronic percussion controller played with fingers. Motivated by the Drumitar's creativity and mobility, Haney applied his expertise in and electronics to develop the first working of the Zendrum that same year—a triangular wooden board equipped with piezoelectric triggers to generate signals for sound synthesis. Haney soon partnered with fellow drummer Kim Daniel, whose expertise in triggering innovations helped refine the over the subsequent two years, evolving it into an ergonomic, wearable finger-played controller designed for hand positioning and free-standing or strapped play. The instrument's potential was demonstrated effectively in early performances, including an invitation to a concert, which convinced Haney and Daniel to formalize their collaboration. In 1993, they founded the Zendrum Corporation in , Georgia, to produce and distribute the device commercially. Their design work led to U.S. 5,434,350, granted on July 18, 1995, which described the Zendrum as a percussion with a triangular body featuring multiple surfaces for transducer placement, enabling enhanced control and reduced crosstalk in trigger sensitivity.

Key Milestones and Innovations

In 1993, engineer developed the first upgrade for the Zendrum, incorporating a wireless circuit that enabled seamless integration with systems during live performances. This innovation was rapidly implemented, with the upgraded controller delivered to in within three months for use on Peter Gabriel's "US" tour. During the , the Zendrum gained early adoption among prominent artists such as , , and , who valued its compact design for enhancing stage visuals in concerts. This interest prompted the creation of custom builds tailored to performers' needs, expanding the instrument's versatility beyond standard prototypes. By the late , these developments solidified the Zendrum's role as a innovative percussion controller in professional settings. In 1995, collaborations began with Roy "Future Man" Wooten and Chris deHaas on experimental uses of the instrument, which continued as of 2025. The ZAP series was released in as a compact, tabletop optimized for studio and tight performance spaces, featuring a hexagonal trigger layout for articulated programming. In late 2013 to early 2014, the Mallet Pro and Melodic Finger models were introduced, with the Mallet Pro incorporating bars for enhanced durability and both featuring high-sensitivity triggers to capture subtle playing nuances. These models expanded the Zendrum lineup for melodic percussion applications. The Z4 circuitboard, first implemented in , became standard across all current models by the , offering improved dynamic response and retrofit options for existing units to achieve greater precision. As of 2025, Zendrum USA continues custom manufacturing in the United States without significant interruptions since 2014, maintaining handcrafted production of all models.

Models and Variants

Wearable Models

The wearable models of the Zendrum are designed to be strapped on like a guitar, enabling mobile performance while maintaining ergonomic access to triggers for hand and finger playing. These instruments feature a triangular or compact body shape, velocity-sensitive triggers arranged in scalable configurations, and compatibility with straps for hands-free wearing during live shows or rehearsals. They prioritize portability and comfort for performers who need to move freely on stage, with options for larger triggers to accommodate varied hand sizes and playing styles. The and ZX2 represent the foundational wearable designs, each equipped with 24 triggers on a lightweight body measuring approximately 31.5 inches in . The ZX uses standard-sized triggers, while the ZX2 features larger triggers for enhanced playability, both allowing the instrument to be worn via an included strap with straplocks or placed on a desktop for stationary use. Accessories for both include a custom gigbag, cables, the ZenEdit Visual Editor software, and a merge box, supporting professional integration without compromising mobility. Evolving from the ZX series, the EXP and EXP2 models offer expanded configurations with 29 triggers arranged in ergonomic clusters for improved reach and reduced fatigue during extended performances. The EXP employs standard triggers, whereas the EXP2 utilizes larger ones, both incorporating two momentary switches and an assignable continuous for dynamic sound modulation. These instruments are built for wearable use, with a sleek body, high-sensitivity response, and bundled accessories such as a gigbag, , and ZenEdit software to facilitate on-the-go setup. The AXIS model advances wearable with 30 triggers organized into dedicated right- and left-hand clusters, promoting balanced ambidextrous play in a compact 25-inch-long body weighing about 8 pounds. It includes one momentary switch and an assignable knob for control, alongside options for wireless upgrades, making it ideal for agile stage movement while supporting lap or desktop positioning as needed. The design emphasizes sensitivity and comfort through its clustered layout, with standard accessories like a and ZenEdit editor ensuring seamless integration into live setups. Tailored for versatility, the LT features 25 triggers in a symmetrical, ambidextrous on a lightweight hardwood body, allowing it to be worn with a , lapped, or mounted in a snare stand. This ergonomic design accommodates both right- and left-handed players, with dimensions of 18 inches wide and 3.5 inches high for easy handling during mobile performances. It shares the Z4 circuitboard with the ZX for reliable output and comes with a gigbag, straplocks, and ZenEdit software.

Stationary and Compact Models

The stationary and compact models of the Zendrum are designed for non-wearable use in studio environments, on desks, laps, or stands, providing percussion control in space-constrained setups without the need for straps or mobility features found in wearable variants. The ZAP model features 19 touch-sensitive triggers arranged in five offset rows on a compact hexagonal cluster, measuring 10.5 inches in length, 12 inches in width, and 2.5 inches in height, with a weight of 7 pounds. It includes three additional 1/4-inch trigger pedal inputs and a 1/4-inch input, along with a momentary for effects like sounds, utilizing the same and trigger components as larger Zendrum models. Equipped with four adjustable threaded feet for customizing the playing angle, the ZAP is suited for desktop workstation use and can be mounted to a snare stand via an optional universal adapter, making it ideal for tight spaces. The ZAP2 expands on this design with 25 triggers organized in five rows, maintaining the same dimensions and weight as the ZAP for a small . It offers identical connectivity options, including the three trigger pedal inputs, sustain pedal input, and momentary button, with adjustable feet for ergonomic stationary play and optional snare stand mounting. This model is optimized for studio beats and environments requiring a balance of trigger density and compactness. For even greater portability, the ZIP represents the most compact option, with 25 small triggers and three larger ones totaling 28, housed in a body measuring 9-7/8 inches long, 10.75 inches wide, and 2.5 inches high, also weighing 7 pounds. It incorporates two external trigger inputs, one sweep pedal input, one momentary pedal input, and a CC-assignable sweep knob, supporting hybrid integration with , keyboards, or guitars in stationary configurations. The ZIP can be optionally mounted on a snare stand and is particularly suited for minimal-space setups. The Melodic Finger (MF) model prioritizes melodic expression in a limited footprint, featuring 25 small, high-sensitivity triggers in a two-octave layout on a solid body, sized at 26 inches long, 7 inches deep, and 3 inches high, weighing 10 pounds. Designed for desk or lap use where space is at a premium and fewer octaves suffice, it includes the Zen-Edit Visual Editor for programming and comes with a lifetime , emphasizing precision triggering for melodic applications. The Pro series, exemplified by the ZMFX (also known as MFX or Melodic Finger X) variant, caters to -style performance with 30 large triggers in a 2.5-octave configuration on a solid body measuring 48 inches long, 4 inches deep, and 3 inches high, weighing 7 pounds. This model enables resonant, traditional instrument emulation in a stationary format, supporting advanced operations via the Zen-Edit Visual Editor, and includes a lifetime warranty for studio or fixed-position play.

Notable Users

Early Adopters

One of the earliest prominent adopters of the Zendrum was French drummer , who received the first wireless unit in 1993 during Peter Gabriel's "US" tour. This innovation allowed for greater stage mobility, enabling Katché to integrate the controller seamlessly into live performances while collaborating with Gabriel, where it facilitated novel percussion approaches that blended electronic and acoustic elements. Percussionist Roy "Future Man" Wooten, known for his work with , significantly influenced the Zendrum's design through his earlier invention, the Drumitar, which inspired its MIDI-based finger-drumming concept in 1991. By 1995, Wooten praised early Zendrum prototypes, particularly those played by Tom Roady, for their velocity-sensitive triggers that enhanced expressive control. In the 2010s, following the 2007 introduction of the EXP model, Wooten tested the device in 2015 and incorporated it into his performances with the Flecktones, including during their 2019 tour, expanding its role in fusion music by allowing for more dynamic, guitar-like percussion interfaces. Jazz legend and Fleetwood Mac's were among the first to embrace the Zendrum in the 1990s for its visual appeal during and rock tours. Cobham utilized it to augment his improvisational sets, combining traditional drumming with MIDI-triggered sounds for a more theatrical stage presence. Similarly, Fleetwood adopted the controller to diversify his percussion array, enhancing the visual and sonic spectacle in live rock contexts. The band incorporated the Zendrum into their dynamic live shows during the 1990s, leveraging its versatility to broaden percussion options and create visually engaging performances that aligned with their high-energy funk style. This adoption helped popularize the instrument within ensemble settings, where it supported layered rhythms and electronic enhancements without overshadowing the group's signature horn and vocal elements. Nashville session percussionist Tom Roady further demonstrated the Zendrum's studio potential through his 1997 album Zendrum: One Tribe, which showcased its applications across , ambient, and genres. Roady, who had been using the device since early 1995, featured it prominently in recordings and sessions with artists such as , highlighting its precision for melodic percussion lines and its integration with synthesizers to produce intricate, culturally diverse soundscapes. The album received acclaim from publications like for Roady's command of global drumming styles via the controller.

Contemporary Performers

In recent years, the Zendrum has continued to attract performers across genres, from fusion and to one-man bands and classical-jazz hybrids, valued for its portability and versatility in live settings. Contemporary users often integrate it into solo acts or ensembles to trigger complex rhythms, bass lines, and electronic sounds without traditional drum kits, enhancing visual and sonic dynamics on . Sulaiman Merchant, a prominent Indian and percussionist known for his work in Bollywood scores as part of the Salim-Sulaiman duo, has incorporated the Zendrum into his live performances since the late . He employs it to blend traditional Indian percussion with electronic elements, as seen in his renditions of tracks like "," where the instrument's capabilities allow for seamless layering of tabla-like rhythms and modern beats. Merchant has highlighted its ease of transport for international tours, making it a staple in his dynamic setups. Frank Colón, a three-time Grammy-winning percussionist with a background in and , remains an active Zendrum proponent in the 2020s. He uses the instrument to explore experimental grooves, such as programming bass notes and conga patterns through interfaces, as demonstrated in his compositions on the 2020 album Latin Lounge. Colón's approach emphasizes the Zendrum's role in fusing acoustic traditions with digital processing, enabling solo performances that simulate full ensembles. Russ Maddox, a Birmingham-based one-man band artist, centers his contemporary solo shows around the Zendrum, configuring it to trigger drums, bass, and additional effects for full-band simulations. Performing a wide repertoire from rock to pop covers, Maddox's setup allows him to deliver high-energy live sets without backing musicians, a format he has refined for events through 2025. His use underscores the instrument's appeal for independent performers seeking compact, multi-instrumental solutions. Dan Moore, a of percussion at the and member of the Zendrum 21st Century Techno-Tribe, integrates the instrument into both educational and performance contexts. In his 2022 demonstrations, such as arrangements of "Take Me Out to the Ballgame," Moore showcases the Zendrum's velocity-sensitive pads for nuanced phrasing across genres, from to orchestral works, promoting its adoption among emerging musicians. Rob Silverman, for the jazz-classical fusion group Bach to the Future, employs the Zendrum to reinterpret canonical pieces like with modern grooves. Active in recordings and live tours into the 2020s, Silverman's technique highlights the instrument's guitar-like wearability for intricate, electronic-augmented percussion, as noted in his contributions to Autumn Hill Records releases. Jonathan has used the Zendrum in live performances since the mid-2000s, notably for his song "Mr. Fancy Pants," where it adds electronic percussion and effects to enhance his solo shows. Percussionist John Mahon, a member of Elton John's band since 1997, incorporates the Zendrum into his setups for both percussion and guitar-like chord playing, as highlighted in a 2020 interview during the band's tours.

References

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  37. https://www.facebook.com/FutureManOfficial/videos/futureman-working-out-the-tom-toms-with-rim-shots-on-zendrum-during-the-fleckton/2470315369881393/
  38. https://drummercafe.com/featured/drummer-percussionist/tom-roady
  39. https://www.moderndrummer.com/2011/12/tom-roady-down-home-percussionist/
  40. https://russmaddoxband.com/bio
  41. https://gulfnews.com/entertainment/bollywood/salim-and-sulaiman-merchants-of-music-1.1365280
  42. https://www.youtube.com/watch?v=JArgMADQ4Dw
  43. https://frankcolon.bandcamp.com/album/latin-lounge
  44. https://russmaddoxband.com/home
  45. https://www.innovativepercussion.com/artists/dan_moore
  46. https://www.youtube.com/watch?v=17NywntDZ1g
  47. https://downbeat.com/news/detail/rob-silverman-drums-for-cause-at-autumn-hill
  48. https://www.youtube.com/watch?v=pC-DeXhZvuQ
  49. https://digitaldrummermag.com/Latest/Entries/2020/6/the-iso-files-john-mahon-elton-john-band.html
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