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Ajeeb Daastaans
Ajeeb Daastaans
from Wikipedia

Ajeeb Daastaans
Poster of the film Ajeeb Dastaans, showing four windows, one from each of the stories in the film.
Official release poster
Directed by
Written by
Produced by
Cinematography
  • Pushkar Singh
  • Jishnu Bhattacharjee
  • Siddharth Diwan
  • Siddharth Vasani
Edited byNitin Baid
Music by
  • John Stewart Eduri
  • Alokananda Dasgupta
  • Shailendra Barve
Production
company
Distributed byNetflix
Release date
  • 16 April 2021 (2021-04-16)
Running time
142 minutes[1]
CountryIndia
LanguageHindi

Ajeeb Daastaans (transl.  Strange Stories) is a 2021 Hindi-language anthology film, consisting of four short film segments directed by Shashank Khaitan, Raj Mehta, Neeraj Ghaywan and Kayoze Irani.[2] The film was produced by Karan Johar and Netflix.[3]

At the 2021 Filmfare OTT Awards, Ajeeb Daastaans received 3 nominations, including Best Web Original Film and Best Actor in a Web Original Film (Manav Kaul), and won Best Actress in a Web Original Film (Konkona Sen Sharma).

Plot

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Majnu

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Lipakshi is married to Babloo but is unhappy with their relationship, and seeks affection from other men. When Raj Kumar, the son of their driver, joins their household as an employee, Lipakshi becomes interested in him. Raj, a talented finance graduate, decides to work for Babloo instead of taking a job offer in London, and proves to be profitable for the business. He also shows romantic interest in Lipakshi, without Babloo's awareness. Babloo does not have affection towards Lipakshi, but he feels the need to protect his family's reputation and does not tolerate her extramarital affairs. Despite this, Lipakshi continues to pursue Raj and eventually, they engage in a romantic relationship when Babloo is absent. The affair between Raj and Lipakshi becomes passionate, and they even plan to elope after a night of intimacy. The very same night, Babloo receives pictures of Lipakshi with Gopal, his trusted aide. He calls for Raj, who is about to leave, and reveals that he has fallen in love with him and would want to be with him forever. He shows the pictures to Raj. Raj, a little taken aback, tells him to handle Gopal while he goes for Lipakshi. Raj gets on a bus, and we see Lipakshi leaving with her bags. While beating up Gopal, Babloo sees a video of Raj kissing Lipakshi and is stunned. In the same video, Raj reveals that Gopal is innocent, and it was him who was Lipakshi's lover all along. He reveals that ever since Babloo broke his father's leg for crashing a car into a planter, all Raj wanted was revenge. So he stole a lump sum of 10 crores from Babloo while he worked for him and left the country along with his parents. After the reveal, Lipakshi is waiting at the railway station for Raj, who never arrives. Instead, Babloo finds her. She reveals she's pregnant, and they both hold hands, crying and bonding over their love for, and betrayal by, the same person.

Khilauna

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The story opens with Meenal losing electricity at her home.

Meenal is a street-smart housemaid who lives in the slums along with her little sister Binny. She struggles to make ends meet and send her little sister to school. She works in a rich locality for a lady who is struggling to conceive. It is shown that Meenal holds contempt for the rich people she works for. When told about her electricity problem, her employer mentions that she could seek help from Vinod Agarwal, the new secretary of the locality. In the same locality is Sushil, who owns a small laundry stall. While in the locality, Sushil is seen cussing Meenal and his sister, but behind everyone's back, they are lovers. The story keeps flipping back and forth between the present, where Meenal is shown to be at a police station with a policewoman inquiring her about the 'incident' and her telling that she had nothing to do with it.

It is shown that Vinod Agarwal has a pregnant wife and has the hots for Meenal. He finds her at Sushil's stall and asks her to work at his place to help his wife. Meenal happily agrees, hoping to get in a word with him regarding electricity at her place. Meenal leaves her employer for Vinod Agarwal, and she is shown to have a good bond with the pregnant wife. When the wife is away, Vinod makes a move on Meenal, asking her to have sex with him if she needs electricity back. Binny witnesses this. Meenal leaves crying and goes to Sushil's stall. He is concerned and asks her about what happened. Later, Vinod Agarwal also arrives at Sushil's stall and starts hitting him for flirting with women and being insolent. Passers-by stop this fight, and the secretary apologizes for his misconduct. Vinod also invites Meenal, Sushil, and Binny to a party he and his wife are hosting to celebrate the birth of their son. In the present, the police bring Sushil to the station and beat him up. Meenal is warned that if she doesn't reveal what she did, it would be Binny's screams she'd be hearing next. Sushil begs the police to stop hitting him and tells him that he didn't do anything except breaking the transformer and that Vinod Agarwal made a move on Meenal. Meenal takes the name of her previous employer, saying she did it as she was jealous that she was infertile. We're taken back to the party where we see Meenal, Binny, Abha (the ex-employer) taking turns with the baby. Sushil arrives and is shown to be very angry. He steals some alcohol and heads out of the party, drunk, and breaks the transformer, leading to a power cut in the party. Vinod Agarwal and his wife get some flashlights and realize their baby is missing. They look for him, and Vinod goes to the kitchen to see the pressure cooker releasing blood instead of water. Abha arrives at the police station and says something to the police. The police then search Binny's bag and find the baby's toy in it. When asked if she took it from the baby, Binny replies that she did so because the baby was just a toy.

Geeli Pucchi

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Bharti Mandal is a worker at a factory. She is well educated and qualified and is looking to get a higher-paying data operator job in the same factory. Her dreams are shattered with the arrival of Priya Sharma, who is given the position not because she has the right technical skills for the job but because she has the right connections. Bharti is bitter and is told by a co-worker that she didn't get the job because of her caste.

Priya arrives at the canteen for lunch and tries to strike a conversation with Bharti, who doesn't reciprocate. Bharti gets into an altercation with a male co-worker and is hurt. Priya tends to her wounds and tells her that she reminds her of her childhood friend Kavita. When asked her full name, Bharti lies that she's Bharti Banerjee. The two ladies go out together the next day when Priya reveals to Bharti that she doesn't know any of the technical skills required for the job but was only employed because of her palm-reading skills. This greatly hurts Bharti, and she cries while Priya hugs her. Slowly, they start developing a bond. Priya reveals to Bharti that her childhood friend Kavita doesn't talk to her anymore and is married and doesn't want anything to do with her because she's happy.

One day, Priya visits Bharti, and they have a moment. Priya is visibly upset and apologizes. Later on, Priya invites Bharti to her birthday party, where she lives with her husband and in-laws. Priya gets very emotional during the party, and when Bharti and Priya are alone, she reveals that she feels no love for her husband even though he's accommodating and nice. She also tells her that her husband wants a baby, and she doesn't feel right about it. Bharti tells her that it's not a defect and the only easy way out is to accept the truth. She then reveals to Priya that she's Bharti Mandal and that her family belongs to the lower Dalit caste whose women are traditionally in the midwifery business. This causes a change in Priya's attitude.

Priya is then thrown a surprise birthday party in the office with her company's higher officials. Bharti is not allowed and is only called in to serve cake to everyone. Bharti cries, and when Priya comes to her, she tells her that the best way to deal with her internal conflict is to have a baby and become a mother just like Kavita. She then goes on to help Priya conceive while she handles Priya's work. A now pregnant Priya goes on maternity leave, recommending Bharti to take over her responsibilities. After the birth, Bharti visits Priya. Priya's husband mentions that she'd return to work soon, but Priya's mother-in-law is completely against it. She asks Bharti for her opinion since she comes from a family of midwives. Bharti recommends against returning to work. Bharti goes to work and is told that Priya has quit and Bharti can now take over the job completely.

Ankahi

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Natasha and Rohan are parents to Samaira, who is on the verge of going deaf. While Natasha is a loving and supportive mother, Rohan is a distant father, immersed in work and reluctant to learn sign language to communicate with his daughter. After an altercation with Rohan, Natasha visits a photo gallery where she meets Kabir, a deaf photographer. They bond and start hanging out often. One day, Natasha visits Kabir's house, and they both have an intimate moment. Natasha walks out, realizing that it is wrong. However, she finds a text message from Rohan saying that he is busy with work and leaving Samaira at his mother's. This causes Natasha to go back to Kabir, and they make love. The next morning, Kabir wants to reveal his love for her but is hesitant. Natasha dresses up and leaves for her house. Kabir follows her, mustering the courage to reveal his feelings for her. Natasha reaches home and is happy to find Rohan communicating with Samaira in sign language, and they are both bonding, making jokes, and laughing. She's happy at this change and turns around to close the door only to see Kabir standing outside in tears. She does not know what to do and closes the door, apologizing and crying. Samaira, who has witnessed all of this, asks her mother if Kabir loved her.

Cast

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Majnu (Shashank Khaitan)

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Khilauna (Raj Mehta)

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Geeli Pucchi (Neeraj Ghaywan)

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  • Konkona Sen Sharma as Bharti Mandal
  • Aditi Rao Hydari as Priya Sharma
  • Gyan Prakash as Bharti's boss
  • Bachan Pachehra as Dashrat
  • Sreedhar Dubey as Shiv Sharma, Priya's husband

Ankahi (Kayoze Irani)

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Release

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The film was released on Netflix on 16 April 2021.[3]

Soundtrack

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Ajeeb Daastaans
Soundtrack album by
John Stewart Eduri, Alokananda Dasgupta, Shailendra Barve
Released4 July 2021[4]
Recorded2021
GenreFeature film soundtrack
Length7:35
LanguageHindi
LabelSony Music India

All songs under license Sony Music India.

No.TitleLyricsMusicSinger(s)Length
1."Sang Rehna"Varun GroverAlokananda DasguptaAlokananda Dasgupta, Ronkini Gupta2:42
2."Paani Mein Aag"Shashank KhaitanJohn Stewart EduriJohn Stewart Eduri, Shashank Khaitan, Jahnavi Kejriwal2:15
3."Ajeeb Daastaans Title Track"Shailendra BarveShailendra BarveShailendra Barve2:38
Total length:7:35

Reception

[edit]

On the review aggregator website Rotten Tomatoes, 100% of 13 critics' reviews are positive, with an average rating of 6.3/10.[5]

Avinash Lohana of Pinkvilla wrote in his review that the film is "an emotional ride but not without bumps." He reviewed Geeli Pucchi as the best of all and appreciated the performances of Konkana Sen Sharma and Aditi Rao Hydari.[6]

Rohan Nahar of Hindustan Times wrote that the film is inconsistent and uneven. He called Neeraj Ghaywan's segment a saver and appreciated Kayoz Irani's film for strong performances by Shefali Shah and Manav Kaul.[7]

Accolades

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Year Award Category Recipient Result Ref.
2021 Asian Academy Creative Awards Best Actress in a Leading Role Konkona Sen Sharma Won [8]
Busan International Film Festival Best Actress Nushrratt Bharuccha Nominated [9]
2021 Filmfare OTT Awards Best Web Original Film Ajeeb Daastaans Nominated [10]
Best Actress in a Web Original Film Konkona Sen Sharma Won
Best Actor in a Web Original Film Manav Kaul Nominated

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Ajeeb Daastaans (transl. Strange Stories) is a 2021 Indian Hindi-language consisting of four short segments that examine interpersonal conflicts and societal tensions through narratives of fractured relationships. The film was directed by , , , and , with production handled by under . Released exclusively on on 16 April 2021, it features an ensemble cast including , , , , , and Abhishek Banerjee. The anthology's segments—"Majma," "Khilauna," "Geeli Pucchi," and "Ankahi"—delve into themes such as caste discrimination, unrequited desire, and hidden identities, often highlighting how unexpected events exacerbate underlying emotional and social divides. While praised for strong performances and directorial finesse in portraying nuanced human struggles, the film garnered mixed audience reception, with an IMDb rating of 6.7/10 reflecting critiques on pacing and resolution in certain stories. Critics noted its departure from conventional Bollywood tropes, favoring realism over , though some segments faced scrutiny for underdeveloped subplots. Overall, Ajeeb Daastaans exemplifies contemporary Indian cinema's shift toward formats to address multifaceted personal and cultural dynamics.

Production

Development and Pre-Production

Ajeeb Daastaans was produced by Dharmatic Entertainment, the digital production arm of Karan Johar's , as a original following previous collaborations such as and Ghost Stories. The project assembled four directors—, , , and —each tasked with developing an independent exploring fractured relationships and societal undercurrents. Script development occurred amid the , with individual segments crafted to highlight unconventional narratives on love, prejudice, and identity. Neeraj Ghaywan, director of the Geeli Pucchi segment, began writing his script during the 2020 lockdowns, completing it over approximately one year, drawing from personal introspection prompted by isolation. Other directors similarly tailored their stories to fit the anthology's theme of "strange tales," emphasizing emotional catalysts in strained interpersonal dynamics. Pre-production advanced in late 2020 and early 2021, focusing on director alignment and initial casting selections under Johar's oversight. By February 2021, key actors including , , , , and were confirmed for respective segments, signaling assembly of ensembles suited to each story's rural or urban settings. Netflix announced the project on March 3, 2021, alongside a teaser on March 19, confirming a date of April 16, 2021, which expedited final logistics despite pandemic constraints.

Casting and Crew Assembly

The anthology Ajeeb Daastaans was produced by Dharmatic Entertainment, the digital production arm of Karan Johar's , in partnership with , with assembly coordinated under producers and Somen Mishra. The crew drew from 's established network, incorporating directors with prior ties to the banner: , known for helming features like (2014), directed "Majnu"; , who had recently collaborated with on (2019), handled "Khilauna"; , an independent filmmaker whose debut (2015) received critical acclaim, led "Geeli Pucchi"; and , son of actor and a associate from (2012), oversaw "Ankahi". Casting emphasized performers capable of embodying complex interpersonal dynamics across segments, often prioritizing prior professional rapport and nuanced interpretations over star power alone. For "Khilauna," director selected and Abhishek Banerjee, leveraging their pre-existing friendship from shared auditions, which facilitated authentic onscreen chemistry in portraying a and her employer's son. Banerjee noted initial skepticism that would greenlight the segment's dark, twisted narrative, confirming the casting call came directly from Mehta. In "Majnu," cast as the vulnerable character Babloo, deliberately contrasting the actor's physical build with the role's emotional fragility to underscore thematic tensions. For "Geeli Pucchi," prioritized actors who could convey layered vulnerabilities in a story intersecting caste and sexuality, casting —a non- performer—as the Bharati to capture the character's inner strength and societal constraints, a decision rooted in Sen Sharma's proven range rather than identity matching. complemented as the upper-caste counterpart, with Ghaywan emphasizing the need to correct his own directorial gaze for authenticity in marginalized portrayals. "Ankahi," under , featured and in lead roles exploring marital discord, with assembly focusing on their established dramatic credentials from prior independent works, though specific selection details remain less documented in public statements. Overall, the process reflected Dharma's shift toward edgier digital content, blending in-house talent with external directors to assemble a cast totaling over a dozen principals across segments.

Filming and Post-Production

The four segments of Ajeeb Daastaans were filmed independently by their respective directors— for "Majnu," for "Khilauna," for "Geeli Pucchi," and for "Ankahi"—allowing for focused production on each narrative. This modular approach, common to anthologies, facilitated shorter overall shooting schedules compared to feature-length films, as noted by director in discussions on the format's efficiency for OTT platforms. concluded prior to the film's premiere on April 16, 2021, amid ongoing restrictions that influenced many Indian productions at the time. Specific locations included familiar South Mumbai sites for "Ankahi," selected by Irani due to his upbringing in the area, which lent authenticity to the story's intimate, urban setting. For "Khilauna," actor prepared by observing her own household help, informing her portrayal during shoots directed by , while co-star Abhishek Banerjee highlighted the collaborative dynamic with the director. Detailed schedules or comprehensive location lists for other segments remain undocumented in public production notes. Post-production, handled under Dharmatic Entertainment's oversight, integrated the segments into a cohesive 142-minute feature with sound mix and optimized for streaming. The process emphasized narrative linkage through shared themes of relational discord, culminating in a trailer release on April 2, 2021, ahead of the global rollout. No major reshoots or delays were reported, aligning with the anthology's streamlined workflow.

Anthology Segments

Majnu

"Majnu" is the first segment of the 2021 Hindi-language Ajeeb Daastaans, directed by . The story, set in , , centers on a couple trapped in an forged for business alliances rather than affection. portrays Babloo, a wealthy but morally ambiguous businessman, while plays his wife, Lipakshi, who feels emotionally neglected in the union. Armaan Ralhan appears as Raj, introducing elements of external temptation. The narrative explores the unraveling of the marriage through Lipakshi's pursuit of emotional fulfillment outside the relationship, highlighting tensions in loveless arranged unions common in certain Indian social contexts. Critics have described the plot as straightforward, revolving around and its consequences, with the affair's discovery precipitating conflict. Khaitan's direction emphasizes interpersonal dynamics but has been critiqued for lacking coherence and depth compared to other segments. The segment runs approximately 30 minutes and contributes to the anthology's broader examination of unconventional relationships, though it prioritizes dramatic revelation over nuanced psychological insight.

Khilauna

"Khilauna" ("The Toy"), the second segment of the 2021 Ajeeb Daastaans, was directed by and written by Sumit Saxena. The 28-minute short, released on on April 16, 2021, centers on Meenal (), a residing in a modest home with her younger orphan sister Binny (Inayat Verma), whom she supports financially after their early loss of parents. Meenal toils as a maid in an affluent gated community, enduring daily humiliations and class-based tensions from residents and security guards, including interactions marked by condescension and exploitation. The narrative builds on simmering resentments fueled by socioeconomic disparities, culminating in an act of retaliation that underscores themes of suppressed rage, lack of agency, and the psychological toll of servitude. Abhishek Banerjee portrays a security guard whose role amplifies the power imbalances within the community. Critics noted the segment's exploration of class antagonism and emotional repression, though some found its execution uneven, relying on predictable buildup to a shocking twist rather than deeper character nuance. Bharuccha's was praised for conveying quiet desperation turning into defiance, highlighting the story's focus on the underclass's hidden vulnerabilities amid urban India's stratified living.

Geeli Pucchi

"Geeli Pucchi" is the third segment in the 2021 Hindi-language Ajeeb Daastaans, directed by . The narrative unfolds in a environment, centering on the evolving interpersonal dynamics between two women colleagues from contrasting social strata: Bharti, a worker subjected to layered stemming from her status, gender, and nonconforming sexual inclinations, and Priya, her upper- counterpart. Their shared experiences of isolation foster an intimate bond marked by mutual vulnerability, yet this connection is strained by entrenched caste hierarchies and patriarchal expectations. The segment's title derives from Hindi slang alluding to female sexual anatomy and acts, underscoring the raw, unspoken physical and emotional undercurrents in the protagonists' interactions, including shared meals, physical proximity, and tentative explorations of affection. Ghaywan employs a lyrical, style to delineate how privilege and intersect, portraying Bharti's marginalization as a product of systemic caste-based exclusion compounded by norms and heteronormative pressures. Unlike plot-heavy tales, the story prioritizes psychological realism and character motivations, revealing how personal amplifies societal fissures without resorting to overt . Thematically, "Geeli Pucchi" dissects the causal links between , economic disparity, and suppressed same-sex attractions, illustrating how upper-caste individuals often internalize and perpetuate biases even in ostensibly egalitarian settings like workplaces. It critiques the hypocrisy of progressive facades masking ingrained prejudices, with Bharti's lived realities—ranging from workplace slights to familial obligations—contrasting Priya's insulated worldview. Ghaywan has described the conflicts as intersectional, noting that while class divides the women, their shared gender-based subjugation and erotic tensions create fleeting common ground amid broader societal antagonism. Reception highlighted the segment's strengths in blending with humanistic nuance, distinguishing it as the anthology's standout for its refusal to simplify caste-gender dynamics into binary oppositions. Critics commended its dense layering of motivations and moral ambiguity, arguing it elevates the 's overall uneven quality by foregrounding empirical observations of Indian social structures over contrived resolutions. The runtime, approximately 40 minutes, allows for deliberate pacing that builds tension through subtle behavioral cues rather than dramatic escalations.

Ankahi

Ankahi, directed by Kayoze Irani in his feature directorial debut, serves as the concluding segment of the 2021 anthology film Ajeeb Daastaans. The story centers on Natasha, a middle-aged woman portrayed by Shefali Shah, who navigates marital discord with her husband Rohan (Tota Roy Chowdhury) while finding emotional refuge in an affair with her hearing-impaired colleague Kabir (Manav Kaul). The narrative unfolds in Mumbai, highlighting the protagonist's internal conflicts amid familial tensions, including interactions with her young daughter. The title Ankahi, translating to "unsaid" or "unspoken," underscores the segment's exploration of inexpressible emotions and barriers to communication—both literal, through Kabir's use of , and figurative, in the strained dynamics of Natasha's marriage. Irani, son of veteran filmmaker and , drew from personal observations of human relationships to craft a script emphasizing raw, non-verbal expressions of affection and betrayal. The plot builds tension around the discovery of the affair, culminating in revelations that force confrontations with suppressed truths, without resorting to overt . Performances received particular acclaim, with Shefali Shah's nuanced depiction of quiet desperation and Manav Kaul's subtle portrayal of Kabir's vulnerability cited for their authenticity and chemistry, elevating the segment's emotional depth. Critics noted the story's simplicity as a strength, allowing focus on interpersonal realism rather than contrived twists, though some observed its reliance on familiar tropes. Running approximately 40 minutes, Ankahi contrasts the anthology's earlier segments by prioritizing intimate relational fallout over broader social critiques.

Cast and Characters

Majnu Segment

"Majnu" is the opening segment of the 2021 Hindi Ajeeb Daastaans, directed by . Set in , , the story centers on a couple trapped in an forged for business interests rather than affection. The narrative unfolds in a , highlighting the emotional void in their relationship and the consequences of seeking fulfillment outside it. The plot follows Babloo (Jaideep Ahlawat), a prosperous yet morally ambiguous businessman, and his wife Lipakshi (), who endures neglect amid familial pressures and a young son. Lipakshi's growing dissatisfaction leads her into an affair with Raj (Armaan Ralhan), Babloo's employee, exposing tensions around loyalty, desire, and social expectations in a conservative milieu. The segment, running approximately 30 minutes, draws its title from the legendary Laila-Majnu tale of , inverting it to critique pragmatic unions devoid of passion. Filmed as part of the anthology's in late 2020, "Majnu" emphasizes interpersonal dynamics over broader societal issues, contrasting with other segments' focus on or . Critics have described the storyline as straightforward yet narratively , with Ahlawat's portrayal of restrained and Shaikh's depiction of quiet providing emotional anchors, though the resolution has been faulted for lacking coherence. The segment premiered alongside the film on on April 16, 2021, contributing to discussions on modern Indian marital tropes.

Khilauna Segment

"Khilauna" (transl. Toy), the second segment of Ajeeb Daastaans, was directed by and written by Sumit Saxena. The story centers on , a portrayed by , who resides in a and maintains a relationship with Sushil, an presswala played by Abhishek Banerjee; her younger sister Binny is enacted by Inayat Verma. Set against the backdrop of class divides in an urban residential , the examines the precarious existence of lower-class service providers amid affluent residents, where everyday interactions reveal entrenched socio-economic tensions. It portrays Meenal's navigation of personal relationships and survival strategies, highlighting how the underprivileged are often treated as disposable, akin to playthings in the hands of the privileged. The segment addresses themes of economic disparity, limited agency for the , and the psychological toll of dependency, using interpersonal conflicts to underscore systemic inequalities without overt moralizing. Critics noted its attempt to delve into these issues through suspenseful character dynamics, though some found the execution uneven in balancing with plot progression.

Geeli Pucchi Segment

"Geeli Pucchi" is the third segment in the anthology film Ajeeb Daastaans, directed by . The story features as Bharti Mandal, a working as the sole female employee in an all-male factory environment, and as , an upper- colleague. Bharti faces routine mistreatment from her male coworkers, stemming from her lower status and , which isolates her professionally and socially. The narrative unfolds as Bharti enters into a clandestine same-sex affair with Priya, who initially supports her career advancement by recommending her for a supervisory promotion. This relationship, however, exposes underlying tensions related to caste disparities and societal expectations around sexuality, culminating in betrayal and confrontation when Priya withdraws her support amid external pressures from her family and community. Ghaywan's direction emphasizes the inheritance of intergenerational trauma, portraying Bharti's vulnerabilities as a Dalit and queer individual within India's rigid social structures. The segment critiques systemic caste-based discrimination in workplaces, where Dalit employees like Bharti endure verbal abuse and exclusion, reinforced by upper-caste dominance. It also highlights the intersection of caste and non-heteronormative desires, though some analyses note the casting of non-Dalit actors in marginalized roles as perpetuating representational shortcomings. Released on Netflix on April 16, 2021, "Geeli Pucchi" has been praised for Sen Sharma's performance in conveying quiet resilience amid oppression.

Ankahi Segment

"Ankahi" (transl. "Unspoken"), the concluding segment of the 2021 anthology film Ajeeb Daastaans, was directed by and runs approximately 26 minutes. The story centers on , a woman trapped in an unfulfilling to her husband Rohan, who seeks emotional refuge through a clandestine affair with Kabir, a ; their connection unfolds primarily via exchanged letters, emphasizing themes of silent longing, , and relational fragility. Irani, son of producer Ratan Irani and making his directorial debut with this segment, crafted a narrative that prioritizes subtle emotional exchanges over overt drama, drawing comparisons to intimate, dialogue-minimal films like for its focus on interpersonal tension. The plot explores how unspoken truths erode personal escapes, culminating in revelations that dismantle the protagonists' illusions of autonomy within their constrained lives. Performances underscore the segment's restraint: portrays Natasha's internal conflict with layered restraint, conveying dissatisfaction through micro-expressions and epistolary vulnerability, while embodies Kabir's obsessive yet tender pursuit, highlighting the affair's precarious idealism. The use of written correspondence as a device amplifies motifs of inexpressible desires, positioning "Ankahi" as a on the limits of verbal and in modern urban relationships.

Music and Soundtrack

Composers and Tracks

The soundtrack of Ajeeb Daastaans features original compositions tailored to its four anthology segments, with music credits varying by story. Alokananda Dasgupta provided the score for "Geeli Pucchi," including the song "Sang Rehna," featuring lyrics by Varun Grover and vocals by Ronkini Gupta. John Stewart Eduri composed the music for "Majnu," co-credited with Shashank Khaitan on the track "Paani Mein Aag," which includes lyrics by Khaitan and vocals by Jahnavi Kejriwal. For "Khilauna," composed the featured song "Kuch Na Kaho." The title track "Ajeeb Daastaans" was composed and performed by Shailendra Barve. The "Ankahi" segment relies primarily on background score without a prominent original song listed in credits, drawing from the film's overall atmospheric by the contributing composers.
SegmentComposer(s)Key Track(s)
MajnuJohn Stewart Eduri, "Paani Mein Aag"
Khilauna"Kuch Na Kaho"
Geeli Pucchi"Sang Rehna"
Ankahi(Background score; no featured song)N/A
Title/OverallShailendra Barve"Ajeeb Daastaans Title Track"

Role in the Film

The soundtrack of Ajeeb Daastaans integrates subtly across its four segments to amplify thematic tensions, emotional undercurrents, and narrative ambiguity without relying on overt musical numbers, aligning with the anthology's focus on fractured relationships and societal fringes. Composers tailored scores to each director's vision, using minimalistic arrangements to evoke unease and intimacy rather than . This approach heightens the "strange" quality of the tales, where often signals unspoken conflicts or pivotal revelations, drawing from indie and folk influences to underscore psychological realism over . In the "Majnu" segment, Shashank Khaitan's composition "Paani Mein Aag," performed by Jahnavi Kejriwal with John Stewart Eduri's orchestration, mirrors the protagonist's foggy marital discontent and extramarital entanglement through its swirling, introspective melody, evoking a sense of disorientation that parallels the story's exploration of mismatched desires and quiet rebellion. Similarly, in "Geeli Pucchi," Alokananda Dasgupta's "Sang Rehna," sung by Ronkini Gupta, layers a melancholic, repetitive motif over scenes of caste-infused and suppressed attraction, intensifying the raw confrontations between Bharti and Sushma by amplifying their shared and power imbalance. The "Ankahi" segment employs Prateek Kuhad's "Kuch Na Kaho" as a recurring backdrop for the tentative romance between Vijay and Mona, its soft acoustic tones lending a smooth, heartfelt warmth to their interactions amid familial secrecy, which reviewers noted enhances the bittersweet tenderness contrasting the plot's unresolved edges. In "Khilauna," Tanishk Bagchi's "Zindagi," voiced by Madhubanti Bagchi, punctuates the interrogative structure and child-centered domestic unraveling with rhythmic urgency, building suspense around Meenal's choices and the incident's fallout, thereby reinforcing the segment's critique of hidden household fractures. The title track by Shailendra Barve ties these disparate sonic threads, its sparse instrumentation framing the anthology's overarching motif of inexplicable human entanglements.

Release

Distribution Strategy

Ajeeb Daastaans employed a direct-to-streaming distribution strategy, releasing exclusively on without a theatrical rollout, which was prevalent for Indian films amid the pandemic's theater restrictions. The anthology premiered globally on April 16, 2021, accessible simultaneously across over 190 countries via 's platform, enabling immediate reach to its 204 million paid subscribers at the time. This model, managed by as the distributor for the Dharmatic Entertainment production, prioritized digital accessibility over physical screenings, bypassing cinema chains and focusing on subscription-based viewership to maximize exposure in key markets like while minimizing logistical costs associated with traditional distribution. The strategy capitalized on Netflix's algorithm-driven recommendations and promotional trailers to drive organic discovery, rather than relying on previews or regional exhibitor partnerships.

Premiere and Availability

Ajeeb Daastaans premiered exclusively on on April 16, 2021, bypassing traditional theatrical distribution in favor of a direct-to-streaming model typical for many Indian films during the restrictions. The release was announced with a trailer on April 2, 2021, highlighting its production by Dharmatic Entertainment, a banner under Karan Johar's , which partnered with for global accessibility. As a Netflix original, the film remains available for streaming worldwide on the platform, including subscription tiers like Netflix Standard with Ads, with no confirmed removal or expiration as of the latest platform data. It is not offered on other major streaming services or for rent/purchase on digital platforms outside Netflix's ecosystem, reflecting the exclusive licensing agreement. releases, such as DVD or Blu-ray, have not been issued, limiting access to online streaming subscribers.

Reception

Critical Reviews

Critics generally praised Ajeeb Daastaans for its exploration of social issues through an format, though opinions varied on the consistency across its four segments. On , the film holds a 100% approval rating from 13 reviews, reflecting strong endorsement from a limited pool of critics who highlighted its thematic depth and performances. The , released on on April 16, 2021, was commended for addressing , , and interpersonal prejudices without overt didacticism, with particular acclaim for Neeraj Ghaywan's "Geeli Pucchi" segment featuring and . Several reviewers noted the film's uneven quality, attributing strengths to select stories while critiquing others for weaker narratives or execution. Rahul Desai of described it as "uneven," arguing that Ghaywan's contribution "saves" the project from disaster through its nuanced portrayal of upper-caste hypocrisy and emotional complexity, contrasting it with less impactful segments like those directed by and Shalini Usha Nair. Tiasa Bhowal in awarded 3 out of 5 stars, praising "Geeli Pucchi" for standing out amid explorations of societal relevance but implying variability in the other tales involving themes of , , and class divides. Similarly, The News Minute's review highlighted two "impactful" films amid two "avoidable" ones, questioning the placement of superior writing, direction, and acting in an otherwise mixed collection. Performances received consistent positive mentions, with critics attributing much of the film's appeal to its . Pallabi Dey Purkayastha of Times of India gave 3.5 out of 5 stars, appreciating the "complexities of life" depicted, particularly in segments that layered personal relationships with broader social critiques. However, some faulted the for lacking cohesion, with Dont Call It Bollywood's review noting surprisingly simple resolutions in stories of and discovery, suggesting the format occasionally undercut deeper potential. Overall, while not groundbreaking, the film was viewed as an earnest effort in short-form storytelling, bolstered by strong individual elements rather than uniform excellence.

Audience and Commercial Metrics

Ajeeb Daastaans garnered a 6.7/10 rating on from 6,937 user reviews, reflecting moderate audience approval for its exploration of interpersonal tensions through storytelling. This score aggregates viewer feedback emphasizing strong acting in segments like those featuring and , though some critiques pointed to uneven pacing across the four shorts. On , the audience score is 65%, based on fewer than 50 verified ratings, indicating a lukewarm but not dismissive response from viewers who rated it 3.5 out of 5 on average. This contrasts with the critics' 100% approval from a small sample of 13 reviews, suggesting audience tastes diverged from professional assessments on narrative cohesion. As a original released exclusively on the platform on May 14, 2021, the film lacks publicly available viewership metrics, which Netflix typically discloses selectively for top performers rather than mid-tier titles. Its commercial performance thus relies on inferred streaming engagement, with sustained availability in Netflix's Indian catalog pointing to niche appeal among audiences favoring socially themed content over mainstream blockbusters. No data exists due to its direct-to-streaming model.

Accolades and Nominations

Ajeeb Daastaans garnered recognition primarily in categories honoring performances and direction within the Indian OTT landscape. At the , won Best Actress in a Web Original Film for her role as Priya in the segment "Geeli Pucchi," highlighting her portrayal of caste-based relational tensions. The anthology also received nominations for Best Web Original Film and Best Actor in a Web Original Film ( for Bharti in ""). In international forums, the film earned a nomination at the 3rd Asia Contents Awards, organized in conjunction with the , where Nushrratt Bharuccha was recognized in the category for her performance as Kavya in "Bilqui," which explores class and romantic entitlement. Additional accolades included Neeraj Ghaywan's win for Best Director for "Geeli Pucchi" at the 2022 IWM Buzz Awards, where the anthology itself took Best Digital Film, affirming its technical and narrative strengths in . Jaideep Ahlawat received the Best Supporting Actor award for Hindi Short Film Movies at the 2022 Indian Television and Short Films Awards for his role in "Lutt Putt," focusing on workplace prejudice.
Award CeremonyCategoryRecipient/SegmentResultYear
Best Actress (Web Original Film) ("Geeli Pucchi")Won2021
Best Actor (Web Original Film) ("")Nominated2021
Best Web Original FilmAjeeb DaastaansNominated2021
Asia Contents Awards ()Best Actress ("Bilqui")Nominated2021
IWM Buzz AwardsBest Digital FilmAjeeb DaastaansWon2022
IWM Buzz AwardsBest Director ("Geeli Pucchi")Won2022
Indian Television and Short Films AwardsBest Supporting Actor ( ) ("Lutt Putt")Won2022

Themes and Critical Analysis

Portrayed Social Dynamics

The anthology Ajeeb Daastaans examines social dynamics in modern through fractured interpersonal relationships, emphasizing how entrenched prejudices amplify underlying tensions such as , entitlement, and suppressed identities. Across its four segments, the film illustrates causal links between societal norms and individual behaviors, including the perpetuation of hierarchies that compel characters to resort to deception and manipulation for survival. In the segment "Geeli Pucchi," directed by , caste dynamics intersect with gender and sexuality to expose power imbalances in workplace and personal interactions. The story centers on Bharti Mondal, a Bengali woman portrayed as , who forms a bond with , her colleague; Priya exploits Bharti's concealed to secure a promotion, highlighting the of upper-caste individuals who outwardly champion equality while enforcing caste-based dominance. This portrayal underscores persistent hierarchies that infiltrate professional equity claims and personal trust, compelling lower-caste individuals to navigate secretive lives amid intersecting oppressions. Other segments depict gender roles and relational toxicities, such as in loveless marriages where women face judgment tied to and sexual agency, reflecting broader societal valuation of women through reproductive utility rather than . Male-centric dynamics, including prejudice-driven betrayals in friendships and unspoken attractions stifled by homophobic norms, further reveal how entitlement and erode social bonds, often culminating in or isolation. These narratives collectively argue that unaddressed social catalysts—rooted in empirical patterns of —sustain cycles of fractured relationships, prioritizing causal realism over idealized harmony.

Achievements and Strengths

Ajeeb Daastaans garnered acclaim for its ensemble cast's performances, particularly in the segments "Geeli Pucchi" and "Ankahi," where actors conveyed complex emotional undercurrents with subtlety and intensity. Konkona Sen Sharma's depiction of Bharti, a Dalit factory worker navigating caste discrimination and unspoken queer desire, stands out for its raw authenticity and restraint, earning praise for avoiding melodrama while illuminating intersecting oppressions. Shefali Shah and Manav Kaul in "Ankahi" further exemplify this strength, portraying a poignant, wordless bond between an upper-caste woman and her lower-caste employee through nuanced gestures and silences that underscore class and emotional barriers. The anthology's directorial achievements, especially Neeraj Ghaywan's handling of "Geeli Pucchi," highlight its capacity for incisive social commentary within constrained runtime, using precise framing and dialogue to expose hypocrisies in workplace hierarchies and personal relationships without resorting to overt preaching. Visual storytelling across segments maintains fidelity to diverse milieus—from industrial factories to gated communities—enhancing thematic immersion through cinematography that captures atmospheric tension. In terms of accolades, received the Best Actress in a Leading Role award at the 2021 Asian Academy Creative Awards for her work in "Geeli Pucchi," recognizing the segment's impact on depicting marginalized experiences. The film was also nominated for Best Web Original Film and related acting categories at the , affirming its technical and performative merits in the digital space. Its inclusion among the top Bollywood releases of 2021 by critics underscores its contribution to nuanced filmmaking amid a year of streaming dominance.

Criticisms and Limitations

Critics have pointed to the uneven quality across the four segments of Ajeeb Daastaans, with some stories suffering from superficial treatment of themes like class disparity, caste discrimination, and , failing to delve deeply into the lives of oppressed characters. The anthology's reliance on subversive twists to upend viewer expectations often wavers in execution, resulting in abrupt endings and a lack of comprehensive satisfaction beyond the strongest segment, "Geeli Pucchi." Additionally, the film's music has been faulted for lacking emotional resonance or "magic," diminishing its overall impact. In "Majnu," directed by Shashank Khaitan, reviewers highlighted its formulaic structure and predictability, noting a scarcity of plot depth and an absence of a strong emotional hook despite addressing sensitive topics like forbidden attraction. The segment's characters were described as simplistic and underdeveloped, with one key figure appearing flat and confined to moral binaries that undermine the narrative's initial charm. "Khilauna," helmed by , faced criticism for stereotypical depictions of class differences, particularly in portraying a housekeeper, which reviewers called a "mood killer" that hindered authenticity. The story's exploration of and revenge lacks depth in conveying character realities, culminating in an abrupt revelation prioritized for over coherent resolution or rigor. It breaks little new ground in storytelling and delivers no solid punch in its conclusion. "," by , has been critiqued for an inconclusive and craft-deficient ending that excuses narrative ambiguity without payoff, despite promising performances. The segment's core surprise was compromised by trailer spoilers, reducing tension, and it ultimately fails to realize its thematic potential. Even the acclaimed "Geeli Pucchi" drew limited rebuke for initially positioning motherhood as a regressive solution to personal strife, though this is mitigated by broader contextual . Overall, the film's limitations stem from loosely established characters and an overemphasis on weirdness or moral ambiguity that does not consistently yield nuanced outcomes.

References

  1. https:///reel/992816/the-secret-sauce-of-geeli-pucchi-the-most-loved-film-in-ajeeb-daastaans
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