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Al Kapone
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Alphonzo Jerome Bailey (born November 5, 1975), better known by his stage name Al Kapone, is an American rapper from Memphis, Tennessee. Al Kapone is known principally for his underground success in the Memphis hip hop scene in the 1990s, and his later role in a number of more contemporary songs.
Key Information
Career
[edit]After a decade of cultivating underground cult status in Memphis, Al Kapone began to achieve some mainstream success starting with his role on the soundtrack to the film, Hustle & Flow. The soundtrack included one solo track, titled "Get Crunk, Get Buck". He also wrote and produced "Whoop That Trick" and wrote "Hustle & Flow (It Ain't Over)", both tracks performed by Djay.[2] His song "The Deepest Hood" featured in the 2007 film, Stomp the Yard.
Al Kapone co-wrote E-40's "U and Dat" and Lil' Jon's "Snap Yo Fingers" and appeared on fellow Memphis hip hoppers Three 6 Mafia's album, Last 2 Walk, and 8Ball & MJG's, Ridin High.
Discography
[edit]Albums
[edit]- 1992: Street Knowledge: Chapters 1-12
- 1994: Pure Ghetto Anger
- 1994: Sinista Funk
- 1995: Da Resurrection
- 1997: What Cha Got
- 1998: Memphis to the Bombed out Bay
- 2002: Goin' All Out
- 2008: Poppin' Tags (EP)
- 2008: Al Kapeezy Oh Boy - The Hits!!
- 2008: Showdown: Reloaded (with Mr. Sche)
- 2010: Godfather EP
- 2010: Guitar Bump
- 2010: The Kapeezy Soul Hop Experience
Single
[edit]- 1992: "Lyrical Drive-By (Indie single)"
- 1997: "What Cha Got Remix"
- 2013: "Memphis Pride"
- 2013: "Twerk Queen"
Compilations
[edit]- 1995: Memphiz Undaground Hustlaz Vol. 1
- 2001: Alakatraz Ridaz: The Present & the Past (with Taylor Boyz & Sir Vince)
- 2001: Alkatraz Ridaz Chapter 2 (with Taylor Boyz)
- 2001: Memphis Drama Vol. 1
- 2002: Memphis Drama Vol. 2
- 2002: The Best of Memphis Drama Vol. 1 & 2 Chopped & Screwed
- 2003: Memphis Drama Vol. 3: Outta Town Luv
- 2005: Memphis Drama Vol. 4: Crunk Roots
- 2003: Memphis Untouchables (with The Jerk & Kingpin Skinny Pimp)
- 2005: Showdown (with Mr. Sche)
- 2005: Whoop That Trick
- 2025: We caught Qu then r*ped the n*gga
References
[edit]- ^ "GETTIN MINE". ASCAP. American Society of Composers, Authors and Publishers. Retrieved April 27, 2023.
- ^ "Hustle & Flow". AMG. 2008. Retrieved 2008-12-06.
External links
[edit]| International | |
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| Artists | |
Al Kapone
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Early life
Childhood and upbringing
Alphonzo Jerome Bailey, professionally known as Al Kapone, was born on November 5, 1975, in Memphis, Tennessee.[2][5] Raised in Memphis, Bailey grew up immersed in the city's storied musical heritage, particularly the legacies of Stax Records and Hi Records, which defined Southern soul and R&B during the mid-20th century.[3] These labels' influence permeated local culture, providing a soundtrack to everyday life through radio airplay and family record collections, shaping Bailey's early encounters with rhythm, melody, and storytelling in music. His family background included exposure to this vibrant scene, with soul music serving as a constant presence in the home environment. From a young age, Bailey drew inspiration from pop icons like Michael Jackson, whose performances and albums such as Thriller captivated him and sparked an interest in creative expression through poetry and performance.[5] This period also introduced him to the budding elements of hip-hop filtering into Memphis via national broadcasts and local experimentation, blending with the dominant soul sounds to form a formative cultural backdrop. The socio-economic landscape of Memphis in the 1970s and 1980s profoundly influenced Bailey's upbringing, marked by deindustrialization, federal budget cutbacks, and persistent racial disparities that exacerbated poverty in African American communities.[7] These conditions, including high unemployment and urban decline following the loss of manufacturing jobs, fostered a resilient community spirit amid challenges, instilling in young residents like Bailey a worldview attuned to struggle, identity, and cultural pride. By the late 1980s, these experiences began guiding his initial explorations into music as a means of personal and communal outlet.Initial forays into music
Al Kapone, born Alphonzo Bailey, began exploring hip-hop in the late 1980s during his middle school years in Memphis, Tennessee, where he first engaged with the genre through dancing, DJing, and writing rhymes as a sixth grader at Lauderdale Elementary School.[8] This early experimentation laid the foundation for his self-taught approach to rapping, drawing from the city's burgeoning underground scene and its rich musical heritage, including soul and funk influences from labels like Stax Records.[3] By high school, he was honing his skills amid Memphis rap's formative period, contributing to the evolution of a distinctive Southern hip-hop sound characterized by gritty storytelling and local slang.[9] In the Memphis underground, Kapone connected with emerging artists through informal networks and independent outlets, such as performances at local spots and contributions to early rap compilations. Influenced by pioneers like Radical T, whose 1991 album Radical But Critical marked a pivotal "big bang" for the scene, Kapone appeared as MC AL on the track "Two Rapping Young Brothers" alongside Eightball, showcasing his raw lyrical style over bass-heavy beats.[9] These initial local performances and associations helped him build a reputation in the tight-knit community, where he experimented with gangsta rap themes reflective of South Memphis life, often performing at house parties and small venues to gauge audience reactions.[10] Kapone's first significant underground release came in 1992 with the single "Lyrical Drive-By," which gained traction in Memphis when locals blasted it from car stereos, prompting him to pursue full-time shows and solidify his presence in the scene.[10] That same year, he released his debut album Street Knowledge: Chapters 1-12 on Outlaw Records, featuring collaborations like "Down Muthafuckas" with 211 and Kingpin Skinny Pimp, blending g-funk elements with Memphis-specific samples.[9][11] Prior to these, he circulated demos and early tracks within the local circuit, including appearances on underground tapes that captured the exploratory phase of Memphis rap before its wider recognition. By the early 1990s, these efforts positioned him as a key figure in shaping the genre's raw, regional identity.[3]Career
Underground career in the 1990s
Al Kapone emerged as a key figure in the Memphis underground rap scene with the release of his debut album, Street Knowledge: Chapters 1-12, in 1992, through the independent label Outlaw Records. Produced by SMK, the album featured a mix of gangsta rap narratives and positive messages, distributed primarily on cassette and gaining traction through local DJ support in South Memphis. This release marked his professional entry into hip-hop, building on the city's tradition of raw, independent Southern sounds. Throughout the mid-1990s, Kapone maintained a prolific output on small labels, solidifying his presence in the regional scene. He followed with Pure Ghetto Anger in 1994, via Outlaw Records, a darker exploration of urban struggles, and Sinista Funk later that year on Basix Music, which incorporated funkier production elements co-helmed by Brian Smith. In 1995, Da Resurrection arrived under Brutal Records, emphasizing themes of revival and street resilience, while his contributions to the compilation Memphiz Undaground Hustlaz Vol. 1 that year highlighted early collaborations with fellow Memphis artists like Gangsta Blac and Tommy Wright III. By 1997 and 1998, What Cha Got? and Memphis to the Bombed Out Bay, both on Alkatraz Dope Muzik, further showcased his evolving style amid the local hustle. Kapone cultivated a dedicated underground following in Memphis through consistent mixtape distributions, live performances at local venues, and partnerships with regional talents, fostering a cult-like loyalty among fans who appreciated his authentic portrayal of Southern gangsta rap. These efforts, often self-promoted in the city's vibrant but insular hip-hop community, helped him stand out as a pioneer without major label backing. His early influences stemmed from Memphis's storied music heritage, blending hip-hop with echoes of blues and soul. The independent nature of his career presented significant hurdles, including restricted distribution channels that confined his music to cassette tapes and regional outlets, preventing broader national reach and limiting him to a niche, devoted audience rather than mainstream acclaim. Key singles from Da Resurrection, such as "Once a Thug" and "Rollin' Deep" (both released in 1996 on Brutal Records), exemplified his focus on gangsta rap motifs like loyalty, violence, and survival in the streets, resonating deeply within Memphis's underground circuit.Mainstream breakthrough in the 2000s
Al Kapone's transition to broader recognition began in the early 2000s, building on his Memphis underground roots to secure high-profile opportunities in film soundtracks and major-label songwriting. In 2002, he released Goin' All Out under E-40's Sick Wid' It Records imprint, an album that showcased his production skills and lyrical style while gaining distribution beyond local circuits. This project marked an initial step toward national visibility, featuring collaborations that highlighted his growing network in Southern hip-hop. The pivotal breakthrough came with his contributions to the 2005 film Hustle & Flow, directed by Craig Brewer. Kapone wrote and produced three key tracks for the soundtrack: "Whoop That Trick," which became an enduring anthem adopted by the Memphis Grizzlies NBA team; "It Ain't Over" (the film's theme song, performed by Terrence Howard); and "Get Crunk, Get Buck." For "It Ain't Over," Kapone shared the 2006 Critics' Choice Award for Best Song with Howard, recognizing its cultural impact and Oscar-nominated companion piece "It's Hard Out Here for a Pimp" by Three 6 Mafia. These soundtrack elements propelled Kapone into mainstream conversations, exposing his Memphis rap sound to a wider audience through the film's critical acclaim and box-office success. Kapone further solidified his songwriting prowess with credits on platinum-selling hits in 2006. He co-wrote Lil Jon's "Snap Yo Fingaz" (featuring E-40 and Sean Paul of YoungBloodZ), which peaked at No. 7 on the Billboard Hot 100 and earned platinum certification. Similarly, he co-wrote E-40's "U and Dat" (featuring T-Pain and Kandi Burruss), peaking at No. 13 on the Hot 100 and also achieving platinum status, with Kapone credited for suggesting T-Pain's involvement. These tracks exemplified his ability to craft infectious hooks blending crunk energy with street narratives. Throughout the decade, Kapone continued contributing to film projects, enhancing his semi-mainstream profile. For the 2007 dance film Stomp the Yard, he wrote and performed "The Deepest Hood," integrating into a soundtrack alongside artists like Chris Brown and Ne-Yo. In 2008, he featured on Q-Tip's "Evolution of a Man" for the Cadillac Records soundtrack, a blues-infused biopic starring Beyoncé that celebrated Chess Records' legacy. By 2009, Kapone released Showdown Reloaded in collaboration with Mr. Sche, revisiting their earlier work with updated tracks that reflected his evolved production approach and sustained momentum. These endeavors shifted Kapone from regional obscurity to a respected figure in hip-hop's commercial landscape.Recent projects and collaborations
In the 2010s and 2020s, Al Kapone continued to release music that evolved his signature Memphis rap sound, including the 2008 compilation Al Kapeezy Oh Boy!!: The Hits, which collected key tracks from his career. He followed with the 2022 album Memphis Rap Band Experience, blending hip-hop with live instrumentation to showcase the city's musical heritage. In 2023, Kapone released AL KAPEEZY the blues rap mane, a project that pioneered a fusion of blues and rap, featuring collaborations with artists such as Bobby Rush on the intro track and Eric Gales on "Till Ya Dead & Gone (Keep Movin')." In 2025, he released the EP AL KAPEEZY blues rap soul, further blending blues and rap elements.[12] Kapone extended his influence into film soundtracks and production during this period. He served as an associate producer and featured performer in the 2014 documentary Take Me to the River, which explored Memphis music's intergenerational legacy through collaborative recording sessions. In 2021, he contributed the track "Ain't No Stopping Me" to the soundtrack of the animated film Rumble. For the 2022 drama Jacir, Kapone provided music supervision and original compositions, including work produced by Lawrence "Boo" Mitchell, enhancing the film's portrayal of life in Memphis. Since approximately 2020, Kapone has held the position of President of the Memphis Chapter of the National Academy of Recording Arts and Sciences (NARAS), where he has organized events like GRAMMY Career Days to mentor emerging artists and promote the local music scene. In the 2020s, he has toured and performed internationally to advance the Memphis sound, including educational appearances at institutions like Berklee College of Music in 2024, where he discussed blues-rap integration and hip-hop business strategies.Musical style and influences
Roots in Memphis rap
Memphis rap, a distinctive subgenre of Southern hip-hop, emerged in the late 1980s and peaked in the 1990s in Memphis, Tennessee, defined by its raw, lo-fi production aesthetics that utilized affordable equipment like the Roland TR-808 drum machine to create thunderous bass lines, syncopated rhythms, sharp snares, and chopped sample loops.[13] This era's sound incorporated gangsta rap's focus on crime and survival, horrorcore's dark supernatural undertones, and proto-crunk's high-energy aggression, all laced with local slang such as "chickenhead" and "whoop that trick" to evoke the city's street vernacular and cultural grit.[13] Underground cassette tapes distributed at clubs and car washes propelled pioneers like Three 6 Mafia—whose 1995 album Mystic Stylez exemplified the menacing, bass-heavy blueprint—and 8Ball & MJG, whose 1993 debut Comin' Out Hard blended melodic hooks with narratives of urban hardship, establishing Memphis rap as a visceral counterpoint to smoother coastal styles.[14] Al Kapone solidified his place as a Memphis rap pioneer with his 1991 track "Lyrical Drive-By," channeling the genre's core through gritty, double-time flows and lyrics that vividly portrayed street life, personal resilience amid adversity, and fervent Southern pride rooted in the city's unyielding spirit.[13] His tracks embodied the Memphis aesthetic with unrelenting 808-driven bass and lo-fi textures, often slowing tempos and repeating hypnotic hooks in a manner akin to chopped-and-screwed techniques, which amplified the music's immersive, trance-like intensity and regional sonic fingerprint.[14] Kapone's storytelling consistently wove in references to Memphis landmarks—like the Orange Mound neighborhood—and cultural hallmarks, such as jook joint vibes and local hustles, transforming personal anecdotes into anthems of communal endurance and identity.[13] In the 1990s underground circuit, Kapone forged ties with Memphis's rap ecosystem, including production collaborations with DJ Squeeky in his Orange Mound studio and alignments with the Three 6 Mafia orbit—such as shared cassette distributions and live sets alongside affiliates like Project Pat—which bolstered the scene's interconnected fabric and emphasized collective themes of defiance and locality.[15][16] These associations not only amplified Kapone's raw delivery but also underscored Memphis rap's role in fostering a unified front against mainstream marginalization, with his contributions helping to export the genre's bass-laden aggression and narrative depth.[13] Kapone's foundations in this era were further shaped by Memphis's soul heritage from labels like Stax and Hi Records, which instilled an enduring appreciation for the city's rhythmic storytelling traditions.[14]Fusion of blues and hip-hop
Al Kapone introduced the blues-rap genre through his 2023 project AL KAPEEZY the blues rap mane, an eight-track EP that marks his deliberate fusion of hip-hop lyricism with blues instrumentation and narratives. Released on September 8, 2023, the EP features an opening intro by blues legend Bobby Rush and tracks like "Till Ya Dead & Gone," which integrate soulful guitar solos over rhythmic rap flows, creating a hybrid sound that honors Southern musical traditions. This work represents Kapone's evolution from his earlier Memphis rap foundations, where he now layers hip-hop beats with blues progressions to evoke the emotional depth of the Delta blues while maintaining streetwise storytelling.[17][4] Central to this fusion are blues elements such as expressive guitar riffs, exemplified in collaborations with guitarist Eric Gales on songs like "Till Ya Dead & Gone (Keep Movin)" from the EP and the earlier 2020 track "Dead and Gone" from Hip Hop Blues. These guitar lines provide a gritty, wailing backdrop that contrasts and complements Kapone's rapid-fire rhymes, drawing parallels to the improvisational storytelling of artists like Bobby Rush, whose influence is evident in the EP's narrative-driven themes of resilience and redemption. The 2022 album Memphis Rap Band Experience further illustrates this integration through live band arrangements on tracks such as "Memphis Pride Live (Band Mix)" and "Box Me In," where full ensembles—including horns and guitars—amplify rap verses, reflecting Memphis's historic blues heritage as a cradle for genre-blending innovation.[17][18][19] Kapone continued this evolution with the 2025 EP AL KAPEEZY blues rap soul, featuring tracks like "Heart and Soul" that blend Southern soul, blues guitar, and hip-hop rhythms with collaborators including Singa B and Chris Pitts.[20] Critics have hailed this blues-hip-hop synthesis as a vital bridge between contemporary rap and traditional Southern music, praising Kapone's ability to preserve blues authenticity while appealing to younger audiences. In performances and educational initiatives, such as his 2024 Berklee College of Music presentation, Kapone emphasizes how this hybrid sound educates listeners on blues origins and its pervasive influence on hip-hop, positioning the EP and related projects as high-impact contributions to genre evolution. The reception underscores the project's role in revitalizing Memphis's musical legacy, with outlets describing it as a "Memphis music treasure" for its seamless genre merger.[4][19]Discography
Studio albums
Al Kapone's studio albums chronicle his journey from independent underground releases in the Memphis rap scene to major-label collaborations and later experimental fusions of hip-hop with blues traditions. His early works, primarily on small local labels, captured the gritty, street-level essence of 1990s Southern gangsta rap, achieving cult status among hip-hop enthusiasts despite limited commercial distribution. As his career progressed into the 2000s, albums under bigger imprints like Sick Wid' It Records marked a mainstream breakthrough, while his 2020s output emphasizes live band experiences and blues influences, showcasing thematic maturation from raw aggression to reflective storytelling.| Album Title | Release Year | Label | Standout Tracks | Notes |
|---|---|---|---|---|
| Street Knowledge: Chapters 1-12 | 1992 | Outlaw Records | "Lyrical Drive-By," "Criminal Mind" | Debut cassette album embodying early Memphis rap's raw, narrative-driven gangsta style; released independently and gained underground acclaim for its authentic street tales. [21] |
| Pure Ghetto Anger | 1994 | Outlaw Records | "Come Get Some," "Black Mobsta" | Early cassette release capturing intense gangsta themes and Memphis street narratives; limited distribution but influential in local underground scene. [22] [23] |
| Sinista Funk | 1994 | Basix Music | "Sinista Funk" (feat. 1st Degree), "Funkdafied" | Album blending funk samples with gangsta rap, featuring collaborations; key early project gaining traction in regional mixtapes. [24] [25] |
| Da Resurrection | 1995 | Brutal Records | "No Remorse," "Rollin' Deep" | Follow-up that solidified Kapone's cult following in the mid-1990s Memphis scene, focusing on themes of resilience and urban survival; distributed via cassette and CD on a small label. [26] [27] |
| What Cha Got? (as Ska-Face Al Kapone) | 1997 | Alkatraz Dope Muzik | "What Cha Got?," "Gangsta Walk" | Mid-1990s album under alias exploring thug rap and collaborations; independent release contributing to his evolving Memphis sound. [28] [29] |
| Memphis to Tha Bombed Out Bay (as Ska-Face Al Kapone) | 1998 | Alkatraz Dope Muzik | "Memphis to Tha Bay," "Bombed Out" | Collaborative-flavored album bridging Memphis and Bay Area influences; cassette and CD formats highlighting regional connections. [30] [31] |
| Goin' All Out | 2002 | Sick Wid' It Records / Family Biz Entertainment | "Hustle (A cappella)," "Welcome 2 the Chamber" | Major-label shift featuring production by E-40, blending crunk elements with Memphis sound; achieved broader exposure through collaborations, marking Kapone's mainstream push. [32] [33] |
| Showdown Reloaded (with Mr. Sche) | 2009 | Junkadelic Music / Immortal Inc. / Alkatraz Productions | "South Side," "Reloaded" | Double-disc reworking of earlier material with updated beats, reflecting on career longevity; independent collaborative release that highlighted Kapone's enduring presence in Southern hip-hop. [34] [35] |
| Memphis Rap Band Experience | 2022 | Independent (self-released via digital platforms) | "Memphis Pride (Live Band Mix)," "New Jewelry (Live)" | Live-band recorded project fusing rap with instrumental grooves, emphasizing Memphis heritage; short EP-length album (7 tracks) that experiments with performance-oriented formats. [36] [37] |
| AL KAPEEZY the Blues Rap Mane | 2023 | Alkatraz Productions | "Blues Rap Mane," "Kapeezy Blues" | Culmination of blues-hip-hop fusion, drawing on Memphis' musical roots with soulful instrumentation; self-released digital album that evolved from gangsta origins to genre-blending maturity. [38] [37] [39] |
Singles and EPs
Al Kapone's early singles in the 1990s laid the foundation for his underground presence in Memphis rap, often released as maxi-singles or promos tied to his initial projects. His debut single, "Lyrical Driveby," emerged in 1992 on 3 DDD Records as a cassette maxi-single, capturing the raw, street-oriented lyricism that defined his nascent style. This was followed by "Southern G-Soul (Full of Indo)" in 1994 on Basix Music and a promotional 12-inch version of "Lyrical Drive By" that same year, both showcasing his aggressive flow over gritty beats influenced by the local scene. Tracks from his 1994 album Sinista Funk, such as the title track "Sinista Funk" featuring 1st Degree from Da Kartell, functioned as standout singles, blending funk samples with gangsta rap themes and gaining traction in regional mixtapes.[2][40] By the mid-1990s, Kapone's singles expanded his reach, with "Rollin' Deep" released in 1996 on Priority/Brutal Records, featuring K.O. Cane Wayne and Taylor Boy, which highlighted collaborative Memphis energy and became a staple in underground rotations. "Once A Thug" followed that year on Brutal Records, reinforcing his thug-life persona. Into the 2000s, "Puffin / Hell Naw" dropped as a 2001 12-inch single on Family Biz Entertainment, offering dual tracks that experimented with laid-back flows and confrontational hooks. These efforts, while not charting nationally, built Kapone's reputation through mixtape circuits and local airplay.[2] Kapone's mainstream breakthrough came with singles tied to the 2005 film Hustle & Flow, where he wrote and performed key tracks for the soundtrack. "Whoop That Trick," released as a single that year on Diamond D Records, originated from Kapone's earlier work but gained iconic status through the movie, evolving into a chant for resilience and victory; it has since become a cultural anthem in Memphis, adopted by sports teams like the Grizzlies for crowd motivation during games. The accompanying Whoop That Trick - The Mix Tape (2005 CD) included remixes and non-album cuts, extending its promotional reach. Similarly, "It Ain't Over (Hustle & Flow)," another soundtrack contribution, earned Kapone a Critic's Choice Award for its motivational lyrics, underscoring themes of perseverance in the hip-hop grind. His songwriting extended to co-writing Billboard top-10 hits "Snap Yo Fingers" by Lil Jon (featuring E-40 and Sean Paul of YoungBloodZ) and "U and Dat" by E-40 (featuring T-Pain and Kandi Girl) in 2006, both achieving platinum certification and amplifying his influence in crunk production.[41][42][43][44][45][46] In recent years, Kapone has explored EPs that fuse his rap roots with blues elements, reflecting his Memphis heritage. The 2023 release AL KAPEEZY the blues rap mane (self-released, 8 tracks, 25 minutes) serves as a concise EP, featuring collaborations like "Can't Box Me In" with AL Kapeezy and Singa B, and tracks such as "Til Ya Dead & Gone," "Dirty Game," and "Vice Grip." Introduced by blues legend Bobby Rush, it promotes Memphis anthems through a hybrid sound, available on vinyl and digital platforms to highlight Kapone's evolving artistry. The 2025 EP AL KAPEEZY blues rap soul (released September 26, 2025; self-released, 5 tracks) continues this fusion with tracks like "Heart and Soul" (feat. AL Kapeezy, Singa B, JP on the Track, and Chris Pitts) and "Southern Soul Party," emphasizing soulful collaborations and Memphis blues-rap integration. Standalone efforts like the 2022 single "Whoop That Trick 2.0" continue to nod to his enduring hits, maintaining cultural relevance without full album commitments.[38][39][47][48][20][12]| Notable Singles and EPs | Year | Key Details and Impact |
|---|---|---|
| "Lyrical Driveby" | 1992 | Maxi-single; early underground hit establishing street credibility. |
| "Southern G-Soul (Full of Indo)" | 1994 | Regional promo; infused funk into Memphis rap. |
| "Sinista Funk" (track/single) | 1994 | From album era; collaborative track boosting local mixtape play. |
| "Rollin' Deep" | 1996 | Feat. K.O. Cane Wayne & Taylor Boy; collaborative anthem for Memphis crews. |
| "Whoop That Trick" | 2005 | Soundtrack single; cultural icon for sports chants, Critic's Choice recognition. |
| "It Ain't Over" | 2005 | Motivational soundtrack cut; award-winning for perseverance theme. |
| AL KAPEEZY the blues rap mane (EP) | 2023 | 8 tracks blending blues/rap; features Bobby Rush intro, promotes hybrid style. |
| AL KAPEEZY blues rap soul (EP) | 2025 | 5 tracks continuing blues-rap fusion; features soulful collaborations like "Heart and Soul". |