Alexandra Savior
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Key Information
Alexandra Savior McDermott (born June 14, 1995)[5] is an American singer-songwriter originally from Portland, Oregon. Savior first came to public notice at age 17 in 2012 after Courtney Love publicly lauded her performance of covers on YouTube. Shortly after graduating high school in 2013, Savior pursued a music career in Los Angeles, and was signed to Columbia Records later that year, after which she began recording material with producers James Ford and Alex Turner. Her debut studio album, Belladonna of Sadness, was released on April 7, 2017, by Columbia Records.[7]
After being dropped by Columbia Records in 2019, Savior was signed to Danger Mouse's independent label, 30th Century Records, who released her second studio album, The Archer, on January 10, 2020.[8] The album was met with critical acclaim.[9] In June 2024, Savior announced her signing with RCA Records.[10] Her third studio album, Beneath the Lilypad, was released by RCA on May 16, 2025.[11]
Early life
[edit]Alexandra Savior McDermott[12] was born on June 14, 1995, in Portland, Oregon.[1][13][14] Her mother was diagnosed with cervical cancer[15] when she was pregnant with Savior but during her pregnancy she was cured. Because of this event, her father chose “Savior” as her middle name.[16] She has one older brother.[14]
Savior was raised in Vancouver, Washington.[15] At age 12, her parents divorced, and her father relocated to New Orleans, Louisiana.[17] She first became interested in songwriting at age 14, in part inspired by her older brother, also a musician.[12] Savior grew up listening to "a lot of soul and grunge", including her father's records by artists such as Pearl Jam, Otis Redding, and Jimi Hendrix.[1] As a teenager, she was also an admirer of Jack White, Etta James, and The Velvet Underground.[1][15] She began taking singing lessons as a teenager.[18] As a student, Savior struggled socially and had to change high schools due to being bullied by peers.[1] Savior has bipolar I disorder.[19][20]
Career
[edit]2013–2018: Early work and debut studio album
[edit]Savior first achieved public attention in September 2012 at age 17 after rock singer-songwriter Courtney Love publicly complimented her after viewing a cover of Angus & Julia Stone's "Big Jet Plane" that Savior had uploaded on YouTube.[21][22] "She’s going to be huge," Love declared. "I am not ever wrong when it comes to spotting talent."[1] Love began corresponding with Savior by email and, eventually, by phone.[23] "She called me up," Savior recalled. "We had a land line at my house, and the phone was shaped like a big tomato. So she would call me on the tomato phone, and I would sit in the kitchen and we would talk and talk. She gave me good advice. She told me not to let anybody turn me into a puppet."[24]
It’s hard to have people try to mold you into a version of what they find sellable, or a version of somebody else, or a version of everybody else. When I was 16 I went to a record label … I did a showcase and sang them three of my songs. Afterwards they sat me on a stool and asked me, “Do you want to be like Pink or Katy Perry?” And I thought, “Oh, what have I gotten myself into?”
By April 2013, Savior had done some modeling for Erin Fetherston and said she hoped her first album would be out soon.[25] She graduated from high school in June 2013[1] and had plans to attend art school, but opted instead to relocate to Los Angeles and pursue a music career.[12] "I moved to an apartment in Hollywood behind a strip club called the Seventh Veil," she commented. "It was terrifying. I got signed about a month later. I moved immediately."[14] Around September 2013, Savior was signed to a recording contract by Columbia Records, which she later admitted she was not prepared for artistically or socially.[12] Despite this, she stated that Columbia was the best choice given that other labels were interested in modeling her after established pop artists such as Katy Perry or Pink.[26] In October 2013, Linda Perry was publicly comparing Savior's potential to that of Fiona Apple.[1]
In 2014, Savior began writing and recording her material for her debut studio album in Los Angeles with James Ford of The Last Shadow Puppets and Alex Turner of Arctic Monkeys as producers.[12][27] The album initially had the working title Strange Portrait,[28] but was retitled Belladonna of Sadness after the 1973 Japanese anime of the same name.[16] Savior initially planned to release the album under the stage name Alexandra Semitone,[29] but Turner advised her to change her name and use her middle name as the last.[12][16][30] "Miracle Aligner", a song written by Savior and Turner during the recording sessions, though cut from the album, was re-recorded by Turner's band the Last Shadow Puppets[12] and later featured on their 2016 album, Everything You've Come to Expect.[31]
Belladonna of Sadness was mostly completed by June 2015,[12] during which time Savior gave limited concert appearances, usually before industry audiences in the media capitals of Los Angeles, New York, and London.[26][27][32] These appearances utilized members of the musical group PAPA as backing musicians.[27][32] Speaking of the album's pending release in October 2016, Savior said: "It's been very difficult... The most important thing about the music industry I've learnt is that it's total bullshit, and that the thing you should focus on the most is just the art."[12]
In 2015, a demo from the album, "Risk", was featured on the soundtrack of the second season of the television show True Detective.[32] Savior subsequently released a series of singles from the album, beginning with "Shades" on June 17, 2016,[33] followed by "M.T.M.E." on September 8, 2016.[34] Reviewing "M.T.M.E.", the British newspaper NME wrote: "The striking and smoky vocals belong solely to Savior and ooze a burgeoning star power well beyond her tender age of 21."[35] A third single, "Mystery Girl" was released on November 21, 2016, alongside an announcement of the album's upcoming release.[26] Savior was also featured as a guest vocalist on the song "Providence Sky" by Brooklyn-based music project Dark Tea, released in December 2016.[36] "Mirage", the fourth and final promotional single for Savior's forthcoming album, was released on February 3, 2017.[37] Paintings by Savior were used for the covers of some of the single releases,[12] with accompanying self-directed music videos.[26] During the winter of 2017, Savior supported Hamilton Leithauser as an opening act for his West Coast tour dates.[14]
Belladonna of Sadness was officially released on April 7, 2017, by Columbia Records. It received generally favorable reviews from critics,[38] and was named one of the 30 best albums of the year by The Independent.[39] Shortly after the album's release, Savior appeared on Lea Michele's 2017 album Places as co-writer of the track "Sentimental Memories".
2019–present: Label transitions
[edit]After the release of Belladonna of Sadness, Savior submitted demos to Columbia for her second album, but the label rejected them before dropping her after her manager quit.[40] Savior said this was a difficult time for her as she felt Columbia's termination of her record contract marked a significant failure, and possibly the end of her career.[41][42] Savior left Los Angeles and returned to Portland to live with her mother.[40] While attending community college, she was asked by producer Danger Mouse to record vocals for the Broken Bells track "Good Luck", which was released in September 2019.[43]
James Mercer of Broken Bells and The Shins subsequently requested Savior's demos, and she was soon signed to Danger Mouse's independent label, 30th Century Records. She began recording new material with producer Sam Cohen in New York City in November 2019.[41] In June 2019, two years after releasing Belladonna of Sadness, Savior returned with the lead single from her second studio album, The Archer, titled "Crying All the Time". It was released on June 14, 2019. The song was made available on music streaming platforms through 30th Century Records.[44] Following the release of three additional singles, The Archer, was released by 30th Century Records on January 10, 2020.[45] A limited run of vinyl LP versions of the album were independently produced and made available for sale on Savior's official website.[46] The album was well-received by critics, earning an 84% approval rating on review aggregator Metacritic based on 4 reviews, signifying "universal acclaim".[9]
In a 2021 interview, Savior revealed she had been working on composing a third album, and was in the process of writing guitar-based songs.[47] She reflected on her career thus far:
It’s been almost ten years since I began making music and there is some sort of loneliness in me and my songs. The fact that I cannot financially support myself seems like a failure, but it’s also the influence of expectations, both mine and the ones which came from the outside world. It makes me feel like I’m in downtime, that I am failing because in the music industry you live in constant highs and lows. One month your new record gets its premiere, you have interviews, people are interested. Next month no one gives a shit and you have to move on. Then you work three years on the new album and you have this feeling of being unsure if the public is going to like your new record. Everything can collapse in a second. In the end, you’re left with some sort of crash.[47]
Savior's third studio album, Beneath the Lilypad, was released by RCA Records on May 16, 2025.[11]
Influences
[edit]Savior has cited several singer-songwriters as musical influences, including Connie Converse,[47] Karen Dalton, and Sibylle Baier, commenting that she was inspired by artists "who have life stories."[18]
Discography
[edit]Studio albums
[edit]- Belladonna of Sadness (2017)
- The Archer (2020)[48]
- Beneath the Lilypad (2025)[49]
Singles
[edit]| Year | Title | Album |
|---|---|---|
| 2016 | "Shades"[4] | Belladonna of Sadness |
| "M.T.M.E."[4] | ||
| "Mystery Girl"[4] | ||
| 2017 | "Mirage"[4] | |
| "Vanishing Point"[4] | ||
| "Bones" | ||
| 2019 | "Crying All the Time"[4] | The Archer |
| "Saving Grace"[4] | ||
| "The Archer"[4] | ||
| "Howl"[4] | ||
| 2025 | "Unforgivable"[4] | Beneath the Lilypad |
| "The Mothership"[50] |
Personal Life
[edit]Savior has been in a relationship with producer Drew Erickson since June 2019.
References
[edit]- ^ a b c d e f g h Eboma, Tatsha C. (October 23, 2013). "Alexandra McDermott". Ozy. Archived from the original on March 17, 2018.
- ^ Kaye, Ben (November 21, 2019). "Alexandra Savior shares the Origins of new single "Howl": Stream". Consequence. Archived from the original on December 6, 2021.
- ^ "Alexandra Savior – Beneath the Lilypad". Album of the Year.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ a b c d e f g h i j k "Alexandra Savior". Apple Music. Archived from the original on January 14, 2023.
- ^ a b "Alexandra Savior". AllMusic.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ "30th Century Records » Alexandra Savior". 30th Century Records. Archived from the original on August 31, 2022.
- ^ Graves, Shahlin (November 22, 2016). "Alexandra Savior announces debut album 'Belladonna of Sadness' + drops new song 'Mystery Girl'". Coup De Main Magazine. Retrieved November 22, 2016.
- ^ Graff, Gary (January 9, 2020). "Alexandra Savior Finds Her Voice on 'The Archer': Album Premiere". Billboard. Archived from the original on August 20, 2022.
- ^ a b "The Archer by Alexandra Savior". Metacritic. Archived from the original on January 15, 2020.
- ^ "Instagram". www.instagram.com. Retrieved March 31, 2025.
- ^ a b Mims, Taylor (May 16, 2025). "Alexandra Savior on Taking Control of Her Own Work on 'Beneath the Lilypad'". Billboard.
{{cite magazine}}: CS1 maint: deprecated archival service (link) - ^ a b c d e f g h i j Graves, Shahlin (October 10, 2016). "Interview: Alexandra Savior on her upcoming debut album". Coup De Main Magazine.
{{cite news}}: CS1 maint: deprecated archival service (link) - ^ Music News Desk (June 17, 2016). "Alexander Savior Debuts First Official Song 'Shades'". BroadwayWorld.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ a b c d e Mayer, Tess (December 6, 2016). "Discovery: Alexandra Savior". Interview.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ a b c "Alexandra Savior". First Avenue & 7th St. Entry. Archived from the original on January 14, 2023.
- ^ a b c Bluhm, David (November 29, 2022). "Interview: Alexandra Savior". Gasteliste (in German).
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ O'Loughlin, Aimee (August 24, 2017). "Why1 We're Utterly Obsessed With Up-and-Coming Singer-Songwriter, Alexandra Savior". Nasty Gal.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ a b "Singer's Soundoff! 2020". Music Connection. March 28, 2020.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ "Alexandra Savior – Beneath The Lilypad". FemMusic. April 11, 2025.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ Savior, Alexandra (June 16, 2025). "Alexandra Savior on bipolar disorder and being discovered by Courtney Love". Depresh Mode (Interview). Interviewed by John Moe. Archived from the original on June 22, 2025.
- ^ "Alexandra Savior - Artist Profile". EventSeeker. Archived from the original on August 30, 2022.
- ^ Carlson, Jen (September 13, 2012). "Video: Courtney Love Declares Alexandra McDermott The Next Big Thing". Gothamist. Archived from the original on March 10, 2017.
- ^ Morrison, Sarah (September 16, 2019). "An Interview with Alexandra Savior". Groovy Tunes Magazine.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ Lanham, Tom (January 17, 2017). "Time is right for Alexandra Savior's excellent debut". San Francisco Examiner. p. A11 – via Newspapers.com.
- ^ Catarinella, Alex (April 29, 2013). "The Next Big Thing: Alexandra McDermott". Galore. Archived from the original on May 30, 2013.
- ^ a b c d Trefor, Cai (November 21, 2016). "Meet Alexandra Savior who's co-written her debut album with Alex Turner". Gigwise. Archived from the original on August 7, 2022.
- ^ a b c Edelstone, Steven (August 12, 2016). "Alexandra Savior, Mystery Girl, Steps out of the Shade". Noisey. Retrieved November 22, 2016.
- ^ "Alexandra Savior". Night Out. Archived from the original on November 22, 2016.
- ^ Clark, Aimee (November 7, 2020). "Why We Love: Alexandra Savior". Totally Wired.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ Fontanarosa, di Cristina (January 29, 2020). "Alexandra Savior, la cantante lanciata da Alex Turner ora fa tutto da sola". Rolling Stone Italia (in Italian).
{{cite magazine}}: CS1 maint: deprecated archival service (link) - ^ "Listen to The Last Shadow Puppets' new song 'Miracle Aligner'". NME. March 28, 2016. Archived from the original on March 31, 2016.
- ^ a b c Edelstone, Steven (May 27, 2016). "Alexandra Savior's Williamsburg Show Was A Triumph - Whether Alex Turner Showed Up Or Not". NME. Archived from the original on July 3, 2016.
- ^ BWW News Desk. "Alexander Savior Debuts First Official Song 'Shades'". BroadwayWorld.
{{cite news}}: CS1 maint: deprecated archival service (link) - ^ "Listen To Alexandra Savior's New Single 'M.T.M.E'". NME. September 9, 2016. Archived from the original on February 27, 2021.
- ^ Smith, Thomas (September 9, 2016). "Listen To Alexandra Savior's New Single 'M.T.M.E'". NME. Archived from the original on February 27, 2021.
- ^ Graves, Shahlin (December 1, 2016). "Listen: Alexandra Savior features on Dark Tea's 'Providence Sky'". Coup De Main Magazine. Retrieved November 4, 2018.
- ^ "Fall into the Dark Fragments of Alexandra Savior's "Mirage"". Vice. February 3, 2017.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ "Belladonna of Sadness by Alexandra Savior". Metacritic.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ O'Connor, Roisin (November 27, 2017). "The 30 best albums of 2017". The Independent.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ a b MacGilbert, Molly (February 12, 2020). "After Recording Her First Album for Columbia Records With Alex Turner, Portland's Alexandra Savior is Stepping Out on Her Own". Willamette Week.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ a b Zawadzki, Clementine (November 19, 2019). "Alexandra Savior on her sophomore record being a reflection of self-discovery and growth". Hero.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ Bernhardt, Peyton (August 11, 2020). "Alexandra Savior quietly dropped the most underrated indie album of 2020". Blunt Magazine.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ Charpentier, Abigail (September 27, 2019). "Broken Bells Share 'Good Luck'". BroadwayWorld.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ Hauntly, Brian (June 13, 2019). "Premiere: Alexandra Savior Shares New Single, 'Crying All The Time'". Forbes.
{{cite news}}: CS1 maint: deprecated archival service (link) - ^ "The Archer". Apple Music. Archived from the original on August 31, 2022.
- ^ "Alexandra Savior – The Archer LP". 30th Century Records. Archived from the original on December 5, 2020.
- ^ a b c Tracz, Jan (March 17, 2021). "Alexandra Savior: Loneliness as a Musical Impulse". Papaya.Rocks.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ "Alexandra Savior Goes Americana or New Vidao". Lady Gunn. September 12, 2019.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ Beneath The Lilypad by Alexandra Savior on Apple Music, May 16, 2025, retrieved April 9, 2025
- ^ "Post from Alexandra Savior". YouTube. Retrieved April 9, 2025.
External links
[edit]- Official site
- Alexandra Savior at AllMusic
- Alexandra Savior discography at Discogs
- Alexandra Savior at IMDb
Alexandra Savior
View on GrokipediaBackground
Early life
Alexandra Savior McDermott was born on June 14, 1995, in Portland, Oregon.[4] She grew up primarily in Vancouver, Washington, a suburb across the Columbia River from Portland, where the regional music culture began to shape her artistic sensibilities from a young age.[5] Influenced by her older brother, who was also a musician, Savior was immersed in a household filled with sounds from artists like Pink Floyd, Muddy Waters, and the Beatles.[3] At the age of 12, Savior's parents divorced, profoundly affecting her family dynamics; she channeled the experience into writing a play about the separation.[3] This period of personal upheaval coincided with her emerging interest in music as an outlet. By age 14, she began songwriting in earnest, starting with a ukulele tune titled "Lazy Daisy Crazy," drawing inspiration from the vibrant Pacific Northwest music scene that surrounded her.[3] Savior's early musical tastes leaned toward soul, particularly the works of Otis Redding, and grunge, including bands like Pearl Jam, reflecting the eclectic influences of her environment.[3] These interests culminated in her first taste of public recognition in 2012, at age 17, when Courtney Love publicly praised a YouTube video of Savior covering Angus & Julia Stone's "Big Jet Plane" on social media, marking an early breakthrough in her path toward music.[2]Personal life
Alexandra Savior was diagnosed with bipolar I disorder at the age of 23. The condition manifests in her through extended periods of manic highs, characterized by fixations on escape, promiscuity, excessive spending, hallucinations, delusions, and prolonged sleeplessness, followed by depressive episodes lasting weeks to months that feel deeply isolating and flu-like, often accompanied by suicidal ideation.[6] Her diagnosis has profoundly shaped both her creative process and daily life. Initially hesitant to seek treatment, Savior believed the disorder fueled her artistic output, leading her to forgo medication at times and endure cycles of instability, including a 2021 hospitalization following a suicide attempt during a manic episode with psychosis. She has since incorporated medication and sedatives into her routine, alongside lifestyle adjustments like socializing, walking, and limiting stimulants, though these measures can dampen her creativity; half of the songs on her 2025 album Beneath the Lilypad were written amid untreated episodes, while the rest emerged during stabilization. In daily life, she actively monitors her cycles—for instance, recognizing a recent manic phase after a month—and notes that touring exacerbates psychosis risks.[6][2] Savior maintains a deliberate emphasis on privacy concerning her personal relationships and aspects of life unrelated to her music. While she has shared that a past breakup stemmed from her partner's inability to comprehend the extended timelines of her bipolar cycles, she avoids public details about romantic entanglements or family matters beyond her professional narrative. This approach reflects her broader wariness of oversharing in an era dominated by social media, where she prioritizes artistic control over personal exposure.[6][2][7] Originally from the Portland area, Savior relocated to Los Angeles to advance her music career, a move that significantly disrupted her personal stability. The shift from Portland's lush rainforest environment to LA's arid desert proved jarring, exacerbating feelings of depression and leading to substantial weight loss in her early years there; she has described the city as a challenging place to live, prompting a temporary return to Portland before settling back in LA. This relocation intensified her sense of isolation, contrasting sharply with the natural surroundings she misses, and compounded the emotional toll of her health struggles.[2][8][9]Career
2013–2018: Signing with Columbia and debut album
In 2012, at the age of 17, Alexandra Savior first attracted industry attention when Courtney Love discovered a YouTube video of her performing a cover of Angus & Julia Stone's "Big Jet Plane" and publicly praised her talent via social media and email exchanges.[9] Following this endorsement, Savior relocated to Los Angeles and signed a recording contract with Columbia Records in 2013.[10] The label supported her early songwriting, which had begun in her teens, by connecting her with collaborators including Arctic Monkeys frontman Alex Turner, with whom she began co-writing material in 2014.[7] Savior's major-label debut came with the release of her lead single "Shades" on June 17, 2016, a track co-written with Turner that showcased her breathy vocals over dreamy indie pop arrangements.[11] This was followed by "M.T.M.E." on September 8, 2016, and "Mystery Girl" on November 18, 2016, each accompanied by self-directed music videos emphasizing cinematic, noir-inspired visuals. "Mirage," the fourth single, arrived on February 3, 2017, further building anticipation with its haunting, melancholic tone. These releases marked Savior's emergence as a distinctive voice in indie pop, blending retro influences with introspective lyrics. Her debut studio album, Belladonna of Sadness, was released on April 7, 2017, via Columbia Records, featuring 11 tracks primarily co-written with Turner and co-produced by Turner and James Ford.[12] Recorded in Hollywood, the album explored themes of longing and emotional detachment through lush, orchestral soundscapes and Savior's intimate delivery.[7] Critics praised its atmospheric production and witty lyricism, with The Guardian noting Savior's "crystalline, intimate voice" reminiscent of a subdued Lana Del Rey, while DIY Magazine highlighted its "dry wit and effortless elegance."[13][14] However, Pitchfork critiqued its heavy reliance on Turner's style, describing it as "an Alex Turner album passed off as Savior's."[15] To promote the album, Savior embarked on early live performances, including opening slots for The Last Shadow Puppets during their 2016 U.S. tour, where she debuted songs like "Cupid" and "Mirage" to enthusiastic crowds.[16] Additional shows at venues such as San Francisco's The Fillmore and Los Angeles clubs, along with festival appearances, helped solidify her presence in the indie scene through 2018.[17]2019–2025: Label changes and subsequent releases
In 2019, while developing material for her sophomore album, Alexandra Savior was dropped by Columbia Records, marking a significant setback in her early career trajectory.[2][18] Shortly thereafter, she signed with Danger Mouse's independent label, 30th Century Records, which provided a more supportive environment for her creative vision.[19][20] Savior's second studio album, The Archer, was released on January 10, 2020, through 30th Century Records, produced by Sam Cohen, with Savior writing all lyrics and guitar parts, and a shift toward greater artistic independence.[18] The album featured key singles such as "Crying All the Time," released in June 2019 as her debut under the new label, and "Howl," which highlighted her evolving indie pop sound with psychedelic undertones.[20][21] In interviews, Savior described the project as a period of self-discovery, emphasizing her desire to reclaim narrative control after previous industry challenges.[21] Following the release of The Archer, Savior entered a five-year creative hiatus, during which she navigated independent periods without a major label affiliation, focusing on personal growth and songwriting.[2] In June 2024, she signed with RCA Records, announcing the deal on her official Instagram as a pivotal moment in her career at age 29.[22] This partnership led to the release of her third studio album, Beneath the Lilypad, on May 16, 2025, via RCA, preceded by the lead single "Unforgivable" in April 2025.[23][24][25] The album explores themes of reclaiming power and autonomy, with Savior discussing in interviews how the hiatus allowed her to prioritize creative control and overcome past industry hurdles. During this hiatus, Savior experienced a hospitalization for manic psychosis in 2023, which informed the album's themes of resilience and self-reflection.[2][26]Art and influences
Musical style
Alexandra Savior's music is primarily rooted in indie pop, incorporating elements of dream pop, psychedelic folk, and retro influences that evoke a hazy, atmospheric quality. Her sound often features crystalline vocals layered over swirling instrumentation, blending ethereal melodies with subtle psychedelic textures to create an immersive, otherworldly listening experience. This style draws from the Pacific Northwest's indie scene, where her Portland origins infuse a distinct sense of introspective melancholy and natural mysticism, setting her apart from more urban-centric contemporaries like Lana Del Rey.[27][4][13] Her debut album Belladonna of Sadness (2017) established a melancholic and hazy aesthetic, characterized by retro pop arrangements, soft rock swells, and synth-driven dreaminess that conjures dystopian harmonies and haunting motifs. Over time, Savior's style evolved toward greater introspection and autonomy, as seen in The Archer (2020), where blues-tinged psychedelic elements and 1960s-inspired pop structures allow for deeper emotional vulnerability, shifting from cinematic grandeur to more personal, reflective narratives. By Beneath the Lilypad (2025), her approach became notably self-produced and stripped-down, emphasizing raw vocal delivery amid orchestral strings and ethereal production that heightens themes of quiet empowerment.[15][14][28] Lyrically, Savior's work recurrently explores sadness, mystery, empowerment, and personal introspection, using lucid metaphors to navigate heartbreak, identity, and resilience. These themes are amplified through production techniques like lo-fi intimacy in quieter moments and lush orchestral arrangements in later releases, which underscore emotional depth without overwhelming the narrative. Her Pacific Northwest sensibility—evident in nature-infused imagery and a grounded yet enigmatic tone—distinguishes her within the broader indie music landscape, fostering comparisons to artists like Weyes Blood while maintaining a uniquely subdued, folklore-tinged edge.[29][2][26]Influences
Savior has cited the folk singer-songwriters Connie Converse, Karen Dalton, and Sibylle Baier as primary influences, drawn to their introspective and minimalist approaches that emphasize raw emotional delivery and personal storytelling.[30][31] In particular, she has expressed admiration for Converse's introspective folk style, even covering her song "How Sad, How Lovely" in an acoustic rendition.[32] These artists' lives, marked by obscurity and posthumous recognition, resonate with Savior, inspiring her own vulnerable lyrical explorations.[30][31] Growing up in the Pacific Northwest, Savior was exposed early to soul artists like Otis Redding and grunge bands such as Pearl Jam through her father's record collection, which introduced her to a blend of emotive soul vocals and raw, guitar-driven energy, alongside classic rock influences including Pink Floyd, Muddy Waters, and the Beatles.[33][3] These foundational sounds from her upbringing in Portland, Oregon, contributed to her genre-blending style, merging soulful expressiveness with grunge's unpolished intensity to create atmospheric alt-pop.[33] The combination of these influences has shaped Savior's music by fostering a lyrical vulnerability rooted in personal introspection, as seen in her confessional songwriting, while encouraging a genre-blending approach that weaves folk minimalism, soul depth, and grunge edge into cohesive narratives.[30][31][33] Among more contemporary figures, Savior's collaboration with Arctic Monkeys frontman Alex Turner on her 2017 debut album Belladonna of Sadness—where he co-wrote and co-produced several tracks—has served as a modern influence, exposing her to indie rock production techniques that complement her foundational inspirations.[18][34]Works
Studio albums
Alexandra Savior has released three studio albums to date, each marking distinct phases in her musical evolution with varying labels and production approaches. Her debut album, Belladonna of Sadness, was released on April 7, 2017, through Columbia Records.[35] The 10-track record was co-produced by James Ford and Alex Turner, who also contributed to songwriting.[15] It achieved modest chart success, peaking at number 33 on the UK Official Record Store Chart.[36] Savior's second album, The Archer, followed on January 10, 2020, via 30th Century Records.[37] Comprising 10 tracks, it was primarily produced by Sam Cohen, with Savior incorporating self-produced elements in its creation.[38] The album received limited commercial charting but garnered attention in indie circles. Her third studio album, Beneath the Lilypad, arrived on May 16, 2025, under RCA Records.[39] This 11-track effort was self-produced by Savior in collaboration with Drew Erickson and emphasizes themes of empowerment.[26] Like its predecessors, it entered modest positions on indie charts without major mainstream breakthroughs.[40]Singles
Alexandra Savior's singles career began with promotional releases for her debut album, Belladonna of Sadness, under Columbia Records. These early tracks established her dream pop sound and garnered attention through music videos and streaming platforms. "Shades," her first single, was released on June 17, 2016, and co-written with Arctic Monkeys' Alex Turner, marking her introduction to a broader audience.[11][41] Subsequent singles from the same era, including "M.T.M.E." on September 8, 2016, "Mystery Girl" on November 18, 2016, and "Mirage" on February 3, 2017, built anticipation for the album and highlighted her noir-inspired aesthetics.[42][43][44] Following her transition to 30th Century Records, Savior issued singles tied to her second album, The Archer. The lead single, "Crying All the Time," arrived on June 14, 2019, showcasing a more personal lyricism amid her label change.[45] This was followed by "Saving Grace" on September 13, 2019, "The Archer" on October 28, 2019, and "Howl" on November 22, 2019, emphasizing atmospheric production by Sam Cohen.[46][47][48] Additional releases included "But You (Acoustic)" on July 3, 2020, and "We're Just Making It Worse" later that year, extending promotion beyond the album's January 10, 2020, release.[49][4] In 2025, after signing with RCA Records, Savior returned with singles for her third album, Beneath the Lilypad. The lead single, "Unforgivable," was released on March 14, 2025, and featured a live performance video to herald the album's May 16 release.[50] "The Mothership" followed as a subsequent single in 2025, contributing to the project's thematic exploration of empowerment.[51] None of Savior's singles have achieved major commercial chart peaks in key markets like the UK or US Billboard Hot 100, though "Crying All the Time" saw significant streaming growth on platforms like Spotify, exceeding 1 million streams within months of release.[52]| Title | Release Date | Album Association | Notes |
|---|---|---|---|
| Shades | June 17, 2016 | Belladonna of Sadness (2017) | Debut single; music video directed by Savior.[53] |
| M.T.M.E. | September 8, 2016 | Belladonna of Sadness (2017) | Second single.[54] |
| Mystery Girl | November 18, 2016 | Belladonna of Sadness (2017) | Third single.[55] |
| Mirage | February 3, 2017 | Belladonna of Sadness (2017) | Fourth single.[56] |
| Crying All the Time | June 14, 2019 | The Archer (2020) | Lead single for second album.[57] |
| Saving Grace | September 13, 2019 | The Archer (2020) | Promotional single.[48] |
| The Archer | October 28, 2019 | The Archer (2020) | Title track single.[47] |
| Howl | November 22, 2019 | The Archer (2020) | Streaming focus.[58] |
| But You (Acoustic) | July 3, 2020 | Non-album (acoustic version from The Archer) | Independent release via Bandcamp.[49] |
| We're Just Making It Worse | 2020 | Non-album | Post-album single.[4] |
| Unforgivable | March 14, 2025 | Beneath the Lilypad (2025) | Lead single; live video release.[59] |
| The Mothership | 2025 | Beneath the Lilypad (2025) | Follow-up single.[60] |