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Alexandre Tharaud
Alexandre Tharaud
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Tharaud performing in 2018

Alexandre Charles Martial Tharaud (born 9 December 1968) is a French pianist. He is active on the concert stage and has released a large and diverse discography.[1]

Life and career

[edit]

Born in Paris, Tharaud discovered the music scene through his mother who was a dance teacher at the Opéra de Paris, and his father, an amateur director and singer of operettas. Tharaud thus appeared as a child in theatres around northern France, where the family spent many weekends.[2] His grandfather was a violinist in Paris in the 1920s and 1930s.[3]

At the initiative of his parents, Tharaud began piano studies at the age of five, and he entered the conservatoire of the 14th arrondissement, where his teacher was Carmen Taccon-Devenat, a student of Marguerite Long.[2]

He entered the Conservatoire de Paris at the age of 14 where he won first prize for piano in the class of Germaine Mounier when he was 17 years old. With Theodor Paraskivesco, he mastered the piano, and he sought and received advice from Claude Helffer, Leon Fleisher and Nikita Magaloff. In 1987, he won third prize at the Maria Canals International Competition in Barcelona[1] and, a year later, the Senigallia Competition in Italy. In 1989, he was awarded 2nd prize at the ARD International Music Competition in Munich. His career developed quickly in Europe as well as in North America and Japan.

In 2009, he took part in a show devoted to Erik Satie with actor François Morel.[4] Alongside the singer Juliette, he organised a Satie Day at the Cité de la musique, recorded for France Télévisions. He has also worked with the French composer Thierry Pécou, performing the première of his first piano concerto in October 2006 at the Théâtre des Champs-Élysées and later recording it.[5]

In 2012, Tharaud appeared in a minor role in the film Amour by Michael Haneke where he played himself, alongside Jean-Louis Trintignant, Emmanuelle Riva and Isabelle Huppert, although he said that it would not be the start of a film career for him.[3]

The New York Times described his Bach playing at a recital in 2005 as "crisply articulated and vividly etched".[6]

In 2015 Tharaud starred as the central performer at the Prinsengrachtconcert in Amsterdam.

Following Piano intime: conversations avec Nicolas Southon (Philippe Rey, 2013), in 2017 Tharaud published a second book entitled Montrez-moi vos mains (Show me your hands) (Grasset, 2017), in which he recounts his career, methods of working, relationships with colleagues, variations in audiences around the world, and his personal feelings about a musician's life.

Method of work

[edit]

Tharaud refuses to keep a piano in his residence[5][7] because he believes he would begin to prefer the pleasure of improvisation to the necessity of rigorous work. He practises on different instruments at friends' residences. He composes, but usually privately.[8]

Before each recording, he lays flowers at the tomb of Emmanuel Chabrier at Montparnasse Cemetery.[1] When asked what a camera would record at his recording sessions, he replied that he sings, shouts, dances, and argues with the piano ("absurd behaviour"—comportements ridicules).[1]

Awards

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Discography

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Filmography

[edit]

Books

[edit]
  • Piano intime: conversations avec Nicolas Southon (Philippe Rey, 2013) [11]
  • Montrez-moi vos mains (Grasset, 2017) [12]

References

[edit]

Sources

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Alexandre Tharaud

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Alexandre Tharaud is a French classical renowned for his eclectic interpretations spanning , Romantic, and , particularly emphasizing French composers. Born on December 9, 1968, in , he began studying at age five and graduated from the Conservatoire National Supérieur de Musique de Paris, where he honed his skills under notable teachers. Tharaud's international career took off after securing second prize at the in in 1989, leading to performances with prestigious orchestras such as the Symphony, the Japan Philharmonic, and the Orchestre National de . He is a sought-after recitalist at venues including the in , the in , and the in , and he frequently collaborates in settings, notably maintaining a 30-year partnership with cellist Jean-Guihen Queyras. His repertoire highlights include works by , , , , and , often blending classical traditions with jazz influences and modern commissions. With an extensive discography exceeding 25 solo albums on labels like Harmonia Mundi and Warner Classics, Tharaud has earned acclaim for recordings such as his interpretations of Johann Sebastian Bach, , and , many of which received prestigious honors including the Diapason d'Or de l'Année, the Grand Prix de l'Académie Charles-Cros in 2003, the CHOC de Classica, and a Gramophone Award. Beyond the concert hall, he has ventured into film, portraying a in Michael Haneke's Amour (2012)—for which he was named Instrumental Soloist of the Year at the 2012 Classique—and more recently in (2024), while also serving as the subject of the documentary Alexandre Tharaud, Le Temps Dérobé. Additionally, Tharaud has authored books on technique and performance, including Montrez-moi vos mains (2017) and Piano Intime (co-authored), and his latest , Pianosong (2025), explores French chansons by artists like Édith Piaf and in orchestral arrangements.

Early life and education

Childhood and family background

Alexandre Tharaud was born on December 9, 1968, in , . He grew up in an artistic family environment that, while not deeply rooted in professional , fostered a love for the ; his mother, Michèle Tharaud, was a dance teacher at the Opéra de , and his father, Daniel Tharaud, was an amateur singer and director of operettas who later managed a garage to support the family. Tharaud's early exposure to music came through this familial backdrop, including influences from his maternal grandfather, a violinist active in during the and . At the age of five, he began lessons at the local conservatory in Paris's 14th , where he studied under Carmen Taccon-Devenat, a pupil of the renowned pianist Marguerite Long. These early sessions in the arrondissement helped nurture his technical skills amid the vibrant cultural life of the city. By age 14, Tharaud transitioned to the Paris Conservatoire for more advanced training.

Musical training and influences

Tharaud's musical journey began in a family environment that nurtured an early appreciation for the arts, with his mother serving as a dance teacher at the Opéra de Paris and his father as an amateur musician. At the age of five, he started lessons in , initially under the guidance of Carmen Taccon-Devenat, a student of Marguerite Long, whose teaching emphasized breathing techniques and expressive phrasing in French music. This foundational exposure to the nuances of French repertoire laid the groundwork for his developing style. At 14, Tharaud entered the Conservatoire National Supérieur de Musique de , where he studied intensively in the piano class of Germaine Mounier. By age 17, he had distinguished himself by winning the first prize in piano from Mounier's class, marking a pivotal achievement in his formal education. Following this success, Tharaud pursued advanced training with Theodor Paraskivesco, who helped refine his technical mastery of the instrument. He also sought and received valuable guidance from renowned pianists Claude Helffer, , and Nikita Magaloff, whose insights further enriched his interpretive approach. During these formative years, Tharaud's immersion in French and repertoire—through the curricula and pedagogical emphases of his teachers—profoundly shaped his eclectic artistic style, blending precision with emotional depth.

Professional career

Competitions and early recognition

Tharaud's professional breakthrough began with notable successes in international competitions during the late 1980s. In 1987, at the age of 18, he earned third prize at the Maria Canals International Competition in , a key event that highlighted his emerging talent. The following year, Tharaud achieved first prize at the Senigallia International Competition (Città di Senigallia) in , further solidifying his reputation among European music circles. His international debut was cemented in 1989 when he won second prize at the in , a highly regarded event that propelled his career forward. These accomplishments led to early concert appearances across , including solo recitals and performances with orchestras in , , and , marking the start of his professional trajectory.

Concert performances and global tours

Tharaud has established a prominent concert career since the early , performing as a soloist and recitalist at major international venues and with leading orchestras worldwide. His appearances have built on early successes in competitions, which opened doors to these high-profile engagements. As a recitalist, Tharaud regularly graces prestigious halls such as in , where he has performed multiple times, including a lunchtime recital on October 20, 2025, featuring works by Brel, Gérard Pesson, , Poulenc, and Trenet. He is also a frequent guest at the , delivering programs that highlight his affinity for French repertoire, and has appeared there in recent seasons. Other notable solo venues include in New York, where he presented a program including Mahler's Adagietto (transcription), Schubert's Impromptus, Rameau selections, and Ravel's Miroirs in March 2023, and the Concertgebouw in , alongside stops at the in and Bozar in during the 2024-2025 season. In concerto performances, Tharaud has collaborated with esteemed ensembles including the , with whom he has played works by Ravel and others in recent years. He debuted Mozart's No. 23 with the Royal Concertgebouworkest at the Concertgebouw in and performed Ravel's in G Major there as well. Additionally, he has appeared with the and the São Paulo State Symphony Orchestra in , showcasing concertos from the classical to modern eras. Tharaud's global tours span , , , and , reflecting his international appeal. In , he has toured extensively across , , , , and , often with orchestras like the NDR Radio Philharmonie and Orchestre de la Suisse-Romande. North American engagements include recitals in and New York, while in , he has performed in at Yamaha Hall and with the Hong Kong Sinfonietta, alongside tours reaching China. South American highlights feature appearances at in and orchestral concerts in . For the 2024-2025 season, his schedule includes the Wien and further Asian dates in . A key milestone was his world premiere of Thierry Pécou's L'Oiseau innumérable in October 2006 at the Théâtre des Champs-Élysées in with the Ensemble Orchestral de Paris.

Collaborations and innovative projects

Tharaud has expanded his concert career into multifaceted collaborations that blend classical with , , and formats, often pushing boundaries. In 2015, he anchored the Prinsengrachtconcert in , a floating outdoor event, where he performed alongside singer on French chansons, clarinettist Ronald van Spaendonck in improvisational duets, cellist Harriet Krijgh in chamber pieces, and flamenco artist Alberto Garcia, incorporating percussive rhythms and into Satie-inspired works like Gymnopédie No. 1. This performance highlighted his affinity for hybrid ensembles that merge classical precision with improvisatory flair. His partnerships with choreographers have yielded innovative stage works integrating live piano and movement. With dancer and director Yoann Bourgeois, Tharaud created a mesmerizing 2018 interpretation of Debussy's Clair de lune, featuring acrobatic elements on trampolines to evoke dreamlike suspension, which garnered nominations for musical video awards. Similarly, collaborations with dancer Chun-Wing Lam include a 2020 staging of Debussy's Prélude à l'après-midi d'un faune, reimagining the sensual score through contemporary dance, and a 2024 production Paris Sur Mesure set to Bach's music in a historic foundry, emphasizing spatial and sculptural interplay. In 2023, Tharaud joined choreographer Benjamin Millepied for Unstill Life, a touring piece for L.A. Dance Project that fused Ravel and other French repertoire with fluid, sensual choreography exploring themes of transience. Tharaud's ventures into film underscore his role in soundtracks that enhance narrative depth. For Anne Fontaine's 2024 biopic Boléro, centered on Maurice Ravel's iconic composition, he recorded and performed key pieces including the title work, blending historical recreation with personal interpretation to evoke the composer's creative turmoil. This project marked a departure into cinematic scoring, drawing on his French repertoire expertise. Engaging non-classical musicians, Tharaud is scheduled to appear at the 2025 EFG London Jazz Festival in a duo with vocalist Angélique Kidjo, improvising around African rhythms and French melodies at Ronnie Scott's on November 23. In chamber settings, he has sustained long-term partnerships, such as with cellist Jean-Guihen Queyras on twentieth-century French works by Boulez, Dutilleux, and Messiaen, resulting in acclaimed recordings and global tours. With orchestras, Tharaud champions through premieres, notably the 2016 world premiere of Hans Abrahamsen's Left, alone (for left hand) with the WDR Sinfonieorchester Köln under Ilan Volkov, a work noted for its luminous textures and rhythmic vitality that expanded his modernist portfolio. These endeavors reflect his commitment to innovative dialogues across disciplines.

Artistic style and approach

Repertoire preferences

Alexandre Tharaud has demonstrated a profound dedication to French music throughout his career, particularly emphasizing composers who embody the elegance and clarity characteristic of the French tradition. His recordings include the complete piano works of , capturing the composer's intricate textures and impressionistic nuances on the modern . Similarly, he has explored Jean-Philippe Rameau's keyboard suites in depth, such as the Nouvelles suites de pièces de clavecin, adapting the master's ornate style to the instrument's expressive capabilities. Tharaud's affinity for is evident in his interpretation of the complete 24 Préludes, Op. 28, where he highlights the Polish composer's adoption of French poetic sensibility alongside structural rigor. In the Baroque domain, Tharaud stands out as a specialist, bridging historical practices with contemporary performance. He has recorded François Couperin's harpsichord suites, like Pièces de clavecin, infusing them with the rhythmic inequalities (notes inégales) and ornamental finesse typical of French Baroque keyboard music. His engagement with Domenico Scarlatti's sonatas showcases a virtuosic flair suited to the piano, while his rendition of Johann Sebastian Bach's Goldberg Variations reveals a thoughtful, introspective approach to the German composer's contrapuntal mastery, often performed in recitals alongside French contemporaries. These choices reflect Tharaud's early training, which introduced him to Baroque essentials like Bach and Scarlatti as foundational influences. Tharaud's repertoire extends eclectically beyond strict national boundaries, incorporating Ludwig van Beethoven's late piano sonatas—such as Opp. 109, 110, and 111—which he has recorded to explore their philosophical depth and innovative forms. He also delves into 20th-century French pieces by composers like and , maintaining a preference for works that align with French clarity over the denser, more emotive textures of the German Romantic canon, such as those of Schumann or Brahms. This selective breadth allows Tharaud to balance introspection with vitality in both recordings and live performances. Tharaud's preferences have evolved from an initial emphasis on 20th-century French composers during his formative years to a deeper immersion in repertoire, beginning with his debut album of Rameau in , and subsequently broadening to include Beethoven and transcriptions of Bach in concerts. This progression underscores his commitment to revitalizing lesser-performed French works while occasionally venturing into broader European territory, always prioritizing pieces that resonate with his interpretive voice, as seen in his 2025 album Pianosong blending classical piano with orchestral arrangements of French chansons.

Performance philosophy and method

Alexandre Tharaud's performance philosophy centers on breathing life into , rejecting what he describes as a "museum-like" rigidity that treats works as static artifacts. Instead, he views performers as "resuscitators" who must reinvent interpretations daily to reflect evolving personal and cultural contexts, ensuring music remains vibrant and relevant. This approach emphasizes intimate, narrative-driven playing, where recitals unfold as journeys—beginning in contemplative spaces like Bach and evolving toward unexpected, exploratory territories—to engage audiences emotionally and intellectually. Tharaud's method involves profound immersion in the composer's world, often embodying their physical and emotional essence during preparation and performance. He describes feeling the composer's hands, touch, body, and posture as if inhabiting their form, particularly with figures like Ravel, where he adapts his own technique to mirror historical constraints and intimacies. This deep dive extends to rigorous practice, such as recording sessions requiring over 50 takes per passage until a "magical" interpretation emerges organically, revealing insights. His process also incorporates personal transcriptions, like those of Bach or Dukas, tailored to optimize his hands' unique sound and avoid generic renditions. Innovative staging further defines Tharaud's method, blending traditional concert elements with visual and multimedia artistry to enhance accessibility. For instance, his 2015 recording of Bach's included a bonus DVD capturing a full filmed performance in the in , merging live piano execution with cinematic presentation to create an immersive, non-theatrical experience. Onstage, he challenges conventions by using openly, listing personal limitations like or physique to humanize the , and advocates evolving recital formats beyond outdated norms. Central to his philosophy is accessibility, achieved through cross-genre collaborations that refresh and French repertoires for contemporary listeners. Tharaud actively promotes lesser-known composers via recordings and commissions, such as concertos by Thierry Pécou, Ramon Lazkano, and Alex Nante, while partnering with figures like to bridge historical and modern idioms. This commitment stems from his French roots—shaped by a choreographer mother and stage-director father—and a lifelong affinity for French music's narrative depth, which he uses to make classical performance feel immediate and inclusive rather than elitist.

Musical output

Discography highlights

Alexandre Tharaud has recorded over 25 solo albums primarily with and Warner Classics since the early 2000s, showcasing his affinity for , Classical, and Romantic repertoire on the modern piano. His early solo release, Nouvelles Suites (Harmonia Mundi, 2001), featured Jean-Philippe Rameau's keyboard suites, marking a bold interpretation of French that established his interpretive style. Later highlights include Plays Scarlatti (, 2011), a selection of Domenico Scarlatti's sonatas emphasizing rhythmic vitality and ornamentation. In 2015, Tharaud's recording of Johann Sebastian Bach's (Erato) was accompanied by a film directed by Stéphan Aubé, which won the ECHO Klassik Award for Music-DVD Production of the Year in 2016, highlighting his nuanced approach to contrapuntal structures. This was followed by the complete piano works of in 2003 (Harmonia Mundi), a comprehensive survey that captured the composer's impressionistic colors and technical demands. Tharaud's album of Frédéric Chopin's 24 Preludes (Harmonia Mundi, 2008) explored the emotional depth and poetic introspection of the cycle. His 2018 recording of Ludwig van Beethoven's late sonatas Opp. 109, 110, and 111 (Erato) delved into the philosophical and innovative aspects of the composer's final period. The 2019 album Versailles (Erato) thematically evoked the opulence of the French royal court through works by Rameau, , , and others, blending historical authenticity with contemporary flair. In chamber music, Tharaud has collaborated extensively with cellist Jean-Guihen Queyras on recordings such as Schubert's (Harmonia Mundi, 2006), Debussy and Poulenc sonatas (Harmonia Mundi, 2008), Brahms sonatas (Erato, 2018), and the 2020 collection Complices (Harmonia Mundi), which featured intimate encore pieces. Post-2020 releases reflect Tharaud's evolution toward multimedia and contemporary integrations, including Le Poète du Piano (Erato, 2020), a retrospective of his solo favorites; CINEMA (Erato, 2022), arrangements of film scores; and Ravel's piano concertos with the Orchestre National de (Erato, 2023). The 2024 project Four Hands (Erato), subtitled Tharaud & Friends, featured 22 short duets with various partners, emphasizing collaborative spontaneity. In 2025, Tharaud released Concertos Contemporains (Erato) with world premiere recordings of piano concertos by Pécou, Ramon Lazkano, and Alex Nante, alongside Pianosong and Satie Discoveries (both Erato), expanding his exploration of modern and rediscovered works.

Film and media appearances

Tharaud has extended his musical career into visual media through acting roles, documentaries, and soundtrack contributions, often blending his pianistic expertise with cinematic storytelling. In Michael Haneke's acclaimed film Amour (2012), Tharaud portrayed the character Alexandre, a former student of the protagonists, in a brief but poignant supporting role where he performs Rachmaninoff's Piano Concerto No. 2. This marked his debut as an , drawing on his real-life proficiency to authentically depict the emotional depth of the performance scene. Tharaud starred in the documentary Bach: Goldberg Variations (2015), directed by Stéphan Aubé, which chronicles his preparation and interpretation of J.S. Bach's monumental work, filmed at locations including the Château de Versailles. The film, released as a companion to his recording, won the Music DVD Production of the Year award at the 2016 ECHO Klassik Awards, recognizing its innovative blend of performance and personal narrative. Tharaud is the subject of the documentary Alexandre Tharaud, Le Temps Dérobé (2013), directed by Raphaëlle Aellig-Régnier, which explores intimate moments of his artistic process during rehearsals and performances across . Tharaud has contributed to film soundtracks by performing and recording original piano parts, notably embodying composer in Anne Fontaine's (2024), where he served as the on-screen hands for the titular piece and featured on the official . His involvement highlights his ability to recreate historical performances for modern audiences, with the soundtrack capturing Ravel's stylistic nuances through Tharaud's interpretations. On television, Tharaud served as the featured soloist at the 2015 Prinsengrachtconcert in , a live broadcast event where he performed works by and collaborated with musicians including and Ronald van Spaendonck, reaching a wide audience via . More recently, his festival performances have been recorded and televised, such as his 2023 appearance at the , where selections from his repertoire were broadcast on platforms like medici.tv, showcasing his dynamic stage presence in international settings.

Books and writings

Alexandre Tharaud has authored two books offering intimate reflections on his pianistic life and artistry. His debut publication, Piano intime: conversations avec Nicolas Southon, appeared in 2013 from Philippe Rey and takes the form of extended interviews conducted by musicologist Nicolas Southon. In these dialogues, Tharaud traces his across more than 30 recordings, elucidating his artistic decisions, such as blending canonical works by Chopin and Bach with lesser-known pieces by composers like Chabrier. He shares formative influences—including early encounters with records of Bach, Barbara, Rachmaninov, and Jean Wiéner—and recounts childhood fascinations, professional setbacks, and the intricacies of . The book underscores Tharaud's commitment to an eclectic repertoire that prioritizes emotional depth over technical display, revealing the personal logic behind his interpretive choices. Tharaud's second book, Montrez-moi vos mains, was released in 2017 by Éditions Grasset as a meditative essay centered on the physicality of piano playing. He begins with a candid self-portrait of his hands—"blanches, veineuses, rien d’extraordinaire"—before probing the sensory experience of keys under fingers across diverse styles, contrasting the precision demanded by Bach with the fluidity of Ravel. Interwoven are personal anecdotes from global performances, from the acoustics of Boston's Symphony Hall to Vienna's Musikverein, alongside observations on varying audience responses in Tokyo versus Paris. Written in a modest, introspective tone, the volume blends self-doubt with conviction, portraying piano performance as an extension of intimate habits and lifelong dedication to music's nuances. Beyond full-length books, Tharaud has contributed writings to musical literature, particularly for his recordings of French repertoire that articulate his philosophical approach to interpretation. For the 2020 Erato anthology Le Poète du Piano, he co-authored the with Nicolas Southon, providing context for selections spanning Rameau, Fauré, Satie, and Ravel, and emphasizing music's power to evoke unconscious emotions. These contributions reflect his broader advocacy for French music's poetic essence, bridging performance and to illuminate the pianist's inner world.

Awards and honors

Major awards for recordings

Alexandre Tharaud's recordings have garnered significant recognition from prestigious awards bodies, particularly for his interpretations of , Romantic, and French repertoire. In 2016, his album and accompanying film of J.S. Bach's (Erato) won the ECHO Klassik in the category of Music-DVD-Production of the Year (Concert), highlighting the project's innovative blend of performance and visual artistry. The same recording also received acclaim for its pianistic depth, contributing to Tharaud's reputation for expressive Bach interpretations. For his 2023 release of Maurice Ravel's Piano Concertos with the Orchestre National de France under Louis Langrée (Erato), paired with Manuel de Falla's Nights in the Gardens of Spain, Tharaud demonstrated his affinity for early 20th-century French music. Tharaud's explorations of Frédéric Chopin's works have similarly been honored. His 2010 album Chopin: Journal intime (Virgin Classics) received the Gramophone Editor's Choice ("G" award), noted for its intimate and poetic rendering of nocturnes, preludes, and mazurkas. Earlier, his 2006 Chopin: Valses (Harmonia Mundi) also secured a Gramophone "G" for its elegant phrasing and rhythmic vitality. His 2016 recording of Rachmaninov's Piano Concertos with the Royal Liverpool Philharmonic Orchestra and Alexander Vedernikov (Erato) was shortlisted for the Gramophone Classical Music Awards in 2017 in the Concerto category, underscoring his command of Russian Romanticism. Multiple releases have earned the Choc de Classica, including the 2011 Scarlatti: Sonates (Virgin Classics), lauded for its sparkling articulation of the composer's keyboard sonatas, and the 2012 Le Bœuf sur le toit (Virgin Classics), which blended French cabaret influences with classical precision and also won the Victoire de la Musique Classique for Album of the Year in 2013. The 2011 Scarlatti album additionally won an ECHO Klassik for CD of the Year (Piano). Earlier, his 2003 recording of Ravel's complete piano works (Harmonia Mundi) received the Grand Prix de l'Académie Charles-Cros. In 2025, Tharaud's collaborative album Alexandre Tharaud & Friends - Four Hands (Warner Classics) was shortlisted for the OPUS KLASSIK in the Solo Live-Performance of the Year () category, celebrating its joyful duets with fellow pianists and instrumentalists. These awards reflect Tharaud's consistent excellence across diverse recording projects, with a focus on pianistic color and emotional insight.

Other recognitions and nominations

In 2016, Alexandre Tharaud was promoted to the rank of Commander in the Order of Arts and Letters by the French Ministry of Culture, recognizing his eminent services to artistic life. Tharaud's contributions to have earned him significant national honors, including the Classique award for Instrumental Soloist of the Year in 2021, marking his third win in the category and affirming his status as a leading French pianist. His overall career has received lifetime achievement nods from international music presses, highlighting his post-2020 acclaim through innovative performances and broad repertoire exploration. Tharaud's prestige is further evidenced by invitations to headline prestigious festivals and events, such as the Gramophone Classical Music Awards Festival in 2025, a Ravel commemorative program at Beethoven-Haus Bonn, and the Orchestre National de France's Carnegie Hall debut. In recent years, he has been shortlisted for non-recording categories in major awards, including the 2025 OPUS KLASSIK for collaboration beyond studio albums.

References

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  29. https://efglondonjazzfestival.org.uk/events/angelique-kidjo-and-alexandre-tharaud
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  44. https://alexandretharaud.com/release/
  45. https://www.warnerclassics.com/release/versailles
  46. https://jeanguihenqueyras.com/en/discographie/71058/
  47. https://www.warnerclassics.com/release/alexander-tharaud-friends-four-hands
  48. https://www.imdb.com/title/tt1602620/
  49. https://www.latimes.com/entertainment/arts/la-xpm-2013-jan-08-la-et-cm-alexandre-tharaud-pianist-20130109-story.html
  50. https://www.hollywoodreporter.com/news/general-news/amour-cannes-review-326962/
  51. https://www.imdb.com/title/tt5160054/
  52. https://www.warnerclassics.com/artist/euroarts/news
  53. https://www.facebook.com/AlexandreTharaud/posts/just-announced-the-goldberg-variations-has-won-music-dvd-production-of-the-year-/1424956644200171/
  54. https://www.warnerclassics.com/release/le-temps-derobe
  55. https://www.imdb.com/title/tt26656821/
  56. https://www.amazon.com/Musiques-Bolero-Fontaine-Original-Soundtrack/dp/B0CTD251PK
  57. https://tvblik.nl/amusement-muziek/prinsengrachtconcert
  58. https://www.medici.tv/en/artists/alexandre-tharaud
  59. https://www.facebook.com/WarnerClassicsErato/videos/enjoy-this-beautiful-rendition-of-le-poin%25C3%25A7onneur-des-lilas-this-wednesday-from-a/24925134507149806/
  60. http://www.philippe-rey.fr/livre-Piano_intime-229-1-1-0-1.html
  61. https://www.grasset.fr/livre/montrez-moi-vos-mains-9782246863632/
  62. https://www.barnesandnoble.com/w/le-po-te-du-piano-alexandre-tharaud/35279622
  63. https://festival-saint-denis.com/cast/alexandre-tharaud-2/
  64. https://www.prestomusic.com/classical/articles/1798--awards-gramophone-awards-2017-shortlist
  65. https://www.opusklassik.de/shortlist-english
  66. https://www.qobuz.com/us-en/interpreter/alexandre-tharaud-1/54087
  67. https://www.lemonde.fr/culture/article/2021/02/25/victoires-de-la-musique-classique-alexandre-tharaud-de-nouveau-couronne_6071137_3246.html
  68. https://www.olyrix.com/articles/actu-des-artistes/4650/victoires-de-la-musique-classique-2021-nommes-invites-programme-et-commentaire-en-direct
  69. https://www.gramophone.co.uk/features/article/gramophone-classical-festival-guide-2025
  70. https://www.beethoven.de/en/termine/list?bymonth=20241204&style=complete
  71. https://www.carnegiehall.org/Calendar/2025/11/09/Orchestre-National-de-France-0200PM
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