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Amakuni
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Amakuni Yasutsuna (天國 安綱) is the legendary swordsmith who supposedly created the first single-edged longsword (tachi) with curvature along the edge in the Yamato Province around 700 AD. He was the head of a group of swordsmiths employed by the Emperor of Japan to make weapons for his warriors. His son, Amakura, was the successor to his work. Although there are almost no modern examples of signed works by Amakuni, legend has it that the double-edged katana, Kogarasu Maru, was forged by this man. The true author of this work is not known, though the work bears similarities to works of the various Yamato schools so it is thought to be an early example of work from this province.[1][2][3][4]
The legend
[edit]One day, Amakuni and his son, Amakura, were standing in the doorway of their shop, watching the Emperor's warriors return from battle. Although having done so on previous occasions, the Emperor did not give Amakuni any sign of recognition. Having always looked upon these gestures as a sign of appreciation for his efforts and hard work, Amakuni suddenly noticed that nearly half of the returning warriors were carrying broken swords.
Determined to make things right, Amakuni and Amakura went about gathering remnants of the swords and examined them. It appeared that the chief reasons for breakage were that the swords had been improperly forged and that the soldiers had struck hard objects, probably armor or other weapons, with them. Once again, the Emperor's subtle yet audible rebuff ran through his mind. Tears filled Amakuni's eyes, and he said to himself, "If they are going to use our swords for such slashing, I shall make one that will not break."
With this vow, Amakuni and his son sealed themselves away in the forge and prayed for seven days and seven nights to the Shinto gods. Amakuni then selected the best iron sand ore he could obtain and refined it into steel. Working without rest, the two worked at their apparently impossible task. Thirty one days later, Amakuni and his son emerged gaunt and weary from the forge with a single-edged sword with curvature. Undaunted by the other swordsmiths, who believed them to be insane, Amakuni and Amakura ground and polished the new sword.
During the following months, Amakuni and his son continued with their work, forging many types of improved swords. In the following spring, there was another war. Again the samurai returned, and as they passed by, he counted over thirty-one swords with perfect, intact blades. As the Emperor passed, he smiled and said, "You are an expert swordmaker. None of the swords you have made failed in this battle." Amakuni rejoiced and once more felt that life was full and joyous.
It is not known when Amakuni died, though legend has it that he gained immortality from the large amount of blood shed from the blades he created.
References
[edit]- ^ Yumoto, John M. (2002). The Samurai Sword: A Handbook. Tittle Publishing.
- ^ "A brief overview of Samurai Sword History". Sword-buyers-guide.com. 2013-05-27. Retrieved 2013-05-31.
- ^ "The Beauty of the Sword" (PDF). Meitokukan. Archived from the original (PDF) on 2014-01-09. Retrieved 2013-05-31.
- ^ "Legends of the Samurai". Winston-Salem/Forsyth County Schools. Archived from the original on 2016-03-04.
Amakuni
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Historical Context
Early Japanese Swordmaking
The earliest swords in Japan, known as chokutō, were straight, double-edged blades primarily imported from China and Korea during the Kofun period (c. 250–538 CE) and continuing into the Asuka period (538–710 CE). These weapons, often used in ceremonial and burial contexts, reflected continental influences as Japan engaged in trade and cultural exchange with the mainland, with archaeological evidence showing their presence in elite tombs from around 300 CE.[4][5] Early forging techniques relied on basic iron smelting and pattern welding, combining imported low-carbon iron or early steel with softer cores to form composite blades, but these methods produced inconsistent carbon distribution and impurities like slag. In combat, such swords exhibited significant limitations, including brittleness and a high tendency to break upon impact due to the lack of advanced hardening processes like differential quenching.[4][5][6] By the Yamato period (c. 250–710 CE), which encompassed the late Kofun and Asuka eras, Japanese smiths began transitioning from direct imports to indigenous adaptations, incorporating local resources and refining continental techniques through trial and error. Court armorers played a pivotal role in this shift, facilitating increased production for imperial armies by the 7th century to equip expanding forces.[5] This foundational evolution set the stage for later innovations, including those attributed to smiths like Amakuni in the 8th century.[6]Yamato Province and Imperial Patronage
Yamato Province, located in the central region of Honshu, served as the political and cultural heart of Japan during the late 7th century, particularly under Emperor Mommu (r. 697–707 CE), whose capital at Fujiwara-kyō was situated within its boundaries. This province was the core of the Yamato court's authority, where the emperor centralized power through the emerging ritsuryō legal and administrative system modeled on Tang China, fostering a unified state structure. The imperial court in Yamato maintained close ties with Buddhist institutions, commissioning grand temples such as Yakushiji, completed during Mommu's reign, which not only advanced religious patronage but also integrated spiritual and governmental functions, with temple complexes often housing workshops for artisanal production.[7][8] Swordsmith guilds and workshops in Yamato were directly employed by the imperial court during this era to produce weapons essential for maintaining order and expanding influence, operating under state oversight through military bureaus in the early ritsuryō framework. These smiths equipped imperial warriors confronting regional threats, notably the Emishi tribes in northern Honshu, whose resistance prompted ongoing military expeditions. The court's patronage ensured a steady supply of blades for elite forces, reflecting the integration of craftsmanship into the centralized bureaucracy. Amakuni is traditionally regarded as a prominent smith within this imperial system.[9] Sword production in Yamato carried substantial economic and cultural weight, organizing labor through hierarchical workshops that drew on local resources such as iron sand (satetsu) smelted in bloomery furnaces—precursors to later tatara methods—to create high-quality steel for blades. This industry supported the court's military ambitions while symbolizing imperial authority, as swords were not merely tools but emblems of status and divine rule. The labor involved specialized divisions, from smelting to forging, often linked to temple economies that provided additional patronage amid the province's role as a hub for continental influences. A pivotal event amplifying demand for durable weapons occurred during the imperial campaigns against the Emishi in the early 8th century, shortly after Mommu's reign, as the Nara court under successors like Empress Genshō (r. 715–724 CE) intensified efforts to subdue northern territories. These conflicts, part of broader frontier expansions, necessitated robust armaments from Yamato forges, underscoring the province's strategic importance in equipping expeditionary forces against resilient adversaries.[10][11]Biography
Origins and Training
Amakuni, a semi-legendary Japanese swordsmith, is estimated to have been born around 670–700 CE in Uta, Yamato Province, during the transition from the Asuka to the Nara period.[12] This timeframe aligns with the Taihō era (701–704 CE) and the early activities of swordsmithing in the region, where Yamato served as a hub for imperial craftsmanship under the emerging centralized government.[13] Historical traditions place his birth within this cultural shift, marked by increased metalworking influenced by continental techniques from China and Korea.[14] Little is documented about Amakuni's family, but traditions suggest he came from a lineage of swordsmiths in Yamato Province, a region renowned for its longstanding metalworking heritage dating back to the Kofun period.[15] As a youth, he likely entered an apprenticeship under local masters, a common path in Yamato's guild-like forge communities, where knowledge was passed orally through generations.[14] These apprenticeships emphasized practical immersion, beginning with basic tasks to build endurance and precision in handling raw materials like tamahagane steel produced in regional tatara furnaces.[16] During his training, Amakuni would have mastered foundational techniques of Japanese metallurgy, including repeated hammering to refine steel, differential quenching to achieve hardness, and pattern welding through folding to create layered structures that enhanced blade durability.[13] These skills were honed in communal imperial forges, where smiths collaborated on weapons for court warriors, blending indigenous methods with imported folding practices to mitigate impurities in early iron ores.[14] By his early thirties, around 700 CE, traditions indicate he had risen to lead a group of smiths, reflecting the rapid progression possible in Yamato's patronage-driven workshops.[13] No primary records survive to confirm these details, underscoring Amakuni's status as a figure rooted in oral folklore rather than verifiable biography, with accounts preserved in later compilations like those from the Heian period.[12] This historical uncertainty highlights how Yamato-era swordsmithing narratives often idealized early masters to emphasize the art's divine and imperial origins.[16]Career as a Swordsmith
Amakuni served as a prominent swordsmith in Yamato Province during the reign of Emperor Mommu (697–707 CE), where he is regarded in tradition as one of the earliest named figures in Japanese bladesmithing.[16] Employed within the imperial forge system, he oversaw the production of chokutō—straight, single-edged swords—for court warriors and military use.[17] In the workshops of Yamato, Amakuni and his contemporaries employed bloomery smelting to process iron sand into raw steel ingots, which were then repeatedly folded and hammered to homogenize the metal and remove impurities.[4] This labor-intensive forging refined the steel's structure, while early differential hardening—achieved by applying a clay mixture to the blade's edge before quenching—produced a hard, sharp cutting surface contrasted with a more flexible spine to enhance durability.[4] Amakuni's work contributed to the emerging reputation of Yamato smiths for quality craftsmanship, though the straight-blade chokutō designs proved vulnerable in prolonged combat due to their rigidity.[18]The Legend
Observation of Sword Failures
According to traditional Japanese legend, around 700 CE during the reign of Emperor Mommu (r. 697–707), the master swordsmith Amakuni and his son Amakura stood outside their forge in Yamato Province, observing the return of the emperor's warriors from a campaign against northern tribes.[19] Nearly half the soldiers carried damaged or discarded chokutō—straight, single-edged swords that Amakuni's workshop had produced—many snapped at the blade or hilt after clashing against resilient foes equipped with sturdy armor and weapons.[19] The sight filled Amakuni with profound distress, as the broken blades not only represented the failure of his craftsmanship but also brought dishonor to the emperor. As the chief smith employed by the imperial court, Amakuni had long forged these chokutō for the warriors, yet this mass failure highlighted their brittleness under combat stress.[19] This legendary event is thought to reflect genuine historical limitations of the chokutō design, which, while effective for infantry thrusting, proved inadequate for slashing maneuvers in mounted warfare against tougher adversaries, prompting eventual innovations in blade geometry.[20] Overcome with resolve, Amakuni gathered the fragments for study and, that night, made a solemn vow with his son to forge an unbreakable sword, invoking the guidance of Shinto kami (spirits) to inspire their work.[19]Creation of the First Tachi
Following the observation of numerous broken swords returning from battle, Amakuni and his son Amakura resolved to forge an unbreakable blade that would honor the emperor's warriors.[1] Determined to succeed where previous efforts had failed, Amakuni and Amakura first secluded themselves to pray fervently to the Shinto kami for divine guidance and success over seven days and nights.[19] They then worked for thirty days, selecting the finest iron sand ore and refining their techniques with innovative methods to create a revolutionary sword design.[19] The resulting tachi represented a pivotal innovation: a single-edged blade with a pronounced curve along its length, forged through repeated folding of the steel to remove impurities and achieve exceptional strength.[21] They applied clay-tempering to the edge, producing a visible hamon line that hardened the cutting edge while leaving the spine flexible, thereby enhancing the sword's cutting power and resistance to breakage during combat.[1] The new design was used to equip the imperial warriors for their next campaign. Upon their return, all the tachi remained intact and unyielding, with no signs of failure. In recognition of its unparalleled quality, the emperor praised Amakuni as an expert swordsmith and adopted the tachi design for widespread production, ushering in the transition from straight chokutō to the curved swords that defined Japanese blades thereafter.[19][1][22]Legacy
Innovations in Sword Design
Amakuni is attributed with pioneering the introduction of sori, or curvature, in Japanese sword design, marking a significant shift from the straight-bladed chokuto to the tachi around the 8th century during the Nara period. This curvature optimized the blade for slashing in mounted warfare, facilitating quicker draws from the scabbard and improving balance to reduce fatigue for riders while enhancing cutting efficiency against armored foes like the Emishi. The design's arc minimized resistance during swings, allowing for more fluid and powerful strikes from horseback, which became essential as Japanese military tactics evolved toward cavalry dominance.[1][23] According to legend, a cornerstone of Amakuni's attributed innovations was the development of differential hardening, a quenching process involving selective clay application along the blade. Thin clay layers on the edge promoted rapid cooling to form hard martensite, achieving approximately 60 HRC for superior sharpness and edge retention, while thicker clay on the spine slowed cooling to yield a softer structure around 40 HRC, providing flexibility to absorb impacts and prevent catastrophic failure. This technique not only addressed the brittleness of uniformly hardened blades but also produced the distinctive hamon line, visible after polishing, which demarcated the transition between hard and soft zones.[1][23] Amakuni's approach to steel production emphasized the use of satetsu, or iron sand, smelted in a tatara furnace to yield tamahagane, a high-carbon steel refined through repeated folding and hammering—often up to 15 times—to eliminate impurities like slag and achieve a layered structure combining hardness and toughness. This method ensured the blade's purity and resilience, far surpassing earlier imported straight swords in quality and adaptability to combat stresses. These advancements established foundational techniques that influenced koshirae mountings for secure handling and paved the way for the katana's refinement in the subsequent Kamakura period, where shorter blades adapted the tachi's principles for foot combat.[23][14]Attributed Works and Influence
One of the most prominent works attributed to Amakuni is the Kogarasu Maru, a unique tachi sword in the kissaki-moroha-zukuri style, featuring a double-edged tip and a subtle curve that bridges straight-bladed ken and the curved tachi design. The blade measures approximately 62.8 cm in length, with the primary edge sharpened along its length in traditional tachi fashion and the back edge sharpened only near the tip (kissaki) for balance. Housed in the Tokyo Imperial Palace as part of the imperial collection, it has long been revered as a National Treasure, though its official designation reflects its exceptional cultural value under the Imperial Household Agency. Amakuni's lineage played a key role in perpetuating his legacy, with his son Amakura succeeding him as a swordsmith in Yamato Province around the 8th century. Amakura's work helped establish the Yamato school, one of the earliest and most influential swordmaking traditions in Japan, known for its robust blades suited to warfare. This school exerted a significant influence on subsequent traditions, including the Bizen school, which adopted and refined Yamato techniques in forging durable, high-carbon steel blades during the Heian and Kamakura periods.[24] The techniques pioneered by Amakuni and carried forward through the Yamato school were widely adopted across Japan, facilitating the evolution of samurai swords from straight chokutō to the iconic curved nihontō used in mounted combat. These innovations contributed to the standardization of tachi designs that became central to samurai culture, with Amakuni's attributed methods cited in historical sword appraisals and registries. For instance, modern classifications by experts like Honma Kunzan highlight the enduring stylistic elements traceable to early Yamato smiths in evaluating blade curvature and temper lines.[25] In contemporary times, Amakuni's influence persists in the design of practice weapons for martial arts such as iaido and kendo, where curved blades emulate the tachi's balance and handling for drawing and striking techniques. Replicas and studies of his attributed works appear in museums worldwide, including collections at the Tokyo National Museum and international exhibits on Japanese arms and armor, underscoring his foundational role in nihontō heritage.[26]References
- https://en.wikisource.org/wiki/Transactions_of_the_Asiatic_Society_of_Japan/Series_1/Volume_2/The_Sword_of_Japan