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The Runners (production duo)
The Runners (production duo)
The Runners (production duo)
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The Runners are an American electronic and hip hop production duo from Orlando, Florida, consisting of Andrew "Dru Brett" Harr and Jermaine "Mayne Zane" Jackson. Formed in 2000, their foray into musical production was inspired by Timbaland and the Neptunes. Their trademark is an exhale sound effect echoing "Ahhh" at the beginning of their productions.[1][2]

Key Information

The duo first became known for their credits on the 2006 single "Hustlin'" by Rick Ross and the 2008 single "Go Hard" by DJ Khaled, and gained further recognition for their extensive work on releases for both artists. They have since produced songs for artists including Keyshia Cole, Cher Lloyd, Ace Hood, Chris Brown, Fat Joe, Juelz Santana, Nelly, Kevin Gates, Jim Jones, Lil Wayne, Fabolous and Usher.[3] Their production often accomplishes songwriting from Kevin Cossom or Rico Love, while they often work in tandem with fellow Florida-based producer acts DJ Nasty & LVM, the Monarch and Cubic Z.[4]

History

[edit]

The Runners first met as toddlers in Vero Beach, Florida. In 2000, they named themselves the Runners and set up shop in Orlando, where they launched Trac-N-Field Entertainment. In 2008, the Runners were nominated for Producer of the Year at the BET Awards.[5]

They produced two tracks on Rihanna's fifth studio album Loud, "Cheers (Drink to That)" and "California King Bed". They have also produced British singer-rapper Cher Lloyd's debut single "Swagger Jagger". On March 31, 2012, they went in the studio to produce for Shakira. Although their work is primarily hip hop they have recently created several songs for TV including John Walsh's America's Most Wanted intro. On October 7, 2014, they released their first original dance music track "We Will Stand" on Track Team Records.

Jermaine "Mayne Zane" Jackson performs and produces now as BLVK JVCK.[6]

Production discography

[edit]
Main article: The Runners production discography

Singles

[edit]

References

[edit]
[edit]
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The Runners (production duo)

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The Runners are an American hip hop and R&B production duo consisting of Andrew "Dru Brett" Harr and Jermaine "Mayne Zayne" Jackson, hailing from . Formed in 2000, they specialize in crafting expansive, club-ready beats that fuse electronic influences with gritty Southern hip hop aesthetics, earning acclaim for propelling artists to commercial success through high-energy anthems. The duo first gained widespread recognition in 2006 with their production on Rick Ross's breakout single "Hustlin'", which peaked at number 54 on the and helped define the rapper's drug-lord persona with its repetitive hook and booming synths. Building on this momentum, they collaborated extensively with on tracks like "" (featuring T-Pain, Trick Daddy, Plies, and Rick Ross), which reached number 19 on the Hot 100 in 2007, and "Go Hard" (featuring and T-Pain), a hit from 2009 that showcased their ability to create motivational, bass-heavy soundscapes. Their portfolio extends to other major artists, including Young Jeezy's "Go Getta" (featuring ) from 2007, Rihanna's contributions to her 2010 album Loud (earning them a Grammy nomination for Album of the Year in 2012), and works with T.I., , , Usher, , , and . In addition to their hit-making prowess, The Runners operate the independent label Trac-N-Field and signed a worldwide publishing administration deal with in 2010, administering future works and select catalog titles to expand their influence across hip hop, pop, and R&B genres. In the and beyond, they rebranded as BLVK JVCK for electronic music ventures and continued producing, contributing to their enduring legacy in the industry as of 2025. Their sound, often characterized by infectious hooks and layered production, has contributed to over a dozen platinum and gold certifications, solidifying their role in shaping mid-2000s Southern rap and beyond.

Members

Andrew Harr

Andrew Harr, professionally known as Dru Brett, spent his early years in the remote, scenic environment of the Smoky Mountains in . Although specific family influences on his musical interests remain undocumented in public records, Harr's path into production emerged during his transition to urban settings. Harr relocated to , where he reconnected with his childhood friend , briefly partnering to form the production duo The Runners in 2000. Prior to this formal collaboration, Harr engaged in initial involvement through self-taught experimentation, honing his skills in beat creation amid Orlando's growing hip-hop scene. This period marked his shift from casual exploration to structured production work, laying the groundwork for his technical expertise. Within the duo, Harr functions as the primary beatmaker and technical producer, responsible for crafting foundations and managing the side of tracks. He favors as his core for sequencing, looping, and overall arrangement, complemented by soft synths for sonic versatility. Early solo experiments saw Harr relying on hardware like the for drum programming and beat assembly before fully embracing a digital workflow, allowing for greater mobility and efficiency in phases. A key personal milestone for Harr came with the establishment of Track-N-Field Entertainment, LLC, alongside Jackson around 2005, which served as their independent entity and handled aspects of song creation and artist management. This venture underscored Harr's entrepreneurial drive, enabling control over their creative output and business operations in the competitive .

Jermaine Jackson

Jermaine "Mayne Zayne" Jackson grew up in Vero Beach, Florida, where he first discovered music through church activities, influenced by his mother, a . At age 15, he received a keyboard, igniting his interest in beat production and laying the foundation for his creative pursuits. Jackson shares a longtime friendship with Andrew Harr. Following a move to , Jackson delved into rapping and songwriting within the local scene, refining his artistic skills before formalizing his production work. Within The Runners, Jackson functioned as the and key songwriter, focusing on developing memorable hooks and fostering relationships with artists to guide collaborative projects. In 2017, Jackson launched his solo career as BLVK JVCK, drawing inspiration from a dream to blend hip-hop, trap, and into a style he termed "HOODSTEP." His debut single, "Mine Luv" featuring , marked his entry into electronic music, followed by independent releases like "LUCKY" with in 2020 and "GVNG X4" with . Jackson performed at virtual events such as Digital Mirage: Friendsgiving in 2020 and maintained a steady output of singles through the early , including collaborations with artists like Riot Ten and $teven Cannon on "TikTok," while continuing studio-based performances and releases. As of 2025, he released the single "Bang" in October 2024 and tracks "DIFFERENT" featuring THATSHYM and "THE SHOOTV" in August 2025 via Deadbeats Records.

Formation and Early Career

Origins and Meeting

Andrew Harr, professionally known as Dru Brett, and Jermaine Jackson, known as Mayne Zayne, first met as children in kindergarten, establishing a deep friendship that would span decades and culminate in their professional collaboration. Born in the early 1980s, both grew up with a strong affinity for music, though their early environments shaped their interests differently. Harr spent his formative years in the Smoky Mountains of North Carolina, where he immersed himself in various genres from a young age, fostering a broad appreciation for music that influenced his later production style. Jackson, meanwhile, was raised in a household steeped in musical tradition; his father served as a first-chair clarinet player, while his mother was a piano teacher who incorporated music into family life. Jackson himself began playing drums in his mother's church, honing his skills amid this supportive environment. Following high school, Jackson relocated to , to attend Full Sail Academy, a renowned institution for music production and audio engineering, where he connected more deeply with the burgeoning local scene. Harr, leveraging their longstanding bond, joined him in Orlando around the early . This move coincided with the explosive growth of Southern hip hop, a movement that gained mainstream traction in the through innovative sounds from artists like and the crunk wave led by , providing fertile ground for emerging producers. Motivated by their shared passion for crafting beats and the rising demand for fresh Southern-flavored tracks, the duo formalized their partnership as The Runners, aiming to capitalize on the genre's momentum.

Initial Productions

In 2000, Andrew Harr and Jermaine Jackson, known collectively as The Runners, established themselves as a production duo in Orlando, Florida, where they honed their craft in the local music environment. Their breakthrough into major label work arrived in 2005 with the production of "Money on My Mind," a standout track on Lil Wayne's album Tha Carter II, marking their first significant placement and showcasing their ability to craft gritty, street-oriented instrumentals. Throughout these formative years, the duo encountered obstacles in penetrating Miami's competitive hip hop ecosystem from their Orlando base, navigating a landscape dominated by established local talents while forging essential partnerships, such as with DJ Khaled, to expand their reach in the Southern scene.

Rise to Prominence

Breakthrough Tracks

The Runners achieved their breakthrough with the production of Rick Ross's "Hustlin'," the lead single from his 2006 debut album Port of Miami. The track's menacing soundscape, built around ominous organ riffs, slowed-down vocal samples, and their trademark "Ahhh" exhale sound effect at the intro, captured the gritty essence of Southern hip-hop and propelled Ross into stardom. This signature exhale, a recurring element in their beats, added a dramatic, anticipatory tension that became instantly recognizable. "Hustlin'" peaked at number 54 on the Billboard Hot 100, marking a commercial milestone that showcased the duo's ability to craft anthemic street narratives. Building on this momentum, The Runners produced DJ Khaled's "Go Hard" featuring and for his 2008 album We Global. The high-energy track incorporated their "Ahhh" exhale once again, layered over booming drums and a sample from Madonna's "," creating an infectious club banger that emphasized triumph and perseverance. As a key single from We Global, "Go Hard" exemplified the duo's evolution toward larger-than-life anthems, further embedding their sound in mainstream hip-hop rotations. These tracks had immediate industry repercussions, elevating The Runners from regional producers to sought-after talents. Following "Hustlin'," they signed a publishing deal with Notting Hill Music, managed at the time by , which opened doors to major label placements. Their rising profile culminated in a nomination for Producer of the Year at the 2008 , highlighting their rapid ascent and influence on the era's hip-hop production landscape.

Key Collaborations

The Runners established a significant partnership with rapper Rick Ross, contributing to his sophomore album Trilla (2008) by producing key tracks such as "Speedin'" featuring R. Kelly. Their collaboration extended to Ross's third album Deeper Than Rap (2009), where they handled production on multiple songs, including "Lay Back" featuring Robin Thicke, "Bossy Lady" featuring Ne-Yo, and "In Cold Blood." These efforts helped solidify The Runners' role in shaping Ross's signature sound during his rise in the late 2000s hip-hop scene. The duo also worked with prominent artists in R&B and hip-hop, producing "Damage" for Chris Brown's sophomore album Exclusive (2007), a track that blended emotional lyrics with their upbeat production style. Similarly, they contributed to 's T.I. vs. T.I.P. (2007) with the production of "We Do This," emphasizing the rapper's street-oriented narratives. They also produced the hit "Go Getta" for Young Jeezy's 2007 album The Inspiration, featuring and peaking at number 18 on the Billboard Hot 100. A recurring aspect of their work involved co-productions with songwriter-producers and , particularly on R&B/hip-hop crossover tracks that fused melodic elements with rhythmic beats. For instance, Cossom co-produced "Lay Back" alongside The Runners, contributing backing vocals and enhancing its smooth, crossover appeal. Love frequently provided songwriting for their sessions, supporting the duo's output in projects that bridged hip-hop and R&B influences. These partnerships earned The Runners a nomination for Producer of the Year at the 2008 , recognizing their impact through tracks like those with Ross, Brown, and T.I.

Later Career and Legacy

2010s Developments

In 2010, The Runners expanded their production scope beyond hip hop by contributing to 's fifth studio album Loud, where they served as producers on the track "Raining Men" featuring . This collaboration, recorded at sessions involving vocal producer and engineers like Antonio Resendiz, highlighted their adaptation of signature drum patterns and synth elements to a pop-R&B framework, achieving commercial success as Loud debuted at number three on the and earned multi-platinum certification. The project marked a pivotal pop crossover for the duo, blending their trap-influenced beats with 's vocal style to appeal to a broader audience. Building on this momentum, The Runners produced Cher Lloyd's debut single "" in 2011, which became a major international hit, topping the UK Singles Chart for one week and peaking at number 10 in . The track, co-produced with The Monarch and engineered by Jeff Villanueva, incorporated their energetic, bass-heavy production to support Lloyd's pop-rap delivery, with first-week UK sales of 66,000 copies. In 2012, the duo participated in studio sessions with for her then-upcoming album, working alongside producer Americo Barbosa to explore Latin-pop fusion elements, though specific tracks from these sessions were not released. By 2014, The Runners launched their independent label Track Team Records and released their first original dance music track, "We Will Stand" featuring Frederick and co-produced with Maire, on via the imprint. This uplifting EDM single, available on platforms like , represented a further diversification into electronic genres, with providing vocals. That same year, they returned to hip hop roots by producing "Look Ahead" on Future's album Honest, delivering a trap beat that underscored the track's introspective lyrics and helped the album reach number two on the 200. Towards the mid-2010s, their joint output began to wane as individual pursuits took precedence, with fewer collaborative releases following these milestones.

Recent Activities

Since 2020, The Runners have produced sparingly as a duo, with credits on select tracks amid a shift toward individual pursuits. Notable recent collaborations include production on Teyana Taylor's "Long Time", with a solo version released June 4, 2025, and a featured version with Kaleena Zanders and NO BILLS released October 30, 2025. Another joint effort appears on "All The Things That Come And Go," an April 2025 single produced under their banner. Their earlier hits continue to garner archival attention, exemplified by 2025 YouTube retrospectives dissecting the creation of Rick Ross's "Hustlin'," a 2006 breakthrough track. Videos such as the BackTrak episode from May 2025 highlight the duo's production techniques and enduring appeal in hip-hop. Jermaine Jackson has sustained an active solo career under the moniker BLVK JVCK, blending trap, , and hip-hop elements in independent releases. Key outputs include the 2022 single "MERK," the 2023 collaboration "BUMPIN" with Hekler, "" with Zoobstool, and the March 2020 trap track "GVNG X4" featuring . Andrew Harr has contributed behind-the-scenes to recent projects, including songwriting on the aforementioned tracks, while maintaining a lower public profile compared to his duo work. The duo's legacy endures through their foundational role in Florida's hip-hop production scene, with ongoing recognition underscoring their impact on blending electronic and street-oriented sounds in the .

Musical Style and Techniques

Signature Sounds

The Runners' production style is defined by their iconic "Ahhh" exhale vocal sample, a breathy that echoes at the outset of many tracks and integrates seamlessly into hooks for dramatic emphasis. This trademark element debuted on Rick Ross's "Hustlin'" in 2006, where it punctuates the beat's introduction and reinforces the song's anthemic quality. Central to their sound are screwed vocal loops—slowed-down, pitched samples that create a hypnotic, eerie texture—paired with ominous organ riffs that build tension and grandeur, hallmarks of their bombastic approach to Southern hip hop. These components fuse electronic synthesis with hip-hop rhythms, evident in high-energy tracks that emphasize booming low-end drive through prominent 808 basslines. In productions like DJ Khaled's "Go Hard" (2008), The Runners layered atmospheric effects and ad-lib echoes to amplify the track's intensity, drawing from their core palette of vocal manipulations and synth layers. Over time, these signature elements adapted to pop contexts, as seen in their contributions to Rihanna's Loud (2010), including "," where the exhale sample and synth-driven hooks blended hip-hop grit with accessibility.

Influences and Evolution

The Runners' production style emerged from a foundation rooted in the innovative sounds of early 2000s hip-hop producers, particularly and , whose fusion of electronic elements with rhythmic complexity inspired the duo's initial foray into music production upon forming in 2000. Hailing from , they also absorbed influences from the local hip-hop scene, characterized by brash, expansive beats that echoed the gritty Southern rap traditions of the 1990s, helping shape their early cinematic and high-energy approach. Throughout the 2000s, The Runners honed a gritty hip-hop sound, evident in their collaborations with Southern artists like and , where booming basslines and orchestral flourishes defined tracks that captured the raw energy of street anthems. By the 2010s, their style evolved toward polished pop and R&B, influenced by high-profile partnerships with artists such as Usher, , and , which broadened their palette to include smoother melodies and crossover appeal. Critics have praised this progression, with Warner Chappell Music's CEO describing them as "extraordinarily talented songwriters" for their genre-spanning hits in the and . However, by the , their mainstream relevance waned amid industry shifts toward newer trap and streaming-driven sounds, though they remain active in production and via podcasts and breakdowns of classic tracks.

Production Discography

Singles

The Runners gained significant recognition in the mid-2000s through their production on Rick Ross's debut single "Hustlin'," released in 2006 as the lead track from his album Port of Miami. The beat, characterized by its ominous piano loop and booming bass, helped propel the song to a peak position of number 54 on the chart. It was later certified by the RIAA on August 31, 2021, for surpassing one million units sold in the United States. The accompanying , directed by Gil Green, was filmed in and featured cameos from hip-hop figures like and , emphasizing Ross's portrayal of street life and luxury, which contributed to the track's cultural resonance in Southern rap scenes. In 2007, the duo produced "I'm So Hood" for DJ Khaled's album We the Best, featuring , Plies, , and . The track's anthemic, street-oriented beat with repetitive hooks reached number 19 on the and number 7 on the chart. Certified by the RIAA on June 4, 2008, it became a staple in urban radio play. The music video, directed by Gil Green, highlighted Khaled's posse-cut style with appearances from the featured artists, reinforcing themes of hood pride and unity. The duo also produced "Go Getta" for Young Jeezy's 2006 album The Inspiration, featuring R. Kelly. Released as a single in 2007, the motivational track with its soaring synths and gospel-infused chorus peaked at number 18 on the Billboard Hot 100 and number 11 on the Hot R&B/Hip-Hop Songs chart. It earned a gold certification from the RIAA on July 17, 2007, for 500,000 units sold. The video, directed by Chris Robinson, depicted themes of ambition and success, with scenes of luxury and street life, contributing to Jeezy's inspirational persona. In 2008, the duo produced "Go Hard" for DJ Khaled's album We Global, featuring and , sampling Madonna's "" for its high-energy synth-driven hook. The track debuted on the and reached number 67 on the chart, marking a key moment in Khaled's string of collaborative hits. While it did not receive an , its release amplified The Runners' reputation for crafting anthemic, feature-heavy singles. The music video, directed by , showcased opulent visuals with appearances by celebrities like , reinforcing the song's theme of relentless ambition and boosting its play on urban radio and . Shifting toward pop-rap in the early 2010s, The Runners produced "," the 2011 debut single by British artist from her album Sticks + Stones. The track's electro-infused beat and Lloyd's brash delivery led it to debut at number one on the UK Singles Chart, selling over 200,000 copies and earning a silver certification from the BPI. It also charted at number two in Ireland and number 10 on the US Dance/Electronic Songs chart, highlighting the duo's versatility in crossing genres. The music video, directed by , featured Lloyd in a colorful, high-fashion setting with dynamic choreography, amassing over 100 million views and solidifying her post- breakthrough. In 2014, The Runners co-produced original material with Alec Maire for their single "We Will Stand" on their Track Team Records imprint, marking their first foray into . Jermaine "Mayne Zane" Jackson of the duo provided raps, featuring vocals from Frederick, with the track blending uplifting elements and motivational lyrics aimed at EDM audiences. It received positive nods for its energetic production but did not achieve notable chart success, serving primarily as an experimental outlet for the pair's evolving sound. No official was released, though promotional snippets highlighted its club-ready vibe. The duo also contributed to remixes of their singles, including the official "Hustlin'" remix featuring and Young Jeezy, which retained their signature dark, piano-heavy production and extended the track's street anthem status without separate chart data. For "," international versions adapted the beat for European markets, incorporating localized hooks while maintaining the core structure, though these did not spawn additional certifications. No major remixes produced by The Runners were released for "Go Hard."

Album Tracks

The Runners have made substantial contributions to album tracks throughout hip-hop and R&B discographies, often crafting beats that serve as pivotal non-single moments within projects. One early example is their production on "Money on My Mind" from Lil Wayne's Tha Carter II (2005), a track that underscores themes of financial independence with a gritty, synth-driven sound. Similarly, they handled the beat for Chris Brown's "Damage" on Exclusive (2007), a reflective R&B cut exploring relational fallout, featuring layered vocals and a moody bassline. In the late 2000s and early 2010s, their album work expanded to high-profile releases like Rick Ross's "Bossy Lady" (featuring Ne-Yo) from Deeper Than Rap (2009), blending trap elements with smooth hooks to highlight empowerment dynamics. For Rihanna's Loud (2010), The Runners produced "California King Bed" and "Cheers (Drink to That)," the former a mid-tempo ballad with acoustic guitar accents and the latter an upbeat anthem sampling Avril Lavigne's "I'm with You" for added energy. Their album placements frequently position tracks as mid-album energizers, injecting momentum into longer projects—for instance, "" as the sixth song on Loud—helping to sustain listener engagement without relying on lead singles. By , The Runners had amassed credits across dozens of albums, demonstrating their versatility in embedding productions that enhance artistic narratives. While specific unreleased contributions remain limited in public record, bonus tracks on deluxe editions like those from Loud occasionally feature their involvement in extended cuts. No major productions by The Runners have been publicly credited since as of November 17, 2025.

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