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Asmat Begum (died 1621) was the wife of Mirza Ghiyas Beg, the Prime minister of the Mughal emperor Jahangir, and the mother of Mughal empress Nur Jahan, the power behind the emperor.[1] Asmat Begum was also the paternal grandmother of Empress Mumtaz Mahal, for whom the Taj Mahal was built.

Key Information

Family

[edit]

Asmat Begum was the daughter of Mirza Ala-ud-Daula Aqa Mulla[2] and a member of the illustrious Aqa Mulla clan.[3] She was a wise, well-educated, accomplished and highly cultured lady.[4] She had a brother, Ibrahim Khan Fath-i-Jang, who served as the governor of Bengal during Emperor Jahangir's reign.[5]

Marriage

[edit]

Asmat Begum was married to the Persian noble, Mirza Ghiyas Beg, the youngest son of Khvajeh Mohammad-Sharif, a Persian noble of Tehran and a vizier to the governor of Khorasan.[6][7] The couple had seven children together: Muhammad Sharif, Shapur Itiqad Khan, Abu'l-Hasan Asaf Khan, Manija Begum (wife of Mir Qasim known as Qasim Khan Juvayni), Khadija Begum (wife of Hakim Beg later Hakim Khan), Mihr-un-Nissa Begum (later Empress Nur Jahan), and another daughter married to Sadiq Khan.[8][9]

For unknown reasons, Ghias Beg and his family had suffered a reversal in fortune in 1576 and soon found circumstances intolerable in their homeland of Persia. Drawn to the favourable climate of Emperor Akbar's court in Agra, the family decided to migrate to India.[3] Ghias Beg became a trusted minister under both Akbar and his son Jahangir and was awarded the title of 'I'timad-ud-Daulah' ("Pillar of the State") for his services.[10]

However, while serving as the diwan to an amir-ul-umara in 1607, Ghias Beg was charged with embezzling Rs. 50,000, which led to a decrease in his rank and status at court.[11] In 1611, Asmat Begum's second daughter, Mehr-un-Nissa, caught the eye of the reigning emperor Jahangir at the palace Meena Bazaar. The emperor proposed immediately and they were married within the same year.[12] This marriage again led to a dramatic rise in the fortunes of Asmat Begum and Ghias Beg's family. Ghias Beg was given a substantial increase in mansab and made wazir of the whole dominion in 1611. Likewise, their sons Asaf Khan and Itiqad Khan were also given high positions and mansabs in the empire.[13]

Political role at the Mughal court

[edit]

Mehr-un-Nissa (titled 'Nur Jahan' after her marriage) became Jahangir's most beloved and influential wife and soon became the real power behind the throne after their marriage. Nur Jahan formed a faction known as the junta which comprised her family members and her step-son, Prince Khurram (the future emperor Shah Jahan).[14] This faction, led by Nur Jahan, took control of the government as Jahangir became increasingly addicted to opium and alcohol.[12]

Asmat Begum, who was a wise and patient counsel in her own right, must certainly have been the nurturing hub of the junta in its heyday.[15] She is also known to have taken a politically active role in the affairs of the court and served as a mother-figure to Jahangir and a counselor to Nur Jahan.[16] However, Asmat Begum is perhaps best known for having invented the famous rose perfume called Jahangiri-itr, which was described by Jahangir as the discovery of his reign.[17]

Death

[edit]
Cenotaph of Asmat Begum alongside that of her husband Mirza Ghias Beg.

Asmat Begum died in October 1621 in Agra.[18] Upon her death, her son-in-law Jahangir, who was extremely fond of her, wrote: "Without exaggeration, in purity of disposition and in wisdom and the excellencies that are the ornament of women no Mother of the Age was ever born equal to her, and I did not value her less than my own mother."[19]

Asmat Begum's death was a great blow to her family. Heartbroken over his wife's death, Ghias Beg also died a few months later in January 1622. Asmat Begum and her husband were buried in the same mausoleum, the Tomb of I'timād-ud-Daulah in Agra, which was commissioned by her daughter Nur Jahan, for both of her parents.[20] Nur Jahan, who was extremely devoted to her parents, spent large sums on its construction.[21]

[edit]
  • Asmat Begum is a character in Usha John's novel The Unknown Lover and Other Short Stories (1961).
  • Asmat Begum is a principal character in Indu Sundaresan's award-winning historical novel The Twentieth Wife (2002) as well as in its sequel The Feast of Roses (2003).
  • Asmat Begum is a pivotal character in Tanushree Podder's historical novel Nur Jahan's Daughter (2005).
  • Suparna Marwah portrayed Asmat Begum in EPIC drama Siyaasat

References

[edit]

Bibliography

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Asmat Begum

View on Grokipedia
from Grokipedia
Asmat Begum (died 10 October 1621) was a Persian noblewoman from an aristocratic family in , granddaughter of a chief courtier to Safavid Shah Tahmasp, who married , later appointed wazir () to Mughal emperor , and bore him several children, most notably the empress (Mehr-un-Nissa). As the paternal grandmother of empress , wife of , she connected two of the most influential women in Mughal history. Renowned for her cultural refinement and subtle political influence within the , Asmat Begum is credited with pioneering the extraction technique for rooh gulab itr, a rose-based later associated with the Jahangiri era. Her death in devastated her husband, who succumbed within a year, leading to their joint cenotaphs in the Itimad-ud-Daulah Mausoleum, an early exemplar of Mughal marble inlay architecture commissioned by .

Origins and Early Life

Ancestry and Persian Roots

Asmat Begum descended from the Aqa Mulla clan, a family of administrative elites in Safavid Persia with deep ties to the royal court. Her grandfather, Aqa Mulla Dawatdar Qazwini, held the position of ink-stand holder (dawatdar), a role denoting a chief courtier responsible for documentary and advisory functions, under Shah Tahmasp I (r. 1524–1576). This office highlighted the clan's proximity to power, as Aqa Mulla's brother Badi-uz-Zaman served as vizier of Kashan during the same reign, reflecting the family's embeddedness in regional governance structures. The Aqa Mulla lineage traced its prominence to alliances with influential Safavid figures, including matrimonial links that bolstered financial and political standing amid the empire's centralized bureaucracy. Such connections positioned the clan within Persia's noble administrative networks, where roles in court documentation and provincial administration were pathways to elite status under the Twelver Shiite dynasty. By the late 16th century, Safavid Persia under Shah Abbas I (r. 1588–1629) faced political instability following Shah Tahmasp's death in 1576, including violent succession disputes under (r. 1576–1577) and economic strains from ongoing wars with the Ottomans. These conditions, compounded by rigorous enforcement of Shiite doctrine—which involved persecution of Sunnis through forced conversions, public cursing of Sunni figures, and suppression of dissenting religious practices—created pressures on non-conforming elites. Opportunity-seeking amid such repression and uncertainty drove many Persian nobles, including those linked to Asmat Begum's lineage, toward the , where Emperor Akbar's policies favored skilled administrators regardless of sectarian background.

Marriage to Mirza Ghiyas Beg

![Cenotaph of Asmat Begum and Mirza Ghiyas Beg][float-right] Asmat Begum, originating from the noble Aqa Mulla clan connected to the Safavid courtier Aqa Mulla Dawatdar Qazwini, entered into marriage with , the youngest son of the Persian noble Khvajeh Mohammad-Sharif and a member of an administrative family under Shah Tahmasp. This union, occurring prior to their family's migration in 1577, represented a strategic alliance within Persian elite circles, linking two lineages experienced in governance and court service amid the Safavid dynasty's bureaucratic traditions. The marriage defied familial opposition, underscoring its basis in personal affinity rather than solely political calculation, yet it stabilized professional trajectories by fostering mutual support in navigating Safavid intrigues and economic pressures. Historical records portray a close, enduring partnership, with Asmat Begum providing counsel and resilience alongside Ghiyas Beg's administrative ambitions, which positioned the couple for opportunities beyond Persia. Unlike the prevalent polygamous practices among Persian and later Mughal , where multiple wives and concubines were normative for status consolidation, accounts of Ghiyas Beg and Asmat Begum depict a singular, monogamous focused on shared endeavors, with no references to additional spouses in contemporary or subsequent chronicles. This atypical arrangement likely enhanced familial cohesion and mobility, serving as a stabilizing factor for Ghiyas Beg's career advancement in elite administrative roles prior to their departure from .

Family and Migration to India

Children and Family Dynamics

Asmat Begum and her husband had seven children together, comprising two sons and five daughters, in a monogamous union atypical for Persian and Mughal of the era. The sons included Mirza Muhammad Sharif and Mirza Abu'l-Hasan (later titled Asaf Khan), both of whom entered Mughal imperial service, while the daughters encompassed prominent figures such as Mehr-un-Nissa (later known as ) and Sitt-un-Nissa Begum. Genealogical records indicate that the first three children—a son, another son (Asaf Khan), and a daughter—were born prior to the family's departure from Persia, establishing an initial core household. Mehr-un-Nissa, the fourth child, was born circa 1577 during the family's overland , marking a pivotal moment of continuity amid displacement, as Asmat Begum gave birth under strained circumstances while pregnant with what historical narratives describe as her fourth offspring. The remaining three daughters completed the progeny, contributing to a sizable unit that emphasized sibling alliances and shared noble heritage from their parents' Timurid and Safavid ancestries. This birth sequence underscores the resilience of the household structure, with multiple surviving children reflecting effective familial support systems despite early vulnerabilities. Asmat Begum's oversight of the household played a central role in preserving family cohesion during the financial hardships that followed settlement in Mughal territories, where Mirza Ghiyas Beg initially held modest administrative posts. Contemporary Persian-Mughal accounts highlight how such maternal management in noble families ensured children's cultural and linguistic preparation—drawing on Asmat's own elite background—for potential court integration, laying groundwork for collective advancement without reliance on polygamous divisions common among contemporaries. The emphasis on unity is evident in the lack of recorded intra-family fractures, with progeny maintaining ties that bolstered their positions in imperial networks.

Journey from Persia and Settlement

Mirza Ghiyas Beg, facing a reversal of fortunes in Persia following his father's death around 1576, departed for Mughal India to seek administrative opportunities under Emperor Akbar's increasingly tolerant and prosperous regime, which contrasted with the political instability in Safavid Persia. Accompanied by his pregnant wife Asmat Begum and their young children, the family joined an overland caravan traversing the perilous routes through , motivated primarily by Ghiyas Beg's noble background and skills in rather than destitution, though the journey exposed them to inherent risks of such migrations including and supply shortages. The caravan encountered severe hardships en route, including robbery that depleted their resources and periods of near-starvation amid the harsh and terrain, underscoring the causal dangers of long-distance travel without state protection. Near in 1577, Asmat Begum gave birth to their daughter Mehr-un-Nissa (later ) under these dire conditions, an event that highlighted the physical toll on the family but did not deter their pursuit of stability in . Upon reaching the Mughal territories, the family initially settled in Fatehpur Sikri or nearby , where Ghiyas Beg leveraged his Persian administrative expertise to secure modest employment in the imperial treasury, marking their shift from Safavid allegiance to service under and laying the groundwork for eventual prominence. This establishment in , a key Mughal center, provided the economic foothold that aligned their fortunes with the empire's expansion. ![Cenotaph of Asmat Begum and Mirza Ghiyas Beg in Itmad-ud-Daulah's mausoleum, Agra][float-right]

Rise in the Mughal Court

Family's Ascendancy under Akbar and Jahangir

![Cenotaph of Asmat Begum and Mirza Ghiyas Beg in Itimad-ud-Daulah's Mausoleum][float-right] , Asmat Begum's husband, began his Mughal career under Emperor as the diwan (treasurer) of , leveraging his administrative expertise in and provincial to secure steady promotions. His competence in handling fiscal affairs amid the empire's expansion into Afghan territories distinguished him from local appointees, aligning with 's policy of integrating skilled Persian immigrants into the bureaucracy for efficient tax collection and supply chain oversight. Following Akbar's death on October 27, 1605, and Jahangir's accession, Ghiyas Beg's elevation accelerated; he was appointed to the imperial diwan-i-kul (chief finance minister) and later as wazir (prime minister), receiving the title Itimad-ud-Daulah (Pillar of the State) for his proven reliability in stabilizing court finances during Jahangir's early reign. This rise reflected Jahangir's preference for Persian-trained administrators, who brought disciplined bookkeeping and loyalty honed in Safavid systems, over indigenous nobles prone to factionalism. Asmat Begum contributed to this ascendancy by orchestrating family alliances, facilitating the entry of their sons—such as Abu'l-Hasan, later titled Asaf Khan—into court roles as military and diplomatic aides, thereby embedding the family within the empire's power structure. The pivotal marriage of their daughter Mehr-un-Nissa () to on April 25, 1611, further propelled the family's status, granting Ghiyas Beg unprecedented influence over policy decisions and , though contemporaries attributed this not to but to the clan's collective acumen in advisory capacities. 's documented reliance on Persian talent for cultural and administrative reforms—evident in patronage of poets and painters from —underscored the meritocratic rationale, as the family's integration enhanced imperial cohesion without disrupting established hierarchies. By 1615, Ghiyas Beg's portfolio expanded to include oversight of subahdari (governorships), solidifying the clan's transition from provincial functionaries to apex counselors.

Personal Political Influence

Asmat Begum exerted influence primarily within the confines of the Mughal , where restricted women to indirect participation in court affairs through counsel, mediation, and familial alliances. Historical accounts indicate she played a supportive role in the "Nur Jahan Junta," an informal power group formed shortly after 's marriage to Emperor in 1611, comprising Asmat Begum, her husband (later Itimad-ud-Daulah), and her son Asaf Khan; this clique leveraged Persian noble connections to consolidate family authority amid Jahangir's weakening rule. Her involvement helped stabilize the family's position by fostering alliances that countered rival factions, such as during tensions between and Jahangir's other consorts like , where Asmat Begum intervened to plead her daughter's case and mitigate conflicts. Jahangir's memoirs, the Jahangirnama, portray Asmat Begum as a "lively and large-spirited woman," reflecting her respected status at court, where she served as a counselor to Nur Jahan on matters of intrigue and protocol. This advisory capacity extended to navigating succession-related pressures during Jahangir's reign (1605–1627), though direct evidence of her shaping major policy decisions remains sparse, limited by gender norms that channeled women's power through male intermediaries like her husband and son. Upon her death on June 17, 1621, Jahangir mourned her personally, equating her to his own mother, underscoring her subtle but acknowledged sway in stabilizing the Persian-influenced faction against orthodox Mughal nobility critiques of foreign dominance—though no primary sources attribute over-reliance on such factions directly to her actions. Her legacy in this sphere thus reflects pragmatic family maneuvering rather than autonomous command, with causal impact amplified in later lore but grounded in chronicle-noted mediation and counsel.

Contributions and Achievements

Cultural and Inventive Roles

Asmat Begum is primarily recognized for her inventive contribution to Mughal perfumery through the development of Itr-e-Jahangiri, a potent rose otto derived from the of . During the preparation of in the imperial household, she observed a thin layer of fragrant oil separating atop the distillate and innovated a method to extract and concentrate this essence, marking an advancement in techniques adapted to Mughal court practices. Emperor documented this invention in his memoirs, Tuzuk-i-Jahangiri, praising the perfume's exceptional quality and naming it Itr-e-Jahangiri in his honor; he described it as unparalleled, with a single drop capable of perfuming an entire assembly or, in hyperbolic terms, enlivening a dead soul. This primary account from , as a contemporary observer and beneficiary, provides direct evidence of the innovation's impact on luxury, though secondary historical analyses note that such imperial endorsements could amplify domestic discoveries within family-centric activities. Her work in household crafts extended to influencing perfumery traditions in the Mughal zenana, where women refined alchemical processes for scents used in royal rituals and daily opulence, elevating the family's prestige through practical enhancements to sensory arts. Documentation remains sparse beyond Jahangir's reference and later Mughal chronicles, limiting attribution to broader artistic , with potential for retrospective embellishment in family lore; nonetheless, the verifiable technique contributed to enduring Mughal traditions of attar production, distinct from political spheres.

Death and Aftermath

Final Years and Passing

Asmat Begum died on October 10, 1621, in Agra. Her passing took place during the zenith of her family's prominence in the Mughal Empire under Emperor Jahangir, where her husband Mirza Ghiyas Beg served as the chief minister (wazir) Itimad-ud-Daulah and her daughter Mehr-un-Nissa held sway as Nur Jahan. The Tuzuk-i-Jahangiri, Jahangir's memoirs, documents the event, emphasizing the deep emotional impact on her family without reference to any unnatural cause or controversy, aligning with a natural death attributable to advanced age.

Impact on Surviving Family

![Cenotaph of Asmat Begum and Mirza Ghiyas in the Itimad-ud-Daulah Mausoleum][float-right] The death of Asmat Begum on October 10, 1621, in profoundly affected her husband, (Itimad-ud-Daulah), who exhibited exceptional grief as recorded in Emperor 's memoirs. noted that no husband had shown such deep affection and attachment for his spouse, highlighting the couple's unusually devoted partnership in an era where was common among the ; Ghiyas Beg remained monogamously married to Asmat Begum throughout their lives, fathering seven children. Overwhelmed by sorrow, Ghiyas Beg neglected his health, wasting away daily despite continuing his imperial duties, and succumbed three months and twenty days later in early January 1622 near Kangra. This loss marked a pivotal shift in the family's power dynamics, removing parental anchors and allowing , Asmat Begum's daughter and Jahangir's empress, to exercise influence more independently within the Mughal court. Previously reliant on her father's advisory role as wazir, , already a co-ruler since 1611, consolidated her authority in the period from 1622 to 1627 without familial oversight, issuing farmans, designing architecture, and directing policy. Distressed by her parents' successive deaths, she commissioned the opulent Itimad-ud-Daulah Mausoleum in as their joint tomb, a testament to familial bonds amid personal tragedy. While the empire experienced no significant disruptions—Jahangir's reign continued stably until 1627—the represented a severe personal blow, evidenced by court records of mourning and the emperor's own reflections on the family's devotion. Nur Jahan's siblings, including her brothers Asaf Khan and other kin, maintained positions in the administration, but the parental deaths underscored interpersonal dependencies in elite Mughal networks, with power transitioning fluidly to the next generation without broader upheaval.

Legacy

Historical Assessment

Asmat Begum's significance lies primarily in her role as a matriarch facilitating the integration of Persian administrative expertise into the Mughal bureaucracy through her husband's career and the subsequent elevation of her children, particularly Nur Jahan. Mirza Ghiyas Beg, her spouse, rose from refugee status to wazir under Jahangir, embodying a fusion of Safavid Persian governance traditions—such as refined fiscal and diplomatic practices—with Timurid-Mughal structures, which her familial support helped sustain during the Akbar-Jahangir transition. Her documented inventive contribution, the distillation of Itr-i-Jahangiri (a rose-based perfume derived accidentally from rosewater preparation), introduced a novel perfumery technique praised in Jahangir's memoirs for its unparalleled quality, reflecting practical ingenuity that enhanced courtly culture without direct political agency. These indirect influences—familial networking and cultural innovation—arguably outweighed her limited overt authority, as primary evidence from non-family sources remains sparse, relying heavily on emperor-commissioned chronicles. Critiques of Asmat Begum's portrayal often stem from narratives amplifying the clique's dominance, potentially overstating familial cohesion as a stabilizing force amid Jahangir's personal indulgences; historians like S. Nurul Hasan have challenged the "junta" model, attributing the family's ascent more to pre-existing bureaucratic merit than orchestrated intrigue. Unlike contemporaries such as certain figures implicated in factional excesses, no contemporary accounts level charges against her, suggesting a reputation for prudent that bolstered integrity. This balance tempers hagiographic tendencies in pro- , where evidential gaps—such as the absence of independent Persian or regional chronicles—necessitate caution against inferring outsized causal impact from court-centric records. Verifiably, the Ghiyas Beg lineage's occupancy of key vazir positions contributed to administrative continuity across the 1605 dynastic shift, mitigating potential disruptions from Akbar's centralizing reforms. Yet, Mughal endurance stemmed more from entrenched institutional mechanisms—like mansabdari revenue assignments and provincial autonomy—than singular familial interventions, underscoring Asmat Begum's contributions as facilitative rather than foundational in causal terms. Her legacy thus exemplifies how elite immigrant networks amplified, but did not originate, the empire's syncretic resilience.

Depictions in Culture and Literature

Asmat Begum features peripherally in focused on Mughal court life, particularly narratives centered on her daughter . In Deepa Agarwal's young adult The Teenage Diary of Nur Jahan (2019), she appears as a supportive maternal figure offering counsel to the adolescent Mehr-un-Nissa during family hardships and court intrigues, drawing on the legendary Persian migration story for dramatic tension but adhering loosely to biographical outlines from Persian chronicles. Similarly, Indu Sundaresan's Taj Mahal Trilogy includes Asmat Begum among female characters navigating dynamics, portraying her as resilient amid patriarchal structures, though such depictions amplify interpersonal agency beyond verifiable primary accounts like Jahangir's memoirs. Earlier colonial-era literature, such as in Flora Annie Steel's representations of Mughal women, recasts Asmat Begum (as "Bibi Azizan") within aristocratic Persian lineages, emphasizing poetic and familial virtues while embedding her in broader tales of imperial romance and , often sourced from secondary European translations of Persian histories rather than direct Mughal texts. These fictionalizations frequently highlight the attar-of-roses —wherein Asmat Begum purportedly extracted from rose-scented bathwater—as a symbol of ingenuity, mirroring Jahangir's Tuzuk-i-Jahangiri but embellishing it with unsubstantiated motifs of personal triumph over adversity. In historiography, depictions prioritize empirical restraint, contrasting with romanticized novels by confining Asmat Begum to documented roles as a devoted and , without ascribing undue political influence absent from court records. Primary sources like the Jahangirnama affirm her perfume innovation as a domestic , not a courtly scheme, underscoring causal limits of elite women's veiled participation in Mughal . Modern analyses critique overextensions in fiction, such as exaggerated empowerment narratives, for lacking corroboration in Persian archives and risking anachronistic projections of agency onto pre-modern constraints. No major films or television series center Asmat Begum independently, though ancillary mentions in Indian historical dramas on echo the migration legend, blending with selective facts to evoke familial piety.

References

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