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Black Sails EP
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| Black Sails EP | ||||
|---|---|---|---|---|
| EP by | ||||
| Released | April 27, 1999[1] | |||
| Genre | Punk rock | |||
| Length | 11:50 | |||
| Label | Nitro | |||
| Producer | AFI | |||
| AFI chronology | ||||
| ||||
Black Sails EP is an extended play by the American rock band AFI. It was released on April 27, 1999, through Nitro Records. Only 5,000 copies were pressed. It is a sampler of the band's fourth studio album Black Sails in the Sunset.
Background
[edit]The first three tracks can be found on the album Black Sails in the Sunset. On the full-length album, "Porphyria" is re-titled "Porphyria Cutanea Tarda" and contains a crossfade into the next track, "Exsanguination". "Who Knew?" is a B-side from the full-length album and appears on its Japanese edition. This is the first release with Jade Puget as an official member of the band.
Track listing
[edit]All lyrics are written by Davey Havok; all music is composed by AFI.
| No. | Title | Length |
|---|---|---|
| 1. | "Porphyria" | 2:09 |
| 2. | "Malleus Maleficarum" | 4:04 |
| 3. | "The Prayer Position" | 3:30 |
| 4. | "Who Knew?" | 2:14 |
Personnel
[edit]Credits adapted from liner notes.[2]
- AFI – producer, arrangements, backing vocals
- Davey Havok – lead vocals, lyrics
- Jade Puget – lead guitar, programming, keyboard, piano, synthesizer, backing vocals
- Adam Carson – drums, percussion, backing vocals
- Hunter Burgan – bass, programming, keyboard, backing vocals
- Andy Earnst – engineer, mixing
- Alan Forbes – cover illustration
- Dexter Holland – additional guitar, backing vocals
- Thad LaRue – assistant engineer
- Gabe Morford – photography
- Jamie Reilly – layout
- Studios
- Engineered and mixed at The Art of Ears, Hayward, CA
References
[edit]- ^ "Black Sails EP". All Media Network. AllMusic. Retrieved July 30, 2017.
- ^ Black Sails EP (Liner notes). AFI. Nitro Records. 1999. 15828-2.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
Black Sails EP
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Background and development
The Black Sails EP represented the first release by AFI featuring its enduring lineup of vocalist Davey Havok, drummer Adam Carson, bassist Hunter Burgan, and guitarist Jade Puget. Burgan had joined the band in 1997 following the departure of original bassist Geoff Kresge, establishing himself as a full-time member in time for the recording of the group's third album, Shut Your Mouth and Open Your Eyes. Puget came on board in 1998, replacing guitarist Mark Stopholese and bringing a fresh creative dynamic after completing his college studies. This configuration solidified AFI's sound during a period of lineup transitions that had begun with earlier releases like the 1996 album Very Proud of Ya, which still featured the initial core members alongside Stopholese and Kresge.[6][7] Positioned in AFI's discography as a transitional project, the EP bridged the raw, skate-punk energy of Shut Your Mouth and Open Your Eyes (1997) and the darker, more atmospheric horror punk direction of the subsequent full-length Black Sails in the Sunset (1999). It introduced gothic undertones and thematic depth that foreshadowed the band's evolving style, moving beyond straightforward hardcore roots toward a blend of melodic aggression and eerie, narrative-driven songwriting. This shift aligned with AFI's growing experimentation, enabled by their association with Nitro Records since signing with the label around 1996 following the independent release of their debut Answer That and Stay Fashionable (1995). The partnership provided the resources for the band to explore more ambitious concepts while maintaining their punk ethos.[8][7] The EP's development stemmed from sessions in late 1998. Tracks like "Porphyria" and "Malleus Maleficarum" drew on horror-inspired motifs, reflecting AFI's interest in macabre storytelling that would define the era's output. Released in a limited pressing of 5,000 copies on April 27, 1999, the decision emphasized scarcity to appeal to dedicated fans and foster a sense of exclusivity within the underground punk scene.[1]Recording and personnel
The Black Sails EP was recorded in late 1998 and early 1999 at Art of Ears Studios in Hayward, California, during sessions that also captured material for the band's accompanying full-length album, Black Sails in the Sunset.[9][1] The EP was produced entirely by AFI, allowing the band full creative control over arrangements and mixing to maintain their unrefined aesthetic.[1] Engineering was handled by Andy Ernst, who assisted in capturing the performances, with additional support from assistant engineer Thadd LaRue.[3] Mastering occurred at Capitol Mastering in Hollywood, California, by Evren Göknar, providing a final punch to the raw recordings without over-polishing them.[3]| Role | Personnel |
|---|---|
| Lead vocals, lyrics | Davey Havok |
| Guitar, backing vocals | Jade Puget |
| Bass, backing vocals | Hunter Burgan |
| Drums, backing vocals | Adam Carson |
| Additional backing vocals | Dexter Holland |
| Producer, arrangements, music, backing vocals | AFI |
| Engineer, mixing | Andy Ernst |
| Assistant engineer | Thadd LaRue |
| Mastering | Evren Göknar |
Musical content
Style and themes
The Black Sails EP represents a pivotal shift in AFI's musical evolution, blending their established hardcore punk foundations with nascent horror punk and gothic elements, facilitated by the introduction of guitarist Jade Puget. This transitional sound features aggressive, high-energy compositions characterized by distorted guitars, pounding drum lines, and dynamic shifts between blistering speed and brooding introspection, as evident in the raw, unpolished production that emphasizes the band's live-wire intensity. Tracks like "Porphyria" exemplify faster tempos around 168 beats per minute, driving dissonant riffs in minor keys to heighten tension and evoke a sense of urgency, while atmospheric intros draw from punk's raw edge to create an ominous mood. Influenced by horror punk pioneers such as the Misfits and Danzig, the EP's style incorporates comic book-esque darkness and metallic tinges, moving beyond straight-ahead hardcore toward a more theatrical, shadowed aesthetic. Lyrically, the EP delves into themes of existential dread, personal anguish, and societal alienation, often through horror-infused metaphors that reflect inner turmoil and defiance. "Porphyria," for instance, alludes to Porphyria Cutanea Tarda—a rare blood disorder historically associated with vampire lore due to symptoms like extreme light sensitivity and disfiguring skin lesions—symbolizing isolation and the search for belonging among the outcast. "Malleus Maleficarum" invokes the infamous 15th-century treatise on witchcraft, a key text in European witch hunts that justified persecution of the marginalized, to explore ritualistic imagery, identity struggles, and resistance against oppressive norms. Meanwhile, "The Prayer Position" confronts fear and doubt through motifs of rebellion against rigid traditions, urging collective transformation and purification amid chaos. Overall, these elements position the EP as a sonic bridge to AFI's darker phase, previewing the gothic literature-inspired and post-punk leanings of Black Sails in the Sunset while retaining 1970s punk's visceral aggression. The work's emphasis on unity in adversity and emotional rawness underscores its role in broadening the band's thematic scope, prioritizing conceptual depth over mere speed.Track listing
The Black Sails EP consists of four original compositions by AFI, serving as a preview to their upcoming full-length album.[1]| No. | Title | Writers | Length |
|---|---|---|---|
| 1. | "Porphyria Cutanea Tarda" | AFI | 2:09 |
| 2. | "Malleus Maleficarum" | AFI | 4:04 |
| 3. | "The Prayer Position" | AFI | 3:30 |
| 4. | "Who Knew?" | AFI | 2:14 |
