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Blue Sky Noise
Blue Sky Noise
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Blue Sky Noise
Studio album by
ReleasedApril 20, 2010 (2010-04-20)
RecordedAugust–October 2009
StudioRattlebox, Toronto, Ontario; Metalworks, Mississauga, Ontario
Genre
Length49:56
LabelAtlantic
ProducerDavid Bottrill
Circa Survive chronology
On Letting Go
(2007)
Blue Sky Noise
(2010)
Appendage EP
(2010)
Deluxe Vinyl Edition cover
Professional ratings
Aggregate scores
SourceRating
Metacritic83/100[1]
Review scores
SourceRating
AllMusicStarStarStar[2]
Alternative PressStarStarStarStarHalf star[3]
Consequence of SoundStar[4]
Kerrang!StarStarStarStar[5]
The MusicStarStarStarStarHalf star[6]
Rock Sound9/10[7]
SpinStarStarStarHalf star[8]
Sputnikmusic4.5/5[9]
Tom HullB[10]

Blue Sky Noise is the third studio album by American rock band Circa Survive, released on April 20, 2010 through Atlantic Records. It serves as the band's first release after departing from Equal Vision Records, and is a follow-up to their second studio album, On Letting Go (2007).

Background

[edit]

In August 2008, the band announced they had left Equal Vision, and were intended to use a different producer for their next album. They mentioned that their previous releases with producer Brian McTernan were "sonically [...] pretty similar. He also recorded youinseries, and skyeatsairplane for EVR."[11] In November 2008, the band rented a place in Pennsylvania that they used to write material for their next album.[12] In February 2009, the band performed a handful of shows in California.[13] During the tour, a video was posted online featuring the band playing a new song, titled "Frozen Creek".[14]

Recording and composition

[edit]

The band's recording sessions for the album were completed in late October 2009 and mixing was completed on February 1, 2010 by Rich Costey.[15] Mastering was by Howie Weinberg.[16]

This album marks a change in stylistic direction as it deviates from the band's previous blend of post-hardcore and progressive rock toward a more refined, indie rock influenced sound.

Release

[edit]

On February 17, 2010, Circa Survive announced that its new album would be titled Blue Sky Noise and released in two months' time. Alongside this, "Get Out" was posted online.[17] In March 2010, the band went on a US Southern tour, which was followed by a support slot for Coheed and Cambria's cross-country US tour through to May 2010.[18][19] On March 31, 2010, "Imaginary Enemy" was posted online.[20] On April 8, 2010, a music video was released for "Get Out".[21] A music video was released for "Imaginary Enemy" on May 14, 2010; the song was released to radio on May 25, 2010.[22][23] In July and August 2010, the band went on a US tour with support from the Dear Hunter, O'Brother and Coheed and Cambria.[24] "I Felt Free" was released to radio on October 5, 2010.[25]

As with Circa Survive's previous two albums, the album artwork was created by Esao Andrews.

There are four other songs not included in the track list that Circa Survive has stated would be released separately from the album.[26][27]

The album was ranked at No. 9 on Myspace.com's Top 50 albums of 2010.[28]

On August 10, 2018, a remastered version (including the deluxe tracks) of the album was released.[29]

In 2020, the band planned to have a 10-year anniversary tour for the album. However, the COVID-19 pandemic forced the band to reschedule the tour for 2022.[30] The band eventually decided to go on hiatus.[31]

Track listing

[edit]

All tracks are written by Circa Survive.

No.TitleLength
1."Strange Terrain"4:03
2."Get Out"3:05
3."Glass Arrows"4:12
4."I Felt Free"4:00
5."Imaginary Enemy"4:25
6."Through the Desert Alone"4:10
7."Frozen Creek"5:04
8."Fever Dreams"4:35
9."Spirit of the Stairwell"5:31
10."The Longest Mile"4:04
11."Compendium"1:49
12."Dyed in the Wool"5:02
Total length:50:00
Deluxe edition bonus tracks[32]
No.TitleLength
13."Get Out (Acoustic)"4:05
14."I Felt Free (Acoustic)"4:13
15."Dyed in the Wool (Acoustic)"4:08
16."Every Way (Acoustic)"3:41
ShockHound Deluxe Edition bonus track[33]
No.TitleLength
17."Airplane Dance (Demo)"3:52
iTunes Deluxe Version bonus tracks[34]
No.TitleLength
13."I Felt Free (Acoustic)" 
14."Dyed in the Wool (Acoustic)" 
15."Get Out (Video)" 
16."100 Steps (Demo)" 

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Blue Sky Noise is the third studio album by the American rock band Circa Survive, released on April 20, 2010, through Atlantic Records. It serves as the band's major label debut, following their independent releases Juturna (2005) and On Letting Go (2007), and features 12 tracks with a total runtime of approximately 49 minutes. Produced by David Bottrill at Rattlebox Studios in Toronto, Ontario, and Metalworks Studios in Mississauga, Ontario, the album incorporates elements of alternative rock, post-hardcore, and progressive influences, emphasizing the band's signature intricate guitar work and the dynamic vocals of frontman Anthony Green. Notable tracks include "Get Out," "Glass Arrows," and "Frozen Creek," which highlight the record's blend of melodic introspection and energetic riffs. The album's production marked a sonic expansion for , allowing for a broader palette that included anthems while preserving their core identity rooted in emotional lyricism and complex arrangements. Recorded amid personal challenges for , including struggles, Blue Sky Noise explores themes of isolation, resilience, and , as reflected in songs like "Imaginary Enemy" and "Dyed in the Wool." Critically, it received positive attention for its polished sound and maturity, earning a 7.9/10 user rating on and praise for refining the band's style into something more accessible yet ambitious. A deluxe remastered edition was issued in 2018 by , featuring additional tracks and updated audio, further cementing its status in the band's discography.

Background and development

Prior albums and band status

Circa Survive formed in 2004 in , , when vocalist Anthony Green, formerly of , teamed up with guitarist Colin Frangicetto and other local musicians from bands like This Day Forward and Taken. The group's debut album, , arrived on April 19, 2005, via , introducing their intricate blend of and progressive elements to a receptive underground audience. Their sophomore effort, , followed on May 29, 2007, also through Equal Vision, solidifying their reputation with more refined song structures and earning critical praise for expanding the genre's boundaries. The band's core lineup remained stable after On Letting Go, consisting of Green on lead vocals, Frangicetto on guitar and backing vocals, Brendan Ekstrom on guitar, Nick Beard on bass, and on drums. This consistency helped cultivate a dedicated fanbase within the scene, where Circa Survive's ambitious arrangements and Green's soaring drew comparisons to influential acts while carving out a unique niche. By the late 2000s, their live performances and growing discography had built a loyal following eager for evolution beyond their indie label roots. Following the release of , endured intense touring demands as part of a relentless four-and-a-half-year cycle of recording and roadwork, which contributed to widespread exhaustion among members and prompted a necessary break to recharge creatively. These challenges, compounded by Green's personal struggles including a stint in a facility, heightened pressures from prior label commitments and the physical toll of constant travel, fostering a collective desire to refine their sound for the next project. In August 2009, after fulfilling their Equal Vision contract, the band signed with to access broader resources for global distribution and production support, a move that encouraged a more expansive, polished aesthetic without altering their artistic core. This transition set the stage for Blue Sky Noise, where producer David Bottrill helped streamline their frenetic style into a more accessible yet dynamic form.

Songwriting process

The songwriting for Blue Sky Noise began in the years following Circa Survive's 2007 album On Letting Go, marking a period of intensified creative focus for the band. During 2008 and 2009, the band members, including vocalist Anthony Green, guitarists Colin Frangicetto and Brendan Ekstrom, bassist Nick Beard, and drummer Steve Clifford, collaborated closely on song ideas, often developing them in informal group settings after living together in a shared house for over four years, which fostered a highly productive environment. Frangicetto and Ekstrom contributed key guitar riffs that formed the foundation of several tracks, helping refine arrangements to enhance the album's dynamic structures. This communal approach allowed for real-time experimentation with melodies and song forms, emphasizing a blend of psychedelic and punk elements they aimed to capture. Green played a central role in lyric writing, drawing deeply from personal experiences such as his marriage, the emotional toll of two miscarriages suffered by his wife, and struggles with that led to a brief voluntary institutionalization. These themes of , relational turmoil, and overcoming inner darkness infused the with raw emotional depth, reflecting a chaotic period marked by with drugs and alcohol. External factors, including Green's side projects, further shaped the album's introspective tone; his 2008 solo album allowed for self-exploratory songwriting that he later adapted into Circa Survive's rock framework, while lingering influences from his earlier time with contributed to the heightened emotional intensity. Initial demos were recorded in casual, non-studio environments, starting with stripped-down sketches to prioritize vocal melodies and structural experimentation before expanding into full band arrangements. Green often worked on vocals separately from the instrumental development, recording ideas in isolation to maintain focus amid the group's collaborative energy.

Recording and production

Sessions and locations

The recording of Blue Sky Noise took place primarily at Rattlebox Studios in , , and Metalworks Studios in , , with the band traveling from their base to capture the album in these facilities. Principal recording sessions occurred from to late 2009, allowing the band to immerse themselves in the process away from home, while mixing was finalized in early 2010 by , with completion by February. The sessions presented logistical challenges, including coordinating the schedules of band members who were balancing personal commitments and the demands of a major label debut, as well as adapting to producer David Bottrill's rigorous methods, which emphasized precision and experimentation to elevate the band's sound. To preserve the live energy of performances, the production incorporated a hybrid approach blending analog warmth with digital efficiency, marking a departure from the more straightforward techniques used on prior albums like .

Key personnel

The core lineup of for Blue Sky Noise consisted of Anthony Green on lead vocals and piano, Colin Frangicetto on guitar and backing vocals, Brendan Ekstrom on guitar, Nick Beard on bass, and on drums. This stable configuration, unchanged since the band's formation in 2004, provided the foundational sound for the album's intricate arrangements and dynamic shifts. The album marked the band's first collaboration with producer David Bottrill, a three-time Grammy winner renowned for his work on Tool's (1996) and Muse's (2003), among others. Bottrill's involvement brought a polished, expansive production quality to Blue Sky Noise, contrasting with the rawer, self-directed efforts of prior albums like (2005) and (2007), both helmed by producer . His approach emphasized atmospheric depth and clarity, allowing Green's soaring vocals and the band's layered guitars to breathe while maintaining their progressive edge. Mixing duties were handled by , known for his collaborations with , , and , who completed the process on February 1, 2010, at in . Engineering was led by Brian Moncarz and Charlie Stavish at Rattlebox Studios in , with additional assistance from Patrick Spain and Kevin Dietz. Mastering was handled by at Masterdisk in New York. Limited additional contributions included string arrangements by session musicians Kevin Fox and Bortnichak on , and Drew Jurecka on viola and , adding subtle orchestral textures to select tracks without overshadowing the core rock instrumentation. Paul Dickenson provided technical support for Clifford's percussion work.

Music and lyrics

Musical style

Blue Sky Noise represents a blend of and , infused with influences, featuring atmospheric builds and intricate guitar work that define its sonic identity. The album's sound evolves from the band's earlier efforts, particularly On Letting Go (2007), by incorporating more melodic choruses and a cleaner, more refined production that enhances accessibility without diluting intensity. This refinement is achieved through producer David Bottrill's techniques, which polish the raw energy into a cohesive listening experience. plays a central role in the album's texture, with dual guitars from Brendan Ekstrom and Colin Frangicetto weaving layered, dueling lines that create opulent soundscapes and post-rock-inspired sprawls. Dynamic drumming by provides rhythmic drive, shifting from tribal patterns to thunderous fills that support the tracks' emotional arcs. Anthony Green's vocals soar ethereally over the mix, delivering aggressive yet sugary melodies that anchor the band's signature style. The album's structure emphasizes mid-tempo pacing with explosive crescendos, building tension through brooding verses into soaring, effervescent choruses across its 12 tracks. Songs average approximately 4 minutes in length, allowing for concise yet dynamic compositions that balance introspection and release. Sparse electronic elements and effects, such as pedal-induced textures, add subtle atmospheric depth without overpowering the organic rock foundation.

Themes and song analysis

Blue Sky Noise explores themes of personal struggle, emotional vulnerability, and the path toward acceptance and growth, deeply influenced by vocalist Anthony Green's experiences during its creation, including his wife's miscarriages, a crisis that led to brief institutionalization, and struggles with drug and . These elements reflect a broader narrative arc of isolation amid chaos transitioning to resilience and , as Green processed destructive emotions while seeking authenticity in his art. The album's emphasize overcoming internal darkness through relationships and , rejecting negativity in favor of gratitude and inspiration for listeners facing similar hardships. Key tracks delve into these motifs with raw introspection. "Get Out" serves as a visceral anthem of escape from personal chaos, capturing Green's desire to break free from and the cycle of unwise choices, written amid his battles with substances. In "Imaginary Enemy," co-written by Green and Colin Frangicetto, the confront and the self-sabotaging pull of , portraying the struggle against one's own destructive tendencies as an imagined adversarial force. "Dyed in the Wool" addresses frustration with insincere empathy, expressing the irritation of feigned understanding in relationships, a sentiment Green described as arising when others claim comprehension without genuine insight. Poetic devices, such as metaphors of and liberation, underscore the album's emotional depth, with recurring of guilt, waste, and renewal symbolizing the tension between despair and hope. This lyrical approach crafts a cohesive journey from vulnerability to empowerment, aligning with Green's goal of creating music that resonates through shared human frailty.

Release and promotion

Distribution and formats

Blue Sky Noise was released on April 20, 2010, through in the United States and internationally. As Circa Survive's major label debut following their independent releases on , the album benefited from Atlantic's broader distribution network, enabling wider availability in physical and digital markets compared to prior efforts. The original edition featured 12 tracks and was issued in multiple formats, including standard CD and digital download. An initial limited pressing of vinyl was also produced, though the primary physical rollout emphasized compact discs for retail distribution. Physical copies of the album included lyric booklets with artwork by Esao Andrews, whose contributions encompassed the cover and interior designs featuring surreal, dreamlike imagery that aligned with the band's aesthetic.

Marketing and touring

To promote Blue Sky Noise, released "" as the lead single on February 17, 2010, two months ahead of the album's April 20 launch on . The track was supported by an official directed by Josh Mond, which premiered on April 8, 2010, and featured abstract visuals aligning with the band's artistic aesthetic. A follow-up single, "Imaginary Enemy," was released to alternative radio in May 2010, accompanied by a premiered on May 14, 2010. This single helped build anticipation, marking a shift toward more accessible elements in their sound. Marketing efforts emphasized digital and radio outreach suited to the era's landscape. The band leveraged for early online campaigns, including a full album stream in the weeks leading up to release and a dedicated live session titled MySpace Transmissions recorded in 2010, which showcased tracks from Blue Sky Noise in an intimate format. Additionally, the album secured radio play on alternative stations, broadening exposure beyond their core fanbase and contributing to its debut at number 11 on the 200. Following the album's release, launched a headlining U.S. tour in spring 2010 to support Blue Sky Noise, with opening acts including , , and Codeseven on select dates. The tour emphasized high-energy performances of new material, such as "" and "Imaginary Enemy," alongside fan favorites from prior albums. International expansion followed later that year with European dates, including a run in July featuring shows at venues like London's . A key highlight was an early show in on May 22, 2010, at the Electric Factory, where the band prioritized fan engagement through extended sets and direct interaction, reflecting their roots in the city's music scene.

Reception and legacy

Critical reception

Upon its release in April 2010, Blue Sky Noise received generally positive reviews from critics, earning a Metascore of 83 out of 100 on , based on seven aggregated reviews indicating universal acclaim. Alternative Press awarded the album 4.5 out of 5 stars, lauding its high energy and the way it harnessed Circa Survive's signature ethereal vocals and intertwining guitars while providing a stronger sense of direction than prior releases. rated it 3.5 out of 5 stars, noting the band's increased maturity in songwriting and production compared to earlier efforts. Kerrang! gave it 4 out of 5 stars, describing it as potentially signaling the start of something innovative for the band, though it highlighted mixed feelings on its broader accessibility for casual listeners. Not all responses were entirely favorable; Consequence criticized the album as overproduced and apathetic, arguing it lacked new ideas or growth from the band's previous work. Common themes across reviews included acclaim for Anthony Green's soaring vocals and the dynamic guitar work, which many saw as the album's strongest elements, while some reviewers felt it leaned less toward experimentation than Circa Survive's earlier albums like . Punknews.org echoed the praise for Green's invigorated delivery and the smooth, effervescent flow, rating it 8 out of 10. Retrospective views have been even more positive, with the remastered edition and subsequent reissues highlighting improved audio clarity that enhances the original's intensity. In a review of the 10th anniversary reissue, Rebel Noise described Blue Sky Noise as feeling "as fresh, vibrant, and striving as ever," positioning it as a enduring fan favorite within for its balanced songwriting and emotional depth. Sputnikmusic's staff retrospective similarly called it a "fantastic, immense " that represented an improvement in every aspect, solidifying its status as a high point in the band's discography.

Commercial performance and impact

Blue Sky Noise debuted at number 11 on the US Billboard 200 chart upon its release in April 2010, marking Circa Survive's highest-charting album to date and selling approximately 28,000 copies in its first week. The album also reached number 8 on the Billboard Alternative Albums chart, reflecting its strong appeal within the rock genre. In 2018, released a deluxe remastered edition of the album on August 10, expanding the original 12 tracks with seven bonus recordings, including acoustic versions of "," "I Felt Free," and "Dyed in the Wool," as well as previously unreleased demos. This edition was later complemented by a 2020 vinyl repress limited to 4,000 units, featuring expanded triple-gatefold packaging to celebrate the album's 10th anniversary. A further exclusive blue and white swirl vinyl pressing, limited to 500 copies, followed in 2023. To mark the album's anniversaries, announced a 10th anniversary tour in 2019, originally scheduled for spring 2020, but it was postponed due to the and rescheduled for summer 2021 with select dates across . In 2025, the band celebrated the 15th anniversary with a merch drop announced on April 30, featuring new apparel designs such as hoodies and shirts inspired by the album's artwork and themes. As 's major-label debut on , Blue Sky Noise solidified the band's mainstream presence in the scene, broadening their audience through polished production and radio-friendly elements while maintaining their experimental edge.

Content

Track listing

All tracks are written by . The standard edition of Blue Sky Noise, released in 2010, consists of 12 tracks with a total runtime of approximately 49 minutes.
No.TitleLength
1."Strange Terrain"3:59
2.""3:05
3."Glass Arrows"4:12
4."I Felt Free"3:56
5."Imaginary Enemy"4:25
6."Through the Desert Alone"4:07
7."Frozen Creek"5:00
8."Fever Dreams"4:35
9."Spirit of the Stairwell"5:31
10."The Longest Mile"4:04
11."Compendium"1:49
12."Dyed in the Wool"4:59
The initial release did not include any B-sides from the album's singles. The 2018 deluxe remastered edition expands the album to 19 tracks, incorporating the 5 tracks from the companion EP (released in 2010) and two additional demo tracks from sessions.

Personnel

The lineup of for Blue Sky Noise consisted of Anthony Green on lead vocals, Colin Frangicetto on guitar and backing vocals, Brendan Ekstrom on guitar, Nick Beard on bass, and on drums. The album was produced by David Bottrill, with mixing handled by . Engineering was provided by Brian Moncarz and Charlie Stravish, who also served as assistant engineers. Mastering was performed by at Howie Weinberg Mastering. A&R direction came from Chris Foitle and Sam Riback. Additional string arrangements featured Drew Jurecka on and viola, and Kevin Fox on . The cover artwork and concept were created by Esao Andrews, with layout design by Bill Scoville and by Brooks Reynolds. Art direction and design were overseen by David J. Harrigan III. The 2018 deluxe remastered edition, released by , retained the original production personnel with no major changes reported.

References

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