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Leake in 2020

Brandon Leake (born May 4, 1992) is an American spoken word poet, educator and motivational speaker and the winner of the fifteenth season of America's Got Talent.[1] He was the first spoken–word poet to be on America's Got Talent and received the Golden Buzzer award in the first round from Howie Mandel.[2] He performed pieces about his sister who died, his father, his mother and his daughter.[3] He was named the champion of the 15th season on September 23, 2020, going home with a $1 million cash prize, a brand new Kia Stinger and the opportunity to star in Luxor Las Vegas.[4]

He has performed in 36 US states, New Zealand, Mexico and Canada with his Dark Side Tour to promote his published poetry and his album called Deficiencies: A Tale from My Dark Side. He teaches at Brookside school daycare center, where he worked with his wife. Leake is the founder and CEO of Called to Move, an organization that helps youth through poetry. He founded the organization in 2012 at Simpson University.[5] He is also an academic advisor at San Joaquin Delta College.[6] On October 9, 2020, it was announced that Leake had signed with United Talent Agency.[7] Also in October 2020, it was announced Leake would serve as the producing partner and contributor to the Team Harmony Foundation's new international web series, HATE: WHAT ARE YOU GOING TO DO?[8]

Leake is from Stockton, California. He is married and has one daughter, who was born shortly before his first audition.[4]

References

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Brandon Leake

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Brandon Leake is an American spoken word poet, artistic educator, and motivational speaker from , recognized as the winner of the fifteenth season of in 2020, marking him as the first spoken-word artist to claim the competition's top prize. As founder and CEO of Called to Move (CTM), an organization established in 2012 to empower youth through poetry and self-expression, Leake has conducted workshops and performances across 42 U.S. states and internationally in countries including , , and . His career highlights include collaborations with entities such as Meta, , and the , alongside earning seven Telly Awards, one SOVAS Award, and one Emmy Award for his poetic and multimedia work. Leake's performances often draw from personal experiences of growing up in challenging circumstances on Stockton's south side, emphasizing themes of faith, family, and community resilience.

Early Life and Background

Childhood in Stockton

Brandon Leake was born on May 4, 1992, in . He spent his formative years on the south side of the city, a neighborhood marked by concentrated urban and elevated exposure to community hardships. Stockton in the faced escalating socioeconomic pressures, including a rate that rose from approximately 880 incidents per 100,000 residents in to nearly double by the mid-2000s, contributing to its reputation as one of California's more dangerous urban centers during Leake's childhood. The city's south side, in particular, reflected broader patterns of economic disadvantage, with high and limited opportunities amplifying local struggles with gang activity and daily insecurity. These environmental factors immersed Leake in realities of resilience amid adversity, shaping an early attuned to communal and the human capacity for . As a child, Leake turned to writing and personal expression as outlets for processing the surrounding turmoil, developing a nascent that later underpinned his artistic focus on social themes without yet engaging structured creative outlets. This period of immersion in Stockton's challenges cultivated a foundational sensitivity to inequity and survival narratives, distinct from formalized training or familial dynamics.

Family Influences

Leake was raised in Stockton, California, by his single mother, Carla Leake-Gibson, who held multiple jobs—up to fifteen at times—to support the household, thereby modeling perseverance amid economic challenges and shaping his ethos of resilience through personal effort. The death of his infant sister, Danielle Marie Gibson, in 1997 at eight months old—when Leake was four—marked a pivotal family hardship, prompting him to channel grief into poetry as an outlet for emotional processing and narrative self-expression during middle school. His father's absence fostered reflections on relational voids in Leake's work, reinforcing a drive to articulate vulnerability and redemption, while the cumulative strains of single-parenthood and familial loss cultivated a faith-centered perspective that underpins his integration of testimony-like elements in .

Education and Early Career

Academic Pursuits

Leake completed his secondary education at Edison High School in Stockton, California. He then attended Simpson University in Redding, California, graduating in 2014 with a degree in psychology. This coursework focused on human behavior, cognition, and emotional dynamics, providing analytical tools that Leake drew upon in developing his expressive capabilities, though his proficiency in verbal arts stemmed predominantly from extracurricular and self-directed efforts rather than specialized institutional programs in writing or performance.

Initial Forays into Poetry and Spoken Word

Leake first experimented with poetry writing in as a private means of processing emotions, including romantic interests, while navigating the social pressures of his environment in . His shift to as a performative medium emerged during his college years at in Redding, triggered by the loss of a close friend, which compelled him to deliver his inaugural public piece at a psychology department around his early twenties. This marked a deliberate pivot from solitary composition to live expression, prioritizing vulnerability over polished form. In 2012, midway through his sophomore year, Leake established Called to Move, a initiative that hosted open-mic events where he honed his fusion of narratives and rhythmic delivery, emphasizing raw emotional candor drawn from personal trials rather than adherence to traditional rhyme or meter. These sessions, influenced by Northern California's nascent circuits, allowed him to refine techniques through iterative feedback in intimate settings. Leake's initial local engagements centered on slam poetry teams and open mics in Redding and Stockton, where he built rapport via pieces exploring , familial absence, and urban hardships reflective of his south-side upbringing. This phase underscored his self-directed growth, channeling empathy-driven content to connect with peers amid limited formal infrastructure for in the region.

Rise to Prominence

Pre-AGT Performances and Recognition

In 2012, while attending Simpson University in Redding, California, Leake founded Called To Move (CTM), a nonprofit organization dedicated to youth development through poetry and spoken word performances, initially as a small group of artists sharing their work at campus open mic nights that drew 10-15 attendees. By 2014, these events had expanded significantly, attracting up to 300 participants and leading to a dedicated chapel service hosted by the university, reflecting growing local recognition for his innovative approach to blending spoken word with motivational themes on mental health and personal growth. Leake's involvement in competitive spoken word intensified in 2015 when he joined a Sacramento-based slam poetry team, enabling participation in the National Poetry Slam and honing his delivery through regional competitions that emphasized rapid, emotive performances on community issues. This period marked incremental professional traction, with CTM booking 40 performances across 12 states in 2016, expanding to 150 shows in the United States, , and by 2018, often featuring pieces addressing , identity, and resilience drawn from his Stockton upbringing. Prior to national exposure, Leake focused on educational outreach in Stockton, visiting every high school by 2017 to deliver performances or lead , particularly with Black student unions, and conducting eight-week programs through partnerships with the Lincoln Unified School District that culminated in student-published books via Amazon. He also taught writing curricula at a northeast of Stockton and initiated youth-focused initiatives like the "Dreamers" to foster goal-setting through creative expression in underserved south- and east-side communities. In 2018, he released the album Deficiencies: A Tale from My Dark Side and the collection B-Sides, modest publications that affirmed his evolving style amid these grassroots efforts.

America's Got Talent Participation

Brandon Leake entered the fifteenth season of in 2020, marking the first appearance of a spoken-word in the competition's history. Prior to this, Leake had built a local presence in , as a high school English teacher turned counselor and spoken-word performer, but sought broader visibility to elevate the genre's profile. His decision represented a strategic shift toward a national platform, leveraging AGT's massive audience to promote as a viable competitive art form traditionally underrepresented in mainstream talent shows. The format of AGT aligned well with spoken word's emphasis on live delivery, rhythm, and emotional impact, distinguishing it from more static poetic traditions and enabling direct engagement with judges and viewers. Leake expressed enthusiasm for introducing the discipline to the stage, viewing it as an opportunity to challenge perceptions of poetry as non-performative. This entry occurred against the backdrop of widespread social unrest in 2020, including protests following the killing, where spoken word's capacity for immediate, personal commentary on provided a timely medium for addressing causal factors in racial and societal tensions. Leake's participation thus served as a pivot to harness the show's reach for voices marginalized in public discourse.

America's Got Talent Journey

Audition and Golden Buzzer

Brandon Leake auditioned for the fifteenth season of in 2020, performing an original poem centered on the grief from his sister's death and the pursuit of resilience amid personal tragedy. The performance, delivered without a live audience due to protocols, featured raw vulnerability in lines exploring loss, such as reflections on unanswered questions and emotional healing. All four judges—, , , and Sofia Vergara—responded affirmatively, with Vergara visibly moved to tears and Cowell admitting the piece altered his prior skepticism toward poetry by demonstrating its emotional power. Mandel, citing the poem's authentic emotional depth as transcending typical spectacle-driven acts, awarded Leake the Golden Buzzer, advancing him directly to the live shows. This marked the first instance of a artist receiving the honor in AGT history, highlighting a judging emphasis on narrative intimacy and personal storytelling over conventional entertainment formats. The audition clip garnered significant online traction, with official uploads exceeding 900,000 views on platforms like , underscoring viewer resonance with its unfiltered authenticity amid the season's virtual constraints.

Key Performances and Themes

In the quarterfinals on September 1, 2020, Leake delivered "Pookie," a piece addressed to his mother using her affectionate nickname for him, which transitioned into a stark confrontation of racial injustice amid the movement. The poem evoked specific incidents of police violence, naming , Ahmaud Arbery, and , while employing an empathetic narrative to urge listeners to reject apathy and recognize the pervasive threat to Black lives, framed through personal familial bonds. This performance distinguished itself by weaving intimate anecdotes with calls for accountability, critiquing systemic failures in and societal indifference that enable repeated tragedies. Leake's AGT appearances demonstrated an evolution in incorporating contemporaneous social issues, adapting poems to reflect unfolding events like the 2020 protests, thereby blending autobiographical elements—such as his experiences as a and brother—with broader analyses of causal factors in racial disparities, including institutional biases and cultural desensitization. Subsequent performances maintained this trajectory, escalating emotional intensity to address grief intertwined with public unrest, as seen in pieces that prompted judges like to express profound impact, highlighting the raw delivery's role in piercing audience complacency. Technically, Leake's entries featured rhythmic cadences and direct audience engagement, fostering immersion through pauses for reflection and vocal modulations that mirrored narrative tension, which correlated with heightened viewer responses and advancement in the competition. These elements amplified the thematic thrust, using poetry's immediacy to dissect not just symptoms but underlying causal mechanisms of , such as entrenched policies and media portrayals that perpetuate division, without diluting the personal stakes.

Victory and Immediate Aftermath

On September 23, 2020, during the live two-hour finale of America's Got Talent Season 15, Brandon Leake was crowned the winner, marking the first time a spoken word poet had competed and triumphed in the competition's history. He received the $1 million grand prize, along with a new car and the chance to headline a performance in the America's Got Talent Live show at the Luxor Hotel and Casino in Las Vegas. Leake's win prompted an immediate surge in media coverage from national outlets, which emphasized poetry's viability as a competitive art form on mainstream television, particularly resonant amid 's heightened focus on social and personal narratives. The finale's broadcast contributed to the season's strong performance, reflecting broad audience engagement with Leake's performances that blended vulnerability and cultural commentary. In the days following the victory, Leake shared reflections on leveraging the platform for positive impact, telling interviewers he was "juiced" about the outcome and intended to direct portions of the prize toward advocacy for justice. He also highlighted opportunities to address healing in public discourse, noting shortly before the results that recent performances allowed him to "talk about our healing" and share related messages. Upon returning to his hometown of , by September 26, Leake expressed gratitude to supporters, underscoring a sense of amid the rapid recognition.

Post-AGT Professional Development

Publications, Media, and Speaking Engagements

Following his victory on in September 2020, Leake released his debut poetry collection, Unraveling: Poems, published by in 2022. The volume compiles pieces exploring personal identity, family dynamics, and , many echoing themes from his AGT performances such as racial inequities and emotional vulnerability. A subsequent collection, B-Sides: Life's Scraps Can Still Be Beautiful, extended this output with additional reflective works on resilience and human experience. Leake expanded into media through promotional television spots, including appearances on in 2022 to discuss Unraveling and perform excerpts, and ABC's in April 2022, where he recited "Running Out" amid conversations on poetry's societal role. He also featured in a nationally televised commercial for Visionary LG in 2021, marking his first such endorsement. In speaking engagements, Leake signed with (UTA) in October 2020 for representation across all areas, facilitating motivational keynotes on art's emotional power and personal growth. His TEDxBerkeley talk, "The Heart Behind Our Art," delivered on April 15, 2025, examined poetry's capacity to foster empathy and address marginalization, garnering over 1,400 views within months. Leake ventured into prose and video dissemination via his Called to Move (CTM) YouTube channel, posting original spoken word content that has collectively exceeded hundreds of thousands of views, sustaining audience engagement post-AGT. These efforts, including book promotions, underscore ongoing public interest, though specific sales figures for Unraveling remain undisclosed in available records.

Educational Initiatives and Community Impact

Following his 2020 victory on , Brandon Leake expanded his educational efforts in , through partnerships with local schools including Lincoln Elementary, Colonial Heights Elementary, Sierra Middle School, Lincoln High School, and several Aspire academies. These collaborations involved delivering workshops for students from through 12th grade, emphasizing social-emotional learning via interactive, activity-based sessions that incorporate self-reflective writing and techniques. The programs, such as assemblies titled "Hero’s" for recognizing personal strengths and "Journey" for identifying growth aspirations, aimed to equip youth with tools for expression in environments marked by socioeconomic challenges, including Stockton's documented struggles with proficiency rates below state averages. Leake's workshops, facilitated through his organization Called to Move (CTM), integrated poetry to help participants process personal narratives, including experiences of family loss and adversity, thereby fostering and resilience. CTM conducted sessions at Stockton institutions like Edison High School and Elementary, as well as youth summits such as the TRU HOPE Youth Summit, where poetry served as a medium for articulating trauma and building self-actualization skills. Post-2020, these initiatives extended to broader events like the Youth Equity and Conference, prioritizing structured artistic practice over unstructured outlets to encourage measurable . In May 2025, Leake launched the Poetic Residency Program under Brandon Leake Inc., a national initiative originating in Stockton that deploys week-long school residencies combining performances, workshops, and a co-developed one-semester junior high curriculum with Vertex Education. The curriculum teaches students to craft original pieces, enhancing confidence and reflective dialogue amid community divides, with applications in and inclusion training for youth and organizations. This program builds on prior Stockton efforts by scaling poetry's role in bridging interpersonal gaps through evidence-based storytelling methods, rather than relying on anecdotal testimonials.

Recent Projects and Entrepreneurship (2020s)

In May 2025, Leake launched Brandon Leake Inc., a national initiative employing and to promote , foster community dialogue, and drive through personal narratives. The program extends his post-AGT focus on artistic , building on his prior work with the Called To Move collective by scaling workshops and motivational sessions nationwide. Leake has sustained momentum through live tours and speaking engagements, with scheduled performances listed for 2025 that blend with motivational content. In August 2025, he released his first solo project, marking a in independent artistry production. These efforts align with his entrepreneurial pivot toward self-managed ventures, including keynotes at events like College's 2025 opening. Professionally, Leake earned a Silver Telly Award in 2024 for the narrative project under Brandon Leake Inc., contributing to his tally of seven Telly Awards, alongside one Emmy and one SOVAS Award accrued in the 2020s. He maintains an active digital presence via platforms like and , where he shares performances and educational content to engage audiences beyond initial AGT visibility. This adaptation supports ongoing influence as a speaker and educator, with recent outputs emphasizing faith-infused storytelling for broader outreach.

Artistic Style and Themes

Poetic Techniques and Influences

Leake's poetry primarily utilizes free-verse , emphasizing rhythmic prose over structured rhyme or meter to prioritize emotional delivery and accessibility in live performance. This approach aligns with slam traditions, where he began competing as a team member in Sacramento in 2015, fostering a style that adapts fluidly during recitation. His techniques include direct, conversational address and improvisational adjustments, allowing pieces to evolve mid-performance based on audience response or intuitive shifts, which enhances immersion while eschewing the rigidity of printed formal . Leake has described this freedom as central to his craft, enabling real-time refinement without predefined constraints. Influences stem from practical immersion rather than formal training, with Leake developing his skills through nights at a Christian college in , high school teaching environments, and competitive slams, reflecting an of trial and iteration over academic pedigrees. He draws from personal trial-and-error in these venues, alongside contemporaries in the scene, to refine cadence and phrasing for oral impact.

Core Themes: Personal Narrative, Social Justice, and Faith

Leake's poetry frequently interweaves personal anecdotes with examinations of racial disparities, as seen in his 2020 America's Got Talent performance addressing Black Lives Matter concerns, where he voiced maternal fears of police violence against Black sons, drawing from his own experiences as a father. This motif extends to critiques of systemic barriers, such as in his spoken-word piece "Black Mental Health," which highlights the compounded risks of untreated psychological distress in Black communities amid stereotypes of resilience that discourage seeking help. These narratives avoid abstract advocacy, grounding social commentary in autobiographical details like family vulnerabilities to underscore causal links between individual trauma and broader inequities without endorsing perpetual victimhood. Central to Leake's work is the portrayal of Christian as a mechanism for personal agency and redemption, countering deterministic views of by emphasizing and spiritual resilience. In poems like "Dear ," he expresses gratitude for communal support rooted in biblical principles, framing not as but as a tool for transcending grief and relational fractures. His 2022 collection Unraveling similarly integrates with themes of love and loss, presenting divine intervention as enabling amid social strife, as evidenced by reflections on shaping responses to hardship. This approach privileges causal agency—where individual moral choices and spiritual conviction mitigate inequality's effects—over narratives reliant solely on external reform. The interplay among these themes manifests in Leake's resistance to art's overt politicization, advocating instead for truth-telling through lived testimony that balances for protests with calls for internal transformation. His AGT social justice pieces, for instance, evoke for racial unrest while incorporating faith-driven motifs of hope, challenging audiences to prioritize over sustained grievance. This realism acknowledges inequality's empirical roots—such as disproportionate policing—yet questions movements' efficacy when divorced from personal , as implied in his broader oeuvre linking , critique, and redemption to foster holistic responses rather than ideological silos. Such integration reflects a deliberate avoidance of performative , favoring that illuminates causal pathways from to empowerment.

Personal Life

Family and Relationships

Leake married his wife, Anna, on September 2, 2017, after dating for nearly a year. The couple marked their eighth in September 2025, with Leake publicly expressing deepened commitment and for their . Following their marriage, Leake paused his pursuit of a professional career for approximately one year to prioritize relational foundations. The couple has two children: a daughter, James Leake, born on February 29, 2020, and a son born in August 2021. Leake dedicated his victory in September 2020 to Aaliyah, highlighting her as a central motivator amid his rising professional demands. He has described fatherhood as shaping his resolve to embody reliability, drawing from personal resolve to exceed the absences he experienced in his own upbringing, thereby fostering a stable home environment. Leake frequently references his roles as and as anchors for his work ethic, emphasizing deliberate efforts to balance touring, performances, and entrepreneurial ventures with presence, such as dedicated "daddy-daughter" time and collaborative activities with his children. This prioritization manifests in his public narrative of relational duties informing optimistic themes in his and initiatives, without compromising career momentum post-2020.

Religious Convictions and Values

Brandon Leake identifies as a , with his in Christ serving as the foundational element of his and . He has described himself explicitly as "a Christian and a ," emphasizing that "Christ is my foundation" amid the perceived tensions of integrating evangelical convictions with artistic expression. Leake's public declarations include affirmations that " saved me" and that his is unapologetic, portraying God as inherently loving while expressing frustration with those who profess without embodying its demands. These statements underscore a commitment to as the primary lens for evaluating and societal issues, prioritizing spiritual redemption over secular moral frameworks that may neglect individual accountability for sin. Central to Leake's convictions is the doctrine of through rather than human effort, which he contrasts with self-reliant ideologies. In a on , he critiques the "American Dream theology" that promotes pulling oneself out of via personal bootstraps, asserting instead that true requires reliance on . This value manifests in his advocacy for mercy toward doubters, drawing directly from Jude 1:22, and in calls for authentic Christian witness that addresses doubt and hypocrisy without compromising doctrinal integrity. Leake's approach reflects a causal emphasis on personal transformation via Christ's as antecedent to broader ethical or communal actions, viewing redemption as the indispensable prerequisite for meaningful change. Leake's values extend to community-oriented service motivated by stewardship of God-given talents, aimed at fostering positive societal impact in line with scriptural mandates for compassion and justice. He has participated in faith-based speaking engagements, such as chapel addresses framed as poetry for Christ, where his messages reinforce moral realism grounded in biblical principles over politicized narratives. Despite mainstream media portrayals post-America's Got Talent that often highlight his social commentary for wider appeal, Leake consistently counters any dilution by maintaining overt references to salvation and scriptural fidelity in his bios, speeches, and online content, ensuring faith's primacy remains evident.

Awards and Recognition

Major Honors and Achievements

In 2020, Brandon Leake won the fifteenth season of America's Got Talent, becoming the first spoken-word poet to claim the title and securing a $1 million grand prize, a new Kia Stinger automobile, and a headline performance slot at the Luxor Hotel and Casino in Las Vegas. His audition performance earned a Golden Buzzer advancement from judge Howie Mandel, propelling him through the competition with original poems addressing themes of grief and social issues. Leake has received seven Telly Awards recognizing excellence in video, film, and television production, including a 2024 Silver Telly for his narrative work Complexity produced under Brandon Leake Inc. In 2022, he won a Society of Voice Arts and Sciences (SOVAS) Award in the Outstanding – Narration category for his self-authored project Unraveling. Leake earned an Emmy Award for his poetry and media contributions, as documented in his professional announcements and verified through award-related footage. He has been featured as a TEDx speaker, including at TEDxBerkeley in 2023 with a presentation on the emotional core of artistic expression, and participated in additional TEDx events tied to discussions on sound, storytelling, and community upliftment through 2025.

Reception and Legacy

Critical and Public Responses

Leake's victory on America's Got Talent Season 15 in September 2020 marked the first win for a spoken word poet in the show's history, earning widespread praise for its emotional depth and breakthrough representation of the genre. Judges, including Simon Cowell, highlighted how Leake's performances shifted their views on poetry's viability as competitive entertainment, with Howie Mandel awarding the season's first Golden Buzzer during auditions for a piece addressing personal loss and resilience. Viewers responded positively to the raw vulnerability in themes like grief and empathy, contributing to his advancement through live shows amid high national viewership for the finale. Public reception showed polarization, with strong endorsements from audiences appreciating spoken word's fusion of narrative and performance, particularly those drawn to social and personal introspection, contrasted by criticism from segments of the AGT fanbase favoring vocal or variety acts. Some detractors argued his style prioritized performative emotion over technical diversity expected in talent competitions, questioning its fit alongside singers and instrumentalists who dominated prior seasons. Leake himself acknowledged encountering "haters" during the competition, framing his appeal as rooted in authentic expression rather than universal consensus. The win correlated with heightened visibility for spoken word, as observers noted it prompted broader acceptance of the form as legitimate entertainment, evidenced by discussions of increased curiosity post-finale among non-traditional poetry enthusiasts. While metrics like search interest spikes were not quantified in major reports, Leake's performances were credited with challenging preconceptions, including among literary circles where some distinguish spoken word's emotive delivery from conventional poetic substance. This duality—acclaim for resonance versus skepticism on depth—underscored divided yet impactful responses to his AGT tenure.

Debates on Poetry's Role in Social Commentary

Leake's performances, particularly those addressing racial injustices during his 2020 America's Got Talent appearances, have been defended by supporters as a vital tool for confronting empirical disparities and prompting societal dialogue, with audiences and judges noting their emotional resonance in raising awareness of issues like Black maternal fears and police violence. Proponents, including Leake himself, argue that such extends beyond entertainment to foster and discussion on verifiable social challenges, as evidenced by the viral impact of his Black Lives Matter-themed pieces amid 2020's heightened national conversations on race. Critics from traditional poetry communities, however, contend that spoken word forms like Leake's emphasize performative activism and direct messaging over the disciplined craft—such as meter, ambiguity, and linguistic precision—that defines enduring literary , potentially reducing complex issues to rhetorical appeals rather than nuanced exploration. This perspective holds that prioritizing risks reinforcing narratives of systemic victimhood without sufficient focus on personal agency or causal factors, viewing slam and as closer to oratory than and critiquing their mainstream elevation for sidelining timeless aesthetic standards. While Leake's integration of and personal narratives introduces elements of absent in purely activist works, broader debates highlight a in circles between form-centric traditionalists and message-driven performers, with no major scandals tied to Leake but persistent skepticism toward media-normalized that aligns with left-leaning framings of over multifaceted . Right-leaning cultural observers have similarly questioned the prominence of such topical, protest-oriented in high-visibility platforms, advocating instead for that privileges empirical realism and individual rooted in religious or self-reliant values.

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  51. https://deadline.com/2020/10/americas-got-talent-brandon-leake-winner-2020-uta-agency-1234594783/
  52. https://www.youtube.com/watch?v=E1gi7RNI6lo
  53. https://brandonleake.com/school-plug-in
  54. https://finance.yahoo.com/news/america-got-talent-winner-brandon-210400203.html
  55. https://www.globenewswire.com/news-release/2025/05/06/3075635/0/en/America-s-Got-Talent-Winner-Brandon-Leake-Launches-Initiative-to-Inspire-Change-Through-Words.html
  56. https://www.vividseats.com/brandon-leake-tickets--theater-comedy/performer/129969
  57. https://www.facebook.com/calledtomove/videos/-history-has-been-made-brandon-leake-just-dropped-the-first-ever-solo-spoken-wor/4065788150305005/
  58. https://www.linkedin.com/posts/jennifer-zellet-9355398_avcopeningday2025-avcserves-activity-7362433309378842624-qpyr
  59. https://www.tellyawards.com/winners/2024/non-broadcast/general-narrative-scripted
  60. https://www.kget.com/community/ricks-reviews/brandon-leake-speaks-his-mind-about-agt-appearance/
  61. https://www.bet.com/article/x6lcz2/agt-spoken-word-artist-performs-powerful-blm-poem
  62. https://www.youtube.com/watch?v=mJOb-jfhGIA
  63. https://www.kcra.com/article/stockton-poet-web-series-hate-world-brandon-leake/34513610
  64. https://www.youtube.com/watch?v=Ikl3vRJbyMg
  65. https://www.audioinblack.com/reviews/unraveling
  66. https://www.simpsonuslate.com/post/brandon-leake-unveiling-the-power-of-words
  67. https://thecinemaholic.com/brandon-leake-wife-and-daughter/
  68. https://www.the-sun.com/entertainment/1524263/who-brandon-leake-agt-2020-winner-where-from/
  69. https://www.instagram.com/p/DOe79s6ldl9/
  70. https://www.instagram.com/p/DLQinL2PDtc/
  71. https://www.facebook.com/photo.php?fbid=2631205387006329&id=335042706622620&set=a.350538131739744
  72. https://www.recordnet.com/story/news/local/2021/03/08/whats-brandon-leake-doing-now-catching-up-stocktons-agt-star/4589146001/
  73. https://www.facebook.com/photo.php?fbid=3109338695859660&id=335042706622620&set=a.350538131739744
  74. https://www.facebook.com/photo.php?fbid=3003220943138103&id=335042706622620&set=a.350538131739744
  75. https://www.instagram.com/p/CvD09mQPPc7/
  76. https://sovas.org/2022-winners/
  77. https://www.youtube.com/watch?v=jUgKRC44_Ko
  78. https://www.tedxberkeley.org/speakers
  79. https://www.reddit.com/r/agt/comments/izb2xr/i_thoroughly_enjoyed_brandon_leakes_act_and_i/
  80. https://www.youtube.com/watch?v=Fmibq_PveLM
  81. https://www.cinemablend.com/television/2571826/americas-got-talent-champion-brandon-leake-message-for-haters-very-different-agt-return
  82. https://tksellman.com/2021/04/14/literary-citizen-for-april-14-2021-brandon-leake/
  83. http://liminalities.net/10-3/disputes.pdf
  84. https://www.theperspective.com/debates/is-slam-an-accepted-form-of-poetry
  85. https://www.rowanglassworks.org/opinion/stop-publishing-the-spoken-word
  86. https://www.bostonreview.net/articles/robert-huddleston-wh-auden-struggle-politics/
  87. https://www.theamericanconservative.com/after-the-inauguration-conservatives-need-to-rediscover-poetry/
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