Brian De Palma is an American filmmaker whose work spans thirty films, which include horror film Carrie (1976), the crime dramas Scarface (1983), The Untouchables (1987) and Carlito's Way (1993), the spy thriller Mission: Impossible (1996), as well as cult favorites such as Sisters (1972), Phantom of the Paradise (1974), Dressed to Kill (1980), Blow Out (1981), Body Double (1984) and Raising Cain (1992).
Year | Title | Director | Writer | Producer | Editor | Notes |
---|---|---|---|---|---|---|
1968 | Murder a la Mod | Yes | Yes | No | Yes | |
Greetings | Yes | Yes | No | Yes | Actor: Man in Front of Draft Office Smoking (Uncredited) | |
1969 | The Wedding Party | Yes | Yes | Yes | Yes | Co-directed with Wilford Leach and Cynthia Munroe |
1970 | Hi, Mom! | Yes | Yes | No | No | |
Dionysus in '69 | Yes | No | No | Yes | Co-directed with Robert Fiore and Bruce Joel Rubin Also Cinematographer | |
1972 | Get to Know Your Rabbit | Yes | No | No | No | |
Sisters | Yes | Yes | No | No | ||
1974 | Phantom of the Paradise | Yes | Yes | No | No | |
1976 | Obsession | Yes | Story | No | No | |
Carrie | Yes | No | Uncredited | No | ||
1978 | The Fury | Yes | No | No | No | |
1979 | Home Movies | Yes | Story | Yes | No | |
1980 | Dressed to Kill | Yes | Yes | No | No | |
1981 | Blow Out | Yes | Yes | No | No | |
1983 | Scarface | Yes | No | No | No | |
1984 | Body Double | Yes | Yes | Yes | No | |
1986 | Wise Guys | Yes | No | No | No | |
1987 | The Untouchables | Yes | No | No | No | |
1989 | Casualties of War | Yes | No | No | No | |
1990 | The Bonfire of the Vanities | Yes | No | Yes | No | |
1992 | Raising Cain | Yes | Yes | No | No | |
1993 | Carlito's Way | Yes | No | No | No | |
1996 | Mission: Impossible | Yes | No | No | No | |
1998 | Snake Eyes | Yes | Story | Yes | No | |
2000 | Mission to Mars | Yes | No | No | No | |
2002 | Femme Fatale | Yes | Yes | No | No | |
2006 | The Black Dahlia | Yes | No | No | No | Actor: Elizabeth's Screen Test Director (Voice Only - Uncredited) |
2007 | Redacted | Yes | Yes | No | No | |
2012 | Passion | Yes | Yes | No | No | |
2015 | De Palma | No | No | No | No | Documentary (main subject) |
2019 | Domino | Yes | No | No | No |
Year | Title | Director | Writer | Editor | DoP | Notes |
---|---|---|---|---|---|---|
1960 | Icarus | Yes | No | No | No | |
1961 | 660124: The Story of an IBM Card | Yes | No | No | No | |
1962 | Woton's Wake | Yes | Yes | No | No | Midwest Film Festival 1963[1] |
1964 | Jennifer | Yes | No | No | No | |
1966 | The Responsive Eye | Yes | No | Yes | Yes | Documentary shorts |
Show Me a Strong Town and I'll Show You a Strong Bank | Yes | No | No | No | ||
1969 | To Bridge This Gap | Yes | No | No | No |
Year | Title | Artist |
---|---|---|
1984 | "Dancing in the Dark" | Bruce Springsteen |
Year | Title and description | Ref. |
---|---|---|
1970s | A film adaptation of John Guare's one-act play Cop-Out starring Al Pacino | [2] |
Fuzz | [3][4][5][a] | |
A film adaptation of Terry Garrity's novel The Sensuous Woman co-written with Louise Lasser and Jeannie Sakol starring William Finley | [7][8] | |
"Shooting Script", an episode of the TV series Columbo co-written with Jay Cocks | [9][10] | |
The Black Bird | [11] | |
A film adaptation of Gerald Walker's novel Cruising | [12] | |
The Stepford Wives | [13][14] | |
Taxi Driver starring Melanie Griffith as Iris Steensma | [15][16][17] | |
A film adaptation of Alfred Bester's novel The Demolished Man co-written with John Farris | [18][19][20][21][22][23][b] | |
A film adaptation of Mary Higgins Clark's novel Where Are the Children? co-written with John Farris | [24] | |
A film adaptation of Robert Stone's novel Dog Soldiers | [25] | |
An untitled comedy co-written with Jay Cocks featuring a character that resembles Truman Capote | [26] | |
A film adaptation of Robert Daley's novel Prince of the City co-written with David Rabe starring John Travolta | [27] | |
1980s | Treasure, a contemporary-set film adaptation of B. Traven's novel The Treasure of the Sierra Madre | [28][29] |
A film adaptation of Trevor Armbrister's novel Act of Vengeance | [30][25][31] | |
A film adaptation of Michael Crichton's novel Congo | [32] | |
Starfire, a science fiction film with Steven Spielberg | ||
Fire, a musical drama loosely based on the life of Jim Morrison starring John Travolta | [31][33][34] | |
Carpool, a thriller written by Robert Zemeckis and Bob Gale described as "Rear Window on wheels" | [35][36] | |
Fatal Attraction | [37][38] | |
A film adaptation of Hubert Selby Jr.'s novel Last Exit to Brooklyn | [39] | |
Rapture, a screenplay co-written with Christopher Crowe | [40] | |
A remake of the 1951 film Ace in the Hole written by David Mamet | [2] | |
1990s | A remake of the 1960 film The Magnificent Seven co-written with Daniel Pyne set within the Medellín Cartel | [2][41][42] |
The Ghost and the Darkness | [43] | |
The Truman Show | [44][45][46] | |
Ambrose Chapel, a psychological thriller co-written with Jay Cocks starring Brad Pitt, Liam Neeson, Téa Leoni, Martin Sheen and Madonna | [47][48][49][50] | |
Blackwater, retitled from The Safe House, a screenplay from a story co-written by De Palma with David Koepp to be directed by Koepp | [51][52] | |
Nazi Gold, an action thriller co-written with Jay Cocks about a plot to steal Nazi bullion starring Richard Dreyfuss | [53][54] | |
Mr. Hughes, a biopic written by David Koepp about the life of Howard Hughes starring Nicolas Cage, Warren Beatty, Tia Carrere, Patricia Clarkson and Adam West | [55][56][20][57][58] | |
2000s | Confessions of a Dangerous Mind | [59] |
A film adaptation of Gardner McKay's one-act play Toyer starring Juliette Binoche and Colin Firth | [20][60][61][62][63] | |
Tru Blu, a biopic written by Steven Zaillian about drug trafficker Frank Lucas | [64] | |
The Untouchables: Capone Rising, a prequel to his film The Untouchables written by Brian Koppelman, David Levien and David Rabe starring Gerard Butler | [65][66][67] | |
A film adaptation of William Boyd's novel The Blue Afternoon | [68] | |
Print the Legend, a film about the process of "selling" the Iraq War to the U.S. homefront | [69][70] | |
Tabloid, a political thriller inspired by Democratic presidential nominee John Edwards | [69][70][71] | |
A film adaptation of Susan Kelly's novel The Boston Stranglers written by Alan Rosen | [72][73] | |
A remake of the 1951 film noir His Kind of Woman | [74] | |
2010s | Paranormal Activity 2 | [75] |
Parker | [76] | |
The Key Man, a "paranoia thriller" written by Joby Harold about a single father whose body contains answers to national secrets | [77][78] | |
Wild Card | [79][80][81] | |
Paterno, retitled from Happy Valley, a biopic written by David McKenna about Joe Paterno starring Al Pacino and John Carroll Lynch | [82][83][84][85][86] | |
Magic Hour, a loose adaptation of Émile Zola's novel Thérèse Raquin starring Emily Mortimer | [87][88][89] | |
Retribution, a remake of the 2003 film The Alzheimer Case starring Al Pacino | [90][86] | |
An untitled film to be shot in Canada starring Ashton Kutcher | [c][92] | |
Lights Out, an action thriller about a blind Chinese girl written by Lamont Magee and Jeff W. Byrd starring Christina Wu | [93][94][95][96] | |
A film adaptation of Sascha Arango's novel The Truth and Other Lies | [97] | |
Catch and Kill, retitled from Predator, a horror film inspired by the Harvey Weinstein sexual abuse cases | [98][99][100][101][102] | |
Sweet Vengeance, a crime drama "inspired by two true stories of murder" starring Wagner Moura | [103][104][105][106] | |
Clarksville 1861, retitled from Newton 1861, a TV remake of the French series Un village français set in Kentucky during the Civil War | [107][108][109][110] | |
A remake of the 1998 film noir Palmetto | [111] | |
2020s | An untitled film | [112] |
He also turned down the opportunities to direct Hurricane,[5][113] Flashdance,[38] The Sicilian,[114] Schindler's List[115][116] and Mission: Impossible 2.[102]
I even had lunch with Brian De Palma and Raquel Welch at the Polo Lounge of the Beverly Hills Hotel as part of Brian's (failed) plot to get me approved for a movie he ended up not directing. Me? Playing comedy sex scenes with Raquel Welch? Had the world gone crazy? It was as if I had fallen down the rabbit hole.
I'm working on a suspense movie called Déjà Vu and writing a screenplay of a book by Alfred Bester called The Demolished Man, which is about a murder in a telepathic society. I'm changing it and making it an Oedipal murder, a primal murder, the killing of his father. If you're going to do a murder, you might as well do the big murder. [...] Oh, of course he is going to be sleeping with his mother. In the book he's killed his father and he's not sleeping with his mother, but I thought I might as well do the whole thing. [...] The Demolished Man is being written for Fox, and Déjà Vu is being produced independently.
I've always wanted to make a movie of a very famous science fiction book called The Demolished Man. It's been a dream project of mine since I was in high school, and it will need [sic] an unlimited budget in order to do it.
completely out of the blue, after the first Mission: Impossible movie came out and was a big hit, Sherry Lansing, then head of Paramount, asked Brian De Palma what he wanted to do next, and he said "I want to direct Stephen Tolkin's draft of Demolished Man." I was stunned when I heard this; I had never met De Palma and to this date have no idea why he would want to direct my version of the story rather than his own, or even how he ever came to read it. So Paramount hired me to rewrite the script but for some reason they chose not to do it under De Palma's supervision—which would have been fun, I think—and it never really came together; whatever the flaws are in my 1985 version, the 1998 version represented at best lateral, and most likely backward, movement.
About that time [Bob] Bookman put me together with another client, Brian De Palma, to work on an adaptation of the Mary Higgins Clark best-seller Where Are the Children? which Brian was attached to direct. I spent a couple of months on a screenplay that would work. By then Brian was bored with the project. Carrie had been released and was a big success and he wanted something more challenging than a fairly mild mystery.
He has a sackful of unrealized projects including a comedy he wrote with [Jay] Cocks a few years ago in which a character resembling Truman Capote wipes out a Carsonoid talk show host in order to produce the ultimate nonfiction novel.
The film due to be produced by Steven Spielberg and directed by Brian De Palma which wound up on the shelf has moved to Go again. Congo is the feature. Frank Yablans, often De Palma's producer, has now pacted Michael Crichton to re-write and direct the flick. Sounds a biggie. 20th Century-Fox and Paramount are becoming partners to handle it. Spielberg and De Palma are still talking of setting up the science fiction trip, Starfire, between them – once De Palma finishes his update of Scarface with Al Pacino, and Spielberg extricates Twilight Zone from the wreckage and makes Raiders II and E.T. II. Say, 1985, at the earliest...
When it became clear that all the rights couldn't be acquired for Travolta to officially play Morrison, there were talks about Brian De Palma directing Travolta in a fictionalized project, like the thinly disguised Janis Joplin saga, "The Rose."
How to succeed in movies without really trying: Put together a project produced by Steven Spielberg, directed by Brian DePalma and written by Robert ("Back to the Future") Zemeckis and his partner Bob Gale. INC. hears there is such a project, and that it's called "Carpool."
Also in her future, Ambrose Chapel with Liam Neeson and Brad Pitt.
Currently, the filmmaker has two projects in the pipeline. The first, Happy Valley, is inspired by the true story of Joe Paterno, [...] The second is being developed by Saïd Ben Saïd: "This is a film about cinema that is not devoid of humor or cruelty. It happens on a shoot between a director, an actor and an actress. De Palma wrote it by drawing on things that have happened to him. It is a kind of film testament."
The film is called Lights Out. Another thriller—but I love this genre so much—which will tell the story of a young, blind Chinese woman whose father is involved in a secret CIA operation. It will take place between China and Canada. I would like my film to be a sort of mix between Mission: Impossible and Wait Until Dark, with Audrey Hepburn. If all goes well, I will start shooting this summer.
A friend of Susan [Lehman]'s turned us on to A French Village, and we were totally engrossed in it. And when we were on our last book tour—and if we had sold a few more books we wouldn't be back here—we talked about how much we loved A French Village. And the producer and showrunner contacted me with an idea of how to do A French Village in America. And we are meeting at a restaurant, dreaming it up.
I do have a kind of horror film I'd like to make and, also, different genres; an adaptation of a[n] old, classic noir picture called Palmetto.
I have one other film I'm planning to make. And we're in the process of trying to cast it. I can't tell you what it is until it happens. Then I'll be very happy to announce it.
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