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Call Me Lucky
Call Me Lucky
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Call Me Lucky
Official poster
Directed byBobcat Goldthwait
Produced byCharlie Fonville
Clinton Trucks
StarringBarry Crimmins
Patton Oswalt
David Cross
Steven Wright
Baratunde Thurston
Mike Donovan
Lenny Clarke
Jimmy Tingle
Jack Gallagher
Martin Olson
Margaret Cho
Marc Maron
CinematographyBradley Stonesifer
Edited byJeff Striker
Music byCharlyne Yi
Production
company
Type 55 Films
Distributed byMPI Media Group
Release date
  • August 7, 2015 (2015-08-07)
Running time
106 minutes[1]
CountryUnited States
LanguageEnglish

Call Me Lucky is a 2015 American documentary film directed by Bobcat Goldthwait[1] about the life of satirist, author, and performer Barry Crimmins.

Synopsis

[edit]

Call Me Lucky details the life of stand-up comedian and activist Barry Crimmins, from his roots in upstate New York to his work as a political satirist and advocate. The film celebrates Crimmins' courage and dedication to truth-telling, highlighting his fight against child pornography on the Internet. Crimmins is portrayed as an influential figure in the Boston stand-up comedy scene, known for his profane and angry rants, primarily targeting the U.S. government and the Catholic Church. The documentary reveals that his rage stems from his childhood sexual abuse, a traumatic experience that fuels his activism. A significant moment in the film is Crimmins' testimony at a 1995 congressional hearing, where he confronts an AOL executive about the company's failure to regulate pedophile activity in its chat rooms.

Production

[edit]

Filming began in January 2014 in Boston and Crimmins' home in upstate New York. Principal photography wrapped in August 2014.

Reception

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The film premiered on January 7, 2015, at the Sundance Film Festival in the Documentary Competition program. It went on to play over a dozen festivals around the US and was released theatrically on August 7, 2015.

Review aggregator Rotten Tomatoes reports that 85% of 26 film critics have given the film a positive review, with a rating average of 7.6 out of 10.[2]

AV Club critic Mike D'Angelo wrote "If it accomplishes nothing else, the new documentary Call Me Lucky should bring some welcome attention to a man who's been under the radar for the past few decades, mostly by his own design."[3] Stephen Holden of the New York Times wrote "An earnest homage that also honors Mr. Crimmins's crusade to drive child pornography off the Internet."[1]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Call Me Lucky

View on Grokipedia
from Grokipedia
Call Me Lucky is a 2015 American directed by that explores the life, career, and personal struggles of stand-up comedian and political satirist . The film traces Crimmins' journey from a volatile performer in Boston's scene during the 1970s and 1980s to a dedicated activist against , highlighting his role in launching the careers of comedians such as and through his management of clubs like the Ding Ho and Stitches. It features interviews with contemporaries including Goldthwait, , and , intercut with archival footage of Crimmins' performances, emphasizing his raw, rage-infused style rooted in personal trauma from childhood . The documentary delves into Crimmins' pivotal 1990s activism, where he uncovered and testified about rings operating in chatrooms, contributing to federal investigations and heightened awareness of online exploitation. Goldthwait, a longtime friend and mentee, portrays Crimmins' evolution from self-destructive humor to purposeful , underscoring themes of , , and the cathartic power of amid profound adversity. Crimmins, who died of cancer in 2018 at age 64, is depicted not as a conventional success story but as a fierce, uncompromising voice challenging societal complacency on war, politics, and abuse. Critically acclaimed for its unflinching honesty, Call Me Lucky holds an 84% approval rating on and earned praise from for balancing Crimmins' early triumphs with the grueling revelations of his trauma, making it a poignant examination of comedy's role in processing pain. While not without its intense and disturbing content—particularly for survivors of abuse—the film avoids , focusing instead on Crimmins' resilience and influence, as evidenced by its selection for festivals like SXSW and availability on platforms such as .

Background and Subject

Barry Crimmins' Early Life and Trauma

Barry Crimmins was born on July 3, 1953, in , to Margaret Hooe and Phillip Crimmins, a traveling salesman whose occupation contributed to frequent family relocations during Barry's early years. The family resided briefly in , before moving to , when Crimmins was six years old, where he spent much of his formative years in a small lakeside community. These moves reflected underlying family instability tied to his father's itinerant work, though Crimmins later described his upbringing as marked by typical working-class challenges rather than overt dysfunction beyond the relocations. During his childhood in North Syracuse, Crimmins endured repeated , including , perpetrated by a neighbor, an ordeal he suppressed through dissociation until recovering the memories in adulthood. This trauma, occurring in the pre-adolescent years amid the family's transient lifestyle, lacked immediate corroboration from external records but aligned with Crimmins' detailed personal accounts in later testimonies and investigations into his psychological history. Crimmins directly linked the to profound long-term effects, including chronic rage and mechanisms that shaped his emotional and interpersonal volatility into adulthood. He described the suppressed memories' as triggering intensified , a response empirically consistent with trauma responses involving hyperarousal and fragmented recall, though he rejected therapeutic narratives favoring victimhood over confrontation. This causal chain—from unaddressed violation to latent fury—formed the unromanticized foundation of his pre-professional psyche, evident in early behavioral indicators like isolation and defiance predating his comedy pursuits.

Rise in Comedy and Alternative Scene

In the late 1970s, relocated from to the area, immersing himself in the nascent local stand-up circuit amid a burgeoning demand for live venues. By 1979, he co-founded the in a Chinese restaurant near Inman Square, transforming the space into an early hub for experimental performers and helping to catalyze the region's alt- ecosystem. The club hosted rising talents like , whose style gained traction there, and fostered a raw, unpolished environment distinct from mainstream revues. Crimmins expanded his influence by launching Stitches Comedy Club in Boston in 1983, operating it initially in the front room of the Paradise Rock Club near Kenmore Square for a decade-long run. Stitches prioritized non-corporate, alternative acts, booking edgy satirists and political provocateurs over polished crowd-pleasers, which aligned with the 1980s national shift toward observational and countercultural humor. Under Crimmins' curation, the venue incubated careers of comedians including Denis Leary, Paula Poundstone, and Steven Wright, providing a platform for risk-taking routines amid Boston's comedy boom, where weekly shows drew hundreds and propelled local acts to national tours. Contemporaries credited Crimmins with enforcing a merit-based ethos, rejecting agents' demands for favored slots and prioritizing material over celebrity, as evidenced by his booking of iconoclasts like Paul Krassner despite pushback from traditional club owners. Crimmins honed a signature stand-up style characterized by blistering political rants and unfiltered rage against authority, debuting routines that dissected , , and in sets at Stitches and beyond. This approach, often delivered to packed rooms of students and activists, diverged from feel-good , influencing a generation of performers who adopted similar intensity; and have cited Crimmins' encouragement and raw delivery as pivotal in shaping their own boundary-pushing personas. By the mid-1980s, his performances, such as a 1986 appearance on Boston's The Cable Comedy Show, exemplified the scene's edge, blending fury with precision to critique Reagan-era policies and media complicity. This milieu not only elevated Crimmins as a scene linchpin but also exported Boston's alt-comedy DNA, with Stitches alumni contributing to the decade's broader rejection of sanitized humor in favor of substantive .

Documentary Overview

Synopsis and Narrative Structure

The documentary Call Me Lucky follows a primarily chronological structure that traces comedian ' life from his formative years in , through his establishment in Boston's scene during the . It depicts Crimmins founding influential venues like The Ding Ho and Stitches, where he booked performers such as , , and , while developing his signature rage-driven stand-up routines that lambasted war, media distortion, and societal hypocrisies, as shown through archival performance clips. This early career sequence interweaves contemporary interviews with Crimmins, director , , and other contemporaries, alongside excerpts from live shows to illustrate his influence on the landscape. The pivots in with Crimmins' onstage disclosure of repeated childhood sexual assaults, marking a transition to personal reckoning and broader advocacy. Subsequent sections cover Crimmins' 1995 infiltration of AOL chatrooms, where he documented widespread distribution and grooming activities, compiling evidence that AOL ignored despite repeated notifications and their internal "three strikes" moderation policy. This culminates in his congressional testimony on January 25, 1995, before a , confronting AOL representatives and exposing platform negligence, with footage and interviews underscoring the events' repercussions. The film closes by accompanying Crimmins to the basement site of his childhood for a reflective .

Core Themes: Trauma, Rage, and Activism

Barry Crimmins endured severe childhood sexual abuse, including multiple rapes by the boyfriend of his babysitter's mother, which profoundly shaped his psychological landscape and comedic output. This trauma, suppressed for decades before resurfacing in adulthood, manifested in his stand-up routines as intense rage directed at societal hypocrisies and personal demons, serving as a primary coping mechanism to process unrelenting pain. Psychological research on trauma survivors indicates that humor, particularly aggressive or dark variants, enables reframing of horrific experiences, reducing acute stress through endorphin release and perspective shifts, though it risks masking deeper emotional processing and delaying full recovery. Crimmins' onstage fury, often likened to a "life-changing" catharsis by contemporaries, exemplified this pattern, transforming individual survival instincts into a public exorcism that resonated with audiences confronting their own suppressed angers. Crimmins channeled this rage into targeted activism, most notably exposing online child exploitation in 1993 by infiltrating pedophile bulletin boards on the network, where users openly traded of minors as young as toddlers. His alerts to authorities prompted federal investigations, resulting in multiple arrests and heightened scrutiny of early internet predation, which influenced subsequent legislative efforts like the 1996 amendments aimed at . This pivot from personal to systemic confrontation demonstrated resilience, as Crimmins leveraged his platform to advocate for survivors, testifying and writing on abuse dynamics, though his methods underscored the limits of individual vigilance against evolving digital threats without broader institutional reforms. His activism extended to anti-war efforts, including vocal opposition to the 1990-1991 through rallies and affiliations, framing military interventions as extensions of unchecked power abuses akin to personal violations. While such stances amplified awareness of exploitation's intersections with —elevating survivor voices and critiquing elite impunity—they occasionally devolved into hyperbolic that alienated potential allies, illustrating rage's double-edged nature: potent for yet prone to overgeneralization that hindered pragmatic alliances. Empirical patterns in activist outcomes suggest that while trauma-fueled intensity drives initial breakthroughs, sustained impact requires tempering raw anger with strategic focus to avoid rhetorical isolation. Crimmins' trajectory thus highlights both the transformative potential of survivor-led rage and its inherent constraints in achieving scalable change.

Production Process

Development and Direction by Bobcat Goldthwait

Bobcat Goldthwait and Barry Crimmins developed a close mentorship and friendship in the early 1980s, when Goldthwait, an emerging comedian, followed Crimmins to Boston's comedy scene after Crimmins hosted open-mic nights that influenced Goldthwait's start. Goldthwait regarded Crimmins as a big-brother figure whose satirical intensity and integrity inspired him, fostering a bond that Goldthwait later described as central to his desire to document Crimmins' life. The project's conceptual origins trace to the mid-1990s, sparked by Crimmins' Boston Phoenix article detailing his 1995 testimony on child exploitation via chat rooms, though Goldthwait initially envisioned a narrative feature with an actor portraying Crimmins. In the early 2010s, Goldthwait's close friend , a fan of Crimmins, urged shifting to a format and provided seed funding, enabling filming to commence in February 2014. This independent approach prioritized personal authenticity over broad commercial viability, aligning with Goldthwait's history of low-budget, non-mainstream films that reflect his unpolished worldview. Goldthwait's direction emphasized Crimmins' agency in narrating his own experiences, structuring the film around unscripted, raw interviews with Crimmins and peers to convey his evolution from to activist without heavy-handed exposition. He timed Crimmins' on-camera disclosure of childhood around the 40-minute mark for narrative impact, integrating archival footage and minimal directorial narration to foreground survivor testimony and political context over biographical convention. This restrained style avoided sensationalism, instead using "political seasoning" from Crimmins' routines to balance rage with advocacy, ensuring the subject's voice drove the film's unflinching examination of trauma and resilience.

Filming Techniques and Interviews

The documentary employed using two Canon C300 cameras for principal interviews and a Canon 5D Mark III for supplementary timelapse and footage, achieving a cinematic 2.35:1 with high contrast ratios of 8:1 or 16:1. Lenses included Canon CN-E Cine zooms (15.5-47mm and 30-105mm), Rokinon primes, and Canon L-series zooms, paired with slow-moving camera techniques and composed "postcard-style" shots to enhance visual intimacy without distracting from the subject matter. Interviews were lit using large soft sources like an Arri M18 with Chimera diffusion and light grids to counter ambient daylight, incorporating Rembrandt-style key lighting with dark fill sides, overhead 2x2 top lights, and subtle 1x1 LED panels for cheek and hair accents. Filming occurred across multiple East Coast locations, including Boston-area comedy venues such as the Comedy Studio in , upstate , Washington D.C., Syracuse, Skaneateles, and , often under adverse conditions like a February 2014 snowstorm with -20°F windchill temperatures. A minimal crew of three handled up to 6-12 interview setups daily in constrained spaces, ranging from compact rooms and vehicles to outdoor sites like frozen lakes and parks, reflecting the production's shoestring budget constraints. New interviews featured comedian alongside peers including , , , , and , who provided reflections on his influence in the scene. Archival footage from Crimmins' 1980s and 1990s stand-up routines in clubs was intercut with contemporary stage performances and subject interviews to demonstrate his stylistic evolution from rage-driven sets to more reflective , underscoring ongoing relevance rather than mere retrospection. Acquisition of such archival material posed logistical difficulties due to its scattered and limited availability from that era. Production navigated Crimmins' volatile on-stage by prioritizing live captures over scripted reenactments, aiming to preserve authenticity amid his history of intense, politically charged deliveries. at Tool of North Hollywood balanced disparate shots, boosting saturation and refining black/white levels to maintain visual cohesion across archival and new material.

Release and Distribution

Premiere and Initial Release

Call Me Lucky world premiered at the on January 27, 2015, competing in the U.S. Documentary section and earning a nomination for the Grand Jury Prize in that category. Following its festival debut, the film secured distribution through and launched a on August 7, 2015, with initial screenings in select markets including New York and . Domestic earnings totaled $60,564, consistent with the constrained reach typical of specialized documentaries focused on and personal testimony.

Subsequent Availability and Platforms

Following its 2015 theatrical release, Call Me Lucky was made available on through DVD and Blu-ray editions distributed by MPI Home Video, enabling physical ownership and repeated viewings. The film secured streaming distribution on shortly after its premiere, where it charted as the #8 movie in the U.S. during its run, broadening access beyond cinemas. It subsequently expanded to and for digital rental and purchase in late 2015. International distribution remained limited, with primary focus on North American markets, though digital platforms facilitated some global reach via licensed streaming. As of 2025, Call Me Lucky streams on (subscription required) and is offered free with advertisements on , , and , reflecting sustained digital dissemination. Following ' death from cancer on February 28, 2018, the documentary's ongoing presence on these ad-supported and subscription services has preserved its accessibility without reported lapses in major platforms.

Reception

Critical Response and Reviews

Call Me Lucky received generally positive reviews from critics, earning an 84% approval rating on based on 25 reviews, with praise centered on its raw portrayal of ' life and the authenticity of its interviews. The documentary's emotional depth and unflinching examination of trauma were highlighted, with Odie Henderson of awarding it 3.5 out of 4 stars for generously showcasing Crimmins' comedic successes alongside his recent performances, noting its value despite the grueling nature for viewers relating to the subject's experiences. Comedians and peers interviewed, including and , provided candid testimonials that underscored Crimmins' influence on , contributing to the film's perceived honesty in depicting his rage-fueled persona. Critics appreciated the documentary's balance of humor and tragedy, distinguishing it from more conventional abuse-survivor profiles by integrating archival footage of Crimmins' 1990s exposé, which lent verifiable historical weight to his . However, some reviewers pointed to structural shortcomings, such as odd pacing that occasionally disrupted narrative flow. Jeannette Catsoulis in described it as an earnest tribute but critiqued its reluctance to deeply probe Crimmins' psyche, rendering his rage somewhat abstract despite the surface-level intensity. A notable dissenting view came from Eric Kohn of IndieWire, who gave it a C+ grade, arguing that the film does justice to Crimmins' talent but fails to trust him sufficiently to narrate his own story, relying instead on excessive external commentary. On Metacritic, it aggregated to a 64/100 score from 10 reviews, reflecting this mix of acclaim for inspirational elements and reservations about over-dependence on Crimmins' charismatic yet unexamined persona. These critiques suggest the documentary's strengths in interview authenticity are tempered by occasional narrative superficiality when compared to more introspective documentaries on similar themes.

Audience Impact and Awards

Call Me Lucky garnered recognition primarily through festival circuit awards rather than mainstream box office success, reflecting its niche appeal to audiences interested in , , and personal trauma narratives. The documentary was nominated for the Grand Jury Prize in the U.S. Documentary Competition at the , where it screened to enthusiastic responses including standing ovations from attendees. It won the Best Documentary award at the 2016 Chlotrudis Awards, sharing the honor with . Additional accolades include the Greg Gund Memorial Standing Up Award at the 2015 Cleveland International Film Festival and Best Feature Documentary at the 2015 Boston International Film Festival. These honors underscore targeted appreciation within communities, though the film did not achieve broader theatrical breakthroughs, aligning with typical distribution patterns for documentaries of its scope. Audience engagement metrics indicate solid but contained reception, with an user rating of 7.5 out of 10 derived from 2,219 votes as of recent data. Viewer reviews frequently cite emotional resonance, particularly among survivors of , who report the film's portrayal of Crimmins' experiences and advocacy as validating and . Crimmins himself observed a surge in outreach from abuse survivors post-release, attributing it to the documentary's amplification of his long-standing campaigns against child exploitation. This feedback aligns with anecdotal spikes in online discussions around related themes during festival runs and limited releases, though the film's provocative content on trauma and rage constrained wider mainstream discourse beyond specialized viewership.

Impact and Legacy

Influence on Comedy and Awareness of Abuse

The documentary Call Me Lucky underscored ' contributions to , where performers confront personal trauma and societal taboos through raw, unfiltered satire, a style Crimmins pioneered in the 1980s scene by blending with for survivors of abuse. Reviewers noted the film's portrayal of Crimmins' routines as a model for comedians using humor to process childhood , potentially reinforcing this approach amid post-2015 trends in stand-up, though direct causal links to specific performers remain anecdotal rather than evidenced by shifts in output or awards data. By revisiting Crimmins' 1995 congressional testimony on distributed via newsgroups, the film highlighted early instances of online predation, drawing attention to how his alerts prompted federal investigations and arrests of distributors, which informed subsequent U.S. like the 1996 aimed at restricting indecent transmissions to minors. This exposure predated the documentary but gained renewed visibility through it, correlating with broader post-1990s advancements in laws, such as expansions under the 2003 PROTECT Act enhancing penalties for virtual . However, the film's release did not demonstrably accelerate policy changes, as major frameworks like the 2008 Effective Child Pornography Prosecution Act and 2018 addressed online exploitation through platforms rather than directly referencing Crimmins' case. Empirical assessments reveal limited attributable impact on abuse awareness metrics; national child maltreatment reports via the National Child Abuse and Neglect Data System showed 4.0 million referrals in 2015, with comprising 8.4% of victimizations, reflecting steady trends driven by mandatory reporting laws and institutional factors rather than media like Call Me Lucky. No peer-reviewed studies link the documentary to spikes in reporting rates or prosecutions post-2015, underscoring that while it preserved Crimmins' legacy, broader awareness gains stem from systemic and enforcement predating the film. This aligns with causal realism in evaluating cultural artifacts: heightened visibility does not equate to measurable behavioral or legislative shifts absent corroborating outcomes data.

Barry Crimmins' Post-Film Life and Death

Following the 2015 release of Call Me Lucky, Crimmins continued performing stand-up comedy and political satire, including a special filmed in Lawrence, Kansas, in July 2016 titled Whatever Threatens You, produced and directed by Louis C.K.. He maintained his activism against child sexual abuse, drawing on his prior exposure of online exploitation in the 1990s to advocate for survivors, with the documentary amplifying outreach to affected individuals in subsequent years.. Crimmins resided in Skaneateles, New York, in the Finger Lakes region, where he focused on isolated creative work amid ongoing health challenges stemming from long-term alcoholism, including cirrhosis that contributed to liver deterioration.. In late January 2018, Crimmins publicly announced a , specifying late-stage linked to his history of and .. He died on March 1, 2018, at age 64, in his home surrounded by his wife of six months, Helen Crimmins, and longtime friend .. Posthumously, tributes from comedy contemporaries such as Goldthwait and highlighted Crimmins's influence on raw, politically charged humor, while Call Me Lucky experienced renewed streaming interest and discussions among abuse survivors, though without formal awards or metrics reported.. His death prompted reflections on his personal struggles with , which peers noted had periodically interrupted his career but did not diminish his output in his final years..

Controversies and Criticisms

Crimmins' Personal Struggles and Comedy Style

Barry Crimmins endured profound personal trauma from being raped around the age of four, an experience he suppressed for decades until publicly revealing it during a May 1992 performance at his Boston comedy club, Stitches. This early abuse contributed to a lifelong undercurrent of rage, manifesting in a gruff, hard-drinking persona marked by volatility and emotional intensity. Crimmins struggled with alcoholism, which compounded his challenges and influenced his curmudgeonly public image, though he channeled such demons into creative output rather than seeking conventional recovery narratives. His volatility led to career interruptions and interpersonal conflicts, particularly during his management of comedy clubs like the Ding Ho, which he co-founded in 1979, and Stitches. These venues launched careers for comedians such as and , but Crimmins' uncompromising temperament resulted in documented tensions with staff and performers, exacerbating professional setbacks amid his personal battles. Such incidents underscored a pattern where his rage, while survival-driven from trauma, often strained professional relationships and hindered broader commercial success. Crimmins' comedy style featured profane, rants delivered with biting and confrontational edge, positioning him as a "stand-up philosopher" who prioritized socio-political critique over . This approach lent authenticity, fostering a among peers for its raw integrity and influence on later satirists, yet it frequently alienated mainstream audiences by reinforcing insular echo chambers rather than bridging divides. His sets avoided banal topics, instead wielding rage-fueled monologues against , which demanded emotional investment but risked overwhelming listeners unaccustomed to such unfiltered intensity. The personal toll of Crimmins' struggles included strained relationships, later compounded by caring for his wife Helen amid her stage IV lymphoma diagnosis and his own cancer battle before his death on February 28, 2018, at age 64. Despite this, his resilience—rooted in trauma-forged survival mechanisms like dissociation—enabled sustained output, transforming inner turmoil into a defiant comedic voice that prioritized truth over accommodation. This balance highlights how his flaws, while disruptive, coexisted with a tenacity that sustained his influence in niche circles.

Political Activism: Achievements and Critiques

In the early 1990s, Crimmins investigated pedophile chat rooms on America Online (AOL) by posing undercover as a child, gathering evidence of widespread child pornography distribution and solicitation. He collaborated with the FBI to provide this material, which prompted federal scrutiny of online platforms. In 1995, Crimmins testified before the U.S. Senate Judiciary Committee, describing AOL's environment as an "anonymous pedophile superstore" and urging stricter regulations, which contributed to heightened congressional awareness and AOL's implementation of a zero-tolerance policy for child pornography. Crimmins extended his activism to anti-war causes, speaking at demonstrations against U.S. military interventions in the 1990s and 2000s, including opposition to the Iraq War. He received the Peace Leadership Award from Boston Mobilization for Survival and shared the Courage of Conscience Award with Maya Angelou for his efforts in promoting non-violent alternatives to conflict. In 2004, he published the memoir Never Shake Hands with a War Criminal, compiling essays that lambasted U.S. foreign policy as aggressive imperialism, drawing on his experiences as a radio commentator for Air America. These activities amplified public discourse on military overreach, particularly among progressive audiences. Critiques of Crimmins' center on its stylistic reliance on visceral rather than empirical prescriptions or balanced of conflicts. Reviews of his performances describe routines devolving into unbound rants against U.S. leaders and institutions, which, while galvanizing to supporters, alienated broader audiences and prioritized cathartic outrage over verifiable data on intervention outcomes or alternatives. His framing of American actions as root causes of global instability often invoked "" without engaging countervailing factors, such as regional aggressors' roles in precipitating U.S. responses, a limitation echoed in contemporaneous anti-war commentary that downplayed threats from dictatorships like Saddam Hussein's amid its documented chemical weapons use and internal genocides. Left-leaning outlets like lauded his candor uncritically, reflecting institutional biases toward emotive dissent over rigorous scrutiny of selective focus. This approach, while raising awareness, yielded limited measurable shifts beyond awareness campaigns, as his influence remained confined to niche activist circles rather than driving legislative or diplomatic reforms.

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  55. https://files.eric.ed.gov/fulltext/ED400779.pdf
  56. https://www.liebertpub.com/doi/pdfplus/10.1089/cpb.1999.2.175
  57. https://papers.ssrn.com/sol3/Delivery.cfm/lp9704291.pdf?abstractid=41684&mirid=1
  58. https://acf.gov/sites/default/files/documents/cb/cm2015.pdf
  59. https://pmc.ncbi.nlm.nih.gov/articles/PMC5388942/
  60. https://www.cwla.org/hhs-releases-latest-child-abuse-report/
  61. https://louisck.com/products/barry-crimmins-whatever-threatens-you-video-download
  62. https://www.wbur.org/news/2018/03/01/comedian-barry-crimmins-dead
  63. https://www.rollingstone.com/culture/culture-news/barry-crimmins-comedian-and-activist-dead-at-64-200634/
  64. https://www.npr.org/2018/03/08/591877483/remembering-barry-crimmins-a-comic-who-advocated-for-survivors-of-sexual-abuse
  65. https://medium.com/the-peculiar-truth/the-peculiar-truth-about-the-comedian-who-caught-pedophiles-cff47d9f1335
  66. https://www.commondreams.org/news/2018/03/01/barry-crimmins-anti-war-comic-and-crusader-against-child-abuse-dies-64
  67. https://barrycrimmins.org/about/
  68. https://www.sevenstories.com/blogs/87-in-memory-of-barry-crimmins
  69. https://www.businessinsider.com/review-of-call-me-lucky-2015-8
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