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Catch Hell
Catch Hell
from Wikipedia
Catch Hell
Directed byRyan Phillippe
Written by
  • Ryan Phillippe
  • Joe Gassett
Produced by
  • Ryan Phillippe
  • Robert Ogden Barnum
  • Holly Wiersma
Starring
CinematographySteve Gainer
Edited byMatt Landon
Music byThe Newton Brothers
Production
company
Distributed byEntertainment One
Release date
  • October 10, 2014 (2014-10-10)
Running time
98 minutes
CountryUnited States
LanguageEnglish

Catch Hell (also known as Chained or as Kidnapped) is a 2014 American thriller film written and directed by Ryan Phillippe.

Plot

[edit]

Washed-up Hollywood actor Reagan Pierce arrives in Louisiana for the filming of a movie, 'Flashpoint'. He meets with the director at a hotel lobby, despite being interrupted by fans for photos; he is strangely wary of the director. Later, while at a gym, he is stared at in an unsettling way by strangers. Feeling nervous, he expresses a desire to quit the film, but relents after his boss pressures him.

The next morning, a van arrives as Reagan leaves his hotel. He gets in, assuming it is his driver with other cast and crew. Reagan forgets which number to call to check on the rehearsal, so he asks the passengers. Junior, the front passenger, offers to dial the number for him, so Reagan hands him his cell phone; he does not give it back, ignoring Reagan. The van stops in-front of a rural shack. The driver, Mike, pulls Reagan out of the van and immediately attacks him, beating him until he blacks-out.

Reagan wakes up inside, chained to the wall. The men dumped his belongings. Reagan, still believing he has some Hollywood notoriety, tries to offer Mike $1M as a ransom. Mike says money is not the point. As he slowly slices Reagan's face with a knife, he says his wife is Diana—who actually worked in wardrobe on one of his movies—to which Reagan says he does not know of her. Mike threatens to “maim” him with bolt cutters if he does not come-clean, but Junior reminds him that they wanted Reagan alive for a while; Mike then breaks Reagan's hand before knocking him out again.

Reagan awakens with his hand bandaged. Junior, upset, says they thought he was dead. He gives Reagan an oxycontin for pain. Mike returns and tries to get Reagan to remember Diana, which he says he does not, and that he would never sleep with another man's wife. Mike asks for his phone PIN and views supposed texts from Diana. Junior also finds nudes of Reagan's actress ex-girlfriend on his phone, plus a nude of Reagan. Mike gets into Reagan's laptop with the PIN.

The next morning, Mike says that he sent the nudes to the media, and announces it is “time to feed the gators”. He goes into a room with a hole in the floor and defecates into the swamp water below. He posts a cryptic message via Reagan's Twitter. Mike says that he wants to destroy Reagan's reputation before killing him, and tells Reagan to re-record his phone voicemail message. Reagan reads it and tells him, "It's weak, no one talks that way". He records a ranting, cryptic message asking everyone not to call him. The media reports that he is going crazy.

Mike thanks him for the message and says he was a disgraced cop, fired for domestic abuse. He asks Reagan again how he met up with his wife. Reagan says he drove her home from work once and listened to her vent about Mike’s abuse, before they had sex. He tells Mike that she said her husband could never give her an orgasm. Mike proceeds to tase Reagan. Junior arrives, and Mike leaves. Junior finds Reagan bloodied, with a tooth missing. Junior puts the tooth into his pocket.

Reagan wakes up to an alligator resting by his face. Junior, on top of the gator, says he saved Reagan's life after the gator entered the shack. Junior shoots and skins the gator, and reports to Mike that Reagan's still alive. Reagan asks to piss. Junior unhooks him from the wall, leaving his hands tied, and takes him to the floor in the hole. Reagan considers jumping in, but he does not. He suggests to Junior that Mike might turn on Junior and kill him, as he is the only witness.

The next day, Junior grills alligator meat and takes Reagan outside, chained, for some sun. He does some chin-ups while looking at Reagan, then masturbates in the shack. Mike says he is at work, establishing his alibi, and should return around 1:30 am. Junior asks about his own alibi. Mike says he does not need one. Mike visits Diana, now his ex-wife, and claims he is not a violent man anymore. She says she will think about letting him see the kids.

Junior tells Reagan that he loves his movies and that Reagan should take care of himself to look younger. Reagan compliments Junior, who is flattered. In the news, the media questions Reagan's tweet and broadcasts surveillance video of him getting into Mike’s van. The voicemail message he recorded is actually a verbatim quote from a movie in which he played a kidnapped soldier. The police begin to look for him.

Junior gives Reagan alligator stew and compliments him. Reagan flirts back. While Junior is not looking, Reagan moves part of his chain under his leg. Junior asks if he has experience with a dude. Reagan says if he is drunk enough, he is down for anything. Junior gives him whiskey and starts kissing his neck. Reagan freaks out. Junior is upset, but says it is all right because he 'roofied' (drugged) the gator stew and just has to wait. Hearing this, Reagan pretends to pass-out. Junior is about to rape him when the phone rings. Reagan quickly head-butts Junior and strangles him with the chain before ultimately passing-out.

Mike sees that the cops are looking for him. He panics and drives over to Junior's mom’s home, looking for him. Reagan wakes up to an alligator eating and carrying away Junior. Reagan suddenly breaks free and escapes. He finds a random car, with keys, but it does not start. With ongoing rain, Mike arrives by boat, as the roads have flooded. He sees Junior's body at the edge of the water, and searches the shack before seeing Reagan. Reagan incapacitates him with a spear gun, then beats him to death.

Later, in an interview, Reagan says that after the kidnappers died, he had to wait until morning for rescue, as there were rogue alligators. Reagan returns home and receives a call from his manager, who says that his interview received amazing views and that everybody wants him in their movies.

That night, Reagan looks at his emails and sees one from Junior, sent prior to his death. In it, Junior expresses his feelings for Reagan and apologizes for the way they met, reminding him that there was some good in it; attached is a video Junior took, showing Reagan restrained and Junior dancing, with the dead alligator skin on his back. Junior and Reagan are both laughing in the video.

Cast

[edit]
  • Ryan Phillippe as Reagan Pearce
  • Ian Barford as Mike
  • Stephen Louis Grush as Reginald 'Junior' Hester Jr.
  • Tig Notaro as Careen Hester
  • Russ Russo as Tim Remmit
  • James DuMont as Tony Cunningham
  • Joyful Drake as Diane
  • Ray Wood as Butch
  • Carol Sutton as Delores
  • Heidi Brook Myers as Rhonda
  • Jillian Barberie as herself
  • Michael Boyne as Howard Kyle (uncredited)
  • Forrest Forte as David (uncredited)

Development

[edit]

The film was first announced in 2012, as Ryan Phillippe's directional debut under the title Shreveport. It was financed by producer Mark Burg through his Twisted Pictures label, and it was filmed in Louisiana.[1][2]

The new title Catch Hell was confirmed on July 17, 2014. It was distributed by Entertainment One Films.[3] The trailer was released on July 31, 2014.[4]

Reception

[edit]

On review aggregator Rotten Tomatoes, the film holds an approval rating of 0% based on 6 reviews, with an average rating of 3.81/10.[5] On Metacritic, the film has a weighted average score of 40 out of 100, based on 6 critics, indicating "mixed or average" reviews.[6]

Movie Nation called it "nothing more than the sort of exploitation film that Reagan Pearce has signed onto, in desperation, one that he and we realize will be no game changer for the movie star on screen or the one behind the camera."[7] Slant Magazine awarded it one out of five stars, saying "Phillippe never digs into Pearce as a person, or ponders the solitary nature of the actor's lifestyle, and the effect, which lasts right up until the inevitable and self-serving conclusion in which Pearce's career is resuscitated in the wake of all the media coverage surrounding his disappearance, is that he's kept at a distance from the audience"[8] The New York Times said "But a certain curiosity value arises out of Mr. Phillippe's coincidental occupation here as a professional actor and a director."[9] We Got This Covered said, "I'm not saying I'll ever know what it feels like to be scrutinized by every gossipy website and television show, but Catch Hell is a failed attempt to help audiences understand the trials and tribulations of actors forced into an obsessive limelight."[10] The Village Voice was more positive, saying "Catch Hell might not catapult Phillippe back into the spotlight, but as Junior, Grush is by turns ashamed, bashful, and dangerous; he could perhaps do more if given the chance."[11]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Catch Hell is a 2014 American written by and Joe Gossett, directed by Phillippe in his feature-length directorial debut, and starring Phillippe as Reagan Pearce, a fading Hollywood who is kidnapped by two men linked to his past while filming on location in . The story centers on Pearce's harrowing ordeal as he is held captive in a remote shack, forcing him to confront his personal failings and fight for survival amid psychological and physical torment. Released on October 10, , in limited theaters, the film runs for 98 minutes and falls within the genres of crime, drama, mystery, and thriller. The production of Catch Hell was handled by , with Phillippe also serving as a alongside Robert Ogden Barnum and Holly Wiersma. Filming took place primarily in , reflecting the story's rural setting, and wrapped in July 2014. Supporting the lead are and Stephen Louis Grush as the kidnappers, with additional cast members including Joyful Drake, , and James DuMont. Originally titled Chained, the film marks Phillippe's transition from acting to directing, drawing on his experiences in the industry to craft a narrative about fame's dark underbelly and personal redemption. Upon release, Catch Hell received mixed reviews from critics, earning a Metascore of 40 out of 100 based on six reviews, with praise for its tense atmosphere but criticism for stereotypical characters and a predictable plot. On , it holds a 32% approval rating from 28 critics, described as wasting a generic hostage story on cartoonish antagonists. reception was more favorable, with a 7.2 user score on from five ratings, appreciating the film's intensity and Phillippe's performance. The movie later became available for streaming on platforms like and .

Synopsis

Plot

Reagan Pearce, a fading Hollywood actor whose career has stalled after a string of unsuccessful projects, travels to Louisiana to shoot an independent film. While out one night, he is ambushed and kidnapped by two locals, Mike and his dim-witted accomplice Junior, who blindfold him and drive him to a dilapidated cabin deep in a remote, alligator-infested swamp. At the cabin, Mike and Junior subject Reagan to brutal physical beatings and psychological torment, chaining him up and forcing him to record ransom videos demanding money from his agent. As the ordeal intensifies, the captors reveal their true motivation: a deeply personal vendetta stemming from Reagan's brief years earlier with Mike's , Diane, which Mike believes ruined his and life. This revelation transforms the from a random into an act of vengeful retribution, with Mike intent on making Reagan suffer indefinitely. Initially helpless and terrified, Reagan shifts from passive victim to cunning survivor, using his skills to manipulate Junior's insecurities and plant seeds of doubt about Mike's . He feigns submission while secretly plotting his escape, enduring further including forced humiliations and isolation. In a tense climax, Reagan exploits a moment of distraction during a confrontation between the captors, breaking free from his restraints, stabbing Mike to death in a desperate struggle, and outsmarting the slower Junior by luring him into a vulnerable position before fleeing into the swamp. Days later, dehydrated and injured, Reagan is discovered and rescued by local fishermen who alert authorities. The media frenzy surrounding his survival story catapults him back into the spotlight, revitalizing his with offers for high-profile roles. The film concludes with Reagan, bandaged but determined, placing a call to his agent to capitalize on his newfound fame.

Cast

The principal cast of Catch Hell is led by , who also makes his directorial debut in the film, portraying Reagan Pearce, a washed-up Hollywood actor struggling to revive his . Ian Barford plays Mike, the primary kidnapper driven by a personal vendetta against Pearce. Stephen Louis Grush portrays Junior (full name Reginald "Junior" Hester Jr.), Mike's unstable and volatile accomplice in the kidnapping. Tig Notaro appears as Careen Hester, Junior's sister and a figure connected to the events surrounding Pearce's ordeal. The supporting cast includes Joyful Drake as Diane, Pearce's co-star on the film set; James DuMont as Tony Cunningham, a ; Russ Russo as Tim Remmit, another crew member; Carol Sutton as Delores, a local resident; Heidi Brook Myers as Rhonda, a supporting character in the narrative; and Jillian Barberie as herself in a .
ActorRoleDescription
Reagan PearceWashed-up actor seeking a career comeback
MikeLead kidnapper with a grudge
Stephen Louis GrushJunior (Reginald Hester Jr.)Unstable accomplice to Mike
Careen HesterSister of Junior, involved peripherally
Joyful DrakeDianePearce's co-star on location
James DuMontTony CunninghamFilm production assistant
Russ RussoTim RemmitCrew member on the shoot
Carol SuttonDeloresLocal resident
Heidi Brook MyersRhondaSupporting associate character
HerselfTelevision personality cameo

Production

Development

Catch Hell originated as Ryan Phillippe's directorial debut, first announced in June 2012 under the working title Shreveport. The project centered on a thriller script co-written by Phillippe and Joe Gossett, with Phillippe also starring as the lead. The film was produced by Twisted Pictures. The working title was later changed to Chained before being officially renamed Catch Hell in July 2014, coinciding with the acquisition of U.S. and Canadian distribution rights by Entertainment One Films. Phillippe conceived the story during a horseback riding excursion in , in 2011, while filming the comedy . Isolated in the remote woods with local guides, he began pondering scenarios of vulnerability for actors traveling to unfamiliar locations, which shaped the screenplay's core premise of a fading Hollywood star kidnapped and tormented. The narrative drew inspiration from Stephen King's Misery and John Boorman's , emphasizing themes of personal exposure and the perils of diminished privacy in the internet age, where past indiscretions can resurface to haunt individuals. Securing financing proved challenging for the low-budget indie production, estimated at under $2 million. Multiple potential backers withdrew after initial commitments, creating a protracted phase marked by uncertainty. To keep the project alive, Phillippe personally financed early development costs, including travel, accommodations, and crew expenses, through credit cards and personal loans, ultimately investing hundreds of thousands of dollars. This self-funding effort underscored his commitment to the film as a directorial , with the setting selected to reflect authentic regional dynamics that would later inform .

Casting

Ryan Phillippe initially envisioned another actor in the lead role of Reagan Pearce but ultimately decided to star in the himself to secure financing and maintain creative control as director. This self-casting was crucial amid repeated funding setbacks, where potential investors backed out, forcing Phillippe to personally finance costs exceeding hundreds of thousands of dollars through credit cards and loans. By taking on the of actor and director, he accelerated the project's timeline, enabling a 19-day shoot on a under $2 million, though it limited flexibility in assembling the . For the antagonistic roles of Mike and Junior, Phillippe selected Ian Barford and Stephen Louis Grush, both accomplished theater actors known for their reliable and intense performances. Their stage backgrounds allowed them to deliver consistent takes from the first attempt, which was essential given the production's tight schedule and low budget, ensuring the volatile redneck characters were portrayed with authenticity and energy. This choice aligned with Phillippe's strategy of casting lesser-known performers who could prepare thoroughly without the demands of high-profile stars. Supporting roles further shaped the film's tone through targeted selections. Comedian Tig Notaro was cast as the talent agent Careen without an audition, leveraging her rising visibility for a dramatic turn that provided subtle comedic contrast in an otherwise tense thriller; this marked her first non-comedic film role, directed patiently by Phillippe to suit her untrained acting style. Joyful Drake was chosen as Diane, the figure central to the backstory vendetta, drawing on her experience in dramatic supporting parts to deepen the narrative's personal stakes. These decisions, constrained by budget limitations inherited from development, prioritized efficiency and thematic fit over expansive options.

Filming

Principal photography for Catch Hell took place primarily in Shreveport and , USA, selected to authentically capture the rural Southern settings central to the film's thriller narrative. The choice of these locations allowed for the depiction of isolated environments and small-town authenticity, drawing on the region's natural landscapes to enhance the story's tension without relying on constructed sets. The production followed a tight 19-day shooting schedule, emphasizing efficiency to accommodate the low-budget constraints. Director Ryan Phillippe adopted a streamlined approach influenced by the styles of Clint Eastwood and Robert Altman, limiting most scenes to one or two takes to maintain momentum and capture raw performances. This method was particularly challenging during sequences where Phillippe, playing the lead role of Reagan Pearce, remained restrained and chained; he reviewed dailies playback in character to assess shots without breaking continuity, contributing to the film's improvisational energy and the cast's theater-trained spontaneity. The film's was executed under $2 million, reflecting a resourceful indie production that persisted through financing hurdles in . Phillippe and the team avoided delays by securing local support and self-funding initial phases with personal resources until full backing was obtained, enabling a focused shoot without relocation. This fiscal discipline underscored the practical challenges of low- filmmaking, prioritizing essential over extensive reshoots. Key technical contributions included cinematography by Steve Gainer, who handled the visual capture of the humid, claustrophobic environments with a gritty, naturalistic lens. The original score was composed by , providing a tense underscore that complemented the on-location tension, while additional music featured tracks like "" by Barak the Rapper, integrated during key scenes to heighten the film's raw, regional flavor.

Release

Distribution

Catch Hell received a alongside a video-on-demand (VOD) in the United States on , 2014. The film had no reported domestic gross due to its limited . The film was distributed by Entertainment One Films (eOne), which acquired U.S. and Canadian rights in July 2014. The official trailer debuted online on July 31, 2014, ahead of the rollout. Marketing efforts highlighted Ryan Phillippe's directorial debut, positioning the thriller as a personal project blending his acting and behind-the-camera roles. The limited theatrical engagement faced competition from wider releases like Addicted and during its opening weekend. In some international markets, the film was released under alternate titles such as Chained or Kidnapped.

Home media

The film was released on DVD and Blu-ray on December 9, 2014, distributed by Trinity. A subsequent edition was handled by , with availability noted from July 1, 2016. Home video presentations feature , audio, and encoding, maintaining the original 98-minute runtime. Catch Hell became available for streaming on beginning February 10, 2015. As of November 2025, it is accessible for streaming on platforms such as (with ads), , and Apple TV Channel, as well as for rentals and purchases through and Movies. Public data on home media sales remains limited, though the title achieved greater reach via video-on-demand than its concurrent limited theatrical distribution, which began the same day as the initial VOD rollout on , 2014.

Reception

Critical reception

Catch Hell received mixed to negative reviews from critics, with praise limited to certain performances amid broader criticisms of its narrative and execution. On , the film holds a 32% approval rating based on reviews, with an average score of 4.3/10. Initially, it had a 0% rating from 6 reviews with an average of 3.81/10, which improved slightly as more reviews were added. assigns it a score of 40 out of 100 based on 6 critic reviews, indicating "mixed or average" reception. Critics commonly faulted the film for its generic plot and stereotypical characters, particularly the portrayal of rural antagonists as cartoonish bumpkins lacking nuance. The themes were seen as underdeveloped, failing to explore emotional or psychological depth beyond surface-level exploitation. of Movie Nation described it as a "nasty, low budget exploitative genre thriller" that relies on physical and sexually explicit without transcending the genre's conventions. Several reviewers highlighted specific shortcomings in the film's artistic merits. Wes Greene of gave it 1.5 out of 4 stars, criticizing the emotional distance that keeps the "at a distance from the audience," resulting in a self-congratulatory meta-narrative rather than genuine introspection. Matt Donato of We Got This Covered rated it 4 out of 10, noting that it "wastes a generic story on cartoonish characters who redefine what we deem to be stereotypical" and fails to emotionally connect in its exploration of a faded actor's life. More positively, Nicolas Rapold of acknowledged the curiosity value in Ryan Phillippe's as actor and director, questioning "what to make of an actor-turned-director giving someone like himself the third degree?" in a film that satirizes celebrity pitfalls. The Village Voice review by Rob Staeger praised supporting actor Stephen Louis Grush's performance as Junior, calling him a "twisted mix of innocence and menace that steals the show."

Audience reception

Audience reception to Catch Hell has been generally lukewarm, reflected in aggregate user ratings across major platforms. On , the film holds a 5.5/10 rating based on 3,238 user votes. Similarly, Rotten Tomatoes reports an audience score of 32%. On , it has a user score of 7.2/10 based on 5 ratings. On , it averages 2.8/5 from 739 ratings, where users often frame it within niche thriller discussions. Viewers frequently praised the film's tension-building in its kidnapping sequences, which many described as gripping and suspenseful despite the low-budget constraints. 's multifaceted role as actor, writer, and director drew commendations for his raw, intense performance, with one reviewer noting it as "raw, real and quite impressive." Stephen Louis Grush's portrayal of Junior also stood out, lauded for its creepy authenticity and memorable depth, as highlighted in multiple reviews where it was called the film's "only good point." A audience member echoed this, stating, " gives a really good performance as an abducted actor. It's so intense and suspenseful." Conversely, common complaints centered on the predictable plot, which audiences found formulaic and lacking surprises, often labeling it a "by the numbers & escape b-movie" that felt seen before. Character development was another frequent critique, with users pointing to shallow, stereotypical figures beyond Grush's role and an overall lack of emotional investment; one IMDb deemed the development "horrendous." The film was also faulted for failing to innovate within the torture genre, relying on tired tropes without fresh psychological depth, leading to sentiments of it being "shoddy [and] predictable." Culturally, Catch Hell has emerged as a cult curiosity primarily among fans, appreciated for its B-movie appeal and his bold directorial debut, as noted in discussions like "Directed, written, produced, and starring . That’s a lot of Phillippe." Its limited theatrical release yielded no significant data available, but it has maintained steady viewership through video-on-demand platforms, contributing to its niche endurance. Fans on platforms like often describe it as entertaining in a quirky, low-stakes way, with one review quipping, "I wouldn’t say it’s brilliant and I wouldn’t say I liked it, but was I entertained? Yes."

References

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