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Saw II
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| Saw II | |
|---|---|
Theatrical release poster | |
| Directed by | Darren Lynn Bousman |
| Written by |
|
| Produced by | |
| Starring | |
| Cinematography | David A. Armstrong |
| Edited by | Kevin Greutert |
| Music by | Charlie Clouser |
Production company | |
| Distributed by | Lions Gate Films |
Release date |
|
Running time | 93 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $4 million |
| Box office | $152.9 million[2] |
Saw II is a 2005 American horror film directed by Darren Lynn Bousman and written by Leigh Whannell and Bousman. It is the sequel to Saw (2004) and the second installment in the Saw film series. The film stars Donnie Wahlberg, Franky G, Glenn Plummer, Beverley Mitchell, Dina Meyer, Emmanuelle Vaugier, Erik Knudsen, Shawnee Smith, and Tobin Bell. In the film, a group of ex-convicts are trapped by the Jigsaw Killer (Bell) inside a house and must pass a series of deadly tests to retrieve the antidote for a nerve agent that will kill them in two hours.
Following the successful opening weekend of Saw, a sequel was quickly green-lit. Bousman was hired after previously written a script that had a similar premise. Producer Gregg Hoffman received the script and shared it with his partners Mark Burg and Oren Koules, who determined that, with revisions, it could be the basis for Saw II. Whannell later provided rewrites for the script. The film received a larger production budget and was filmed in Toronto from May to June 2005.
Saw II was released in the United States by Lionsgate Films on October 28, 2005. It opened with $31.9 million and grossed $88 million in the United States and Canada. It has remained the highest grossing Saw film in those countries. Saw II was released to home media on February 14, 2006, and topped charts its first week. Bell was nominated for Best Villain at the 2006 MTV Movie Awards for his role. Saw II was followed by a sequel, Saw III, in 2006, and a prequel, Saw X, in 2023.
Plot
[edit]Police informant Michael Marks awakens in a room with a spike-filled mask locked around his neck. Billy the Puppet on a screen tells him that the key to open the death mask has been surgically inserted behind his eye. He cannot bring himself to cut his eye, and is killed when the mask closes on his head.
At the scene of Michael's murder, Detective Allison Kerry finds a message for her former partner, Detective Eric Matthews. Eric joins Kerry and Officer Daniel Rigg in leading a SWAT team to the factory which produced the lock from Michael's trap. There, they apprehend John Kramer, the Jigsaw Killer, who indicates computer monitors showing eight people trapped in a house, including his only known survivor Amanda Young, Eric's son Daniel, and six other victims: Xavier, Jonas, Laura, Addison, Obi, and Gus. A nerve agent filling the house will kill them all within two hours, but John assures Eric that if he follows the rules of his own game, he will find Daniel again in a safe place. At Kerry's urging, Eric agrees to buy time for the tech team to arrive and trace the video signal. During their conversation, John reveals to Eric that his main motivation for his games was a suicide attempt after his cancer diagnosis, which led to a newfound appreciation for life; the games are intended to help his victims develop the same appreciation.
The group is informed by a microcassette recorder that antidotes are hidden throughout the house; one is in the room's safe, and the tape provides a cryptic clue. Xavier ignores a warning note and uses the key provided with the cassette on the door, which triggers a revolver through the peephole that kills Gus. Once the door opens, they search the house and find a basement, where Obi, who helped with abducting the other victims, is killed in a furnace trap while trying to retrieve two antidotes. In another room, Xavier's test involves digging through a pit filled with syringes to retrieve a key to a steel door in two minutes, but he instead throws Amanda into the pit. She retrieves the key, but Xavier fails to unlock the door in time. Throughout the game, the group discuss connections between them and determine that each has been incarcerated before except Daniel. During his father's test, John reveals their affiliation to Eric, who was a corrupt police officer who framed his suspects in various crimes.
Xavier returns to the safe room and finds a number on the back of Gus's neck. After realizing the numbers are the combination for the safe, he kills Jonas and begins hunting the others. Laura succumbs to the nerve agent and dies, after finding the clue revealing Daniel's identity. Incensed by the revelation, Addison leaves on her own and finds a glass box containing an antidote, but her arms become trapped in the openings which are lined with hidden blades. Xavier enters the room and leaves her to die after reading her number. Amanda and Daniel find a tunnel from the first room leading to a dilapidated bathroom, where they find Adam and Zep's bodies.[N 1] After Xavier corners them, Amanda taunts him by implying that he will not learn his number because nobody will read it to him. Xavier responds by cutting off a piece of skin from the back of his neck to read his own number. Xavier charges them, and Daniel slits his throat with a hacksaw.
Having seen Xavier chasing his son, Eric assaults John and forces him to lead him to the house. The tech team tracks the video's source and while Rigg's team searches the house, Kerry realizes that the game took place days before they captured John and the footage they thought they'd been seeing live was actually pre-recorded. Soon after, the timer for Eric's game expires and a safe in the factory unlocks to reveal Daniel inside, bound and breathing in an oxygen mask. Unaware of these events, Eric enters the house alone and makes his way to the bathroom, where he is subdued by a pig-masked figure. He awakens shackled at the ankle to a pipe and finds a tape recorder left by Amanda, who reveals she had become John's accomplice after surviving her first trap and helped him set up Eric's test during the game at the house, intending to continue John's work after he dies. Amanda then appears and seals the door, leaving Eric to die as John hears his screams outside and smiles.
Cast
[edit]- Tobin Bell as Jigsaw / John Kramer
- Shawnee Smith as Amanda Young
- Donnie Wahlberg as Eric Matthews
- Erik Knudsen as Daniel Matthews
- Franky G as Xavier
- Glenn Plummer as Jonas
- Emmanuelle Vaugier as Addison
- Beverley Mitchell as Laura
- Timothy Burd as Obi
- Dina Meyer as Kerry
- Lyriq Bent as Rigg
- Noam Jenkins as Michael
- Tony Nappo as Gus
- Kelly Jones as SWAT Member Pete
- Vincent Rother as SWAT Member Joe
Production
[edit]Development and writing
[edit]
After the success of Saw's (2004) opening weekend, a sequel was quickly greenlit.[3] Since director James Wan and writer Leigh Whannell were occupied with Universal Pictures' Dead Silence (2007), producers were searching for another writer and director.[4] Around this time, music video director Darren Lynn Bousman had written The Desperate, which studios rejected for being too similar to Saw. A German studio offered to produce it for $1 million, but before that moved forward, Saw cinematographer David A. Armstrong suggested Bousman's script to producer Gregg Hoffman.[5] Impressed, Hoffman contacted Bousman with interest in producing it.[5] Initially concerned about accusations of plagiarism,[6] Bousman learned instead that Hoffman and his partners, Mark Burg and Oren Koules, believed The Desperate could serve as the foundation for Saw II. Within two months, Bousman was brought to Toronto to direct the sequel.[5] Saw II was also the final film produced by Hoffman, who died on December 4, 2005, shortly after its release.[7]
Whannell revised Bousman's script, with input from Wan, to integrate it into the Saw universe while retaining the characters, traps, and deaths from The Desperate.[8][4] Bousman said, "But you could read the script for The Desperate and watch Saw II, and you would not be able to draw a comparison".[5] His original draft for The Desperate consisted of an X-rated violent film, but after difficulty in attracting studio interest due to its graphic violence, he revised it into an R-rated, which drew the attention of Lionsgate executives.[6] Overall, the framework of The Desperate had a similar bleak, grotesque atmosphere and a twist ending, which is why the executives found parallels in the script's style.[6] Wan and Whannell served as executive producers, and several crew members from the first film returned, including Armstrong, editor Kevin Greutert, and composer Charlie Clouser.
To preserve secrecy, only key cast and crew members involved in the film's ending were given the complete script; others received only the first 88 pages. Rewritten pages were shredded, and all members were required to sign confidentiality agreements prohibiting the release of plot details.[9] Reportedly, "four or five" alternate endings were shot in order to keep the ending a surprise.[8] Producer Hoffman stated in Fangoria that the filmmakers considered fans' feedback. For example, instead of only showing flashbacks of a character violently dying, they would allow it to unfold as it happened. This was in contrast to Saw, in which most of the violence was implied off-screen.[10]
Casting
[edit]Tobin Bell reprised his role as Jigsaw from the first film, despite not being contractually obligated to return.[11] Bell found it fascinating to return, but played the role like any of his, feeling the need to understand the character's perspective in order to portray him effectively.[12] Shawnee Smith similarly returned to play Amanda Young, later noting that she had not anticipated reprising the role, as she did not expect the first film to be successful.[13] Smith received $150,000 for her performance, with an additional $100,000 bonus contingent on the film grossing over $50 million.[14] Bousman served as a stand-in for the hooded figure who places a key behind the character Michael Marks' eye, a role that some viewers speculated was Dr. Lawrence Gordon (Cary Elwes) from the first film, though Bousman later stated that this was not his intention.[15]
Donnie Wahlberg was cast as Eric Matthews after expressing interest in both the character and the script.[16] At sixteen years old, Erik Knudsen was cast as Eric's son, Daniel Matthews, in his first major feature film role. A fan of the first Saw film and the Scream franchise, Knudsen said he actively pursued the part.[17] He would later star in Scream 4 (2011).[18]
Beverley Mitchell was cast as Laura Hunter despite her dislike for horror films and her inability to watch the first film full until trying for the fifth time. She accepted the role as a personal challenge, noting the physical demands of portraying a character who is being poisoned and frequently coughs.[19] Lyriq Bent initially auditioned for the role of Xavier Chavez but was cast instead as Daniel Rigg. According to Bent, the change was made to avoid the stereotype of casting an African-American actor as a drug dealer. The role of Xavier was ultimately given to Franky G, though Bent later remarked that casting a Puerto Rican actor in the part was also stereotypical.[20]
Bousman gave the actors freedom to change dialogue in the script. He said that 95% of the time, the actors went by the script, with about 5% being adlibs, which "made all of the difference in the world".[21] Wahlberg was allowed to modify some pieces of dialogue, particularly in scenes between Eric Matthews and his son Daniel, as well as those with Jigsaw. For the former, he incorporated a line based on something he had personally said to his own son. For the latter, Wahlberg sought to emphasize Eric's desperation to sit with Jigsaw in order to save Daniel, which Bell supported. The two actors improvised several of their interactions on set, with Wahlberg often adding changes after the day's filming had concluded.[22]
Filming and post-production
[edit]Saw II was produced on a budget of $4 million,[23] compared to the little over $1 million budget of Saw.[24] Some exterior shots of police vehicles at the industrial docklands next to the Toronto soundstage was filmed on April 29, 2005.[25] Principal photography took place over 25 days at Toronto's Cinespace Film Studios from May 2, 2005 to June 6, 2005.[25][26][27] The film was initially given 21 days to be shot. The nerve gas house scenes were shot in an abandoned Toronto warehouse, where the cast portraying Jigsaw's victims worked sixteen-hour days. Knudsen filmed while ill with the flu, noting that it suited his character's poisoned condition; he also continued with an on-set school tutor for two hours daily during production.[17] The film's ending was shot from May 25 to 26.[28] Music and sound were recorded in July, with the film locked on July 16 and completed by September 9.[27] Visual effects were provided by C.O.R.E. Digital Pictures, with post-production services handled by Deluxe.[8]
Trap designs
[edit]Production designer David Hackl spent three weeks building 27 sets on a single sound stage.[8] The Billy puppet originally created by Wan from household materials such as paper towel rolls and papier-mâché, was upgraded for the sequel with remote-controlled eyes and a servo-driven mouth.[29] For the "Needle Pit" trap, in which Smith's character Amanda is thrown into a pit of syringes to find a key, the production team modified 120,000 syringes by replacing their metal tips with fiber optic points over a four-day period. As this amount was insufficient to fill the pit, styrofoam and other materials were added to create the appearance of additional needles. Syringes that appeared to pierce Smith's body were blunted and attached to padding beneath her clothing, and a prosthetic arm was used for certain shots.[30]
Bousman conceived the idea for the "Hand Trap", in which a character's hands become trapped inside a container. Hackl, property master Jim Murray, and art director Michele Brady developed the final design: a glass box suspended by chains from the ceiling that held a hypodermic needle containing an antidote, with two hand openings on the underside. When Emmanuelle Vaugier's character Addison places her hands inside, retractable razor blades closed around them, giving the appearance that any attempt to withdraw would cause severe injury. For safety, the prop was built with movable cuffs and blades that retracted away from the actress's hands. Hackl later noted that the character could have been avoided the trap entirely, as a visible lock and key on the opposite side of the box would have opened it.[31][32]
The original idea for the "Furnace Trap" came from the house having been a crematorium at some point, but this would have involved turning the house into a funeral parlor, so it was instead decided that the furnace would be part of the house's boiler system. A computer model was created to help Bousman plan camera angles, and the set was constructed in three days from cement board and tin with removable sides and a top. This allowed Timothy Burd's character Obi to be filmed crawling inside. The furnace generated real flames, with a stunt performer coated in fire-retardant gel used in place of Burd for the sequences involving fire.[33]
Release
[edit]Saw II was released in the United States through Lionsgate Films, and in the United Kingdom through Entertainment Film Distributors on October 28, 2005.[34][35] It was later released in Australia by Hoyts Distribution on November 17, 2005.[36]
Marketing
[edit]The film's marketing budget was $2 million.[37] Lionsgate held the second annual "Give Til It Hurts" blood drive for the Red Cross and collected a total of 10,154 pints of blood in 10 states.[38][39][40]
The original teaser poster, which depicted two bloody severed fingers forming the Roman numeral II, was rejected by the Motion Picture Association of America (MPAA).[40] Although the poster had briefly been released and circulated, the MPAA stated that it was not approved and deemed it unacceptable, prompting Lionsgate to remove it from their websites.[41] The image was used instead for the film's soundtrack cover.[42]
Soundtrack
[edit]The Saw II soundtrack was released by Treadstone Records on October 25, 2005.[43] Johnny Loftus from AllMusic gave the soundtrack two and a half out of five stars, writing, "The remixer and occasional NIN member's music was overdone, mysterious, tense, and capably chilling, just like the horror-camp of the film itself."[42] Mudvayne's song "Forget to Remember" was released as a single for both its original album and the soundtrack, and the video was also directed by Bousman.[44]
Home media
[edit]Saw II was released on DVD, VHS, and Universal Media Disc in the United States through Lions Gate Home Entertainment on February 14, 2006. The DVD and VHS sold 3 million units its first week, becoming the fastest selling theatrical DVD in Lions Gate's history.[45][40] In rentals, Saw II topped the charts its first week bringing in $9.96 million in combined rentals, pushing Just Like Heaven ($5.96 million) to number two.[46] Its second week, it placed first on rental charts with $5.29 million despite a 47% drop from its first week.[47] The film grossed $45 million in home sales.[2] On October 24, 2006, a DVD "Unrated Special Edition" was released,[48] while an Unrated Blu-ray edition was also released with various special features on January 23, 2007.[49] The film is set to be released on 4K UHD in an Amazon-exclusive steelbook on October 21, 2025.[50]
Reception
[edit]Box office
[edit]Saw II opened with $31.7 million on 3,879 screens across 2,949 theaters. The three-day Halloween opening weekend set a Lionsgate record. It became at the time, the widest release for the distributor and one of the best opening weekends for a horror sequel.[51] For its second weekend it fell 47% making $16.9 million.[52] By Monday, the film's opening weekend performance helped boost Lionsgate's stock price by 8%.[53]
Saw II opened in the United Kingdom with $3.8 million on 305 screens, 70% larger than the first installment. It opened in Japan on 67 screens with $750,000.[54] Opening to $1.3 million on 173 screens it was the number one film in Australia.[55] The film grossed $87 million in the United States and Canada and $60.7 million in other markets for a worldwide total of $147.7 million.[56] In the United States and Canada, Saw II is the highest-grossing film of the Saw franchise.[57]
Critical response
[edit]On the review aggregator website Rotten Tomatoes, 39% of 124 critics' reviews are positive. The website's consensus reads: "Saw II is likely to please the gore-happy fans of the original, though it may be too gruesome for those not familiar with first film's premise."[58] Metacritic, which uses a weighted average, assigned the film a score of 40 out of 100, based on 28 critics, indicating "mixed or average" reviews.[59] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[60]
Robert Koehler of Variety wrote, "cooking up new Rube Goldberg torture contraptions isn't enough to get Saw II out of the shadow of its unnerving predecessor".[61] Gregory Kirschling of Entertainment Weekly gave the film a B minus, saying "Saw II is just barely a better B flick than Saw" and that both films are "more clever and revolting than they are actually chilling". He praised Bell's performance as Jigsaw, saying "As the droopy-lidded maniac in the flesh, Tobin Bell is, for all the film's gewgaws, Saw II's sturdiest horror, a Terence Stamp look-alike who calls to mind a seedy General Zod lazily overseeing the universe from his evildoer's lair". He ended his review: "Where Saw II lags behind in Saw's novelty, it takes the lead with its smoother landing, which is again primed to blow the movie wide open, but manages a more compelling job of it than the original's cheat finish".[62]
Kevin Crust of the Los Angeles Times called Saw II a "worthy follow-up to its grisly predecessor". He said the story was "much more focused on an endgame than the original film. There are fewer credibility gaps and there are plenty of reversals to satisfy fans". He criticized the use of numerous flashbacks, saying that it "rob[s] us of the pleasure of actually remembering for ourselves".[63] Laura Kern, writing for The New York Times, said that Bousman "delivers similar hard-core, practically humorless frights and hair-raising tension, but only after getting past a shaky beginning that plays more like a forensics-themed television show than a scary movie" and called Greutert's editing "crafty". She called the sequel "more trick than treat" and that it "doesn't really compare to its fine predecessor - though it still manages to be eye-opening (and sometimes positively nauseating) in itself".[64]
Empire's Alan Morrison gave the film three out of five stars. He said that the film improves upon Saw's "perverse fascination with Seven-style murders and brutally violent puzzles" and that Jigsaw's intellectual games make "Hannibal Lecter look like the compiler of The Sun's quick crossword". He ended his reviews saying, "Morally dubious it may be, but this gory melange of torture, terror and darkly humorous depravity appeals to the sick puppy within us all".[65]
Accolades
[edit]Tobin Bell was nominated for "Best Villain" at the 2006 MTV Movie Awards for his role as Jigsaw,[66] though the award went to Hayden Christensen for his role as Darth Vader in Star Wars: Episode III – Revenge of the Sith.[67]
| Award | Category | Recipient(s) | Result |
|---|---|---|---|
| Directors Guild of Canada[68] | Outstanding Sound Editing - Feature Film | Rob Bertola; Tom Bjelic; Allan Fung; Mark Gingras; John Laing; Paul Shikata; John Douglas Smith | Nominated |
| Fangoria Chainsaw Awards[69] | Best Villain | Tobin Bell | Won |
| MTV Movie Awards[66] | Best Villain | Tobin Bell | Nominated |
| Saturn Award[70] | Best DVD Special Edition Release | — | Nominated |
| Best Horror Film | — | Nominated | |
| Teen Choice Awards[71] | Choice Movie: Scream | Donnie Wahlberg | Nominated |
| Choice Movie: Thriller | — | Nominated |
Notes
[edit]References
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The terms of the contract provided that Smith would be paid $150,000 as compensation for her services on Saw II. It also provided that Smith would be paid an additional $100,000 if the movie grossed in excess of $50 million.
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- ^ Morrison, Alan (October 2005). "Saw II Movie Review". Empire. Archived from the original on October 21, 2012. Retrieved October 26, 2023.
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- ^ "2006 Teen Choice Awards – Movie Nominees". Fox Broadcasting Company. Archived from the original on October 17, 2006. Retrieved July 7, 2022.
External links
[edit]Saw II
View on GrokipediaSynopsis and Characters
Plot
The film opens with Michael Marks awakening in a dark room, his head encased in a mechanical Venus flytrap-like mask lined with spikes. A videotape instructs him to retrieve a key implanted behind his right eye within 60 seconds to unlock the device; failing to do so will cause the mask to snap shut and kill him. Marks attempts to gouge out his eye but is too slow, and the mask closes, impaling his skull and face.[5] Detective Eric Matthews, leading a SWAT team, raids an abandoned factory hideout based on clues from the Marks murder. They discover John Kramer—known as Jigsaw—chained to a wall, appearing frail and terminally ill. Kramer reveals that Matthews' estranged son, Daniel, is trapped inside a nearby house with seven other individuals, all exposed to a lethal nerve agent dispersing through the ventilation system. The victims have two hours to locate eight syringes containing the antidote, hidden throughout the house behind a series of deadly traps designed to test their will to survive. Kramer activates a bank of surveillance monitors showing the house's interior, forcing Matthews to watch as the game unfolds while claiming the victims were selected for their moral failings, all having been previously arrested by Matthews in a drug bust.[5][2][6] Inside the house, the eight victims—Daniel Matthews, Amanda Young (a survivor of a prior Jigsaw test), Xavier Chavez (a ruthless drug dealer), Addison Corday (a streetwalker who traded sex for drugs), Obi Tate (an accomplice in a kidnapping), Laura Hunter (a recovering addict), Jonas Singer (a framed ex-convict), and Gus Colyard (a low-level dealer)—awaken disoriented in a main room. A Jigsaw tape explains the nerve gas and the antidote quest, warning that cooperation is key but self-interest will lead to death. The group discovers the front door sealed behind a razor wire maze; Obi volunteers to navigate it, sustaining severe lacerations but unlocking the door for the others. As the gas effects begin—causing coughing, disorientation, and hallucinations—they realize their shared history as participants in Matthews' corrupt raid, where evidence was planted to frame them. They find numbered safe-deposit keys scattered in booby-trapped rooms, each corresponding to a colored door leading to further tests.[6] The group splits up to search. In the blue room's oven trap, Laura is locked inside a gas chamber disguised as an oven; she must recite a safe code within 90 seconds or be incinerated, but she fails and burns to death. Obi and Jonas enter the yellow furnace room; Obi crawls into the furnace to retrieve an antidote vial from a spinning cylinder but becomes trapped, and both are roasted alive when the flames ignite. Gus attempts to read a wall message for the next safe code but misinterprets it, triggering a pistol trap that shoots him through the head. Xavier, increasingly paranoid and aggressive, kills Jonas with a spiked bat. Amanda and Addison, searching the purple room, fall through a trapdoor into the needle pit—a deep pit filled with thousands of used hypodermic syringes. They dive repeatedly to find the key at the bottom; Amanda reaches it first but passes it to Addison, who emerges but later enters a trap requiring her to reach into a razor-lined box for a key, severely lacerating her arms; she is killed when the trap activates fully. Xavier chases the remaining survivors.[6] Meanwhile, at the hideout, Matthews grows desperate watching the carnage and assaults the monitors in frustration. Kramer taunts him about his own sins as a crooked cop who framed innocents, including some victims, to boost conviction rates. Matthews demands the house's location, but Kramer insists he must witness the test's completion to appreciate life's value. Daniel, separated earlier, hides in the tunnels beneath the house, evading Xavier who eventually finds and attacks him. Amanda intervenes, killing Xavier with a circular saw in self-defense. She then reveals herself as Jigsaw's apprentice, confessing she orchestrated the house game under Kramer's guidance. The monitors reveal the events occurred months earlier, pre-recorded for Matthews' test; Kramer was never truly captive during the raid—he allowed his capture. Amanda locks the injured Matthews in the infamous bathroom from the first film, chaining him to a radiator and placing the hacksaw out of reach. Facing his screams, she decides against immediate mercy, shooting him in the shoulder to silence him before departing, leaving his fate ambiguous. Daniel, revealed to have been given an antidote injection by Amanda beforehand (making him immune to the gas), survives hidden in a safe room.[5][6]Cast
The principal cast of Saw II features returning actors from the first film alongside new performers, with Tobin Bell reprising his role as the central antagonist Jigsaw, also known as John Kramer, the terminally ill mastermind who orchestrates deadly games to force his victims to appreciate life.[3] Donnie Wahlberg stars as Detective Eric Matthews, an arrogant and hot-tempered police officer whose investigation into Jigsaw's crimes becomes personal when his teenage son is among the captives.[2] Shawnee Smith returns as Amanda Young, Jigsaw's devoted apprentice and a survivor of his previous test, who aids in setting up the traps while grappling with her own moral conflicts.[7] The film emphasizes an ensemble of victims trapped in a nerve gas-filled house, all selected by Jigsaw as convicted criminals whose "wasted lives" he seeks to redeem through lethal trials; this group includes a diverse mix of backgrounds such as drug-related offenses, fraud, and violent crimes, highlighting themes of redemption and survival dynamics among strangers.[5] Key members of this victim ensemble are portrayed as follows:| Actor | Character | Description |
|---|---|---|
| Franky G | Xavier Chavez | An aggressive and intimidating drug dealer wrongfully framed in a past arrest, who becomes increasingly hostile toward the group in his desperation to survive.[8][7] |
| Emmanuelle Vaugier | Addison Corday | A hotheaded streetwalker and prostitute convicted on dubious charges, driven by self-preservation and sharp verbal confrontations with fellow victims.[8][3] |
| Beverley Mitchell | Laura Hunter | A young woman framed by Detective Matthews for an unspecified crime, depicted as vulnerable and relatable, providing an audience perspective on the escalating terror within the house.[9][7][10] |
| Erik Knudsen | Daniel Matthews | Eric Matthews' troubled teenage son, an innocent bystander pulled into the game due to his father's actions, struggling with fear and dependency on the group.[2][3] |
| Glenn Plummer | Jonas Singer | A charismatic ex-convict framed by Detective Matthews, who attempts to lead the victims but harbors his own survivalist agenda.[3][7][11] |
| Tony Nappo | Gus Colyard | A low-key drug addict and petty thief, representing the quieter, more passive elements of the ensemble before the traps force confrontation with his flaws.[3] |
| Timothy Burd | Obi Tate | An arsonist with a history of burning buildings for insurance fraud, whose guilt manifests in his willingness to risk others for personal gain.[7] |
Production
Development and writing
Following the commercial success of Saw in late 2004, Evolution Entertainment and its horror division Twisted Pictures, led by producers Oren Koules, Mark Burg, and Gregg Hoffman, quickly greenlit a sequel with a $4 million budget to capitalize on the franchise's momentum.[12][13] Darren Lynn Bousman, an aspiring filmmaker and fan of the original film, had independently written a spec script titled The Desperate years earlier, centering on a group of people trapped in a house for a deadly game inspired by whodunit thrillers like Ten Little Indians.[8] After polishing the script in 2003, Bousman pitched it directly to Hoffman and Koules at Twisted Pictures, who recognized its claustrophobic, multi-victim setup as ideal for adaptation into Saw II, reimagining the house as a nerve gas-filled trap to expand the series' ensemble survival dynamic.[14][8] Despite having no prior feature directing credits, Bousman secured the role by demonstrating his passion and vision for a real-time narrative unfolding within the house.[15][14] Leigh Whannell, who co-wrote the original Saw with James Wan, initially resisted involvement due to exhaustion from the first film's promotion but later joined to provide extensive rewrites, transforming Bousman's standalone concept into a direct sequel that tied into the prior ending by deepening Jigsaw's philosophy on life's value and establishing Amanda Young as his apprentice.[16][8] Bousman adapted the script in approximately four weeks in late 2004, after which Whannell's revisions ensured tonal consistency with the franchise, avoiding a generic slasher feel while emphasizing thematic continuity.[8][16] The writing process concluded in early 2005, influenced by Bousman's emphasis on the house's real-time tension and Whannell's integration of core Saw elements, setting the stage for production to begin shortly thereafter.[8][16]Casting
The casting for Saw II was led by Amy Lippens, who assembled a blend of returning performers and emerging talent to expand the franchise's ensemble while adhering to its modest $4 million budget.[3] This approach favored lesser-known actors for the victim roles, allowing focus on character-driven tension over star power.[17] Donnie Wahlberg was cast as Detective Eric Matthews, marking a pivotal leading role in a major horror sequel for the actor, who approached the genre selectively due to dissatisfaction with recent trends in remakes and gore-heavy films.[18] Despite initial hesitation, Wahlberg was drawn to the script's emotional depth, particularly its father-son dynamics, which resonated with his personal experiences as a parent.[19] Tobin Bell returned as Jigsaw (John Kramer), with his role significantly expanded from the late-reveal twist in the original Saw to provide more philosophical monologues and screen presence, solidifying the character as the series' central antagonist. Shawnee Smith reprised Amanda Young, promoted from a brief supporting part in the first film to a co-lead; her expanded involvement included on-set script revisions to refine Amanda's motivations and subtle emotional restraint.[20][21] The supporting cast featured up-and-coming performers to embody the film's archetypes of moral failings, such as drug users and opportunists. Beverley Mitchell, known for her wholesome role on 7th Heaven, transitioned to horror during a series hiatus, initially turning down similar offers before accepting Saw II as a fitting project.[22] Emmanuelle Vaugier brought prior genre experience from films like Wishmaster 3 to her role as Addison.[22] Franky G was selected for Xavier, infusing the aggressive character with a raw intensity that the actor described as enjoyable to portray.[23] Dina Meyer returned as Detective Kerry, leveraging her action credentials from Starship Troopers to lend credibility to the SWAT elements.[3]Filming and post-production
Principal photography for Saw II took place in Toronto, Canada, from May 2 to June 6, 2005, primarily at Cinespace Film Studios, with the nerve gas house set constructed in an abandoned warehouse to evoke a sense of decay and isolation.[24][25] Director Darren Lynn Bousman prioritized practical sets over digital enhancements to amplify the film's claustrophobic tension, completing the shoot over a 25-day schedule that demanded intense, long hours from the cast and crew.[14] The production relied heavily on practical effects for its graphic blood and gore elements, overseen by special makeup effects artists including Greg Nicotero and Howard Berger of KNB EFX Group, who crafted realistic prosthetics and simulated injuries integral to the traps. In post-production, editor Angelo Corrao assembled the footage to preserve the real-time urgency of the house sequences, building suspense through precise cuts that mirrored the victims' escalating peril. Sound designers enhanced the traps' mechanical activations and atmospheric dread with layered audio cues, such as grinding gears and echoing alarms, to heighten auditory immersion.[26] Composer Charlie Clouser initiated score composition during principal photography, weaving in variations of the "Hello Zepp" motif from the original film to maintain sonic continuity across the franchise.[27] With a total budget of $4 million, post-production concluded by early September 2005, enabling the film's theatrical release on October 28, 2005.[4]Trap designs
The trap designs in Saw II were developed through a collaborative process led by production designer David Hackl and prop builder Jason Ehl, with significant input from writer Leigh Whannell and director Darren Lynn Bousman to align the mechanisms with Jigsaw's philosophical tests of victims' morals and survival instincts.[28] Traps were prototyped in Ehl's workshop using AutoCAD for precision parts and tested for realism and safety, incorporating simple mechanics like pneumatics and hydraulics to ensure they could be built with everyday materials while allowing for an escape if the victim acted decisively.[28] Bousman emphasized simplicity in the designs, drawing from real-world inspirations to create visceral, understandable horrors that avoided overly complex engineering.[29] The Venus flytrap trap, also known as the Death Mask, featured hydraulic jaws that clamped around the victim's head, activated by a spring-loaded timer if the key was not retrieved in time; it was inspired by the snapping mechanism of actual carnivorous plants and constructed with lightweight servos for controlled motion during filming.[28] Ehl fabricated the device using custom-machined aluminum components to simulate crushing force safely, with fail-safes like low-torque motors to protect the actor.[28] The needle pit trap consisted of over 120,000 modified syringes embedded in a foam-lined pit, where the base provided cushioning for actor safety while emphasizing psychological dread through the illusion of piercing hazards rather than excessive gore.[30] Production crew replaced real needle tips with fiber optic cables and plastic alternatives over four days, adding Styrofoam filler and slime for fluid movement, creating a nightmarish search environment that tested endurance without risking injury.[30] The razor wire maze, Bousman's homage to the original film's bathroom trap, was built as a full-scale set with barbed wire strung across a confined space, incorporating safety protocols such as dulled edges and padded flooring to allow actors to navigate without harm while evoking moral dilemmas of self-sacrifice.[31] Hackl's team used tensioned cables to mimic razor sharpness, ensuring the structure supported dynamic movement during scenes of desperation.[28] Other traps included the oven, simulated with controlled heating elements and insulated walls to build tension through escalating temperature without real fire risks; the furnace, employing gas-fed flame effects for controlled bursts that heightened the sense of impending doom; and the safe, featuring a combination lock mechanism linked to three syringes for blood extraction, designed with breakaway components to facilitate safe prop handling.[28] These elements collectively reinforced the film's horror by blending mechanical ingenuity with ethical quandaries, prototyped to verify their functionality in testing victims' resolve.[31]Release
Marketing
Lionsgate launched the marketing campaign for Saw II at San Diego Comic-Con in July 2005, where the studio unveiled a teaser trailer highlighting Jigsaw's return and showcased interactive elements to engage horror enthusiasts.[32] The event built early buzz by emphasizing the film's escalation of traps and gore, drawing on the first film's success to attract dedicated fans. Viral marketing efforts included a grassroots online presence through the website Howfuckedup.net, which featured provocative content tied to the film's themes of moral tests and deadly consequences.[33] Lionsgate also organized nationwide blood drives in 10 states, collecting 439 pints of blood while promoting the movie's bloody aesthetic through custom ads.[33] Additional tactics involved auctioning blood-spattered props on eBay to create online chatter and extend the film's immersive horror experience beyond theaters. Promotional materials centered on the film's intense gore and ensemble cast, with posters featuring blood-spattered, severed fingers and the tagline "Oh yes... there will be blood."[34] One such design was rejected by the Motion Picture Association of America for being too graphic, leading to adjustments that still pushed boundaries for an R-rated release.[35] Trailers and TV spots, including creepy self-shot advertisements by Lionsgate's creative team, aired during horror programming to heighten anticipation, focusing on Jigsaw's traps and the victims' desperation.[33] Partnerships with horror outlets amplified reach, including a tie-in with Fangoria magazine, which included an article on Saw II in its November 2005 issue (#248). Retail collaborations, such as with Hot Topic, offered merchandise like themed apparel and accessories to capitalize on the growing fanbase.[36] The overall strategy allocated resources to low-cost, high-impact guerrilla tactics, targeting cult followers of the original Saw with previews of unrated footage to underscore the sequel's amplified violence and moral dilemmas.[33] This approach, released theatrically on October 28, 2005, aimed to differentiate Saw II in a saturated horror market by daring audiences to confront its unrelenting brutality.[34]Soundtrack
The original score for Saw II was composed by Charlie Clouser, who returned from the first film to deliver an industrial-electronic soundscape that intensifies the film's horror elements. Clouser's work expands on the iconic "Hello Zepp" theme introduced in the original Saw, incorporating variations such as slowed tempos and layered distortions to underscore the psychological strain of the traps.[37] Key cues include the "Zepp Overture," a bombastic rendition that opens the film and sets a foreboding tone, while motifs for the nerve gas house countdown feature warped clock ticks, accelerating heartbeats, and metallic scrapes to evoke impending doom. These elements blend synthesizers, processed guitars, and percussive rhythms, creating a relentless atmosphere that mirrors the characters' desperation. Clouser crafted these sounds using custom analog and digital processing during post-production, closely collaborating with director Darren Lynn Bousman to align musical pulses with the traps' mechanical actions and editing cuts.[38][39] The film incorporates licensed songs to punctuate key moments, including "Stuck in a Coma" by Trapt over the end credits, which provides a post-rock edge to the resolution.[40] The official soundtrack album, Saw II (Original Score), was released by Artists and Repertoire on October 25, 2005, comprising 17 tracks from Clouser's composition—such as "Mirror," "Puppet Video," and "Needle Pit"—with no separate album dedicated to licensed songs, emphasizing the score's centrality to the film's auditory identity. An expanded 2-CD edition followed in 2006 via Trisol, adding 39 more cues and inspired tracks for deeper exploration.[41][42]Home media
The home video release of Saw II began with its debut on DVD and VHS in the United States on February 14, 2006, distributed by Lionsgate Home Entertainment.[43] This initial release quickly became a commercial success, with combined DVD and VHS units reaching 3.9 million in the first week through rentals and sell-through sales, surpassing the original Saw's debut week performance and topping the charts as Lionsgate's fastest-selling theatrical DVD at the time.[44] A two-disc unrated special edition followed on October 24, 2006, featuring an extended cut with additional gore and violence not present in the theatrical version.[45] Special features on this edition included two audio commentaries—one with director Darren Lynn Bousman, producer Gregg Hoffman, and executive producer James Wan, and another with Bousman, production designer David Hackl, and makeup effects supervisor David Lester—as well as behind-the-scenes documentaries on trap designs, deleted scenes, and alternate endings that explored different narrative conclusions for key characters.[46] Subsequent releases incorporated Saw II into larger franchise anthology sets, such as the 7-film collection issued on September 23, 2014, and the 10-film 20th anniversary edition released on March 5, 2024, both by Lionsgate.[47][48] A Blu-ray edition of the unrated version arrived on January 23, 2007.[49] In October 2025, Lionsgate launched a 4K UHD Blu-ray steelbook edition exclusive to Amazon, released on October 28, featuring a new 4K remaster with Dolby Vision HDR, an updated Dolby Atmos audio remaster, and a digital copy.[50][51] Internationally, the film saw a VHS release alongside the initial DVD in 2006, though the format was already in decline as DVD adoption accelerated.[43] Digital streaming options emerged soon after, with availability on Netflix in various periods through the late 2000s and 2010s, followed by rotations on platforms like Peacock in the 2020s. As of November 2025, Saw II is available to stream on Hulu and for digital purchase or rental on platforms including Amazon Prime Video and Apple TV.[52][53][54]Reception
Box office
Saw II was released theatrically on October 28, 2005, in 2,949 theaters across the United States by Lionsgate Films.[4] The film opened at number one at the North American box office, earning $31,725,652 over its first weekend and setting a record for the largest opening for Lionsgate at the time, surpassing the original Saw's debut of $18,276,468 the previous year.[4][55][56] It ultimately grossed $87,039,965 domestically and $147,748,505 worldwide on a $4 million budget, delivering a substantial return on investment and marking Lionsgate's biggest horror hit to date.[4] Internationally, the film saw robust performance, including $13,701,335 in the United Kingdom and $4,524,055 in Australia, bolstered by its timely October release aligning with the Halloween horror season.[4] Within the franchise, Saw II became the highest-grossing entry upon release and held the domestic record, though it was later surpassed worldwide by Saw III ($164.9 million); its box office legs showed an average weekend drop of approximately 45%, aided by word-of-mouth appeal from its graphic traps and narrative twists.[4][57]Critical response
Upon its release, Saw II received mixed-to-negative reviews from critics, with aggregate scores reflecting general dissatisfaction. On Rotten Tomatoes, the film holds a 39% approval rating based on 124 reviews, with an average score of 5.3/10.[2] On Metacritic, it scores 40 out of 100 from 28 critics, indicating "mixed or average" reviews.[58] Contemporary critics praised certain elements, including Donnie Wahlberg's intense performance as Detective Eric Matthews, which provided emotional depth amid the chaos, and the film's inventive trap designs that escalated the horror from the original.[59] Reviewers also noted a faster pace and increased tension compared to Saw, with Tobin Bell's expanded role as Jigsaw adding charismatic menace.[60] However, the film faced significant criticisms for its formulaic plot, which juggled a police procedural with victim scenarios but often felt derivative and less intriguing than its predecessor.[59] Over-reliance on graphic gore and torture sequences was a common complaint, with Variety describing it as bloodier but lacking the original's impact, labeling the genre as emerging "torture porn."[59] The ensemble cast beyond Wahlberg and Bell was seen as weak, with victims portrayed as one-dimensional and their acting unconvincing.[60] In retrospective assessments during the 2020s, Saw II has been reevaluated more positively as a solid sequel that elevated the franchise through its scale and twists, with Darren Lynn Bousman's direction commended for relentless pacing and inspired visuals on a modest budget.[61] Despite critical shortcomings, audience reception was stronger, evidenced by a 59% Rotten Tomatoes audience score and a B+ CinemaScore, suggesting appeal to horror fans that contributed to its box office success.[2][62]Accolades
Saw II garnered several accolades, predominantly from horror-focused ceremonies, reflecting its impact within the genre despite lacking mainstream awards such as Oscars or Golden Globes. The film secured 4 wins and 11 nominations in total, highlighting performances and technical elements that resonated with fans and critics in specialized circuits.[63] Tobin Bell's portrayal of Jigsaw earned significant praise, including a win for Best Villain at the 2006 Fangoria Chainsaw Awards, where he was recognized alongside other horror icons for his chilling performance.[64][65] Bell also received a nomination for Best Villain at the 2006 MTV Movie Awards, competing against notable antagonists in a broader entertainment context.[66] The film itself was nominated for Best Horror Film at the 2006 Saturn Awards, presented by the Academy of Science Fiction, Fantasy & Horror Films, underscoring its contribution to the year's horror output.[67] Additionally, Saw II earned nominations at the 2006 Scream Awards, including for Best Sequel and Most Memorable Mutilation, celebrating its narrative twists and signature trap sequences.[63]| Award Ceremony | Category | Recipient | Result | Year |
|---|---|---|---|---|
| Fangoria Chainsaw Awards | Best Villain | Tobin Bell | Won | 2006 |
| MTV Movie Awards | Best Villain | Tobin Bell | Nominated | 2006 |
| Saturn Awards | Best Horror Film | Saw II | Nominated | 2006 |
| Scream Awards | Best Sequel | Saw II | Nominated | 2006 |
| Scream Awards | Most Memorable Mutilation | Saw II | Nominated | 2006 |
