Clark Ashton Smith

Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an influential American writer of fantasy, horror, and science fiction stories and poetry, and an artist. He achieved early recognition in California (largely through the enthusiasm of George Sterling) for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn". Smith's work was praised by his contemporaries. H. P. Lovecraft stated that "in sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled", and Ray Bradbury said that Smith "filled my mind with incredible worlds, impossibly beautiful cities, and still more fantastic creatures". Other writers influenced by Smith include Leigh Brackett, Harlan Ellison, Stephen King, Fritz Leiber, George R. R. Martin, and Donald Sidney-Fryer.

Smith was one of "the big three of Weird Tales, with Robert E. Howard and H. P. Lovecraft", though some readers objected to his morbidness and violation of pulp traditions. The fantasy writer and critic L. Sprague de Camp said of him that "nobody since Poe has so loved a well-rotted corpse". Smith was a member of the Lovecraft circle, and his literary friendship with Lovecraft lasted from 1922 until Lovecraft's death in 1937. His work is marked by a rich and ornate vocabulary, a cosmic perspective, and a vein of sardonic and sometimes ribald humor.

Of his writing style, Smith stated: "My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation."

Smith was born January 13, 1893, in Long Valley, Placer County, California, into a family of English and New England heritage. He spent most of his life in the small town of Auburn, California, living in a cabin built by his parents, Fanny and Timeus Smith. Smith professed to hate the town's provincialism but rarely left it until he married late in life.

His formal education was limited: he suffered from psychological disorders including intense agoraphobia, and although he was accepted to high school after attending eight years of grammar school, his parents decided it was better for him to be taught at home. An insatiable reader with an extraordinary eidetic memory, Smith appeared to retain most or all of whatever he read. After leaving formal education, he embarked upon a self-directed course of literature, including Robinson Crusoe, Gulliver's Travels, the fairy tales of Hans Christian Andersen and Madame d'Aulnoy, the Arabian Nights and the poems of Edgar Allan Poe. He read an unabridged dictionary word for word, studying not only the definitions of the words but also their etymology.

The other main course in Smith's self-education was to read the complete 11th edition of the Encyclopædia Britannica at least twice. Smith later taught himself French and Spanish to translate verse out of those languages, including works by Gérard de Nerval, Paul Verlaine, Amado Nervo, Gustavo Adolfo Bécquer, and all but 6 of Charles Baudelaire's 157 poems in The Flowers of Evil.

His first literary efforts, at the age of 11, took the form of fairy tales and imitations of the Arabian Nights. Later, he wrote long adventure novels dealing with Oriental life. By 14 he had already written a short adventure novel called The Black Diamonds which was lost for years until published in 2002. Another juvenile novel was written in his teenaged years: The Sword of Zagan (unpublished until 2004). Like The Black Diamonds, it uses a medieval, Arabian Nights-like setting, and the Arabian Nights, like the fairy tales of the Brothers Grimm and the works of Edgar Allan Poe, are known to have strongly influenced Smith's early writing, as did William Beckford's Vathek.

When he was 15, Smith read George Sterling's fantasy-horror poem "A Wine of Wizardry" in a national magazine (which he later described as "In the ruck of magazine verse it was like finding a fire-opal of the Titans in a potato bin") and decided he wanted to become a poet. At age 17, he sold several tales to The Black Cat, a magazine which specialized in unusual tales. He also published some tales in the Overland Monthly in this brief foray into fiction which preceded his poetic career.