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Common Dreads
Common Dreads
Common Dreads
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Common Dreads
Studio album by
Enter Shikari
Released15 June 2009
RecordedLate 2008–February 2009
StudioArreton Manor, UK
Genre
Length50:27
LabelAmbush Reality
Producer
Enter Shikari chronology
The Zone
(2007) 		Common Dreads
(2009) 		Tribalism
(2010)
Singles from Common Dreads
  1. "Juggernauts"
    Released: 1 June 2009
  2. "No Sleep Tonight"
    Released: 17 August 2009

Common Dreads is the second studio album by the English rock band Enter Shikari, released on 15 June 2009 and 16 June in the US.[5] Recording of the album took place in late 2008–2009. The album was produced and mixed by Andy Gray at Arreton Manor. Guitar production was carried out by Dan Weller of SikTh.

Background and recording

[edit]

In late September 2008, the group uploaded themselves performing "Antwerpen". They said the track would be recorded for the next album, which was planned for release in early 2009.[6] Between late September and early November, the group went a club tour in the UK.[7] Towards the end of the tour, the group released a new track, "We Can Breathe in Space, They Just Don't Want Us to Escape", which had been produced by Andy Gray.[8]

Enter Shikari began work on their second album towards the end of 2008 and started demoing songs in "The 'Low" (episodes released on YouTube by Enter Shikari showing their progress.)[9] The new album was recorded in Arreton Manor situated on the Isle of Wight. Recording finished in late February 2009.[10]

Composition

[edit]

The album has a political motive behind it and references to the current economic climate is a topic that is covered. The album has a distinct stylistic change to Take to the Skies, most notably, more use of clean vocals and a mixture of more electronic music genres, including drum and bass, electro house and dubstep, as well as the trance and electronic hardcore which was explored on their debut album.

There is a drastic lyrical change in the new album. The band formerly wrote lyrics concerning various different subjects and made frequent use of metaphors. In Common Dreads, the band's lyrical subjects concern socio-political topics, like in "Step Up", a song that critiques free world trade. The song "No Sleep Tonight" speaks about the ecological situation of today. The song "Fanfare for the Conscious Man" contains lyrical connotations to the injustice of the various wars the government were engaging in whilst Enter Shikari were writing the album, the line, "Our gracious queen should grasp her crown, and take a good fucking swing at Blair and Brown" confirms the anti-war views of this song. The band expresses further political ideas in the song "Juggernauts" where the closing line is; "The idea of community will be something displayed in a museum", when coupled with the anti-capitalist and hopeless tone of previous lyrics, can be interpreted as a Pro-Collectivist stance. Rou Reynolds told Kerrang! that the song was inspired by the book Tescopoly by Andrew Simms.[11]

Release

[edit]

On 25 February 2009, "Antwerpen" was released as a free download.[12] In late March, the group performed at a Kerrang!-hosted event at South by Southwest in the US.[13] In late April, the group performed at Give it a Name festival,[14] followed by an appearance at The Bamboozle festival in the US in early May.[15] On 29 April, a music video was released for "Juggernauts". The track was released as a single on 1 June.[16] On 8 June, the album was made available to stream to the public from the NME website for free. On 12 June, the group performed a secret set at Download Festival.[17] Common Dreads was released on 15 June through Ambush Reality. Shortly after this, the band performed at Glastonbury Festival.[18] In July, the band went on a tour of the US with August Burns Red and Blessthefall.[19] In August 2009, the band performed at Summer Sonic Festival in Japan, FM4 Frequency Festival in Austria and the Reading and Leeds Festivals in the UK.[20][21][22] It was announced via the Enter Shikari website that the second single from the album would be "No Sleep Tonight", to be released on 17 August 2009.

In September 2009, the band went on a US tour with the Bled, Asking Alexandria, Broadway.[23] Enter Shikari's song "Wall" premièred on Zane Lowe's show on 29 September 2009, but is not scheduled for release as an official single. In late September, the band posted a video on their YouTube channel of "Antwerpen" filmed live in "The 'Low".[24] This track was to become the first track released, made available as a free download, linked from the band's MySpace page.[25] The next official single was "Zzzonked", with the video being released on Ambush Reality/Enter Shikari's official YouTube Channel on 7 October 2009. This was recorded at Norwich on the first leg of their European tour in 2009, The video can be seen here.[26] In October, the group went on a UK tour.[27] In February 2010, went on a brief UK tour,[28] before performing at Soundwave festival in Australia.[29] In June and July 2010, the band performed on Warped Tour, and then appeared at the Reading and Leeds Festivals.[30][31]

Reception

[edit]
Professional ratings
Review scores
SourceRating
AbsolutePunk(78%) [32]
AllMusicStarStarStarHalf star [33]
Digital SpyStarStarStar [34]
Entertainment.ieStarStarHalf star [35]
NMEStarStarStarStarStar [2]
The ObserverStarStarStar [36]
Planet SoundStarStarStarStarStar [37]
Rock SoundStarStarStarStarStarStarStarStarStar [38]
The TimesStarStar [39]

Common Dreads has polarised critics. Ultimate-Guitar rated the album with an overall rating of 9.3/10.[40] Similarly, music magazines Kerrang! and Metal Hammer gave very positive reviews, Kerrang! rating the album 5/5. The album also has its critics. Digital Spy gave the album 3/5 calling it 'hit and miss'. Pete Paphides of The Times gave the album 2 stars out of 5, describing it as "a titanically inadvisable mash-up between Gallows and John Craven's Newsround."[41] Similarly, Lauren Murphy of entertainment.ie described it as "an overkill of brawn, insufficient brain."[42]

Common Dreads entered the album charts at number 16 selling 15,000 copies in its first week.

Track listing

[edit]

All lyrics are written by Roughton "Rou" Reynolds; all music is composed by Enter Shikari.

No.TitleLength
1."Common Dreads"2:08
2."Solidarity"3:16
3."Step Up"4:40
4."Juggernauts"4:44
5."Wall"4:29
6."Zzzonked"3:27
7."Havoc A"1:40
8."No Sleep Tonight"4:16
9."Gap in the Fence"4:07
10."Havoc B"2:52
11."Antwerpen"3:15
12."The Jester"3:55
13."Halcyon"0:42
14."Hectic"3:17
15."Fanfare for the Conscious Man"3:45
Total length:50:27
iTunes Bonus Tracks
No.TitleLength
16."Enter Shikari" (Live Track)4:00
17."Labyrinth" (Live Track)3:29
18."Return to Energiser" (Live Track)5:46
Total length:1:03:02
Japanese bonus tracks[43]
No.TitleLength
16."We Can Breathe in Space, They Just Don't Want Us to Escape (radio edit)"4:04
17."All Eyes on the Saint"5:53
Total length:1:01:34

Personnel

[edit]

Chart performance

[edit]
Chart (2009) Peak
position
Australian Albums Chart[44] 55
Belgian Albums Chart[45] 94
German Albums Chart[45] 96
Japan Albums Chart[46] 77
UK Albums Chart[47] 16

Certifications

[edit]
Region Certification Certified units/sales
United Kingdom (BPI)[48] Gold 100,000‡

‡ Sales+streaming figures based on certification alone.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Common Dreads

View on Grokipedia
from Grokipedia
is the second studio album by the English rock band Enter Shikari, released on 15 June 2009 through their independent label Ambush Reality. The record blends post-hardcore aggression with electronic elements including drum and bass and trance influences, expanding on the experimental sound established in their 2007 debut Take to the Skies. Self-produced primarily by the band alongside engineer Andy Gray and recorded in part at a garden shed studio, it debuted at number 16 on the UK Albums Chart and features politically charged lyrics addressing societal anxieties and future uncertainties, as evident in the title track's warnings of a "heedless and harrowing future" for coming generations. Singles such as "Juggernauts" and "No Sleep Tonight" propelled its promotion, contributing to Enter Shikari's growing international fanbase despite mixed critical reception that praised its energy but critiqued its genre mash-up as overly chaotic. In 2025, the album achieved gold certification in the UK after 16 years, underscoring its enduring commercial success and influence within alternative rock circles.

Background and Development

Conception and Influences

Following the release of their debut album on 19 March 2007, which peaked at number 4 on the after selling 28,000 copies in its first week, pursued a sonic evolution for their second record while preserving core elements of their style, characterized by the fusion of aggression and trance-inspired electronics. The band's motivations stemmed from a desire to mature beyond the youthful, adventurous energy of the debut, incorporating greater clean vocal usage and broader electronic subgenres like and to reflect a more refined compositional approach. Intensive global touring from mid-2007 through 2008, following the debut's breakthrough, profoundly shaped the album's conceptual foundation, as the band processed observations of societal strains including economic instability amid the unfolding and rising paranoia over state interventions. These experiences fostered a dystopian worldview, prompting initial songwriting in a backyard shed in St Albans, , where the quartet prioritized hands-on sonic trials over direct emulation of influences such as producers and political punk ensembles known for confrontational . This pre-production phase emphasized causal drivers like real-world disillusionment from touring—encompassing sold-out UK headline shows and overseas expansion—over mere stylistic shifts, setting the stage for an album addressing shared societal fears without delving into studio execution details.

Recording Process

Recording of Common Dreads commenced in September 2008 and concluded in late February 2009 at Arreton Manor studios on the Isle of Wight, providing an isolated environment that facilitated focused experimentation. The band collaborated closely with producer Andy Gray, a specialist in dance and electronic music who had previously worked with artists like and , to refine the integration of synthesizers and electronic elements with instrumentation.) This partnership emphasized precise to achieve sonic clarity, involving iterative mixing sessions that addressed the challenges of blending high-energy riffs with trance-like breakdowns without relying on excessive effects. A key decision during sessions was to prioritize the band's self-production input alongside Gray's expertise, particularly for guitar elements handled by additional producer Dan Weller, ensuring the album's hybrid sound maintained structural integrity amid the genre's inherent complexities. The winter timeline imposed logistical hurdles, such as limited access to external resources on the island, which compelled the group to resolve technical issues—like balancing dynamic ranges between organic drums and programmed synths—through on-site problem-solving and repeated takes. This process smoothed the rougher edges of their debut album's production, yielding a more polished yet aggressive output verified in band reflections on the sessions' intensity.

Musical Composition

Style and Instrumentation

Common Dreads employs a electronicore framework, fusing aggression with electronic dance elements, including trance-like breakdowns and metal-infused riffs. Tracks such as "Juggernauts" and "Havoc A" incorporate influences through wobbling bass patterns and heavy drops, expanding on the band's electronic palette. The album's instrumentation centers on layered arrangements of synthesizers, electric guitars, bass, and , with additional elements like keyboards and occasional bongos contributing to its eclectic texture. Synthesizers drive melodic and rhythmic foundations, often pulsing alongside chugging guitar riffs and programmed beats, while live provide organic propulsion in heavier sections. Relative to the band's debut , Common Dreads exhibits a shift toward more refined production, featuring cleaner mixes, enhanced dynamics, and reduced rawness in favor of structural sophistication. This evolution allows for greater interplay between organic and synthetic sounds, with breakdowns engineered for high-energy live environments conducive to crowd participation. Tempo across tracks varies, typically ranging from 122 to 134 BPM, enabling fluid transitions between upbeat verses and intensified drops that amplify the album's kinetic drive.

Production Techniques

The album Common Dreads was produced and mixed by Andy Gray in collaboration with Enter Shikari at Arreton Manor on the Isle of Wight during late 2008 and early 2009, emphasizing an experimental approach to integrating electronic and rock elements in an isolated studio environment. Additional guitar production was provided by Dan Weller, focusing on enhancing the live instrumentation's clarity and aggression. Guitar tones were achieved primarily through Diezel amplifiers, supplemented by Orange and Marshall setups, to capture a raw, high-gain edge that balanced with the electronic layers. Band member Rou Reynolds handled vocals and electronics, incorporating multi-tracked layers and digital effects to create a dense, hybrid texture blending organic performances with synthesized sounds, as reflected in the production credits. Vocal recordings prioritized spontaneity, often completed in single takes or minimal overdubs to retain diaphragmatic intensity and natural timbre over polished artifice. These techniques, overseen by Gray—a with expertise—facilitated a sonic framework prioritizing textural depth and , enabling the band to adapt electronic elements for live replication using hardware synths and real-time during subsequent tours. The isolation of of Wight sessions allowed unfettered iteration on sampling and effects integration, resulting in a production that favored replayable fidelity over exaggerated compression or hype.

Lyrical Content

Core Themes

The core themes in Common Dreads center on dystopian apprehensions of societal and systemic breakdown, framed through urgent pleas for awareness and intervention. The opening track "Common Dreads" establishes this foundation with depicting a "heedless and harrowing future" emerging for present and subsequent generations, set against "chartered streets of this familiar oblivion," and culminating in an imperative to "act now or forever be confined to the annals of ." These elements recur as motifs of vigilance against unchecked progression leading to decay, including veiled allusions to eroding structures—social, institutional, and possibly ecological—that demand immediate to avert irreversible loss. Personal and collective responses to these dreads manifest in tensions between isolation and , with and modernity portrayed as amplifiers of disconnection yet potential catalysts for unity. Tracks like "No Sleep Tonight" evoke individual alienation through sleepless rumination on "facts that they conceal" and the seductive " and charm" of authority, fostering and as the narrator probes, "What are we waiting for?" repeated amid escalating urgency. In contrast, "" counters this with imagery of mass convergence—"clock a thousand heads here to unite through common dreads"—eschewing division for harmonious resistance, as "we will sing as one in " and "flow with the tide" unbound by restraint. Across the album, these motifs interconnect via binary oppositions: havoc-laden sequences in "Havoc A" and "Havoc B" symbolize chaotic fragmentation, while "Gap in the Fence" suggests fleeting opportunities for escape from enclosure, and "Step Up" issues direct summons to mobilize—"Come!"—bridging personal torment with broader awakening. This lyrical architecture prioritizes raw existential alerts over resolution, emphasizing dreads as shared inheritance prompting either paralysis or pivotal shift.

Political and Social Commentary

The lyrics of Common Dreads prominently feature critiques of , economic instability, and societal apathy, often framed as calls to against systemic failures. In "Step Up," frontman Rou Reynolds lambasts public indifference to distant crises, asserting, "If our own lives aren't directly affected / Then it don't need to be corrected / How fucking cute is our ignorance," positioning personal inaction as complicity in perpetuating , exploitation, and inequality. This track, alongside the album's opener "Common Dreads," which intones a "heedless and harrowing future" born of unchecked greed and policy errors, draws from the to decry profit-driven collapse and , echoing Reynolds' stated aim to spotlight the "effects" of global problems like economic meltdown without delving deeply into root causes. Enter Shikari's intent, as articulated in contemporaneous discussions, emphasizes urgency over ideology, with Reynolds describing the album as a rallying cry against complacency amid Iraq War fallout and banking failures, urging fans toward solidarity and resistance rather than passive critique. Tracks like "Solidarity" reinforce this by invoking unified opposition to "the machine," aligning with the band's broader anti-capitalist stance that views profit motives as antithetical to planetary and social welfare. However, such portrayals have drawn rebuttals for oversimplifying causal dynamics; empirical evidence indicates market competition has driven innovations—such as rapid advancements in telecommunications and healthcare post-1980s deregulation—lifting global poverty rates from 42% in 1981 to under 10% by 2015 via incentives absent in centralized systems. Critics argue the album's glorification of disruptive resistance risks endorsing chaos over incremental reforms, as structured markets have empirically correlated with higher innovation rates (e.g., U.S. patent filings surging 300% from 1980-2020 under competitive frameworks) compared to collectivist alternatives prone to stagnation. While achieving provocation—evident in fan forums where listeners report heightened engagement with on economic and anti-war causes—the album's narratives have been faulted for incomplete causal realism, normalizing anti-corporate tropes that underplay individual agency and empirical gains from decentralized exchange. Reynolds' warnings against systemic "dreads" sparked , yet rebuttals from right-leaning analyses highlight how emphasizing over personal responsibility mirrors in over-reliant state interventions, which have historically stifled growth in non-market economies. This duality underscores the album's role in galvanizing youth dissent amid 2009's but invites scrutiny for sidelining data showing capitalism's adaptive resilience, such as post-crisis recoveries fueled by rebounds rather than wholesale upheaval.

Release and Promotion

Singles and Marketing

The lead single "Juggernauts" was released on 1 June 2009, serving as the primary teaser for Common Dreads and highlighting the album's fusion of intensity with electronic elements. Its official , directed by the band in collaboration with independent production, featured high-energy performance footage that captured Enter Shikari's raw live dynamism, aligning with their ethos of direct fan engagement over polished commercial aesthetics. This rollout built anticipation through digital platforms, with the track made available via the band's self-owned Ambush Reality label, bypassing traditional major-label distribution for immediate online access. "No Sleep Tonight" followed as the second single on 31 2009, extending the hype with a narrative-driven depicting interpersonal disruption tied to the song's themes of insomnia and urgency. While less focused on live performance than "Juggernauts," the video reinforced the band's unfiltered, provocative style, released amid ongoing tour dates that amplified promotion. leveraged for exclusive content like track-by-track commentary, fostering organic fan interaction without reliance on corporate advertising budgets. Marketing efforts emphasized a DIY approach, utilizing the band's independent infrastructure—including their website for direct merchandise and pre-order fulfillment—to cultivate buzz through fan-driven word-of-mouth and extensive touring circuits. This strategy avoided major label overreach, prioritizing authenticity and community ties over mainstream media saturation, as evidenced by announcements in niche outlets like that framed the album as a self-produced evolution. Such tactics generated pre-release momentum rooted in the band's established underground following, with promotional materials distributed via personal networks rather than paid campaigns.

Distribution and Formats

Common Dreads was released in the on June 15, 2009, through the band's independent label Ambush Reality. In the United States, the album followed on June 16, 2009, distributed via Ambush Reality in partnership with and . The rollout prioritized independent distribution networks, including direct sales through the band's official website, entershikari.com, to facilitate fan access without reliance on major corporate intermediaries. The album was issued in multiple physical and digital formats, with the standard edition comprising a 15-track . A limited-edition variant featured a digipak containing the alongside a bonus DVD with behind-the-scenes footage of the band's Astoria 2 performances and the album's production process, formatted for PAL/Region 2 playback. Vinyl editions, including limited LP pressings, were also available through Ambush Reality. Digital downloads were offered concurrently via platforms supporting the indie release model. No verified data on initial print runs for these variants has been publicly disclosed by the label or band.

Commercial Performance

Chart Achievements

Common Dreads debuted at number 16 on the upon its release on June 15, 2009, marking Enter Shikari's highest charting album at the time. The album's , "Juggernauts", released on June 1, 2009, peaked at number 28 on the UK Singles Chart, demonstrating the band's growing mainstream visibility despite their roots. Subsequent singles from the album, such as "No Sleep Tonight", also received airplay but did not achieve comparable chart success. Internationally, the album saw limited penetration into major markets; it did not register significant positions on the or other primary North American charts, reflecting the band's stronger domestic fanbase in 2009. Chart performance was influenced by the album's timing shortly after high-profile appearances, which generated pre-release momentum aligned with chart compilation periods.

Sales Figures and Certifications

Common Dreads achieved 15,000 units in its debut week on the . The album reached gold certification status from the (BPI) on August 23, 2025, representing 100,000 equivalent units of combined physical sales, downloads, and streaming activity in the . This milestone, attained 16 years after release, underscores the role of sustained digital streaming in bolstering long-term commercial viability for the title. Independent sales tracking estimates worldwide shipments at approximately 60,000 units, primarily reflecting pre-streaming era physical and download figures. No certifications have been awarded in other territories, such as the or Europe, despite international distribution through labels like .

Reception and Analysis

Critical Reviews

Upon its release on June 15, 2009, Common Dreads elicited mixed responses from music critics, who generally acknowledged Enter Shikari's ambition in fusing with electronic and elements but diverged on its artistic success. Publications highlighted the album's energetic experimentation as a step forward from the band's 2007 debut , yet many pointed to inconsistencies in execution that undermined its impact. Positive assessments emphasized the innovative genre mashup and dynamic variety. The BBC review praised the "weirdly, unexpectedly good" integration of aggression and rhythms, noting a broad range of song structures, tempos, and lyrical approaches that kept the album engaging. The Guardian commended its "more musical imagination" in conveying political themes compared to contemporaries like The Enemy, appreciating how the band hammered home polemics without sacrificing sonic drive. The Quietus valued the persistence of signature breakneck keyboards—despite past criticisms—and the album's daring expansions, such as orchestral flourishes and influences, which signaled maturation. Critics on the negative side faulted the album for overambition leading to incoherence and diluted intensity. characterized it as delivering an "ugly sort of bliss," portraying the chaotic blend as peculiarly off-putting and evocative of misguided creativity confined to makeshift recording spaces. A staff review decried the "painful vocals and boring guitars" paired with average drums and synths, deeming the result one of the year's most unenjoyable listens due to repetitive and uninspired elements. Theory observed marginal growth but critiqued the sound as "even more all over the place," with insufficient refinement to justify the expanded stylistic scope, resulting in a fragmented experience. These views underscored a core tension: whether the pursuit of evolution enhanced the band's raw edge or rendered it formulaic and overwrought.

Fan Perspectives and Debates

Fans of exhibited a notable divide over Common Dreads upon its 2009 release, particularly in comparison to the band's debut (2007), which featured more relentless aggression and chaotic energy. Some appreciated the sophomore album's shift toward greater accessibility, with refined electronic integrations and thematic maturity, viewing it as a natural evolution in the genre. However, others expressed disappointment at the perceived dilution of the debut's raw intensity, labeling Common Dreads as "unrealized potential" in online discussions, where users mourned the loss of unbridled ferocity. This musical debate persists in fan communities, with preferences split between those who rank Common Dreads as a favorite for its distinctive chaos—elements like distorted breakdowns and spoken-word interludes—and detractors who find it less compelling than either the debut or subsequent releases, citing uneven production and underdeveloped ideas. One Reddit user encapsulated this sentiment by calling it a "very sad album" due to its ambitious scope not fully matching execution, a view echoed in broader genre retrospectives where the album's influence is acknowledged but its consistency questioned relative to peers. Lyrically, the album's overt political commentary—targeting (Juggernauts), (No Sleep Tonight), and societal complacency—sparked debates among fans about its efficacy in . Supporters credit it with galvanizing youth engagement, as evidenced by its role in shaping post-hardcore audiences' worldview and sustaining cultural relevance, culminating in UK gold certification on August 23, 2025, after 16 years. Critics within the fanbase, however, argue the tracks' alarmist framing of systemic dreads prioritizes emotional over data-driven analysis or actionable individual agency, favoring resilience-oriented narratives amid perceived overemphasis on collective despair without pragmatic remedies. Empirical fan engagement underscores the album's lasting appeal despite divisions: setlist.fm data records persistent live inclusions of Common Dreads tracks in 2025 tours, with 2–3 songs per concert (e.g., Juggernauts, Havoc B, No Sleep Tonight) across European dates, reflecting sustained demand over professional critique. This contrasts with transient chart performance, highlighting authentic consumption patterns driven by dedicated listeners rather than mainstream validation.

Legacy and Impact

Cultural Influence

Common Dreads advanced the integration of electronic elements into , exemplifying the style through tracks blending breakdowns with aggressive riffs, which helped propel the genre's visibility in the UK alternative scene during the late . The album's production, featuring rapid tempo shifts and synthesized drops, built on Enter Shikari's earlier work to influence subsequent fusions in rock-electronic hybrids, as noted in retrospectives on the band's role in underground innovation. This synthesis contributed empirically to the diversification of , evidenced by the album's chart performance and tours that expanded the subgenre's audience beyond niche circuits. Politically charged lyrics, inspired by the and critiques of global financial instability, fostered a subcultural of among listeners, with themes of collective resistance echoing in fan-driven discussions and the band's DIY . Tracks like "Juggernauts" and "No Sleep Tonight" rallied against perceived elite manipulations, aligning with broader sentiments in UK post-2008 , though some analyses attribute this resonance more to timely context than enduring doctrinal shift. Remixes, such as High Contrast's dubstep-infused take on "No Sleep Tonight," extended its reach into electronic dance communities, bridging rock and club scenes. While praised for catalyzing experimentation, the album's influence has faced for contributing to electronic music's in , where rapid emulation by imitators led to stylistic oversaturation without proportional , diluting its causal distinctiveness in long-term scene evolution. Critics and observers note that, despite boosting Enter Shikari's international profile, its bolder political edges waned in later works, reflecting a transient peak amid the electronic wave's broader homogenization. This perspective underscores a realistic assessment: empirical gains in subcultural momentum were real but constrained by market-driven replication, limiting transformative depth.

Reissues and Retrospective Views

In 2019, issued a 10th edition of Common Dreads, featuring a remastered vinyl pressing utilizing to achieve greater audio depth and clarity. This limited release included glow-in-the-dark green vinyl with red splatter and bundled a bonus 7-inch single containing the tracks "" and "Thumper," marking their first appearance on vinyl format. A standard black vinyl repress accompanied the campaign, addressing demand for the originally scarce 2009 pressing. These reissues enhanced the album's archival accessibility without altering its core content. The achieved (BPI) Gold certification on August 23, 2025, denoting 100,000 equivalent units shipped in the UK, a milestone reached 16 years post-release amid sustained streaming consumption and the band's active touring schedule. Retrospective evaluations have underscored Common Dreads' maturation in blending with electronic elements and political lyricism. A 2019 analysis deemed it "brilliant" and among Enter Shikari's strongest works, observing that its layered compositions reward repeated engagement and retain vitality a decade later. Similarly, Kerrang!'s 2019 roundup of 2009's top albums positioned it as a bold progression from the band's debut, citing tracks like "" for their innovative trance-infused energy. A 2024 video review marking the 15th anniversary reaffirmed its experimental boldness, though noting production choices reflective of late-2000s conventions that may sound constrained by modern standards. Streaming platforms have facilitated ongoing discovery, with official audio uploads and playlist integrations sustaining listener engagement alongside live performances of album material during tours.

Credits

Track Listing

The standard edition of Common Dreads, released on 15 June 2009 by Ambush Reality, features 15 tracks with a total runtime of 50:33.
No.TitleDuration
1"Common Dreads"2:08
2""3:15
3"Step Up"4:40
4"Juggernauts"4:44
5"Wall"4:29
6"Zzzonked"3:27
7"Havoc A"1:40
8"No Sleep Tonight"4:16
9"Gap in the Fence"4:06
10"Havoc B"2:52
11"Antwerpen"3:14
12"The Jester"3:55
13"Halcyon"0:41
14"Hectic"3:17
15"Fanfare for the Conscious Man"4:11
The sequencing includes consecutive tracks "Havoc A" and "Havoc B", presented as a structural in the standard edition. Limited editions may include bonus tracks or formats such as DVDs, but the core track order remains consistent across primary releases.

Personnel

The core recording lineup for Common Dreads consisted of Enter Shikari's longstanding members: Roughton "Rou" Reynolds handling lead vocals, keyboards, electronics, programming, and additional instrumentation such as on tracks 5, 8, and 12, on tracks 5 and 8, on track 5, guitar on track 8, on track 9, and and church organ on track 12; Rory Clewlow on guitar and backing vocals; Batten on and backing vocals; and Rob Rolfe on drums, with all members contributing to programming elements central to the album's electronic and fusion. Reynolds' multi-instrumental contributions were pivotal in layering the synthetic and orchestral textures that define the record's experimental sound. Production was led by Andy Gray, who served as producer, recording engineer, and mixing engineer, alongside the band's self-production; guitar production was by Dan Weller, with mastering handled by Tim Young at Metropolis Mastering. Gang vocals featured contributions from Aaron Weeks, Adam Pettit, Ben Tippetts, , Luke Jefferies, Luke Woodford, Nathan Russell, and others, adding choral depth to select tracks. No significant external collaborations or credit disputes were reported in the album's documentation.

References

  1. https://genius.com/albums/Enter-shikari/Common-dreads
  2. https://www.nme.com/news/music/enter-shikari-49-1320287
  3. https://www.discogs.com/master/179949-Enter-Shikari-Common-Dreads
  4. https://www.allmusic.com/album/common-dreads-mw0000822269
  5. https://www.reflectionsofdarkness.com/artists-a-e/5013-enter-shikari-common-dreads
  6. https://www.officialcharts.com/albums/enter-shikari-common-dreads/
  7. https://genius.com/Enter-shikari-common-dreads-lyrics
  8. https://www.theguardian.com/music/2009/jun/12/enter-shikari-common-dreads
  9. https://www.facebook.com/RecklessPress/posts/it-took-16-years-but-enter-shikaris-common-dreads-has-officially-gone-gold-in-th/1357146099753863/
  10. https://www.last.fm/music/Enter%2BShikari/Take%2Bto%2Bthe%2BSkies
  11. https://www.officialcharts.com/artist/2153/enter-shikari/
  12. https://themusic.com.au/features/common-dreads-enter-shikaris-brilliant-second-album-ten-years-on/VTVNSUhLSk0/01-07-19
  13. https://www.punkrocktheory.com/music_reviews/enter-shikari-%25E2%2580%2593-common-dreads
  14. https://cwgmagazine.wordpress.com/2009/09/18/enter-shikari/
  15. https://www.thelineofbestfit.com/reviews/albums/enter-shikari-common-dreads-16980
  16. https://consequence.net/2009/06/enter-shikari-promises-common-dreads/
  17. https://riot.nyc/enter-shikari-interview-diy-revolution/
  18. https://www.ultimate-guitar.com/news/interviews/hit_the_lights_enter_shikaris_rou_reynolds_i_shout_from_the_diaphragm_the_soul.html
  19. http://www.tom-bryant.com/enter-shikari-the-making-of-a-flash-flood-of-colour--tom-bryant-kerrang-july-16-2011.html
  20. https://www.discogs.com/release/2771479-Enter-Shikari-Common-Dreads
  21. https://www.ultimate-guitar.com/reviews/compact_discs/enter_shikari/common_dreads/16512/
  22. https://rateyourmusic.com/release/album/enter-shikari/common-dreads/
  23. https://www.discogs.com/release/14247286-Enter-Shikari-Common-Dreads
  24. https://tunebat.com/Info/Common-Dreads-Enter-Shikari/094wiJh4rjf5zyDF2JWxQl
  25. https://tunebat.com/Info/Juggernauts-Enter-Shikari/3fitt5g65sz7NFbXFhQ75j
  26. https://www.discogs.com/release/30281942-Enter-Shikari-Common-Dreads
  27. https://www.ultimate-guitar.com/news/interviews/enter_shikaris_rory_clewlow_ive_always_had_an_interest_to_make_music_no_matter_in_what_form_or_what_instrument.html
  28. https://beat.com.au/enter-shikari/
  29. https://www.azlyrics.com/lyrics/entershikari/commondreads.html
  30. https://genius.com/Enter-shikari-no-sleep-tonight-lyrics
  31. https://www.azlyrics.com/lyrics/entershikari/nosleeptonight.html
  32. https://genius.com/Enter-shikari-solidarity-lyrics
  33. https://www.azlyrics.com/lyrics/entershikari/solidarity.html
  34. https://genius.com/Enter-shikari-step-up-lyrics
  35. https://universityobserver.ie/enter-shikari/
  36. https://www.socialistparty.org.uk/articles/10459/20-10-2010/enter-shikari-common-dreads-album-2009/
  37. https://www.reddit.com/r/EnterShikari/comments/5e0abu/es_activism/
  38. https://louderthanwar.com/enter-shikari-interview/
  39. https://www.youtube.com/watch?v=9055NLRl-6Y
  40. https://www.imdb.com/title/tt7761726/
  41. https://www.youtube.com/watch?v=Ehzmr79ZCoE
  42. https://www.youtube.com/watch?v=J8udCRnyQv8
  43. https://www.amazon.com/Common-Dreads-Limited-Enter-Shikari/dp/B0029NZWBI
  44. https://open.spotify.com/album/0Y9wwArjVhEGBR9ptMSwvC
  45. https://www.bbc.co.uk/blogs/chartblog/2009/05/enter_shikari_juggernauts.shtml
  46. https://www.billboard.com/artist/enter-shikari/
  47. https://bestsellingalbums.org/artist/3936
  48. https://www.albumoftheyear.org/album/12520-enter-shikari-common-dreads.php
  49. https://www.bbc.co.uk/music/reviews/bqmq/
  50. https://thequietus.com/quietus-reviews/enter-shikari-common-dreads-album-review/
  51. https://www.nme.com/reviews/reviews-enter-shikari-10554-317680
  52. https://www.sputnikmusic.com/review/30913/Enter-Shikari-Common-Dreads/
  53. https://www.reddit.com/r/EnterShikari/comments/4o9btu/what_does_common_dreads_mean_to_you/
  54. https://www.reddit.com/r/EnterShikari/comments/r7scn/opinions_on_common_dreads/
  55. https://www.reddit.com/r/Metalcore/comments/1ay89cx/looking_back_was_electronicore_a_good_time_for/
  56. https://www.reddit.com/r/EnterShikari/comments/12sv2gv/enter_shikaris_7th_album_a_kiss_for_the_whole/
  57. https://www.setlist.fm/setlist/enter-shikari/2025/progresja-warsaw-poland-53586fc1.html
  58. https://www.setlist.fm/setlist/enter-shikari/2025/vef-vasarnca-riga-latvia-7b423e88.html
  59. https://www.basschat.co.uk/topic/174131-music-as-a-force-for-social-and-political-change/
  60. https://www.wsws.org/en/articles/2017/11/18/spar-n18.html
  61. https://www.redbull.com/gb-en/enter-shikari-best-drum-n-bass-tracks
  62. https://www.nme.com/blogs/nme-blogs/enter-shikari-a-flash-flood-of-colour-first-listen-759185
  63. https://beardedgentlemenmusic.com/2015/04/03/review-enter-shikari-the-mindsweep/
  64. https://www.ultimate-guitar.com/articles/features/from-myspace-to-mainstream-how-one-unconventional-album-revolutionized-alternative-music-and-diy-success-173928
  65. https://www.planetmosh.com/enter-shikari-release-common-dreads-10th-anniversary-edition/
  66. https://www.discogs.com/release/14373830-Enter-Shikari-Common-Dreads
  67. https://www.kerrang.com/the-50-best-albums-of-2009
  68. https://www.youtube.com/watch?v=ogivB3ihCxY
  69. https://www.youtube.com/watch?v=O_F0AECwu2k
  70. https://musicbrainz.org/release/f5f83dd1-2e84-484c-bb8a-fbb6255c8a3f
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