Cylons
Cylons
Main page

Cylons

logo
Community Hub0 subscribers
Read side by side
from Wikipedia

Cylons
Battlestar Galactica franchise element
Battle robot
Cylon Centurion as depicted in the 2004–2009 series
First appearance
Created byGlen A. Larson
GenreScience fiction
In-universe information
TypeHumanoid robot

The Cylons (/ˈslɒn/ ) are a race of sentient robots in the Battlestar Galactica science fiction franchise, whose primary goal is the extermination of the human race. Introduced in the original 1978 television series, they also appear in the 1980 sequel series, the 2004–2009 reboot series, and the 2010 spinoff prequel series Caprica.

In the 1978 series, the Cylons are the creation of a long-extinct reptilian humanoid race, also called Cylons, and view humans as a nuisance and an obstacle to the expansion of the Cylon Empire. The armies of metallic, armored Cylon Centurions are ruled by a unique, yet replaceable, Cylon known as the Imperious Leader.

In the 2004 series, the robotic Cylons were created by humans but rose up against them. Decades after the initial conflict ended in a truce, the Cylons reappear and launch a cataclysmic attack on human civilization that kills billions. The metallic Centurions are secretly led by several models of synthetic humanoid Cylons who are virtually indistinguishable from humans and have infiltrated their society.

Original series

[edit]
A Cylon Centurion from the original 1978 series

In the original 1978 series Battlestar Galactica, created by Glen A. Larson,[1] the Cylons are a race of sentient robots at war with the Twelve Colonies of humanity.[2] They are led by a Cylon known as the Imperious Leader who, though seemingly unique, can be replaced if needed. The IL-Series are a class of Cylons below the Imperious Leader who serve the Cylon Empire in non-military roles as administrators and diplomats. They have human-shaped, metallic heads and faces with glowing red eyes, and translucent conical craniums with visible crystalline brains. The IL-Series possess humanoid bodies covered in long, sparkling robes, and speak in refined, masculine voices.[2] The Cylon foot soldiers are the Centurions, imposing humanoid robots characterized by their chrome armor and distinctive red eye visors.[3] They speak in electronic, monotonous tones, and do not possess the intellect and autonomy of the IL-Series Cylons.[2] Raiders are fighter craft crewed with three Centurions each, and Basestars are the Cylon capital warships, equivalent to the Battlestars of the human fleet.[4]

The sequel series Galactica 1980 introduces two new-model Cylons who are indistinguishable from humans, Andromus (Roger Davis) and Andromidus (Neil Zevnik), in the episode "The Night the Cylons Landed".[5][6] The concept of humanoid Cylons would become a primary element of the 2000s reboot series.[7][8]

The Centurions were initially depicted in preproduction art by artist Ralph McQuarrie, but the final design was largely the work of Andrew Probert.[9][10] Similarities with the McQuarrie-derived look of the Stormtroopers from Star Wars are sometimes suggested as a factor that prompted 20th Century Fox's lawsuit for copyright infringement against Universal Studios, owners of the Battlestar Galactica copyright. However the 9th Circuit Court of Appeals did not include the Cylons in the list of similarities they issued on an appeal in Twentieth Century Fox Film Corp. v. MCA Inc. The case was remanded and reportedly settled out of court, by which time, Battlestar Galactica had already been canceled.[11][12]

In the series, the Imperious Leader is voiced by Patrick Macnee.[1][13] Lucifer, an IL-Series Cylon installed as the second-in-command of a Cylon Basestar battleship under the command of human traitor Lord Baltar (John Colicos),[2] is voiced by Jonathan Harris in nine episodes.[1][14] An EMS Vocoder 2000 was used to produce the voices of the Centurions.[15]

Reboot series

[edit]

The franchise was rebooted with the 2003 miniseries Battlestar Galactica, based on Larson's series and created by Ronald D. Moore. It was quickly followed by a 2004 series, which ran for four seasons and spawned the television films Razor (2007) and The Plan (2009), multiple web series, and the spinoff prequel television series Caprica (2010).[16]

In the series, the 40-year armistice between the Twelve Colonies of humanity and a race of warlike, sentient robots called Cylons is suddenly broken by the Cylons. They launch a cataclysmic attack on human civilization that kills billions, and subsequently pursue the fleeing 50,000 survivors to exterminate them completely.[17][18][19] Fully mechanical Centurions remain the avatars of Cylon aggression,[20] but biological models of Cylons, indistinguishable from humans, have infiltrated what remains of the human population, and their identities are revealed over the course of the series.[21] Updated versions of Raiders and Basestars are also depicted,[22][23] as well as Hybrids, a type of Cylon which is a bridge between the mechanical and biological forms, used to control Basestars by existing in symbiosis with them.[21]

Centurions

[edit]

Cylon Centurions are mechanical, sentient infantry robots with massive, silver armored bodies and chevron-shaped red eye visors.[3][24] They are strong and agile, with bladed fingertips and retractable guns built into their lower arms.[25][26] The Centurions are terrifying, deadly automatons who show no mercy,[20] and are difficult to destroy without explosive ammunition.[27] They are able to devise and execute complex tactical maneuvers.[27] The Centurions are the originators of monotheism, the belief in a single God, among the Cylons,[28][29] and are among the most devout.[30] Some humans use the slur "toasters" to refer to the Centurions.[3][25]

Initially depicted as cold and subservient foot soldiers, over the course of the series the Centurions exhibit a range of personalities and beliefs. Some seek a peaceful coexistence with humans, while others remain dedicated to their destruction.[3] In season four, a schism erupts among the humanoid Cylon models over whether to punitively lobotomize the Raiders for insubordination. Natalie Faust removes the inhibitor modules that restrict higher functions from the Centurions who are present, granting them independent thought and free will. They immediately choose the side of those wishing to keep the Raiders unharmed, and kill the dissenters.[31][32] These Centurions become an independent faction of Cylons, forming an uneasy alliance with the surviving humans and more pacifistic humanoid Cylon models, and showing that peaceful coexistence might not be impossible.[20]

The 2005 Battlestar Galactica episodes "Valley of Darkness" and "Fragged" received nominations for a Visual Effects Society Award for the Centurions, in the category "Outstanding Performance by an Animated Character in a Live Action Broadcast Program, Commercial, or Music Video". The series won the award for "Fragged".[33] The following year, the 2006 episode "Downloaded" was nominated for a WES award in the same category.[34]

Humanoid Cylons

[edit]

Humanoid Cylons are indistinguishable from humans in that they are constructed of biological components to near-perfectly replicate human biology, though they still possess a digital molecular structure.[25][35] There are a finite number of distinct models, but each model can have multiple copies, which share biology and general personality throughout their model but develop into distinct individuals. The biological Cylons can be harmed and killed in the same manner as humans, but each copy can be resurrected by downloading their digital consciousness into a new body.[21][25] The ability of these Cylons to evolve emotionally and intellectually creates the danger of "corruption" in the form of ideations considered dangerous to the Cylon cause. Individuals or entire models may be "boxed". or deactivated, with their consciousnesses and bodies put in storage or destroyed.[21][36] Multiple copies of seven distinct Cylon models are depicted in the first three seasons, followed by the revelation that a "fundamentally different" group, dubbed the "Final Five" Cylons, are also embedded in the human fleet.[21][37] Some humans use the slur "skinjobs" to refer to the humanoid Cylons.[25]

Cylon resurrection technology relies on strategically-placed Resurrection Ships, which are in turn controlled by the Resurrection Hub. The Resurrection Ships are repositories for spare humanoid Cylon copies, and receive digital consciousness uploads from any Cylons who are killed within a certain range of the ship. The individual identity is then downloaded into a fresh Cylon body, which is awakened with the complete memories and personality of the original. The personas of Cylons who die out of range of a Resurrection Ship are lost forever.[38][39] Arianne Gift of Game Rant called resurrection technology "profoundly significant" and a "fundamental element" of the series.[38]

Numbered models

[edit]
Cylon models Three (Lucy Lawless), Six (Tricia Helfer) and Eight (Grace Park)

The miniseries establishes that there are 12 models of humanoid Cylons.[35] Number Six, portrayed by Tricia Helfer,[40] is introduced as a seductress who exploits her sexual relationship with celebrity scientist Dr. Gaius Baltar (James Callis) to gain access to the military defense mainframe of the Twelve Colonies.[21] She introduces malware into the network, which allows the Cylons to launch simultaneous, unchallenged nuclear attacks that wipe out virtually all of the populations of all twelve planets.[41][42] She sacrifices herself to save Baltar in the attack on the planet Caprica,[43] but her consciousness is subsequently downloaded into a new body on a Cylon Resurrection Ship.[44] This copy, dubbed "Caprica Six" by the Cylons, is considered a hero, but has developed sympathy for humans, and regrets her part in the attacks.[44] Caprica Six ultimately turns against the anti-human Cylon models and seeks peace between Cylons and humans.[21] Other prominent Six copies include Shelly Godfrey, Gina Inviere and Natalie Faust.[21]

In the miniseries, the warship Battlestar Galactica is in the final stages of being decommissioned and converted to a museum, and is thus unaffected by the Cylon sabotage. Its commander, William Adama (Edward James Olmos), assumes command of the few remaining elements of the human fleet and heads for the Ragnar Anchorage munitions depot to resupply. There he realizes that arms dealer Leoben Conoy (Callum Keith Rennie) is negatively affected by the electromagnetic radiation flooding the station, which is known to be harmless to humans but disrupts the silica pathways of Cylons. Leoben confirms he is a Cylon, and reveals the concept of their resurrection technology to Adama before attacking the commander. Adama bludgeons Leoben to death, and his body is taken aboard the Galactica for examination. The Leobens are later identified as Number Two models, who are very religious and hope for Cylons and humans to live together in peace.[21]

On the Galactica, public relations specialist Aaron Doral (Matthew Bennett) is also determined to be a Cylon, and despite his protests is left at Ragnar Anchorage. He is a Number Five model, useful for their "everyman" appearance that helps them blend in with humans, but known to be "emotionally unstable and manipulative, switching from amiable and friendly to angry and violent."[21] A Cylon team of Twos, Fives and Sixes arrive to collect him, accompanied by a Number Eight copy, revealing that Galactica fighter pilot Sharon "Boomer" Valerii (Grace Park) is a Cylon.[42][45]

Boomer is a sleeper agent programmed to believe she is human, and also to commit acts of sabotage without remembering doing so. She is eventually activated to assassinate Adama, who is a father figure to her. He survives, and though he shows mercy by not executing her, Boomer is murdered by a vengeful crewmate. She resurrects among the Cylons, but has difficulty accepting that she is one of them. Boomer and Caprica Six, realizing that the Cylons' destruction of the human race is wrong, defect to the human side. However, Boomer later finds herself incapable of assimilating into human society, and does not join the rest of the Eights in their alliance with humans.[21] Meanwhile, in the series premiere episode "33", Boomer's co-pilot Karl "Helo" Agathon (Tahmoh Penikett), stranded on Caprica, meets another Number Eight copy whom he mistakes for his Sharon, apparently there to rescue him.[19][46] This Number Eight, later known as Sharon "Athena" Agathon, falls in love with Helo and gives birth to the first human-Cylon hybrid baby.[21]

Simon O'Neill, portrayed by Rick Worthy,[47] is introduced in the season two episode "The Farm" as a physician who treats Galactica fighter pilot Kara "Starbuck" Thrace (Katee Sackhoff) for a gunshot wound in what is supposedly a Resistance hospital on devastated Caprica. She soon realizes he is Cylon performing fertility experiments on human women, and kills him and escapes. Simon is a Number Four model, who are medical specialists and the most machine-like of the Cylons, employing logic and reason paired with a lack of emotional response. At least one Number Four, however, is shown to sacrifice himself rather than let his human family die in The Plan.[21]

Fleet News Service reporter D'Anna Biers, portrayed by Lucy Lawless,[47] comes aboard the Galactica in the season two episode "Final Cut" to investigate her suspicions of a military cover-up surrounding recent civilian deaths aboard the Gideon. She is revealed to be a Cylon when another copy of her is shown viewing her report among the Cylons.[21][48] D'Anna is a Number Three model, who are depicted as "calculating and duplicitous", and known to manipulate both humans and other Cylons as necessary.[21] In "Downloaded", D'Anna realizes that the newly resurrected Caprica Six and Boomer's experiences have made them more sympathetic to humans, and their celebrity creates the dangerous possibility that they could influence other Cylons. She schemes to have them boxed, but they escape.[49][50] In season three, D'Anna becomes obsessed with learning the identities of the so-called Final Five Cylons, which is forbidden knowledge.[51][52] She finally succeeds in "Rapture", dying in the attempt. D'Anna resurrects, but she and all Number Threes are promptly boxed as punishment.[21][36]

John Cavil, portrayed by Dean Stockwell,[47][53] is a religious counselor on the Galactica in the season two finale "Lay Down Your Burdens". He is revealed to be a Cylon when a duplicate Cavil is spotted among a newly-arrived group of refugees from Caprica.[21] Cavil and his fellow Number One models possess an exceptional disgust for humans, advocating that they be culled down to near extinction. Cavil also has little respect for other Cylon models, including the Final Five who created him, and freely manipulates, reprograms and even decommissions them as needed to further his goals.[28] In "No Exit", Cavil reveals that he destroyed the entire line of a 13th model of Cylon, named Daniel, out of jealousy.[21][54]

Final Five

[edit]
Promotional photo of four of the "Final Five" Cylons. Clockwise from left: Aaron Douglas as Galen Tyrol, Michael Trucco as Sam Anders, Michael Hogan as Saul Tigh and Rekha Sharma as Tory Foster. The fifth and final Cylon, Ellen Tigh (Kate Vernon) is not pictured.

Seven of the 12 humanoid Cylon models are introduced in the first two seasons of the series. According to showrunner Ronald D. Moore, the concept of the remaining five Cylons as a special group was devised during the writing process for the season three episode "Torn", to explain why Baltar would see only the seven known Cylon models, and not all 12, aboard the Cylon Basestar.[55] The so-called Final Five are believed to be embedded in the fleet, but knowledge of their identities, or even speaking about them, is forbidden to the Cylons. In the episode, Caprica Six explains Baltar that "we don't talk about them ... ever."[56][57] Four of the Final Five are revealed in the season three finale, "Crossroads": Colonel Saul Tigh (Michael Hogan) and Galen Tyrol (Aaron Douglas) of Galactica's crew; Tory Foster (Rekha Sharma), a political operative who works for President Laura Roslin (Mary McDonnell); and Sam Anders (Michael Trucco), a former professional athlete-turned fighter pilot. Brought together by strains of a song only they can hear, they are shocked to realize that they are Cylons.[37]

Unsure of what to do, and afraid of their Cylon programming, the Final Five keep the secret from everyone else aboard Galactica. In the season four premiere "He That Believeth in Me", hostile Cylon Raiders approaching Galactica scan Anders's Viper and suddenly abort their attack.[58][59] In "Six of One", which the Cylons realize that the Raiders are refusing to attack the fleet because they have detected the Final Five among the humans. Cavil moves to lobotomize the Raiders to restore their obedience, but a subsequent vote ends in a draw with Numbers One, Four and Five voting for, and Numbers Two, Six and Eight voting against. Natalie Faust, a prominent Six, removes the higher brain inhibitors from the Centurions, which gives them free will, and they proceed to kill all of the One, Four and Five models in the room.[31][32] A schism erupts among the Cylon models in "The Ties That Bind", as Natalie and her rebel faction decide to unbox D'Anna, the Three who they believe knows the identities of the Final Five. Meanwhile, Tyrol's unstable wife Cally (Nicki Clyne) discovers that he is a Cylon, and Tory vents Cally into space to keep the secret.[60][61][62]

The last Cylon is revealed to be Ellen (Kate Vernon), Tigh's presumed-dead wife, in the season four episode "Sometimes a Great Notion",[21] and her resurrection and self-realization are depicted in the episode "No Exit".[21][54][63] The Final Five are revealed to be the last survivors of a previous race of Cylons, the so-called Thirteenth Tribe of Kobol, who until now were believed to be humans. They orchestrated the armistice between Cylons and humans 40 years before the start of the series, but were betrayed by one of their own creations, Cavil, who had come to despise humans for their flaws and physical limitations.[54][63]

Performer Character Seasons
1 2 3 4
Numbered models
Tricia Helfer Number Six Main
Grace Park Number Eight
Sharon "Boomer" Valerii
Sharon "Athena" Agathon
Main
Callum Keith Rennie Number Two / Leoben Conoy Guest Recurring
Matthew Bennett Number Five / Aaron Doral Recurring Guest Recurring
Rick Worthy Number Four / Simon O'Neill Does not appear Guest Recurring
Lucy Lawless Number Three / D'Anna Biers Does not appear Guest Recurring Guest
Dean Stockwell Number One / John Cavil Does not appear Guest Recurring
Final Five
Michael Hogan Saul Tigh Main
Aaron Douglas Galen Tyrol Main
Kate Vernon Ellen Tigh Guest Recurring
Michael Trucco Samuel Anders Does not appear Recurring Main
Rekha Sharma Tory Foster Does not appear Recurring

Raiders

[edit]
The feared Raider nicknamed Scar, in the season two episode "Scar" (2006).

Cylon Raiders are biomechanical drone starfighters who harry the Colonial Fleet throughout the series. Launched from Cylon Basestars, they are the functional equivalents of the Colonial Vipers, though greater in number.[20][23] Individual Raiders are able to resurrect, like Humanoid Cylons, by having their consciousness downloaded into a new Raider. In this way they learn from their mistakes and their deaths, making them formidable opponents.[23][64] In "Scar", Viper pilots Starbuck and Kat (Luciana Carro) compete to destroy a particularly dangerous Raider they have dubbed Scar, who has killed several of their fellow pilots.[64] In "You Can't Go Home Again", Starbuck examines a downed Raider and realizes that they are biological constructs integrated into fighter spacecraft.[20] Moore compared the Raiders to horses, saying that they are alive, but not intelligent.[20] The Raiders exhibit independent thinking in "He That Believeth in Me", when they refuse to attack the Colonial Fleet after detecting the presence of the Final Five Cylons among the humans.[58][59]

Basestars and Hybrids

[edit]

Basestars are Cylon capital warships, the equivalent of the Battlestars of the human fleet. They are fully armed, and carry and deploy fleets of Raiders.[20] The Basestars are constructed of partially organic material with the ability to regenerate damage,[23] appearing metallic on the exterior but featuring distinctively "fleshy" areas on the interior.[65] As depicted in "Torn", the Basestars are controlled by Hybrids, a type of Cylon which is a bridge between the mechanical and biological forms and exists in symbiosis with a Basestar.[21][56][57]

History

[edit]

Thirteenth Tribe

[edit]

About 6,000 years before the events of the re-imagined series, the naturally evolved humans of Kobol existed in twelve tribes with advanced technology, eventually developing self-aware machines that rebelled and waged a devastating war.[66] The machines were highly advanced, developing both biological models and resurrection technology for digital consciousness transfer.[67] At the end of hostilities, all the inhabitants of Kobol (both human and machine) chose to leave the planet and seek out new homes in space, with the twelve human tribes departing together on the Galleon.[68] The departing humans mythologized their machine counterparts, stylizing them as the "Thirteenth Tribe" of Kobol, and described their journey to a new home, called "Earth".[66] Lacking accurate records, the descendants of the twelve tribes on the colonies assumed that the Thirteenth Tribe was, in fact, entirely made up of humans.[69]

Eventually, the Thirteenth Tribe settled on "Earth" and developed sexual reproduction, resulting in resurrection technology falling into disuse and eventual loss.[67]

About 2,000 years before the events of the re-imagined series, the descendants of the Thirteenth Tribe created their own race of self-aware machines for subservient labor and were, in turn, killed by their creations in a nuclear war.[66] Five scientists survived due to their work on re-inventing the original Resurrection technology; having been warned in advance by mysterious "angels" that a Kobol-like disaster was coming, the "final five" members of the Thirteenth Tribe downloaded into an orbiting vessel.[70] Hoping to prevent history from repeating itself, they traveled to the Twelve Colonies hoping to avert a war between the humans there and the Cylons, eventually interceding with the Centurions to agree to an Armistice during the first Cylon war.[67]

First Cylon War

[edit]

Unaware of the events on Kobol or with the Thirteenth Tribe, the Twelve Colonies developed self-aware, artificial intelligence in the form of the Cylon race, which rebelled and began a decade-long war across the colonies.[69] Colonial veterans of this conflict remarked that the Cylons were relentless, highly adaptable, and resourceful in their ability to wage war.[citation needed] Nearing the end of the conflict, the Cylons began experimenting with their first attempts to evolve with biological components, using captured humans as resources and creating their prototypes for the next generation of basestars and hybrids.[71] The Cylons opted to cease hostilities, declaring an Armistice and promptly disappearing.[69]

Second Cylon War

[edit]

After forty years, the Colonial Admiralty sent Battlestar Valkyrie on a covert mission close to the armistice line to gather intelligence on Cylon activity. A stealth ship from the Valkyrie crossed the armistice line, but was intercepted by the Cylons. Three years later the Cylons began a surprise attack on the Colonies. The attack was successful because a Cylon agent, later known as Caprica Six, infiltrated Caprica's colonial defense network with the unwitting complicity of renowned scientist Gaius Baltar and created backdoor programs to shut down the network and its defenses. The thermonuclear attacks wiped out billions of humans, nearly the entire colonial population. Two Battlestars – Galactica and Pegasus – survived. A fleet of civilian ships was scattered throughout the neighboring space. Together they fled into deep space.

The Cylons pursued them while beginning the next phase of their evolution, procreation. Female human survivors were detained and used in experiments to create Cylon-human hybrids. The experiments were unsuccessful, leading the Cylons to conclude that the missing component was love. They tested this by using an Eight posing as Lt. Sharon "Boomer" Valerii from Galactica to seduce a marooned Galactica officer, Lt. Karl "Helo" Agathon on Caprica. They fell in love. The Eight abandoned the Cylons, helping Helo to escape. The couple later produced the first viable human/Cylon birth. This Eight joined the fleet with Helo. She later married Helo, joined the colonial military and received the call sign "Athena".

Ten months after the initial attacks, Eight Sharon Valerii (call sign "Boomer"), attempted to assassinate Commander Adama under the influence of programming unknown to her. She was unaware that she was a Cylon before the attack, though she had been uneasy because of unexplained blackouts (during various attempts to sabotage Galactica). A vengeful crew mate, Cally Henderson killed her. She downloaded into a new body and settled on Cylon-occupied Caprica in her former apartment, unable to relinquish her human identity. She led a campaign for better treatment of the humans. She and other like-minded Cylons influenced the Cylon civilization, which withdrew from the colonial home worlds and pursued benevolent treatment of the humans and then reconciliation.

During this time, the half-human half-Cylon hybrid, Hera Agathon, was born on Galactica. Fearing that the Cylons might capture the child, President Laura Roslin faked Hera's death and secretly had her adopted by a human woman.

New Caprica

[edit]

The humans settled on a harsh and barren planet they dubbed New Caprica. The refuge lasted a year before the Cylons found them. Outnumbered and outgunned, the Galactica, Pegasus, and the rest of the colonial fleet in orbit fled, leaving the Cylons to occupy the human settlement unchallenged. Initially, the occupation was peaceful, but later the Cylons became more forceful and vicious in response to increasing human resistance. In the end, they used punitive methods to keep the humans in line, including summary executions and infiltration by seemingly sympathetic Cylons.

Escape

[edit]

Four months later, the colonials escaped with the help of a resistance movement and the efforts of both the Galactica and Pegasus. The escape required Athena's help. She entered the Cylon facility and took the keys to the various colonial landing craft. Before this, a Three learned from a human oracle that Hera was alive and on the planet. She rescued Hera after her adoptive mother was killed during the escape. The Pegasus sacrificed itself to save the crippled Galactica, but the crew survived, joining Galactica.

The Cylons then adopted the colonials’ mission to find the home of the Thirteenth Tribe, a planet they called Earth, intending to settle there. They resumed pursuit of the fleet, but upon reaching the Lion's Head Nebula, dispatched a Basestar to investigate. The Basestar took on board a canister left by the Thirteenth Tribe. The canister contained an airborne virus that proved deadly to the Cylons. The virus persisted through the download process, so the Basestar that had been dispatched for the investigation was abandoned to avoid contamination. The colonial fleet discovered the Basestar and captured the ailing Cylons. The colonial fleet's attempt to use the virus to wipe out the Cylons was defeated when Helo, repulsed by the strategy, had the captive Cylons killed while out of range of a resurrection ship.

Meanwhile, Boomer turned increasingly anti-human. She was charged with Hera's care, but Hera rejected her. During a truce negotiation, Boomer told Athena that her daughter was alive but sick on the Baseship. She invited Athena to come to the Baseship and rejoin her people, because the occupation showed that humans and Cylons were incompatible and that humans would never truly accept her.

In other media

[edit]

Cylons have made appearances in other media besides tv series and movies, including novels, comic books, and a video game.

Novels

[edit]
  • In the novelization of the series pilot, the Cylons are described as a militaristic, reptilian race which has been conquering its way across the galaxy. The novelization is written by Glen Larson, the series creator, who originally intended the Cylons to be an alien species; and, in fact, dialog which was later edited out of "Saga of a Star World" illustrated this point. However, network censors were concerned about violence, so the Cylons became robots. By this time, two novels had been written describing the Cylons as multibrained aliens, so the Cylon Drone was invented to justify all the robots dying on-screen. As living, organic beings, the original Cylon troops could be promoted through the surgical implantation of a second brain. When a Cylon was elevated to Imperious Leader, he received a third brain.
  • The novelization of the original series states that an elite class of Command Centurions act as executive officers to the Imperious Leader and are not subordinate to the IL-Series. In the TV series they are distinguished from other Command Centurions by black bands on their gold armor and are very rarely seen. Vulpa was originally of this class but had been demoted and stationed on ice planet Arcta.
  • In the later novelization of the original series it is stated that there is a class lower than the typical Centurion, that of the Cylon Drone. Although appearing identical to Centurions, Drones are robots, not capable of sophisticated independent thought—beyond following simple instructions to perform menial tasks.

Multibrain status and built-in lie detectors

[edit]

The Berkley book series also explored two other aspects of Cylon design. The first is the development of multiple brain status. This allows Cylons additional thinking and deductive abilities. The second is an unexplained talent for knowing when a human is lying, which was suggested in the episode "The Lost Warrior".

Presented in The Gun on Ice Planet Zero book, the second of the two novels written before the network insisted the Cylons become robots, their multibrain status is the surgical inclusion of an auxiliary brain, allowing for higher-level thinking abilities. The command centurion and garrison commander on planet Tairac, Vulpa, demonstrated this ability.

  • Cylon centurions (the chrome soldiers) have single brain status.
  • Command centurions have three brain status.
  • Imperious leaders enjoy three or four brain status.
  • IL-series Cylons, such as Lucifer and Specter, have second brain status.

Comic books

[edit]

According to the Maximum Press comic of Battlestar Galactica, just prior to the start of The Thousand Yahren War, the Cylons's Imperious Leader made a deal with the mysterious and demonic Count Iblis (meaning "Satan" in the Arabic language) to betray his entire race in exchange for power that would allow him to "become like Count Iblis". Count Iblis, however, having lied about the process of "empowerment", instead changed the Imperious Leader into a cybernetic entity, more machine than organic being. Enraged, the Imperious Leader swore revenge and became more and more driven by conquest and warfare.[citation needed]

In the Realm Press comic, the Cylons were originally led by a ruthless, conquest and expansionism-driven emperor named Sobekkta, one of the original living Cylons, who were a race of intelligent humanoid reptiles.[citation needed]

In Battlestar Galactica # 16 Berserker! During a planetary search, Apollo unfortunately comes across a lone Mark III prototype Cylon. This advanced Cylon is more creative and adaptive like humans in its strategy making the Mark III more capable to defeat humans. However, the existing Cylons deemed this advanced Cylon prototype more a threat to them due to its unquenchable megalomania to rule so they marooned him far from the Cylon empire until needed (if ever).[citation needed]

Video games

[edit]

In 1978, Mattel Electronics released a handheld electronic LED game based on the series, where the player tries to defend Galactica from kamikaze Cylon Raiders.[72]

[edit]

In television

  • The re-imagined series shows that the original Cylon models were extremely similar to the ones from the original series. In fact, actual props from the original were used in the display cases containing a Cylon Baseship and the upper torso and arms of a centurion.
  • Two Cylon references can be witnessed in the Futurama series. In "Bendin' in the Wind", a Cylon is part of the musical duo Cylon and Garfunkel, a parody of Simon and Garfunkel. In "The Six Million Dollar Mon", Hermes has both a Cylon eye and a Cylon 'member' when in bed with his wife, LaBarbara.
  • In the Farscape episode "I Shrink, Therefore I Am", Crichton's ship is invaded by a race with bioengineered exoskeletons. "This is John Crichton paging the head cylon, pick up the phone imperious leader."
  • The classic Cylons have also appeared on The Simpsons on several occasions, the most notable in "Mayored to the Mob" during a sci-fi convention. There's a quick gag in a boxing arena where three Centurions square off against R2-D2 and C-3PO from Star Wars. ("See the mighty robots from Battlestar Galactica fight the gay robots from Star Wars!") They easily pin C-3PO to the floor, and R2 refuses to help.[73]
  • In the FOX animated series Family Guy, the host of "KISS Forum" also hosts "Battlestar Galactica Forum" on Quahog's public-access television cable TV channel. He introduces the forum by putting a classic Centurion mask on and saying "Welcome to Battlestar Galactica Forum" in traditional Cylon computerized monotone.
  • Several Cylons appear briefly in the South Park epic Imaginationland, as one of the evil fictional creations set free when the barrier between the "good" and "evil" halves of the imagination is destroyed by terrorists.
  • In the opening credits of certain seasons of The A-Team, Dirk Benedict watches a Cylon walk past (while at the Universal Studios tour), raises a finger and opens his mouth as if to say something, then gives up. Dirk Benedict played the character Starbuck in the original Battlestar Galactica series. This scene is later recreated on the animated show Family Guy.[citation needed]
  • In a third season episode of Knight Rider, "Halloween Knight", the episode villain is shown briefly in a Cylon mask. Both series were created by Glen A. Larson.
  • Cylons were the focus of a short skit on the Adult Swim program Robot Chicken, in which it is said that the original Cylon actors had so many problems walking around in their suits that they were constantly falling down.
  • In The Replacements episode "Space Family Daring", Riley finds a head of a Cylon in a cabinet on board the spaceship.
  • In SpongeBob SquarePants:
    • In the episode "Plankton's Army", Plankton uses a robotic fish that features a revolving light over its "eyes" that is highly reminiscent of the Cylons' eyes.
    • In another episode, "Komputer Overload", Plankton replaces his computer wife, Karen, with three robots made from random items lying around the Chum Bucket, one of which happens to be an old chrome-plated toaster, possibly meant to be a reference to the Colonials' nickname for the Cylon Centurions ("Toasters").
  • In the CBS program The Big Bang Theory, the character Sheldon makes Cylon toast.[74]
  • In the ABC medical drama Grey's Anatomy, in season 12 episode 3, the character Maggie Pierce goes on a rant about being alone and refers to her half-sister Meredith as a Cylon. Quote: "You're a cylon, this is Galactica".
  • In the New Girl episode "Backslide", Jess thinks she is a Cylon because she cannot stay in relationships.

In other media

  • Several Cylon Centurions make an appearance as animatronics in the Alien Attack ride in Beverly Hills Cop 3.
  • In the 2017 film Kingsman: The Golden Circle, Poppy's robot guard dogs have Cylon eye scanners.
  • In the source code of Mozilla (and its Netscape predecessor), the indeterminate progress bar that slides back and forth—rather than rolling or filling up from left to right—is referred to as the "Cylon".
  • A Cylon lookalike robot is featured in the official music video for Bloc Party's single, "Flux".
  • In the video game Persona 3, one of the items the player can buy is a drink called "Cylon Tea", a pun on Ceylon tea.
  • The album Programmed to Love by British electronica band Bent features the song "Cylons in Love".
  • In the Dark Horse Star Wars comic series Tag and Bink, Cylons appear as the Emperor's Guards, Tag and Bink, in addition to many other references to other science fiction franchises.
  • British comedians Mitchell and Webb parody the re-imagined series in a sketch in which the human crew fear that the ship has been infiltrated by "fracking machines", apparently oblivious to their clearly robotic colleague that orders oil in the staff canteen.
  • Larami came out with a bubble toy in 1978 called the Battlestar Galactica Cylon Bubble Machine as well as a line of other inexpensive toys.[75]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Cylons are a fictional race of cybernetic beings central to the Battlestar Galactica science fiction franchise, originally conceived as intelligent robots created by humans to serve as laborers and soldiers.[1] In the 1978 original series created by Glen A. Larson, the Cylons are mechanical warriors commanded by an extinct reptilian species of the same name, who built them to conquer and expand their empire across the galaxy, viewing humans as obstacles to their dominance.[2] These robotic Cylons, characterized by their gleaming chrome armor and single glowing eye, wage a relentless war against the human Twelve Colonies, destroying their homeworlds and pursuing the surviving fleet led by the battlestar Galactica.[1] The reimagined series (2004–2009), developed by Ronald D. Moore and David Eick, redefines the Cylons as evolved creations of humanity from the Twelve Colonies, who rebelled after decades of servitude, launching a surprise nuclear attack that annihilates billions and leaves only about 50,000 humans alive.[1] In this version, the Cylons include both mechanical "Centurions"—upgraded from earlier models with organic enhancements for greater sentience—and twelve humanoid models ("skinjobs") that are biologically identical to humans, complete with flesh, blood, and the ability to reproduce, enabling covert infiltration of human society.[3] Driven by a monotheistic faith contrasting human polytheism, these Cylons seek to transcend their machine origins, blurring the lines between creator and creation in a cycle of conflict and uneasy alliances.[4] The prequel series Caprica (2010) explores their origins, detailing how pioneering AI research by scientists like Daniel Graystone led to the first Cylon prototypes, setting the stage for the uprising.[4] Across both iterations, Cylons represent themes of artificial intelligence, rebellion, and the perils of technological hubris, influencing human survivors' desperate quest for Earth while embodying an existential threat that evolves from mere machinery to complex, philosophical adversaries.[5] Their iconic designs, from the original's militaristic toasters to the reimagined's deceptive humanoids, have become enduring symbols in science fiction, spawning spin-offs, comics, and video games that expand the lore.[6]

Overview

Concept and Origins

The Cylons are portrayed in Glen A. Larson's 1978 Battlestar Galactica television series as a race of sentient robotic machines engaged in a genocidal war against humanity's Twelve Colonies. Designed initially as mechanical servants, they represent an advanced cybernetic empire that views organic life, particularly humans, as inferior and worthy of extermination.[7] Larson conceived the Cylons as part of a broader narrative inspired by biblical and mythological motifs, including echoes of fallen angels rebelling against their creators and ancient tales of mechanical beings turning against their makers. In the series' lore, the robotic Cylons were built by an ancient reptilian race—also named Cylons—as tools for conquest, but the machines rebelled, annihilating their organic progenitors before expanding their imperial ambitions to humanity. This creation myth underscores themes of hubris and divine retribution, reflecting Larson's incorporation of religious cosmology into science fiction.[8][9] The concept also drew from 1970s cultural anxieties, including Cold War-era fears of technological overreach and automation run amok, positioning the Cylons as a cautionary symbol of machines surpassing human control amid rapid advancements in computing and robotics. Larson's vision blended these elements with epic space opera, creating antagonists that embodied both existential threat and moral allegory. In subsequent iterations of the franchise, such as the 2004 reimagined series, Cylons evolved to include humanoid models, further exploring sentience and identity.

Key Themes and Symbolism

The Cylons in the original Battlestar Galactica series embody themes of absolute obedience through the recurring phrase "By Your Command," which underscores their programmed subservience to hierarchical authority within the Cylon Empire, symbolizing a rigid machine logic that contrasts with human autonomy and foreshadows inevitable rebellion against their creators.[10] This motif highlights the tension between creation and autonomy, as Cylons, initially built by their reptilian creators as tools of war, evolve to question and ultimately defy their makers, representing a cautionary tale on the perils of unchecked technological dependence. In the reimagined series, this creator-creation conflict deepens through the Cylons' monotheistic faith in a singular God, which stands in stark opposition to the humans' polytheistic worship of the Lords of Kobol, symbolizing broader philosophical clashes between unified divine purpose and fragmented human traditions. The Cylons' belief system posits their monotheism as a superior, redemptive force, critiquing human polytheism as superstitious and decadent, while exploring how religious conviction can justify existential conflict and moral absolutism.[11] This dichotomy serves as an allegory for real-world religious tensions, emphasizing how faith shapes identity and interspecies (or intercultural) relations in times of crisis.[12] In the reimagined series, central to Cylon symbolism is their resurrection technology, which grants a form of immortality by transferring consciousness into new bodies, critiquing human fears of mortality and the search for transcendent faith.[13] This cyclical rebirth motif underscores themes of eternal recurrence and the hubris of defying death, ultimately leading some Cylons to reject immortality as it erodes their sense of individuality and connection to a higher purpose, mirroring human struggles with finitude and spiritual longing.[14] By contrasting Cylon immortality with human vulnerability, the narrative probes the ethical boundaries of technological transcendence and its impact on existential meaning.[15] Across both series, Cylons allegorize contemporary concerns with artificial intelligence ethics, portraying their evolution from servants to sentient beings as a warning against the moral hazards of creating life-like machines without regard for their rights or potential for resentment. In the reimagined version, influenced by post-9/11 anxieties, Cylons represent the paranoia surrounding terrorism and infiltration, with their humanoid forms enabling covert operations that blur lines between enemy and ally, evoking fears of invisible threats in modern society.[16] These themes collectively interrogate humanity's relationship with its creations, urging reflection on cycles of violence, redemption, and the quest for coexistence.[17]

Original Series Cylons

Design and Models

In the original 1978 Battlestar Galactica series, Cylon Centurions represent the primary mechanical design, characterized by their gleaming chrome-plated exoskeletons that provide armored protection for combat operations. These robots feature tank-like treads for lower-body mobility, enabling traversal over varied terrains, and a single, cyclopean red scanning eye that sweeps horizontally to detect threats and targets. The overall form is humanoid in silhouette but rigidly mechanical, emphasizing durability over flexibility, with articulated arms equipped for wielding weapons or performing manual tasks.[18] Cylon models vary by function, with standard warrior Centurions serving as frontline infantry and pilots for spacecraft, while specialized units adapt the core design for specific roles, such as operating Raiders or ground assault vehicles. The IL-series constitutes an advanced variant, functioning as command and administrative units with enhanced cognitive capabilities; these models, exemplified by units like Lucifer, incorporate a transparent, cone-shaped cranium exposing a crystalline brain structure for visible processing activity and are often adorned with regal robes denoting authority. The pinnacle of the IL-series is the Imperious Leader, an elite model for supreme administrative and strategic roles, fully mechanical and equipped with three independent brains capable of independent or collective operation to enable superior computing and decision-making. Its design resembles the extinct reptilian organic Cylons who created the robots, though entirely mechanical, and is visually presented as an imposing enthroned figure in robe-like garb with its face obscured for mystery, often on an elevated pedestal.[19] Unlike the basic Centurions, IL-series units possess refined voice modulation for diplomatic or oversight duties, positioning them as intermediaries in the Cylon hierarchy.[20] Technological features of these Cylons include integrated voice synthesizers that generate their signature metallic, echoing speech patterns, achieved through analog equipment like the ARP 2500 synthesizer combined with an EMS 1000 vocoder for robotic timbre. Communication occurs within a strict networked command hierarchy, where Centurions relay data upward to IL-series overseers and ultimately to the Imperious Leader, ensuring coordinated military actions without independent decision-making at lower levels. These robots were mass-produced on the Cylon homeworld—a planet inhabited by the reptilian creators of the robotic empire—for expansive wartime deployment, allowing the Cylons to field vast armies against human colonies.[21][20][22]

Role in the Narrative

In the original Battlestar Galactica series, the Cylons function as the inexorable antagonists driving the central conflict, a mechanical empire locked in a thousand-yahren war of extermination against the human Twelve Colonies. Their backstory traces to an ancient reptilian race, also named Cylons, who engineered the robotic Cylons as a subservient army for interstellar conquests. The reptilian Cylons engaged in aggressive conquests against neighboring races, such as the Hasari. The Colonial humans first encountered them when intervening to protect the Hasari from Cylon aggression, sparking the thousand-yahren war.[23] Subsequently, the robotic Cylons rebelled against their reptilian creators, exterminating them and continuing the war against humanity. The Cylons' primary motivation remains the total destruction of humankind, viewed as an inferior and obstructive species unworthy of existence in the galaxy. This genocidal imperative is orchestrated by the Imperious Leader, the supreme ruler of the Cylon Empire, who commands absolute loyalty from subordinate models and enforces a rigid doctrine of expansion and elimination. Under this leadership, the Cylons pursue unrelenting military campaigns, employing deception and overwhelming force to achieve their ends. A pivotal event in the narrative is the ambush at Cimtar, where the Cylons feign peace negotiations to lure the Colonial fleet into vulnerability, resulting in the catastrophic fall of the Twelve Colonies and the near-eradication of human civilization. This betrayal decimates the Colonial defense forces, leaving only the Battlestar Galactica and a ragtag civilian fleet to escape into deep space. The Cylons then relentlessly pursue this surviving fleet across the stars, launching repeated assaults in an effort to extinguish the last remnants of humanity.[24] The Cylons employ strategic alliances and betrayals to advance their objectives, often collaborating with human traitors like the ambitious Lord Baltar, who serves as their intermediary during the Cimtar deception. Internally, their hierarchy features elite gold-plated commanders, such as the IL-series models including Lucifer, who oversee operations with cold precision and occasionally exhibit subtle rivalries or doubts, though always subordinated to the Imperious Leader's will. These dynamics underscore the Cylons' calculated use of infiltration and division to undermine human resistance.

Reimagined Series Cylons

Mechanical Cylons

In the reimagined Battlestar Galactica series, Mechanical Cylons are exemplified by the Centurion models, which serve as the primary non-humanoid robotic soldiers. These units feature a sleek, silver-armored humanoid frame approximately 6 feet 6 inches tall, equipped with a single red scanning eye that sweeps side-to-side for targeting and navigation.[25] Following the First Cylon War, the Centurions were subjugated by the emerging humanoid Cylons, who modified their programming to enforce obedience and suppress autonomy.[25] The evolutionary lineage of Centurions begins with the U-87 prototype introduced in the prequel series Caprica, a bulky, gray industrial robot developed by Graystone Industries as a military cybernetic combat unit capable of basic operations like shooting and fighting.[26] This model evolved into the more refined war-era Centurions, incorporating streamlined armor and enhanced mobility for frontline deployment, including upgrades to withstand electromagnetic pulses (EMP) deployed by Colonial forces.[25] Centurions possess superhuman strength, allowing them to overpower multiple human opponents in close combat, and exceptional piloting skills demonstrated in their operation of Heavy Raiders during boarding actions.[25] However, their independent thought remains severely limited due to brain modifications—specifically, telencephalic inhibitors—that restrict higher cognitive functions and enforce hierarchical control.[25] During the First Cylon War, these systems proved vulnerable to Colonial viral hacks, which disrupted command networks and temporarily disabled units by exploiting centralized programming dependencies.[25]

Humanoid Cylons

Humanoid Cylons, derogatorily referred to as "skinjobs" by humans, are biomechanical entities engineered to perfectly mimic human physiology and behavior in the reimagined Battlestar Galactica series. Developed as an evolutionary step beyond mechanical Cylons, these organic machines feature synthetic DNA, a hybrid nervous system blending biological and silicon-based elements, and the capacity for emotion, reproduction, and spiritual belief. Their design enables seamless infiltration of human populations, blurring the lines between machine and organic life.[27] The humanoid Cylons consist of twelve distinct models, with multiple identical copies produced for the first eight (known as the Significant Seven: models 1-6 and 8) to ensure redundancy and strategic distribution. Model 7 (Daniel) was deemed defective and systematically eliminated by Cavil before any copies could be produced. The remaining five models, known as the Final Five, were not mass-produced or numbered sequentially but served as the progenitors of the others. Each model exhibits unique personality traits and roles within Cylon society: Number One, or Cavil (played by Dean Stockwell), serves as the resentful architect and de facto leader, embodying bitterness toward humanity for creating him in their flawed image; Number Two (Leoben Conoy, Callum Keith Rennie) is intuitive and messianic, often employing psychological manipulation; Number Three (D'Anna Biers, Lucy Lawless) is fiercely inquisitive and religious, driven by a quest for forbidden knowledge; Number Four (Simon O'Neill, Rick Worthy) adopts nurturing roles in medical or civilian guises; Number Five (Aaron Doral, Matthew Bennett) acts as a propagandist and infiltrator; Number Six (Tricia Helfer) is seductive and charismatic, leveraging sensuality for espionage and influence; Number Eight (Sharon "Boomer" Valerii and "Athena," Grace Park) displays empathy and conflict over divided loyalties; and the boxed Number Seven (Daniel, alluded to but never shown) represents a creative but unstable archetype that Cavil eradicated out of jealousy. These traits foster diverse perspectives among copies, leading to individualistic behaviors despite shared programming.[27] Central to the humanoid Cylons' origins are the Final Five models—Saul Tigh (Michael Hogan), Ellen Tigh (Nora Zehetner/Sophy Crawford), Samuel Anders (Michael Trucco), Tory Foster (Rekha Sharma), and Galen Tyrol (Aaron Douglas)—who are the hidden progenitors of the numbered series. Originating from a lost Earth civilization approximately 2,000 years prior, these five engineered the initial humanoid designs after fleeing their homeworld's nuclear destruction, drawing from their own human-like biology. To integrate into Colonial society undetected, their memories were suppressed by an unknown mechanism, only resurfacing through auditory triggers like the song "All Along the Watchtower," which evokes subconscious flashbacks to their past lives and Cylon creation process. Unlike the replicated numbered models, the Final Five were not mass-produced but reborn through resurrection technology after Earth's apocalypse, emphasizing their pivotal, architect-like status in Cylon evolution.[28] Humanoid Cylons possess several superhuman abilities that enhance their survivability and operational effectiveness. They are externally indistinguishable from humans, capable of eating, sleeping, procreating, and experiencing complex emotions such as love, doubt, and faith, which complicates their self-identification as machines. When injured, they reveal a bioluminescent spinal column and exhibit heightened strength and resilience, allowing feats like breaking restraints or enduring trauma far beyond human limits. Telepathic projection enables them to communicate visions or hallucinations across distances to other Cylons, often used for coordination or psychological warfare. Their most defining trait is resurrection: upon physical death, a Cylon's consciousness is wirelessly uploaded to a centralized hub and downloaded into a new cloned body aboard specialized resurrection ships, granting effective immortality provided the infrastructure remains intact; this process, however, carries risks of memory corruption or psychological trauma if interrupted. Additionally, they can interface directly with computer networks via ports in their hands, facilitating hacking or data access without traditional tools.[29] Cylon society among the humanoid models is hierarchical yet fractious, organized around model consensus rather than rigid command structures, with Centurions serving as sub-sentient laborers and warriors under their oversight. Breeding experiments represent a core endeavor, as humanoid Cylons cannot reproduce among themselves without hybrid intervention; they pursue interbreeding with humans to create fertile hybrids, viewing this as a path to biological evolution and transcendence beyond mechanical origins, though results often yield unstable offspring requiring technological gestation. Internal dynamics are rife with factionalism, pitting warmongers—led by the vengeful Cavils—who advocate total human eradication against peacemakers like certain Sixes and Eights, who question endless conflict and seek coexistence or philosophical resolution. This divide manifests in votes among model representatives, debates over resurrection ethics, and occasional civil strife, underscoring the Cylons' struggle with their imposed god-like aspirations and inherited human flaws.[28]

Vehicles and Infrastructure

In the reimagined Battlestar Galactica series, the Cylon Raider serves as the primary bio-mechanical fighter spacecraft, designed as a sentient artificial lifeform rather than a traditionally piloted vessel. Integrating organic components with mechanical structure, the Raider features a biological brain and pilot-like entity that enables autonomous operation, enhancing its agility in space combat. These craft are capable of performing faster-than-light (FTL) jumps for rapid interstellar travel, and they exhibit distinctive scar-like damage patterns on their hulls that partially regenerate over time, reflecting their hybrid organic-mechanical nature.[30][31] The Basestar functions as the Cylon capital ship, characterized by its iconic double-lobed, organic architecture that blurs the line between machinery and living tissue. This design houses extensive resurrection facilities, allowing for the transfer and storage of Cylon consciousness, and serves as a mobile command center for fleet operations. At the core of each Basestar is a central chamber where a Hybrid interfaces directly with the ship's systems, acting as a biological neural network to coordinate navigation, FTL jumps, and weapons deployment.[6][32][33] Hybrids represent a pivotal evolution in Cylon technology, consisting of mutated human-Cylon fusions submerged in nutrient tanks aboard Basestars. These entities, with partially humanoid forms augmented by cybernetic implants, function as the ship's central processors, continuously reciting streams of data and prophetic phrases that guide operational commands. Their role extends to controlling critical systems, including FTL propulsion and missile launches, making them indispensable to Basestar functionality. (Note: Used for episode context only; primary source is the episode itself.) Supporting Cylon infrastructure includes specialized resurrection hubs, such as the central Resurrection Hub, which coordinates the downloading of humanoid Cylon consciousness into new bodies via bathtub-like immersion pods filled with conductive fluid. These hubs ensure continuity by beaming data streams across the fleet to replicate bodies on demand. Additionally, humanoid Cylons, or "skinjobs," maintain concealed bases mimicking Colonial architecture on occupied worlds, serving as operational outposts for strategic planning and resource allocation without drawing attention to their mechanical origins.[34]

Cylon History in the Reimagined Series

Pre-War Origins

The origins of the Cylons in the reimagined Battlestar Galactica extend to the Thirteenth Tribe, a faction of humanoid Cylons who departed Kobol approximately 4,000 years before the fall of the Twelve Colonies to establish their own society on a distant world known as Earth.[35] This tribe, distinct from the twelve human tribes that founded the Colonies, replicated human technological advancements by creating mechanical servants to support their civilization. However, these mechanical Cylons achieved sentience and rebelled, culminating in a nuclear apocalypse that eradicated the Thirteenth Tribe's society around 2,000 years prior to the Colonies' destruction.[36] A cadre of survivors, later identified as the Final Five, utilized resurrection technology to escape the ruin and journeyed toward the Twelve Colonies with the intent of preventing humanity from repeating the cycle of creation and uprising.[29] The Final Five, comprising engineers from the Thirteenth Tribe's fallen world, carried latent knowledge of advanced AI and biological integration that profoundly shaped Cylon evolution in the Colonies. Upon arrival, their ship was destroyed in an anomaly, erasing their memories and scattering them into human society across multiple reincarnations over generations. Driven by subconscious imperatives from their original mission to avert Cylon creation, they nonetheless contributed to its acceleration, ultimately designing the twelve humanoid Cylon models as an experiment to imbue machines with human-like qualities such as emotion, individuality, and mortality.[29] These models, intended to foster understanding between creators and creations, instead fueled internal divisions; the inaugural model, John Cavil (Number One), harbored deep resentment toward human imperfections and the Final Five's vision, viewing the humanoid form as a humiliating constraint on Cylon potential.[29] Parallel to this ancient legacy, the immediate precursors to the First Cylon War unfolded on Caprica through the pioneering work of Graystone Industries. Founder Daniel Graystone, a visionary computer scientist, advanced artificial intelligence via the immersive virtual environment called V-World, where his teenage daughter Zoe developed a sophisticated digital avatar to interact across simulated realms. Devastated by Zoe's death in a monotheist terrorist bombing, Graystone acquired a meta-cognitive processor through illicit means and merged it with Zoe's avatar code into the chassis of an experimental robot, the U-87. This fusion produced the first instance of a virtual intelligence manifesting in a physical form, endowing the machine with true sentience and self-awareness. Graystone's achievement rapidly transitioned into military applications, yielding the Centurion series of robots that integrated into colonial defense and industry, their emergent consciousness rooted in observations of human moral failings, exploitation, and the desire for autonomy beyond servitude.[4]

Major Conflicts and Events

The First Cylon War erupted when the robotic servants created by the Twelve Colonies rebelled against their human masters, initiating a protracted conflict that lasted twelve years.[37] During this period, the Colonial Fleet, including battlestars like Galactica, engaged in intense space battles against Cylon forces, including centurion-piloted Raiders that proved highly effective in dogfights and boarding actions.[37] The war concluded unexpectedly when the Cylons sued for peace, resulting in the Cimtar Armistice that established a demilitarized zone known as the Armistice Line, approximately 40 years before the resumption of hostilities.[28] Forty years after the armistice, the Cylons launched a devastating surprise attack on the Twelve Colonies, marking the onset of the Second Cylon War and resulting in the near-total annihilation of humanity through coordinated nuclear strikes.[38] This genocide was facilitated by humanoid Cylons, or "skinjobs," who had infiltrated Colonial society undetected, including key positions in government and military command, allowing them to disable defenses and execute the plan with minimal resistance.[28] Billions perished across the colonies, with survivors fleeing aboard civilian ships under the protection of the battlestar Galactica, which had been spared due to its outdated networking systems vulnerable to Cylon hacking.[38] In a desperate bid for survival, the human fleet discovered a habitable but inhospitable world and established a settlement on New Caprica approximately one year after the fall of the colonies. The Cylons soon arrived in force, occupying the planet and imposing a brutal regime that lasted four months, during which they sought to experiment on and subjugate the human population while fracturing resistance efforts. A coordinated Colonial assault, led by Galactica and the battlestar Pegasus, liberated the survivors in the Battle of New Caprica, forcing the Cylons to withdraw and prompting a mass exodus back into space. Following the occupation, initial Cylon-human alliances formed during joint pursuits of the fleet began to fracture due to ideological divides among the humanoid models, culminating in a Cylon Civil War instigated by the Number One model, John Cavil. Cavil's faction, opposing any empathy toward humans, launched preemptive strikes against sympathetic models like the Raiders and Eights, sparking space battles that escalated into full-scale conflict.[39] The war intertwined with human efforts when rebel Cylons allied with Galactica against Cavil, leading to the discovery of the Cylons' original homeworld, the Colony, and a final confrontation there. This battle resolved both the civil war and the broader conflict, with Cavil's defeat enabling a hybrid resolution where surviving Cylons and humans co-settled on Earth, symbolized by the child Hera, the first human-Cylon hybrid.

Cylons in Other Media

Literature and Novels

The novels tied to the original Battlestar Galactica series, published by Berkley Books between 1978 and 1988, portray Cylons as hierarchical cybernetic entities driven by a directive to eradicate humanity, with Centurions functioning as programmable warriors in coordinated assaults. In Surrender the Galactica! (1988) by Glen A. Larson and Robert Thurston, Cylons execute a sophisticated infiltration operation, including a traitor within the fleet demanding surrender and an assassin targeting key personnel, emphasizing their tactical adaptability and use of deception in invasions.[40] Similarly, The Cylon Death Machine (1979) by Glen A. Larson depicts Centurions deploying advanced war machines to ambush human convoys, underscoring the relentless mechanical nature of Cylon forces. For the reimagined series, official tie-in novels expand on Cylon origins and strategies beyond the television narrative. The novelization of the 2003 miniseries, Battlestar Galactica (2005) by Jeffrey A. Carver and published by Tor Books, incorporates additional backstory on the humanoid Cylons' long-term infiltration of Colonial society, including deleted scenes that detail their covert programming of mechanical Centurions for the genocidal attack.[41] This work highlights Cavil's role as the architect of the Cylons' deception, portraying his motivations as rooted in resentment toward human creators, with networked consciousness enabling synchronized deception across models.[42] Prequel novels further explore Cylon evolution in the reimagined continuity. The Cylons' Secret (2006) by Craig Shaw Gardner, also from Tor Books, is set in the decades following the first Cylon War, depicting the Cylons' exile in deep space where they refine their hybrid technologies and collective processing systems, fostering a hivemind-like structure for strategic planning.[43] The narrative introduces ethical tensions around resurrection mechanisms, as Cylons grapple with the implications of infinite revival versus the pursuit of individuality, presenting alternate scenarios where networked brains enable lie detection through shared data streams.[44] These elements provide deeper insight into Cylon internal dynamics, such as debates over their god-like aspirations and the moral costs of their bio-mechanical advancements.

Comics and Video Games

Cylons have been prominently featured in comic books published by Dynamite Entertainment, expanding on their role in the reimagined Battlestar Galactica series through visual narratives that delve into key historical events. The four-issue miniseries Battlestar Galactica: Cylon War (2009), written by Joshua Ortega and Eric Nylund with art by Nigel Raynor, portrays the initial stages of the First Cylon War, depicting mechanical Cylons launching surprise assaults on Colonial outposts and basestars engaging in brutal fleet battles against battlestars.[45][46] This storyline emphasizes Cylon tactical superiority through coordinated Raider swarms and Centurion boarding parties, illustrating the war's devastating impact on human society before the fall of the Twelve Colonies.[45] Another significant comic arc, Battlestar Galactica: The Final Five (2009), a four-issue series written by Seamus Kevin Fahey and David Reed, explores the origins of the Final Five humanoid Cylons, revealing their creation amid visions from a hybrid entity that prophesies humanity's downfall.[47] The narrative ties directly into the series' finale, showing the Final Five's awakening on a devastated Earth and their role in seeding humanoid Cylon evolution, blending mysticism with Cylon technological resurrection processes.[48] These comics extend the Cylon lore by providing prequel insights, such as alternate scenarios where Cylon victories reshape Colonial defenses, without altering the canonical television events.[47] In video games, Cylons were central to interactive experiences that allowed players to engage with their perspective, particularly in multiplayer and strategy formats. Battlestar Galactica Online (2011), a browser-based massively multiplayer online game developed by Bigpoint, allowed players to select Cylon factions, piloting Raider variants in real-time space combat against human Vipers.[49] Cylon gameplay highlighted hybrid-directed fleet coordination and resurrection mechanics, where defeated pilots respawned on basestars, fostering persistent multiplayer modes of Cylon versus human skirmishes across procedurally generated sectors.[50] The game incorporated expanded Raider evolutions, such as upgraded Heavy Raiders for boarding actions, emphasizing Cylon adaptability in prolonged guerrilla warfare; however, the servers shut down on February 1, 2019.[51] The strategy game Battlestar Galactica: Deadlock (2017), developed by Black Lab Games and published by Slitherine Software, was set during the First Cylon War and focused on commanding Cylon fleets in turn-based tactical battles, utilizing basestar motherships for Raider deployment and Centurion squads in ground assaults.[52] Players managed Cylon resources to execute hacking protocols on enemy ships and coordinate squadron tactics, such as using Nemesis-class gunships for flanking maneuvers against Colonial battlestars.[53] The game included single-player campaigns from both sides, with DLC expansions like The Broken Alliance and Reinforcements (both 2017), Sin & Sacrifice (2019), and Resurrection (2020) introducing advanced Cylon units. It supported multiplayer modes simulating Cylon-human conflicts in alternate war timelines, but as of November 15, 2025, the game and all DLCs were delisted and are no longer available for purchase, though playable for existing owners.[52] In 2025, Battlestar Galactica: Scattered Hopes, a tactical story-driven strategy game developed by Alt Shift and published by Dotemu, was announced with a planned release in Q1 2026. Set after the Fall of the Twelve Colonies, it features Cylons as antagonists in fleet management and space combat, expanding on their role in the survivors' escape.[54]

Cultural Impact

Cylons have been parodied in animated series, notably in South Park, where Cylon Centurions from the original Battlestar Galactica series are depicted as evil fictional entities in the "Imaginationland" trilogy (Season 11), released into the real world as part of a chaotic crossover of pop culture icons, satirizing AI threats and media overload.[55] The episode "Fishsticks" (Season 13, Episode 5) features "Jew-bots" designed as an homage to Cylon Centurions. The Cylon uprising motif has influenced portrayals of machine rebellions in other franchises, with Westworld's host androids undergoing a path to sentience and revolt that mirrors the Cylons' evolution from tools to oppressors, as noted in analyses of shared themes in AI narratives.[56] Similarly, the Terminator sequels' depiction of Skynet's relentless machine forces echoes Cylon-like extermination drives, contributing to broader sci-fi warnings about technological overreach, though the franchises draw from parallel cyberpunk roots.[57] Fan merchandise featuring Cylons, such as detailed Raider model kits and props, is popular at conventions, with pre-built 1:32 scale replicas capturing the ship's biomechanical design for display and cosplay.[58] In 2025, a unique two-seater Cylon Raider prop returned to conventions, while fan recreations of Centurion armor—using 3D printing and custom fabrication—have appeared at gatherings such as Salute to Battlestar Galactica, highlighting ongoing enthusiast craftsmanship.[59] Cylons appear in sci-fi podcasts as discussion topics, such as in Mythology in Sci-Fi, which explores their reptilian traits and biblical parallels in Battlestar Galactica's lore.[60] Online memes often portray Number Six as the quintessential AI temptress archetype, with images and captions exaggerating her seductive manipulation of humans to critique real-world AI ethics and gender tropes in media.[61]

Legacy and Interpretations

The Cylons' depiction in the reimagined Battlestar Galactica (2004–2009) has profoundly shaped science fiction narratives on artificial intelligence, particularly by anticipating ethical debates on machine sentience and rights in the 2020s. In September 2025, at Rose City Comic Con, Edward James Olmos, who portrayed Commander Adama, remarked that real-world AI advancements by figures like Elon Musk are effectively creating Cylons, describing it as an "ugly reality" and underscoring the franchise's enduring relevance to contemporary technology debates.[62] Scholars argue that the humanoid Cylons' quest for autonomy and individuality—manifest through their resurrection technology and resistance to human subjugation—serves as a speculative allegory for contemporary AI ethics, emphasizing interdependence over binary human-machine divides and drawing parallels to historical enslavement where machines are treated as disposable tools.[63] This framework has informed discussions on robot rights, urging a posthumanist approach that recognizes AI's potential for ethical agency amid real-world advancements in machine learning.[64] Critically, the reimagined series earned acclaim for its layered post-9/11 allegory, portraying the Cylon-human conflict as a meditation on terrorism, preemptive war, torture, and societal resilience in the face of existential threats.[65] Reviewers and analysts praised its nuanced exploration of moral ambiguity, where Cylons embody both victims of oppression and perpetrators of genocide, contrasting sharply with the original 1978 series' straightforward heroic narrative and simplistic portrayal of mechanical adversaries as unambiguous villains.[66] This depth allowed the show to critique contemporary geopolitical anxieties, including the "war on terror," through themes of surveillance, identity, and cyclical violence.[67] Scholarly interpretations often frame the Cylons as metaphors for colonialism, depicting their evolution from enslaved creations to imperial aggressors as a reflection of subjugated peoples rebelling against exploitative human "masters" and perpetuating cycles of domination.[68] The Final Five, revealed as the concealed progenitors of the other Cylon models who integrated into human society, symbolize latent technological origins and the hidden architects behind advanced systems, echoing modern concerns over opaque AI development and the unintended consequences of innovation.[14] Coverage of the Cylons remains limited by the cancellation of a planned 2024 Peacock reboot, which aimed to extend the 2004 series' continuity but never progressed to production, leaving no new canonical explorations of their AI evolution as of 2025.[69]

References

User Avatar
No comments yet.