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D Generation (also known as DGen) was an American glam punk band formed in 1991 in New York City. They released three albums and several EPs, to much critical acclaim, before breaking up in 1999. In 2011 the band reunited for a series of shows in Europe and the United States. In 2016, they released their fourth album, Nothing Is Anywhere.[1] The group's sound blurs the lines between punk rock, glam rock and garage rock.[2]

Key Information

History

[edit]

The original lineup for D Generation consisted of vocalist Jesse Malin (who had previously played with New York band Heart Attack during the late 1980s), guitarist Danny Sage (also an ex-Heart Attack member), John Carco on bass, Howie Pyro on guitar, and drummer Michael Wildwood (Danny Sage's brother). The band had not yet been named, although much of the material would later be performed and recorded by D Generation. The line up did not last. After bassist John Carco quit (later to join forces with Dee Dee Ramone), Malin and Pyro (who had switched to bass) continued to play, naming the band and adding Richard Bacchus on guitar, and Sage and Wildwood left briefly to finish up their previous projects and were replaced for a brief time, 4 months only, by Georgie Seville and Belvy K respectively. Sage and Wildwood soon returned, solidifying the lineup that lasted for the majority of their career.

Debut release, No Lunch and touring

[edit]

The band first signed with Chrysalis Records, with whom they released their debut album, D Generation. Despite a generally favorable critical and audience reaction, the album's promotional support was abruptly pulled following the appointment of a new executive at the label, who didn't like the band's music.[3][4] The band left Chrysalis at the beginning of 1995, and signed with Columbia Records in April of that year.[3][5] The band released their second album, No Lunch, on the label in 1996. The Cars frontman Ric Ocasek produced the record. Around this time D Generation played shows supporting such bands as Social Distortion, Ramones, and Kiss. Shortly after, Bacchus left the band, and was replaced by ex-Murphy's Law and Agnostic Front member Todd Youth. The band toured Europe with Green Day in early 1998.

Jesse Malin, frontman for D Generation, performing at The Stone Pony in Asbury Park, NJ as part of the Light of Day Foundation Festival in 2016.

Through The Darkness and band split

[edit]

D Generation then recorded their third album, Through the Darkness, this time with David Bowie and T.Rex producer Tony Visconti. However, once again the album failed to reach the sales that were hoped for, despite scoring the lead-off single on the soundtrack of the film The Faculty just a few months prior.

Just prior to the tour in support of that album, Youth and Wildwood left to form the short-lived but critically acclaimed[6] Chrome Locust with bassist Jim Heneghan (formerly of Richard Bacchus's Vásquez), and released one self-titled album. For the tour, the band recruited drummer Joe Rizzo, and Richard Bacchus briefly returned on guitar and was then replaced during the band's last few dates by Jim Wallerstein. The band toured the US with The Offspring and The Living End,[7] before playing their final show in their hometown at Coney Island High on April 24, 1999.[8] This show was recorded by Greg Di Gesu from the Rolling Stones Mobile Studio, and has since remained unreleased. After this, D Generation broke up.

Post-D Generation

[edit]

After the demise of D Generation in 1999, Michael Wildwood formed the critically acclaimed Chrome Locust with guitarist Todd Youth and bassist Jim Heneghan, releasing only one self-titled record. Wildwood then toured with New Jersey's Monster Magnet and played on their album Monolithic Baby!. In 2005, Wildwood joined Atomic#76. The group disbanded in 2007.

Both Wildwood and Sage lent their hands to help Hurricane Katrina victims, backing up Deborah Harry at a benefit in 2005.[9]

Danny Sage recorded a solo album in 2002 (which has remained unreleased) and released two EPs, the self-titled Danny Sage and Don't Look Down, in 2003 and 2007, respectively, and has performed live.

Jesse, Howie and Joe Rizzo formed the band PCP Highway with guitarist Esko Poldvere. The band recorded a number of demo tracks and toured the east coast of the United States. During the beginning of 2000, Howie Pyro was invited to join Glenn Danzig's band (which then included former D Generation member Todd Youth on guitar). Pyro accepted and PCP Highway disbanded; a planned album, titled Dreamless, was never released.

Meanwhile, Bacchus was performing with his new project, Vásquez, which included Eric Kuby on drums and former Hanoi Rocks bassist Sami Yaffa (who replaced original bassist Jim Heneghan when he left to join Chrome Locust). This group released an independent EP, entitled Two Songs.

Malin began playing a series of solo shows and released a self-produced EP titled 169 in 2000. However, by the end of that year, Malin had re-teamed up with Esko and Joe Rizzo, along with bassist Johnny Pisano, to form a new band which was initially called Tsing-Tsing (a handful of shows were played under that name) and then re-christened Bellvue. Together they released one album, To Be Somebody in April 2001 on Goldenseal Records. This album was re-released in October 2001 with a slightly different track list. The following year, Bellvue disbanded, and Jesse revived his solo career, releasing the Ryan Adams-produced The Fine Art of Self Destruction in late 2002, followed by The Heat in 2004. He released his third album, Glitter in the Gutter, on March 20, 2007. The fourth album, On Your Sleeve, was released in April 2008. It consists entirely of famous rock covers, such as "Wonderful World" by Sam Cooke and "Walk on the Wild Side" by Lou Reed.

Currently, Bacchus is recording and touring with his band The Luckiest Girls. He released an album produced by Hanoi Rocks / New York Dolls bassist Sami Yaffa titled Jet Black and Beautiful on Stay Gold Records, an independent CD titled The Bicycle Diaries, and a split 7-inch on Old Grey Cat Records.[10]

Howie Pyro and Todd Youth had also both left Danzig. Pyro went on to host the weekly Intoxica Radio show on LuxuriaMusic Internet Radio. Youth continued to play with a number of acts, including Ace Frehley, and has sporadically played in Jesse Malin's touring band over several years. Todd Youth died in 2018.

Reunion and Nothing Is Anywhere

[edit]

On April 17, 2008, the band (consisting of Mailn, Pyro, Bacchus, Sage and Wildwood) re-formed for a one-off performance at the John Varvatos store in New York City (located in the space of the former CBGB) as part of a VH1 Save The Music benefit, during which they played a three-song set.

In April 2011, almost 12 years after their final show, the band announced that they had re-formed to play shows in September of that year in New York City, Los Angeles and Spain. The band also performed a sold-out London show on September 5 as well as the 2011 Riot Fest Chicago in October 2011 and Fun Fun Fun Fest in Austin, Texas, in November 2011.[11] As a warmup for their New York City shows, the band performed on September 15 at the Wonder Bar in Asbury Park, New Jersey. Following these dates the band opened two shows for Guns N' Roses in December 2011 on their US tour stops in Auburn Hills, Michigan, and Cincinnati, Ohio.

On December 13, 2011, Jesse Malin stated, in an interview with Rolling Stone, that the band would go into rehearsals for a new album in January 2012.[12] It was later announced, via various tweets from the band's Twitter page, that the band had entered the studio to start work on a new album to be produced by Ryan Adams; however, the material from those sessions remains unreleased.

On April 18, 2015, D Generation released a 10-inch single titled "Queens of A" for Record Store Day, that featured two new songs ("Queens of A" and "Piece of the Action"). These songs were the band's first release of new music since 1999. D Generation's first album in 17 years was released on July 29, 2016, and was titled Nothing Is Anywhere.[1] It was produced by guitarist Danny Sage. The band did a few east coast dates at the end of July 2016 to coincide with this release in Ringwood, New Jersey, Philadelphia, Pennsylvania, and New York City. This was followed by a handful of west coast dates during the last week of August 2016, with their show at Doug Fir Lounge in Portland, Oregon on August 30, 2016, being their last live performance to date.

In December 2021, it was announced that Howie Pyro was fighting for his life and in recovery following a liver transplant. Jesse Malin announced a benefit concert Pyro in January 2022 with all funds raised going to Pyro's medical and living expense for the next year as he recovers. Various other benefit shows were held for Pyro.[13] In May 2022, Pyro, who had already suffered from liver disease, died from COVID-19-related pneumonia.[14]

On June 14, 2023, Jesse Malin announced that he suffered a rare spinal stroke in May 2023 that has left him paralyzed. Malin and friends were commemorating the one year anniversary of the passing of Howie Pyro when Malin suffered a stroke that left him unable to walk. Malin is expected to be released from the hospital in late June and a donation campaign has been set up by his manager and other artists to help pay for his medical expenses.[15]

Members

[edit]

Discography

[edit]

Albums

[edit]
List of studio albums, with selected chart positions and sales figures
Title Album details Peak chart positions Sales
US
Heat.
[16]
D Generation —
No Lunch —
Through the Darkness
  • Released: February 23, 1999
  • Label: C2/Columbia
 —
Nothing Is Anywhere
  • Released: July 29, 2016
  • Label: Self-released
 18
"—" denotes a recording that did not chart or was not released in that territory.

EP

[edit]
  • Prohibition – (1998)

Singles

[edit]
  • "No Way Out" b/w "Guitar Mafia" – (1993)
  • "Wasted Years" b/w "Waiting For The Next Big Parade" – (1993)
  • "Degenerated" b/w "No God" – (1994)
  • "No Way Out" – (1994; version from the DGeneration album)
  • "She Stands There" – (1996)
  • "No Way Out" – (1996; version from the No Lunch album)
  • "Capital Offender" – (1997)
  • "Helpless" – (1998)
    • Re-released in 1999.
  • "Queens Of A" b/w "Piece of The Action" – (2015)

Compilations

[edit]
  • "No Way Out" (1994 version) on Airheads soundtrack (1994)
  • "No Way Out" (1994 version) on Loaded: Volume 1 (1995)
  • "Scorch" on Flipside: R.A.F.R. Compilation (1995; different version than on No Lunch)
  • "No God" on A Small Circle of Friends: A Tribute To The Germs (1996)
  • "I Got Nuthin'" on We Will Fall (A Tribute to Iggy Pop) (1997)
  • "Dying For A Living" on Old Skars and Upstarts (1998)
  • "Helpless" on Explore – (Columbia Records sampler 1998)
  • "Helpless" on The Faculty Soundtrack (1998)
  • "Hatred" on Universal Soldier II: The Return soundtrack (1999)
  • "Prohibition" on A Fistful Of Rock N Roll: Volume 4 (2000; different version than on the Prohibition EP)

Demo tapes

[edit]
  • D-Generation – (1992) [13-track, cassette-only release, distributed in limited quantities by the band. The 4 songs that appeared on their two, 1993 singles were taken from this recording; some songs were later re-recorded for their debut album].

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

D Generation

View on Grokipedia
from Grokipedia
D Generation (also known as DGen) is an American band formed in in 1991. Known for their raw energy, melodic hooks, and influences from 1970s and punk, they emerged from the East Village scene and became a key act in the mid-1990s revival. The band was founded by childhood friends vocalist , guitarist Danny Sage, and guitarist Richard Bacchus, who recruited bassist and drummer Belvy K. They built a cult following playing clubs like and the Continental, releasing their self-titled debut album in 1994 on Wrong Records. Signing to , their 1996 sophomore album No Lunch peaked at No. 178 on the and featured singles like "No Way Out". Their third album, Through the Darkness (1999), marked the end of their initial run before disbanding later that year. D Generation reunited in 2011 for live shows in and the , culminating in the release of their fourth studio album Nothing Is Anywhere on July 29, 2016, via Dirty Kid Music. The band has faced challenges, including the death of bassist on May 4, 2022, at age 61, and a spinal suffered by Malin in May 2023 that left him partially paralyzed from the waist down. As of 2025, the group remains active, with recent activity including new music videos. Alumni like Malin have pursued successful solo careers, contributing to the band's enduring influence on punk and rock scenes.

History

Formation and debut album (1991–1994)

D Generation was formed in 1991 in New York City's East Village by childhood friends Jesse Malin on vocals, Danny Sage on guitar, and Richard Bacchus on guitar, emerging from the vibrant local punk scene that included iconic venues like CBGB. The group drew early inspiration from the raw energy of New York punk and glam rock acts, with Malin having previously fronted the hardcore band Heart Attack as a teenager. Bassist Howie Pyro and drummer Michael Wildwood soon joined, solidifying the initial lineup and enabling the band to perform at underground clubs such as the Continental, where their high-octane performances captured the spirit of 1970s influences like the New York Dolls and the Ramones. These early gigs helped refine their sound, characterized by aggressive riffs, sneering vocals, and a rebellious attitude rooted in the East Village's DIY ethos. After building buzz through demo recordings and consistent local shows, D Generation signed with in late , with the deal finalized during a performance at the Continental Club by A&R executive Southwood-Smith. The label recognized the band's potential to revive glam-punk in the grunge-dominated era, providing resources for professional production. Their self-titled debut album, D Generation, arrived on , , produced by , known for his work with punk and hard rock acts like the and . The record captured the band's live intensity on tracks like the anthemic opener "No Way Out," a re-recorded version of their indie single that exemplified their frenetic, no-holds-barred style, alongside songs such as "Sins of America" and "Guitar Mafia." Critics hailed the album as a raw, exhilarating return to punk's roots with a glamorous edge, with noting its "infectious energy and streetwise attitude" that bridged 1970s glam and 1990s punk revivalism. Despite positive reviews, the album achieved only moderate sales, peaking outside the but earning praise for its authenticity in outlets like Spin, which called "No Way Out" a "definitive neopunk for the '90s." To promote the release, D Generation embarked on extensive tours across the and the in 1994 and 1995, sharing bills with like-minded acts and playing clubs and mid-sized venues. These road trips, including stops at punk strongholds in New York, , and , helped cultivate a passionate among fans drawn to their unpolished charisma and vibe, even as mainstream radio largely overlooked them amid the rise of . The band's relentless touring schedule solidified their reputation as a live force, laying the groundwork for future breakthroughs while highlighting the challenges of breaking through in a shifting music landscape.

No Lunch era and mainstream breakthrough (1995–1997)

In early 1995, following the release of their debut album on , D Generation parted ways with the label amid its operational challenges and signed with , a of , marking a significant step toward broader exposure. This transition allowed the band to reclaim and reissue select tracks from their earlier work while preparing for a more polished sophomore effort. The recording of No Lunch took place in 1996 at Electric Lady Studios in New York City, produced by Ric Ocasek of The Cars, whose experience with acts like Bad Brains and Weezer brought a refined edge to the band's raw sound. Key tracks such as "She Stands There," "No Way Out," and "Frankie" (featuring guest vocals from Alan Vega of Suicide) captured themes of urban grit, alienation, and street-level rebellion, drawing from the band's New York punk roots in a single, concise sentence. The album, released on July 15, 1996, via Columbia, blended punk energy with glam-infused hooks, earning praise for its aggressive brevity and classic rock influences; Spin magazine awarded it 8 out of 10, while Rolling Stone gave it four stars, hailing "No Way Out" as a "stone classic." It achieved modest commercial traction without charting on the Billboard 200 and gaining rotation for its lead video on MTV's 120 Minutes. To promote No Lunch, D Generation embarked on extensive touring across the and internationally, opening for prominent acts like and the at venues including , and sharing bills with and , which elevated their visibility in the mid-1990s revival. These performances, often in larger clubs like and , showcased the band's high-energy live dynamic and helped solidify their reputation among punk and alternative audiences. Amid this rise, internal band dynamics faced strains from label frustrations, such as Columbia's reluctance to release the album in , which fueled creative tensions but ultimately refined their songwriting process—evident in reworked debut tracks like "No Way Out" and a more focused thematic cohesion on No Lunch.

Through the Darkness and disbandment (1998–1999)

In 1998, D Generation entered the studio to record their third album, Through the Darkness, teaming up with renowned producer , known for his work with and T. Rex. The sessions took place at RPM Sound Studios and Sorcerer Sound in , where the band explored a more polished sound that leaned into their glam influences while maintaining punk energy. Tracks like "Lovers in the Dark" and "Hatred" featured serious, introspective lyrics with a darker, more atmospheric edge compared to their earlier work, reflecting personal and emotional struggles. This shift marked a departure from the raw urgency of their breakthrough album No Lunch, which had propelled them to mainstream attention in 1996. The was released on February 23, 1999, through , but it struggled commercially, failing to chart on major lists like the Billboard 200. Critics offered mixed responses, praising the production's depth and rock hooks in songs like "Helpless" and "Sick on the Radio," but criticizing the overly somber tone and perceived lack of the band's signature punk bite, with one review calling it "a more produced version of the same old stuff." Another noted its vintage New York punk-rock vibe but lamented the commercial plight it symbolized for the group. Despite some positive nods to its glam-rock evolution, the record did not replicate the momentum from No Lunch. Promotional efforts were hampered by limited support from Columbia/, including curtailed tour opportunities and a failure to release the album internationally despite a worldwide deal, leading to widespread label apathy toward the band's vision. The group managed some U.S. performances, including opening slots, but internal frustrations mounted amid these challenges, exacerbating exhaustion from years of industry battles. By late 1999, mounting financial difficulties, interpersonal tensions, and disillusionment with the label prompted D Generation to announce their disbandment, effectively pausing after seven years together. The split was quiet, culminating in final shows in their hometown of New York in April, marking the end of the band's original run.

Post-breakup activities and solo endeavors (2000–2010)

Following the disbandment of D Generation in 1999, frontman transitioned to a solo career, releasing his debut album The Fine Art of Self Destruction in 2002, which was produced by and featured contributions from and the Pretenders' . Malin's solo work shifted toward a more introspective style while retaining punk edges, with subsequent releases including The Heat in 2004, Glitter in the Gutter in 2007—produced by —and Love It to Life in 2010, the latter earning praise for its raw emotional depth amid New York's evolving music scene. Bassist relocated to in 2000 and joined Danzig as their bassist, contributing to the live album Live on the Black Hand Side (2001) and the studio effort (2002), where his aggressive style complemented the band's heavy metal-punk hybrid sound. After departing Danzig in 2003, Pyro formed the short-lived punk outfit The Disciples alongside guitarist , maintaining his ties to the underground scene through sporadic collaborations and DJ work. Guitarist Richard Bacchus, formerly known as Wynn Vasquez, rebranded himself and formed Richard Bacchus & the Luckiest Girls in the early 2000s, channeling D Generation's glam-punk energy into raw rock 'n' roll recordings and performances that echoed the ' influence. His projects during this period emphasized high-energy live shows and songwriting rooted in the era's resurgence. Guitarist Danny Sage moved to after the breakup, taking a lower-profile role in the music industry as a to a publishing executive while occasionally participating in informal gigs tied to the West Coast punk community. Drummer Michael Wildwood, Sage's brother, remained active in New York's underground, forming the experimental punk band Chrome Locust with and releasing a self-titled album in 2000 that blended and hardcore elements. The members' individual pursuits were bolstered by the early 2000s garage rock and punk revival, which saw bands like and reignite interest in 1990s New York punk aesthetics, providing motivation for solo explorations and side projects. This cultural shift helped sustain the group's legacy through scattered activities, including a one-off reunion performance of three songs at a 2008 Save the Music benefit show held at the boutique in the former space.

Reunion, Nothing Is Anywhere, and recent developments (2011–present)

In early 2011, D Generation reunited for their first live performances since 1999, spurred by a wave of nostalgia and frontman Jesse Malin's efforts to revive the band. The initial shows included European festival appearances at Turborock Fest in and , followed by a date, and a short U.S. run supporting , marking a return to stages after over a decade of individual pursuits. Malin described the reunion as a natural extension rather than a formal breakup reversal, emphasizing the enduring bonds among the original lineup of Malin, guitarist Danny Sage, bassist , guitarist Richard Bacchus, and drummer Michael Wildwood. The band's momentum led to recording sessions in for a potential fourth , produced by , but these were ultimately shelved due to creative and logistical challenges. After a period of hiatus, D Generation reconvened in 2015 and released their fourth studio , Nothing Is Anywhere, on July 29, 2016, via Bastard Basement Records—their first full-length effort in 17 years. Produced by guitarist Danny Sage, the featured 13 tracks blending the band's signature glam-punk energy with more introspective themes of aging, loss, and resilience, exemplified in songs like "Apocalypse Kids" and "21st Century ." Critics noted its matured lyrical depth while retaining raw, streetwise hooks rooted in New York punk traditions. To support Nothing Is Anywhere, the band embarked on a U.S. tour in summer 2016, including stops at venues like Doug Fir Lounge in Portland and in New York, where they mixed new material with classics to enthusiastic crowds. European outings followed, featuring festival slots that highlighted their renewed chemistry, though dates were limited compared to their 1990s peak. Into the 2020s, touring faced significant disruptions from the , with global restrictions halting live performances and exacerbating logistical hurdles for aging rock acts like D Generation. Tragedy struck the band in 2022 when bassist Howie Pyro died on May 4 at age 61 from complications of COVID-19-related pneumonia, following a liver transplant and prolonged battle with liver disease. Pyro's passing, confirmed by bandmate Jesse Malin, deeply affected the group, prompting tributes that underscored his foundational role in their sound and New York punk scene. Further challenges arose in May 2023 when Malin suffered a rare spinal cord infarction—a stroke in his spine—while dining in New York City's East Village, leaving him paralyzed from the waist down. Malin's recovery has been gradual but determined, involving intensive physical therapy, intravenous treatments, and a six-month stay at a rehabilitation clinic in Argentina. By late 2024, he reported regaining some leg strength, enabling slow walking with a walker, and returned to the stage for tribute concerts at New York's Beacon Theatre on December 1–2, performing seated with collaborators including Lucinda Williams and the Hold Steady. In 2025, Malin continued his rehabilitation and resumed solo performances, including at the Light of Day WinterFest on January 15 and a show in London on May 1, while announcing his memoir Almost Grown in August, which covers his career from Heart Attack to D Generation and beyond. As of November 2025, no new D Generation activity has been announced, with priorities focused on health and legacy preservation; the shelved 2012 sessions remain unreleased, though band members have occasionally hinted at possible archival explorations or future collaborations.

Musical style and influences

Core genre elements and evolution

D Generation's primary genre is , a fusion of punk rock's raw aggression and glam rock's theatrical flair, defined by fast tempos, heavily distorted guitars, and anthemic, sing-along choruses that evoke the energy of 1970s New York rock scenes. The band's sound emphasizes high-octane riffs and a gritty, streetwise edge, blending the urgency of punk with the swagger of glam to create hooks that are both immediate and infectious. This style is underscored by their use of fashion and attitude drawn from 1970s icons like the , manifesting in lyrics that explore themes of alienation, urban isolation, and the chaotic allure of , often portraying the struggles of outcasts navigating a indifferent world. Instrumentally, D Generation's signature hallmarks include dual lead guitars from Richard Bacchus and Danny Sage, which layer interlocking riffs and soaring solos to build dynamic hooks, while Howie Pyro's driving, pulsating bass lines provide a propulsive foundation that anchors the chaos of the guitars and drums. On their raw, garage-influenced self-titled debut album in , the sound was unpolished and visceral, capturing the band's early punk roots with sloppy yet energetic performances that prioritized attitude over precision, as heard in tracks like "No Way Out" and "Feel Like Suicide." The band's evolution became evident with the 1996 album No Lunch, produced by , which refined their debut's rough edges through cleaner production while retaining the core glam-punk intensity; remakes of four earlier songs showcased tighter arrangements and a more balanced blend of and contemporary punch. By their 1999 release Through the Darkness, the sound shifted toward darker, more mature tones, with harder-edged riffs, a muscular vocal delivery from , and themes delving deeper into loss and resilience, moving away from the fey playfulness of prior work to a straightforward, polished rock attack that still pulsed with punk vitality. This progression reflected D Generation's growth from underground rabble-rousers to a more assured act capable of broader emotional depth without sacrificing their foundational aggression. Following a hiatus after 1999, the band reunited in 2011 and released Nothing Is Anywhere in 2016, maintaining their core but incorporating greater maturity and nostalgia, with anthemic tracks that echoed Jesse Malin's solo style—less rough-edged than their output yet preserving raucous energy and melodic hooks. As of 2025, this evolution has solidified D Generation's blend of punk aggression and glam theatricality across decades.

Key inspirations from punk, glam, and garage rock

D Generation's punk roots were deeply embedded in the raw energy and DIY ethos of 1970s New York punk, particularly drawing from the and . Frontman has cited the as a pivotal influence, crediting them with inspiring his early foray into the scene by prompting him to contact from a during junior high. Malin's close friendship with further underscored this connection, viewing him as a protective mentor and music enthusiast who shaped his approach to performance and songwriting. Similarly, the band's sound echoed the trashy, gender-bending swagger of the , whom D Generation is often seen as carrying forward in the 1990s punk revival, blending high-fashion flair with aggressive brevity. Glam influences from and T. Rex manifested in D Generation's theatrical stage presence, characterized by eyeliner, lipstick, and outrageous antics that rejected the era's norms. The band's collaboration with producer , known for his work with Bowie and T. Rex, amplified this glam sheen on their 1999 album Through the Darkness, infusing tracks with charismatic, riff-driven bombast reminiscent of 1970s glitter rock. This aesthetic not only honored the gender-bending rebellion of glam but also positioned D Generation as torchbearers for its enduring appeal in punk contexts. Garage rock elements nodded to the primal aggression of and , evident in D Generation's snotty, teenage-warfare spirit and covers like their rendition of Iggy Pop's "I Got Nothing." These forebears contributed to the band's raw, three-chord classicism, emphasizing confrontational energy over polish. Additionally, 1980s hardcore influences from permeated Malin's early experiences, with the band lending gear to his prior group Heart Attack and serving as mentors whose fusion of speed, positivity, and rhythms profoundly impacted his musical outlook. Emerging from the East Village scene, D Generation embodied a decadent, affordable hub where punks, drag queens, and coexisted amid $100 shared rents, fostering a vibrant underground at venues like and the Continental. This environment directly responded to grunge's dominance and 1980s hair metal excess, with the band forming as a deliberate "fuck you" to "funky butt rock" and "," reviving New York punk's edge amid Seattle's flannel-clad wave.

Band members

Current lineup

The core lineup of D Generation, as of the band's 2011 reunion and last performance in 2022, consists of vocalist and guitarist , who joined in 1991 as the band's frontman and lead songwriter. Guitarist and vocalist Richard Bacchus, a founding member from 1991, contributes signature riffs that define the band's glam-punk sound. Guitarist Danny Sage, who joined in 1992, handles lines and vocal harmonies, maintaining the dual-guitar attack central to their style. Drummer Michael Wildwood, who joined in 1992, provides the steady rhythmic foundation that anchored performances since the early . Following the death of longtime bassist in May 2022, no permanent bassist has been announced, and the band has not performed since a memorial concert on July 23, 2022. As of November 2025, there are no documented band activities, with frontman focusing on solo performances following a spinal stroke in May 2023 that left him paralyzed from the waist down.

Former members and contributions

Howie Pyro (born Howard Kusten; June 28, 1960 – May 4, 2022) served as the bassist and co-founder of D Generation from the band's formation in 1991 until its initial disbandment in 1999, and rejoined the lineup upon their 2011 reunion, remaining active until his death. As a foundational member with deep roots in New York's punk scene, Pyro helped shape the band's raw, glam-infused sound through his recruitment of key early members and contributions to their energetic live performances, including organizing the band's debut gig at the party he co-hosted. His tenure provided continuity during the 1990s lineup adjustments, anchoring the rhythm section amid shifts that solidified the group's classic configuration. Following the band's 1999 split, Pyro briefly joined Danzig as bassist from 2000 to 2003 before his passing from COVID-19-related complications after a liver transplant. Other short-term members included guitarist Georgie and drummer Belvy K, both part of the band's nascent 1991 lineup before departing due to creative differences. , who joined as second guitarist alongside Richard Bacchus, contributed to the initial songwriting and rehearsals that defined D Generation's punk edge but left shortly after formation to pursue other projects. Belvy K, formerly of , handled early drumming duties during tryouts but exited early, paving the way for Michael Wildwood's arrival and influencing the band's shift toward a more stable rhythm foundation. These early transitions in the highlighted the band's evolution from experimental beginnings to a cohesive unit, with members Danny Sage and Michael Wildwood representing that lasting continuity from the originals.

Discography

Studio albums

D Generation released four studio albums over their career, each reflecting the band's raw glam punk energy while evolving in production and commercial reception. The debut established their New York underground sound, the second marked a major-label push with polished production, the third leaned into glam influences amid declining sales, and the reunion effort brought a matured yet defiant edge with contemporary flair. These records, produced by notable figures in rock, garnered critical praise for their songwriting and attitude, though commercial success varied. The band's self-titled debut album, D Generation, arrived on October 11, 1994, via , marking their entry into the major-label scene after years of independent singles and cassettes. Produced by David Bianco, known for his work with and others, the 13-track record captured the group's boisterous mix of punk aggression and melodic hooks, with standouts like "No Way Out" and "Guitar Mafia" showcasing frontman Jesse Malin's raspy vocals and the rhythm section's drive. It built a dedicated among punk and glam enthusiasts for its unpolished authenticity despite limited mainstream airplay. In 1996, D Generation shifted to for their sophomore effort, No Lunch, released on July 16, which represented a breakthrough in terms of production quality and exposure. of handled production, infusing the 12 tracks with a cleaner, high-energy sheen that amplified the band's trashy rock anthems like "Scorch" and "Disclaimer," blending garage grit with radio-friendly polish. The album received strong critical acclaim for its songcraft and attitude, often compared to influences, and achieved modest sales success as the band's commercial high point before internal tensions arose. The third album, Through the Darkness, emerged on February 23, 1999, still under Columbia, as the band's final pre-hiatus release amid mounting label pressures. Produced by , famed for his collaborations with and T. Rex, the 13-track set delved deeper into glam and territories with tracks such as "Helpless" and "Hatred," emphasizing emotional depth and orchestral touches. Despite positive reviews for its ambitious sound, the record underperformed commercially, failing to chart significantly and contributing to the band's eventual disbandment shortly after. Following a 17-year hiatus, D Generation reunited for Nothing Is Anywhere..., issued on July 29, 2016, by Bastard Basement Records (self-released), featuring the original lineup and produced by guitarist Danny Sage. The 13-song collection modernized their sleaze rock roots with punchy production and themes of resilience, highlighted by cuts like "" and "This Life," earning favorable critiques for recapturing the band's defiant spirit while appealing to both longtime fans and new listeners. It received solid reviews, with outlets praising its melodic punk vigor and Jesse Malin's matured delivery, and peaked at #18 on the US Heatseekers chart, marking a successful return without chasing trends.

Extended plays and singles

D Generation released a limited number of extended plays and singles throughout their career, primarily on vinyl and formats, serving as promotional vehicles for their albums and early buzz-building efforts. These releases highlighted the band's raw glam-punk energy, often featuring high-octane tracks with B-sides that showcased their New York underground roots. Formats varied from 7-inch vinyl singles to promotional singles, with limited pressings emphasizing collectibility among punk and rock enthusiasts. The band's debut-era singles, issued independently before their major-label debut, captured their pre-Chrysalis sound. "No Way Out," released in 1993 on Rockville Records as a 7-inch 45 RPM vinyl single, paired the title track with B-side "Guitar Mafia." This release gained traction on New York radio airwaves, helping establish the band's local presence ahead of their self-titled album. A follow-up single, "," appeared later that year on Sympathy for the Record Industry as another 7-inch 45 RPM vinyl, backed by "Waiting for the Next Big Parade." These early 45s, produced by punk veterans and , were instrumental in building hype for the group's full-length debut. In 1994, amid their transition to , D Generation issued "Degenerated" b/w "No God" as a 7-inch vinyl single. The A-side, a cover of a track, reflected the band's hardcore influences, while the B-side added a gritty original edge. This release bridged their independent phase and major-label promotion for the debut . A reissued version of "No Way Out" followed in 1994 on , available in CD and vinyl formats, further amplifying radio play. During their mid-1990s Columbia period, singles aligned closely with album cycles. "She Stands There," from No Lunch (1996), was released as a promotional CD single, featuring the upbeat track that became a minor video hit on MTV's alternative rotation. Its infectious garage-rock vibe helped promote the album's punk-meets-glam aesthetic. Later, "Helpless" from Through the Darkness emerged as a CD promotional single on Columbia in 1998, including radio edits and the full album version. The song's inclusion on the soundtrack for the film The Faculty provided broader exposure, tying into the movie's teen horror theme with the band's rebellious lyrics. Post-reunion, D Generation issued digital singles to herald Nothing Is Anywhere (). "Apocalypse Kids" and "Mercy of the Rain" were released as standalone digital singles on platforms like , both drawing from the album's themes of and resilience. These tracks, available in streaming and download formats, marked the band's return to active promotion after a 17-year hiatus. In 2022, they released the digital single "Tomorrow". The sole extended play, Prohibition EP (1998 on D.G.I. Records; reissued 2000 on Munster Records), was a 7-inch 33⅓ RPM vinyl release on pink marble vinyl for the U.S. edition. Featuring three tracks—"Prohibition," "Sweet Talker," and "PCP Highway"—it served as a bridge between No Lunch and Through the Darkness, offering B-sides and outtakes that underscored the band's evolving sleaze-rock sound. Limited to small runs, it appealed to collectors and provided a taste of their live-wire energy outside full albums.
ReleaseYearFormatLabelKey Tracks/B-SidesNotes
No Way Out19937" vinyl, 45 RPMRockvilleA: No Way Out / B: Guitar MafiaEarly promotional single; NY radio airplay
Wasted Years19937" vinyl, 45 RPMSympathy for the Record IndustryA: Wasted Years / B: Waiting for the Next Big ParadeProduced by Daniel Rey and Andy Shernoff
Degenerated b/w No God19947" vinylIndependentA: Degenerated / B: No GodCover of Reagan Youth track on A-side
She Stands There1996CD promoColumbiaShe Stands There (edit, full)Video release; from No Lunch
Helpless1998CD promoColumbiaHelpless (radio edit, full, instrumental)Featured in The Faculty soundtrack; from Through the Darkness
Apocalypse Kids2016Digital singleBastard BasementApocalypse KidsPromotional for reunion album
Mercy of the Rain2016Digital singleBastard BasementMercy of the RainPromotional for reunion album
Tomorrow2022Digital singleMRITomorrowStandalone single
Prohibition EP19987" vinyl, 33⅓ RPM (pink marble)D.G.I. RecordsProhibition, Sweet Talker, PCP HighwayLimited edition; reissued 2000 on Munster Records

Compilations, demos, and other releases

D Generation's formative years featured informal demo recordings produced with collaborators and , which served as the foundation for their initial independent singles released in 1993 on Gasatanka Records. These sessions captured the band's raw glam-punk energy and circulated among the New York underground scene before their major-label debut. The band made a notable compilation appearance with an early rendition of "Scorch" on the 1995 Flipside Records collection R.A.F.R., a 24-track showcase of emerging punk and garage acts that highlighted D Generation's snarling, high-octane style. This version differed slightly from the polished take later included on their 1996 album No Lunch. During the No Lunch sessions, D Generation composed around 30 original songs, with several outtakes remaining unreleased and occasionally performed live in subsequent years. In the reunion period, they issued a limited-edition 10-inch vinyl for 2015 via MRI, containing "Queens of A" and "Piece of the Action"—two tracks refined from recent jam sessions and eventually featured on their 2016 comeback album Nothing Is Anywhere.

References

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