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Dance!...Ya Know It!
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| Dance!...Ya Know It! | ||||
|---|---|---|---|---|
| Remix album by | ||||
| Released | October 26, 1989 | |||
| Recorded | 1986–1989 | |||
| Genre | ||||
| Length | 45:09 | |||
| Label | MCA | |||
| Producer | Louis Silas Jr. | |||
| Bobby Brown chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| The Rolling Stone Album Guide | |
Dance!...Ya Know it! is a remix album by American R&B singer Bobby Brown, released in 1989. The album features previously unreleased, re-edited versions and remixes of various songs from his King of Stage and Don't Be Cruel albums as well as "On Our Own", Brown's hit single from the Ghostbusters II soundtrack. "Every Little Hit Mega Mix", a medley of "Every Little Step", "On Our Own", "Don't Be Cruel", and "My Prerogative", was released as a single to promote the album but was not included on the album itself. The UK and European version of the megamix was titled "The Free Style Mega-mix" and was produced by Rita Liebrand; the Australian version, "The 'Every Little Hit' Mix", was released as a B-side on the European version of the "Roni" single.
Overview
[edit]Released mostly to capitalize on the commercial success of Don't Be Cruel, Dance!...Ya Know It! was released by MCA Records. Production was mostly handled by producers Antonio "L.A." Reid and Babyface, with additional production handled by Larry Blackmon, Gene Griffin, and Robert Brookins.
Track listing
[edit]Side One:
- "Roni" (Babyface, Darnell Bristol) – 6:12
- "Rock Wit'cha" (Babyface, Bristol) – 5:13
- "Girl Next Door" (Melvin Wells) – 5:34
- "Don't Be Cruel" (Babyface, Reid, Daryl Simmons) – 5:38
Side Two:
- "Every Little Step" (Babyface, Reid) – 4:38
- "On Our Own" (Babyface, Reid, Simmons) – 5:12
- "Baby, I Wanna Tell You Something" (Larry Blackmon, Tomi Jenkins, Nathan Leftenant) – 4:18
- "My Prerogative" (Bobby Brown, Gene Griffin) – 5:12
- "Seventeen" (Robert Brookins, Tony Haynes) – 4:32
Personnel
[edit]- After 7 – vocals (background)
- Babyface – producer, remixing
- David Bianco – remixing
- Larry Blackmon – producer
- Robert Brookins – producer
- Bobby Brown – vocals, producer
- Jon Gass – remixing
- Boris Granich – editing
- Todd Gray – photography
- Gene Griffin – producer, remixing
- Matthew Kasha – engineer
- Kevin Kendricks – associate producer
- Thom "TK" Kidd – engineer
- Chris Modig – editing
- Taavi Mote – engineer
- Dave Ogrin – engineer, associate producer, remixing, mixing
- Donald Parks – programming
- L.A. Reid – producer, remixing
- Michel Sauvage – engineer
- Eddy Schreyer – mastering
- Louis Silas Jr. – producer, executive producer, mixing
- Dale Sizer – artwork
- Donnell Sullivan – assistant engineer
- Al Teller – art direction
- Ilene Weingard – design
- Melvin Wells – associate producer
- Jon Wolfson – engineer
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| Canada (Music Canada)[11] | Gold | 50,000^ |
| Japan (RIAJ)[12] | Gold | 100,000^ |
| New Zealand (RMNZ)[13] | Gold | 7,500^ |
| United Kingdom (BPI)[14] | Gold | 100,000^ |
| United States (RIAA)[15] | Platinum | 1,000,000^ |
|
^ Shipments figures based on certification alone. | ||
References
[edit]- ^ AllMusic review
- ^ The Rolling Stone Album Guide. Random House. 1992. p. 83.
- ^ "Australiancharts.com – Bobby Brown – Dance! ...Ya Know It!". Hung Medien. Retrieved June 21, 2021.
- ^ "ダンス!" (in Japanese). Oricon. Archived from the original on September 5, 2023. Retrieved September 5, 2023.
- ^ "Charts.nz – Bobby Brown – Dance! ...Ya Know It!". Hung Medien. Retrieved June 21, 2021.
- ^ "Bobby Brown Songs and Albums | Full Official Chart History". Official Charts Company. Retrieved June 21, 2021.
- ^ "Bobby Brown Chart History (Billboard 200)". Billboard. Retrieved June 21, 2021.
- ^ "Bobby Brown Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved June 21, 2021.
- ^ "Top Billboard 200 Albums – Year-End 1990". Billboard. Archived from the original on January 23, 2015. Retrieved June 21, 2021.
- ^ "1990 The Year in Music" (PDF). Billboard. Vol. 102, no. 51. December 22, 1990. p. YE-20. Retrieved June 21, 2021.
- ^ "Canadian album certifications – Bobby Brown – Dance Ya Know It". Music Canada. Retrieved May 25, 2025.
- ^ "Japanese album certifications – Bobby Brown – Dance!" (in Japanese). Recording Industry Association of Japan. Retrieved May 25, 2025. Select 1990年8月 on the drop-down menu
- ^ "New Zealand album certifications – Bobby Brown – Dance ... Ya Know It". Recorded Music NZ. Retrieved May 25, 2025.
- ^ "British album certifications – Bobby Brown – Dance Ya Know It". British Phonographic Industry. Retrieved May 25, 2025.
- ^ "American album certifications – Bobby Brown – Dance! ... Ya Know It!". Recording Industry Association of America. Retrieved November 3, 2019.
Dance!...Ya Know It!
View on GrokipediaBackground
Development
Following the breakthrough success of Bobby Brown's 1988 album Don't Be Cruel, which sold over 7 million copies in the United States, MCA Records conceived Dance!...Ya Know It! in mid-1989 as a remix project to further capitalize on his rising popularity.[7][8] The album was planned as a compilation of re-edited versions of key hits drawn from Brown's debut solo release King of Stage (1986)—such as "Girl Next Door"—and Don't Be Cruel, including tracks like "Roni," "Rock Wit'cha," "Don't Be Cruel," "Every Little Step," and "My Prerogative," alongside the exclusive single "On Our Own" from the Ghostbusters II soundtrack.[1][3] Executive producer Louil Silas Jr., MCA's top remix specialist and a former DJ, played a central role in track selection and re-editing, aiming to create a non-stop "party album" tailored for dance clubs and DJs that would prolong the chart life of Brown's singles through extended club mixes.[8] Silas collaborated with MCA president Al Teller on the concept, focusing on fresh remixes that emphasized Brown's signature new jack swing sound for a club-oriented collection.[8]Recording
The recording sessions for the remixes on Dance!...Ya Know It! primarily took place at Elumba Recording Studios in Hollywood, California, and Can Am Recorders in Tarzana, California, with additional work at Cheshire Sound Studios in Atlanta, Georgia, during 1989.[9] These locations were selected to facilitate the re-editing and enhancement of tracks from Bobby Brown's earlier releases, emphasizing extended versions suitable for club and DJ play.[9] Key production responsibilities were handled by L.A. Reid and Babyface, who oversaw the core remixes for several tracks, including "Roni," "Rock Wit'cha," "Don't Be Cruel," and "Every Little Step," under their LaFace Inc. banner.[9] Larry Blackmon contributed to select tracks such as "Girl Next Door" and "Baby, I Wanna Tell You Something," bringing his experience from The Time to infuse funk elements into the remixes.[9] Gene Griffin provided additional input on "My Prerogative," collaborating with Bobby Brown as co-producer to refine the track's energy.[9] The engineering team, led by Dave Ogrin and Jon Gass, focused on re-editing and mixing to amplify dance-oriented features like extended intros, breakdowns, and layered percussion, ensuring compatibility with club systems.[10] Ogrin served as associate producer and handled remixing duties for Blackmon's contributions, while Gass engineered the Reid-Babyface remixes, with assistants like Don Sullivan supporting the process.[9] This technical approach resulted in longer track durations, such as the "Every Little Step" remix extending to 4:38 to accommodate DJ mixing.[2] Sessions were completed in late summer 1989, ahead of the album's October 26 release.[8]Music and production
Style and composition
Dance!...Ya Know It! is predominantly rooted in the new jack swing genre, a fusion of R&B, hip-hop, and funk that emphasizes rhythmic dance beats and Bobby Brown's dynamic vocal delivery.[11][2][12] This style, pioneered in part by Brown's earlier work, integrates urban contemporary sounds with hip-hop production techniques, creating an energetic backdrop suited for club environments.[13] The remixes introduce compositional shifts from the originals, including extended intros and outros in tracks like "Roni" (lengthened from 5:58 to 6:15) and "My Prerogative" (from 4:57 to 5:16), enhancing playability on dance floors.[2][14] Added percussion layers, such as those from Roland TR-808 drum machines, provide a swung, syncopated rhythm central to new jack swing, while layered synthesizers add depth and texture for a more immersive listening experience.[12][15] Producers L.A. Reid and Babyface played key roles in refining these elements to amplify the album's dance-oriented sound.[2] Thematically, the album maintains continuity with the originals' blend of romantic introspection in songs like "Roni" and celebratory party vibes in "Rock Wit'cha," but the remixes heighten the overall energy through intensified beats and vocal arrangements tailored for movement.[11] Spanning 9 tracks with a total runtime of approximately 48 minutes, the collection is structured to flow as a cohesive, mix-like sequence ideal for continuous playback.[5]Remix approach
The remix approach for Dance!...Ya Know It! centered on producing previously unreleased extended versions of Bobby Brown's hits from his albums King of Stage (1986) and Don't Be Cruel (1988), as well as from the Ghostbusters II soundtrack, re-edited specifically for the dance remix format to emphasize club playability. These versions incorporated breakdowns, fades, and dub elements, extending track lengths to suit 12-inch singles and extended DJ sets in urban nightclubs.[9] Produced and remixed primarily by L.A. Reid and Babyface for LaFace Inc., the album's nine tracks featured special edits by Boris Granich and Chris Modig of Powermix Productions, along with contributions from engineers like Jon Gass and David Bianco. This strategy refreshed the originals by prioritizing full club mixes over shorter radio edits, allowing for seamless integration into dance sets while maintaining the new jack swing foundation.[9][2] Representative examples include the remix of "Don't Be Cruel," which runs 6:24 and builds on the original's energy with layered dub effects and rhythmic fades to heighten its appeal on urban contemporary radio and dance charts.[1] Similarly, "On Our Own" (from the Ghostbusters II soundtrack) is re-edited to 5:12, enhancing its cinematic synergy through extended breakdowns and dub-infused grooves tailored for prolonged club rotation.[9][1]Release and promotion
Marketing strategies
Dance!...Ya Know It! was released on October 26, 1989, by MCA Records.[16] The album was marketed as a dance companion to Bobby Brown's breakthrough record Don't Be Cruel, emphasizing its club-exclusive remixes to target fans seeking extended dance-floor versions of his hits. MCA Records promoted the album to boost visibility and reach urban and club audiences. Brown further promoted the project through live tour appearances, where he incorporated the album's remixes into his performances to energize crowds. A promotional cassette was also issued.[2] The album's packaging highlighted its remix focus with vibrant cover art showing Brown in a dynamic dancing pose against a colorful backdrop, designed to draw in enthusiasts of 12-inch mixes and club culture.[2] The international rollout focused primarily on the US and UK markets, where Brown had established strong fanbases. Additionally, the inclusion of a remix of "On Our Own" leveraged its crossover success from the Ghostbusters II soundtrack.Singles and formats
The remix album Dance!...Ya Know It! did not generate traditional commercial singles, as its focus was on reworking existing hits from Bobby Brown's 1988 album Don't Be Cruel for renewed dancefloor appeal rather than launching new chart-toppers. Instead, remixes of tracks like "Every Little Step" and "My Prerogative" were promoted for club airplay, serving as tools to prolong the popularity of the originals among DJs and audiences without cannibalizing sales of the parent album.[2] Released on October 26, 1989, in the United States by MCA Records, the album appeared in multiple physical formats tailored to different markets, emphasizing accessibility for home listening and club use. In the US, it was primarily issued on compact disc (MCAD-6342) and cassette (MCAC-6342), with a vinyl LP edition (MCA-6342) also available for audiophiles and collectors. Internationally, variants proliferated across Europe, the UK, Canada, Japan, and other regions, including additional vinyl pressings and CDs to support global promotion. These bundled releases in October 1989 aimed to refresh the hits' lifecycle through extended mixes, fostering continued radio and club rotation.[2][1]| Region | Format | Catalog Number | Notes |
|---|---|---|---|
| US | CD | MCAD-6342 | Standard album edition |
| US | Cassette | MCAC-6342 | Dolby HX Pro, B NR |
| US | Vinyl LP | MCA-6342 | Gloversville pressing |
| UK/Europe | Vinyl LP | MCG 6074 / 256 942-1 | 9-track edition with picture inner sleeve |
| Japan | CD | WMC5-8 | Promo variants exist |
| Canada | Cassette | MCAC-6342 | Distributed via MCA |
Commercial performance
Chart positions
_Dance!...Ya Know It! debuted on the US Billboard 200 at number 72 on December 2, 1989, and reached a peak position of number 9. It also peaked at number 7 on the Top R&B/Hip-Hop Albums chart. The album spent a total of 28 weeks on the Billboard 200, with its performance boosted by strong holiday season sales toward the end of 1989 and into 1990.[17] Internationally, the album achieved a peak of number 14 on the Australian Albums Chart.[18] In New Zealand, it reached number 7 on the Top 40 Albums Chart.[19] On the UK Albums Chart, it peaked at number 26 and charted for 10 weeks.[20] For year-end charts in 1990, Dance!...Ya Know It! ranked number 46 on the Billboard 200.[21]| Chart (1989–1990) | Peak Position |
|---|---|
| Australian Albums (ARIA) | 14 |
| New Zealand Albums (RMNZ) | 7 |
| UK Albums (OCC) | 26 |
| US Billboard 200 | 9 |
| US Top R&B/Hip-Hop Albums | 7 |
Sales and certifications
The remix album Dance!...Ya Know It! achieved significant commercial success, particularly in the United States, where it was certified Platinum by the Recording Industry Association of America (RIAA) in January 1990 for shipments exceeding 1,000,000 units. This certification came shortly after the album's October 1989 release, reflecting strong initial demand fueled by Brown's rising popularity following Don't Be Cruel. Internationally, the album earned Gold certifications in several markets, including Canada by the Canadian Recording Industry Association (CRIA, now Music Canada) for 50,000 units, Japan by the Recording Industry Association of Japan (RIAJ) for 100,000 units, New Zealand by the Recording Industry Association of New Zealand (RIANZ, now Recorded Music NZ) for 7,500 units, and the United Kingdom by the British Phonographic Industry (BPI) for 100,000 units; all international certifications were awarded in 1990. By the end of 1990, estimated global sales reached approximately 1.3 million copies, largely driven by its performance in the US market.[22] This success correlated with the album's strong chart positions across multiple territories, underscoring its appeal as a dance-oriented companion to Brown's core discography.| Region | Certification | Units Certified | Certifying Body | Date |
|---|---|---|---|---|
| United States | Platinum | 1,000,000 | RIAA | January 1990 |
| Canada | Gold | 50,000 | CRIA | 1990 |
| Japan | Gold | 100,000 | RIAJ | 1990 |
| New Zealand | Gold | 7,500 | RIANZ | 1990 |
| United Kingdom | Gold | 100,000 | BPI | 1990 |
