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David Sheffield
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David Sheffield (born 1948) is an American comedy writer best known for his writing on Saturday Night Live and the screenplays for Coming to America, Coming 2 America, and The Nutty Professor all written in collaboration with Barry W. Blaustein.[1][2]
Key Information
Writing credits
[edit]- Saturday Night Live (1980-1983) (TV)
- Police Academy 2: Their First Assignment (1985)
- Coming to America (1988)
- What's Alan Watching? (1989) (TV)
- Boomerang (1992)
- The Nutty Professor (with Tom Shadyac and Steve Oedekerk) (1996)
- The Gelfin (1999) (unproduced)[3]
- Nutty Professor II: The Klumps (2000)
- The Honeymooners (2005)
- Coming 2 America (2021)
References
[edit]- ^ The New York Times
- ^ "The New York Times". Movies & TV Dept. Baseline & All Movie Guide. 2010. Archived from the original on 2010-03-22. Retrieved 2017-02-07.
- ^ Laski, Beth (July 10, 1995). "FARLEY TO JOIN IMAGINE'S 'GELFIN'". Variety. Retrieved 25 September 2017.
External links
[edit]| International | |
|---|---|
| National | |
| Other | |
   | This article about an American screenwriter born in the 1940s is a stub. You can help Wikipedia by adding missing information. |
David Sheffield
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Early life and education
Early life
David Sheffield was born in 1948 in Mississippi and spent his early childhood in various small towns across the state and nearby areas due to his father's career as a nomadic schoolteacher.[3] The family relocated frequently, living in places such as Tupelo (twice), Belden, Dorsey, Hattiesburg, and Oxford in Mississippi, as well as Red Bay in Alabama, Pensacola in Florida, before settling in Biloxi on the Gulf Coast when Sheffield was about 13 years old in 1961.[3] This peripatetic lifestyle in the Deep South exposed him to diverse rural and coastal Southern environments, which later influenced his distinctive humor rooted in regional culture and everyday absurdities.[3] In Biloxi, Sheffield attended and graduated from Biloxi High School, where he served as president of the Thespian Club, editor of the school newspaper, and won the Quill & Scroll Star Award.[5] He was elected “Boy of the Month” by the Hi-Tide newspaper, expressing his ambition to write for television and movies.[3] There, he first nurtured his interest in writing amid the vibrant local community, performing a sketch comedy show with his brother that satirized teachers and led to disciplinary trouble.[5] His family environment, marked by his father's teaching profession, his mother's role as an artistic English teacher who wrote children’s plays, and the broader Southern traditions of storytelling and church activities, fostered an appreciation for narrative and performance.[3][5] By his teenage years, influenced by comedic shows like The Three Stooges and Laurel and Hardy, Sheffield discovered his comedic impulses, collaborating with his younger brother, Buddy Sheffield—who would also become a noted comedy writer—on sketch comedy pieces and children’s plays that satirized school life and local figures.[3][5] These early creative endeavors with his brother highlighted Sheffield's innate talent for humor drawn from Southern eccentricities, laying the groundwork for his future career before he pursued studies in mass communication at university.[3]Education
David Sheffield began his higher education in the late 1960s, starting at the University of Mississippi for one year, where at age 19 he managed the Henry Hotel in Oxford, before transferring to the University of Southern Mississippi (USM), where he pursued studies in his early 20s.[3] He graduated from USM in 1972 with a degree in Mass Communication and Journalism.[4] During his time at USM, Sheffield gained practical experience in media by working at the local Hattiesburg television station WDAM-TV, honing his skills in broadcast production and content creation, and wrote his first play.[6][3] Building on his early comedic writing collaborations with his brother Buddy, which included developing original plays, Sheffield's academic focus on communication and theater provided a structured foundation in storytelling, audience analysis, and narrative techniques.[3] These studies equipped him with core principles of journalism—such as concise writing, observational reporting, and engaging public discourse—that later informed his satirical and character-driven approach to comedy writing, bridging his academic training to professional opportunities in the field.[4]Career
Saturday Night Live
David Sheffield joined the writing staff of Saturday Night Live in 1980 at the age of 32, serving as a comedy writer through the 1980–1983 seasons.[3][7] His educational background in mass communication from the University of Southern Mississippi provided foundational preparation for crafting material in the fast-paced environment of live television comedy.[4] During this period, Sheffield focused primarily on writing for performers Eddie Murphy and Joe Piscopo, tailoring sketches to amplify their distinct comedic strengths—Murphy's sharp improvisational energy and Piscopo's versatile physicality.[4][8] This approach involved close collaboration with the cast to refine ideas that highlighted their personalities, ensuring sketches resonated with audiences through authentic character portrayals.[4] Sheffield's partnership with fellow writer Barry W. Blaustein originated on SNL, where the duo co-authored much of the material for Murphy and Piscopo, including key developments for Murphy's emerging characters.[8][3] Their work contributed to the show's early 1980s comedic tone by emphasizing character-driven humor, which helped stabilize and energize SNL amid cast transitions and production changes.[8][7]Film screenplays
In the mid-1980s, David Sheffield transitioned from television writing to film screenplays, marking his feature debut as co-writer on Police Academy 2: Their First Assignment (1985) alongside Barry W. Blaustein. The duo was approached by producers after the success of the original Police Academy, viewing their sharp comedic sensibilities—honed through prior sketch work—as ideal for expanding the franchise's slapstick ensemble humor into a sequel focused on the recruits' chaotic first assignments.[5][9] Sheffield's long-term creative partnership with Blaustein, which began on Saturday Night Live where they co-wrote much of Eddie Murphy's material, extended seamlessly into cinema, particularly through screenplays for Murphy-led comedies. Their collaboration emphasized character-driven humor tailored to Murphy's improvisational style, blending rapid-fire dialogue with physical comedy to create vehicles that showcased his versatility across multiple roles. This partnership yielded several high-profile Eddie Murphy films, with Sheffield and Blaustein serving as key architects in adapting Murphy's star persona for the big screen.[10][3] A landmark in their filmography is Coming to America (1988), where Sheffield and Blaustein crafted the screenplay from an original story by Eddie Murphy. The development process drew directly from their SNL experience, expanding a simple premise—a wealthy African prince, Akeem, fleeing an arranged marriage to seek a self-made bride in Queens, New York—into a full narrative that allowed Murphy to portray four characters, including Akeem and various barbershop patrons. Themes of cultural satire permeated the script, poking fun at American urban life, class pretensions, and racial stereotypes through Akeem's fish-out-of-water perspective, while celebrating Black excellence and diaspora connections without centering race as conflict. The film achieved significant box office success, grossing $128 million domestically against a $30 million budget, solidifying its status as a comedic hit and cultural touchstone.[10][11][12] Sheffield and Blaustein's evolution from SNL sketches to full-length scripts involved adapting concise, punchy humor into sustained narratives, prioritizing character arcs and thematic depth over episodic gags. This shift enabled them to build comedic tension across feature runtimes, incorporating visual satire and ensemble dynamics suited to cinema, while retaining the improvisational energy that defined their television roots. Their approach emphasized collaborative revisions with stars like Murphy to refine dialogue for broader appeal, transforming sketch-like set pieces into cohesive stories that balanced farce with heartfelt moments.[10][13]Later projects and teaching
Following his earlier successes, Sheffield, in collaboration with longtime writing partner Barry W. Blaustein, contributed to several sequels and remakes that extended comedic franchises featuring Eddie Murphy. These included the screenplay for Boomerang (1992), a romantic comedy exploring gender dynamics in a corporate setting; The Nutty Professor (1996), a remake of the 1963 Jerry Lewis film that reimagined body transformation humor through scientific satire; its sequel Nutty Professor II: The Klumps (2000), which shifted focus to family and aging themes; The Honeymooners (2005), a modern update of the classic 1950s TV series emphasizing working-class marital antics; and Coming 2 America (2021), a direct sequel to the 1988 hit that revisited cultural clash comedy in a contemporary context.[2][14] These projects demonstrated Sheffield's ability to adapt irreverent, character-driven humor across evolving formats, from theatrical releases to streaming platforms, while maintaining broad appeal for diverse audiences.[3] His work in this period highlighted a versatility in translating sketch-based comedy roots into feature-length stories suitable for both cinema and later digital distribution. In recent years, Sheffield has returned to theater, writing the play The Heartbreak Henry, which premiered at the Claude Gentry Theatre in 2023.[3] Returning to his alma mater, Sheffield began teaching screenwriting courses at the University of Southern Mississippi in the 2010s, focusing on practical skills in comedy writing and navigating the competitive Hollywood landscape. He mentored students through intensive mini-sessions, likening the experience to a "guerrilla war boot camp" that emphasized resilience, script development, and industry survival strategies.[15][4] These classes drew on his decades of experience to guide aspiring writers in crafting authentic, marketable humor. Sheffield has made public appearances reflecting on his career trajectory, including a 2018 interview on PBS's Conversations where he discussed the evolution of his projects from television sketches to major films and his insights into comedy's cultural impact.[16][17]Writing credits
Television
David Sheffield served as a writer for Saturday Night Live during seasons 6 through 8 (1980–1983), contributing to the show's transition under producers Jean Doumanian and later Dick Ebersol.[18] In collaboration with writing partner Barry W. Blaustein, Sheffield penned the majority of sketches featuring breakout performer Eddie Murphy, helping to revitalize the series during a challenging period.[19] Their work often highlighted Murphy's comedic talents in satirical takes on race, urban life, and pop culture, with key examples including the recurring Mister Robinson's Neighborhood series—a parody of Mister Rogers' Neighborhood that debuted in season 6 and ran for eight installments through season 9[20][21]—and the Buckwheat sketches, such as "Buckwheat Buys the Farm" (season 8, March 12, 1983)[22] and "Buckwheat Jeans" (season 8, March 19, 1983).[23] Sheffield also wrote material for repertory player Joe Piscopo, focusing on impressions and physical comedy, though specific Piscopo-associated sketches are less documented in available records.[4] By the end of season 8, Sheffield had ascended to supervising producer while continuing to write, before departing with Blaustein to pursue film projects.[18] Beyond Saturday Night Live, Sheffield's television contributions include co-writing the 1989 TV movie What's Alan Watching?, a Showtime adaptation of the children's book series by Alan Zweibel and Jane Curtin, which satirized 1960s and 1970s television tropes through the eyes of a young boy channel-surfing via his imagination. The project, again in partnership with Blaustein, marked one of Sheffield's few non-SNL TV credits and aired as a holiday special. No unproduced television sketches or additional minor projects unique to Sheffield's portfolio have been publicly detailed in credible sources.[24]Film
David Sheffield's contributions to feature films primarily involve screenplays and story development, often in collaboration with Barry W. Blaustein. His credits span comedy films, many featuring Eddie Murphy, beginning with story work and progressing to full screenplays.- Police Academy 2: Their First Assignment (1985, story by Barry W. Blaustein and David Sheffield, based on characters created by Neal Israel and Pat Proft).[25]
- Coming to America (1988, screenplay by David Sheffield and Barry W. Blaustein, story by Eddie Murphy).
- Boomerang (1992, screenplay by Barry W. Blaustein and David Sheffield, story by Eddie Murphy).
- The Nutty Professor (1996, screenplay by David Sheffield, Barry W. Blaustein, Tom Shadyac, and Steve Oedekerk, based on the 1963 film by Jerry Lewis and Bill Richmond).
- Nutty Professor II: The Klumps (2000, characters by David Sheffield and Barry W. Blaustein).
- The Honeymooners (2005, screenplay by David Sheffield, Barry W. Blaustein, Danny Jacobson, and Don Rhymer).
- Coming 2 America (2021, screenplay by Barry W. Blaustein, David Sheffield, and Kenya Barris, story by Barry W. Blaustein, David Sheffield, and Eddie Murphy).