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Don Bluth Entertainment

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Don Bluth Entertainment

Don Bluth Entertainment (formerly Sullivan Bluth Studios) was an Irish-American animation studio established in 1979 by animator Don Bluth. Bluth and several colleagues, all of whom were former Disney animators, left Disney on September 13, 1979, to form Don Bluth Productions, later known as the Bluth Group. The studio produced the short film Banjo the Woodpile Cat, the feature film The Secret of NIMH, a brief animation sequence in the musical Xanadu, and the video games Dragon's Lair and Space Ace. Bluth then co-founded Sullivan Bluth Studios with American businessman Gary Goldman, John Pomeroy and Morris Sullivan in 1985.

The studio had initially operated from an animation facility in Van Nuys, California, and negotiated with Steven Spielberg and Amblin Entertainment to produce the animated feature An American Tail. During its production, Sullivan began to move the studio to Dublin, Ireland, to take advantage of government investment and incentives offered by the Industrial Development Authority (IDA). Most of the staff from the US studio moved to the new Dublin facility during production on the studio's second feature film, The Land Before Time. The studio also recruited heavily from Ireland, and helped set up an animation course at Ballyfermot College of Further Education to train new artists.

After The Land Before Time, the studio severed its connection with Amblin and negotiated with UK-based Goldcrest Films, which invested in and distributed two additional features, All Dogs Go to Heaven and Rock-a-Doodle. In 1989, during the production of All Dogs Go to Heaven, founding member John Pomeroy and many of the remaining American staff members returned to the United States to form a satellite studio in Burbank, California. The studio found itself in financial difficulty in 1992 when Goldcrest withdrew funding due to concerns about the poor box office returns of its most recent films and budgetary over-runs in its in-production films, Thumbelina, A Troll in Central Park and The Pebble and the Penguin. A British film company, Merlin Films, and Hong Kong media company Media Assets invested in the studio to fund the completion and release of the three partially completed films.

Bluth and Goldman were drawn away from the studio when they were approached in late 1993 to set up a new animation studio for 20th Century Fox. Sullivan Bluth Studio's films continued to suffer losses at the box office, and the studio was closed down on October 31, 1995, after the release of their final feature, The Pebble and the Penguin. Don Bluth and Gary Goldman went on to head up Fox Animation Studios in Phoenix, Arizona to work on Anastasia, Bartok the Magnificent and Titan A.E.. After this, the studio was closed and folded into 20th Century Fox Animation.

Banjo the Woodpile Cat, Thumbelina and A Troll in Central Park (the latter two were formerly owned by Warner Bros. from 1994 to 2002), as well as the international distribution rights to The Pebble and the Penguin were acquired by Disney (via 20th Century Studios) on March 20, 2019, while The Secret of NIMH, All Dogs Go to Heaven and Rock-a-Doodle, as well as the North American distribution rights to The Pebble and the Penguin are still owned by Amazon MGM Studios (via United Artists and Metro-Goldwyn-Mayer respectively), and An American Tail and The Land Before Time are still owned by Universal Pictures (via Amblin Entertainment).

On September 13, 1979, Don Bluth, an animator and animation director at Walt Disney Productions, fellow animators John Pomeroy and Gary Goldman, and eight other animation staff left the studio during production on The Fox and the Hound. Bluth cited as his reasons dissatisfaction with the studio's stifling bureaucracy and its "churn 'em out" attitude to filmmaking. Bluth, Pomeroy and Goldman had been working for four years prior to leaving Disney on a project of their own, Banjo the Woodpile Cat. Upon leaving Disney, they and the other defecting animators formed the independent studio Don Bluth Productions, working out of Bluth's garage and home in Ventura, California, and made the completion of this short film their first project. After four years of production, much of it part-time, Banjo the Woodpile Cat was completed and given theatrical screenings in two theatres in December 1979. The short was then offered to various television stations, airing on HBO in February 1980 and ABC in 1982.

After the completion of Banjo, the studio moved out of Bluth's house and into a two-storey facility in nearby Studio City. The studio's first commission was to produce a two-minute animated sequence for the song "Don't Walk Away" in the live-action musical Xanadu. The brief sequence might ordinarily have taken four or five months to produce, though Bluth's studio completed it in under three. The studio then started work on its first feature film, an adaptation of the Newbery Medal-winning children's book Mrs. Frisby and the Rats of NIMH. Backed by Aurora Productions, The Secret of NIMH started production in 1980 and was completed and released in 1982. Though generally well-received by critics, who praised the richness and fluidity of the animation, some found the narrative unsatisfying. The Secret of NIMH earned $12 million in the United States, which was blamed on distributor MGM/UA's poor promotion, regionally staggered releases and competition from E.T. the Extra-Terrestrial, which had been released the previous month (which most likely brought NIMH into near-obscurity). Between this and an industry-wide animators strike in 1982, the studio found itself in financial trouble and filed for bankruptcy.

Reforming under the name Bluth Group, the studio's next project was to produce the animation for Cinematronics' arcade video games Dragon's Lair and Space Ace, both released in 1983. The games were very successful, attracting considerable attention for the animated visuals quite unlike the simplistic graphics of other games of the era, but were criticized for their limited interactivity. The collapse of the video game industry in late 1983 and early 1984 halted production on the sequel Dragon's Lair II: Time Warp. Cinematronics, now in debt and trying to cut its own losses, froze fees and royalties of over US$3 million to Bluth Group, driving the studio once again into bankruptcy. The unfinished sequel to Dragon's Lair, despite having almost all of its animated footage completed, remained unreleased until 1991.

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