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"Eaea"
Single by Blanca Paloma
LanguageSpanish
Released20 December 2022
GenreNew flamenco
Length2:59
LabelUniversal
Songwriters
ProducerJosé Pablo Polo
Blanca Paloma singles chronology
"Niña de fuego"
(2022) 		"Eaea"
(2022) 		"Plumas de nácar"
(2023)
Music video
"Eaea" on YouTube
Eurovision Song Contest 2023 entry
Country
Artist
Languages
Composers
Lyricists
  • Blanca Paloma Ramos
  • José Pablo Polo
  • Álvaro Tato
Finals performance
Final result
17th
Final points
100
Entry chronology
◄ "SloMo" (2022)
"Zorra" (2024) ►
Official performance video
"Eaea" (Grand Final) on YouTube

"Eaea" (IPA: [eːäeːä]) is a song by Spanish singer Blanca Paloma. The song was co-written by Blanca Paloma alongside José Pablo Polo and Álvaro Tato, with Polo serving as the song's solo producer. It was released on 20 December 2022 through Universal. The song represented Spain in the Eurovision Song Contest 2023, where it finished in 17th at the final with 100 points.

"Eaea" is described as a new flamenco lullaby that serves as a tribute an ode to Blanca Paloma's grandmother, Carmen, and the culture of the Spanish region of Andalusia. The song drew largely positive reception from both Spanish and international critics for its flamenco elements, Blanca Paloma's vocal abilities, and its unique musical nature.

Background and composition

[edit]

"Eaea" was written by Blanca Paloma, José Pablo Polo, and Álvaro Tato.[1] The song is described as an "honour" to the singer's roots, as a "celebration of female ancestors' power and strength" and "a chant" to Blanca Paloma's grandmother Carmen, who having introduced her to flamenco, heavily inspired the song as well as much of Blanca Paloma's music.[2][3] The song and its accompanying dance performance features the "nurturing" of traditional Spanish sounds and flamenco styles.[4] It also features "flamenco handclaps", syncopated beats, and Arabic vocal lines "underscored with a pulsating synth line", fused with international elements which reflect Blanca Paloma's "trademark style" of mixing traditional musical elements with aspects of avant-garde and modern pop.[2][5]

With the song being heavily inspired by Carmen, it features various cultural aspects of Andalusian life, and is described as a lullaby in reference to both lyrics and composition.[3][6] According to Blanca Paloma, she first thought of writing the new flamenco song during a trip to a flamenco dance school at the Antón Martín market in Madrid.[6] In interviews, Blanca Paloma stated that she wrote "Eaea" as a tribute to Carmen's love towards her, taking inspiration from an Andalusian lullaby that mocked death, which Carmen used to sing to her.[3][7] She later added in an El Mundo interview that the song was meant to "fill the void" of Carmen's memory when she died.[8] The single's artwork features a photograph of Carmen, and a "representation of the power and strength" of Blanca Paloma's female ancestors is expressed via the performances' accompanying backing vocalists and dancers.[2]

When initially applying to Benidorm Fest 2023, Blanca Paloma sent two songs: "Eaea" and "Plumas de nácar", with Spanish broadcaster Radiotelevisión Española (RTVE) choosing the former to compete in the competition.[9] The song officially premiered on 18 December 2022 alongside all other Benidorm Fest 2023 songs[10] and was released on streaming platforms two days later.[a]

Music video and promotion

[edit]

Along with the song's release, an accompanying music video directed by Angel Pastana was released on 9 March 2023, featuring five dancers: Paloma Scharfhausen, Angélica Moyano, Paula Valbuena, Paula Gironi, and Amanda Nóbrega.[11][12][13] The video featured a similar atmosphere to Blanca Paloma's performance at Benidorm Fest 2023, with the video featuring the addition of chairs. For Blanca Paloma, her standing up after sitting down from a chair represented to Blanca Paloma that "when I first started singing in front of a crowd, I did it while sitting because I didn't feel bold enough to do it while standing. Getting up from that chair represents the moment of claiming up my space as an artist."[13] The video also includes the addition of a shot of Blanca Paloma surrounded by approximately 300 candles;[13] in an analysis from La Vanguardia's Monica Paredes, the inclusion of candles represented "a way of invoking our ancestors and creating a women's rite".[14]

To further promote the song, Blanca Paloma announced her intent to perform at various Eurovision pre-parties before the contest during the months of March and April, including the Barcelona Eurovision Party on 25 March,[15] Israel Calling on 3 April,[16] Pre-Party ES 2023 on 8 April,[17] Eurovision in Concert on 15 April,[18] and the London Eurovision Party on 16 April.[19] She also made various appearance on television shows and art exhibitions, performing a specialized version of "Eaea" on Spanish talk show El Hormiguero on 14 February[20][21] and acoustic versions of the song during the ARCO art show [es] on 23 February[22] and the Portuguese national final for Eurovision 2023, Festival da Canção 2023, on 25 February.[23]

Critical reception

[edit]

Spanish media and personalities

[edit]

In Spain, reactions to "Eaea" were mostly positive. El Mundo's Eduardo Álvarez wrote that while the song allowed Blanca Paloma to showcase her "vocal brilliance", he admitted that the song would only appeal to juries.[24] El País' Carlos Marcos compared Blanca Paloma's song to those of María José Llergo, describing it as "an interesting piece that brings cante jondo closer to electronic sound, creating an atmosphere with Lorca-esque connotations". He also added that Blanca Paloma sung "wonderfully".[25] The Conversation's José Luis Panea praised the song for its unusual nature, stating that the song was "an opportunity to take advantage of [Eurovision] and for professionals in the artistic field to contribute to creating suggestive and avant-garde imagery on public television, beyond the mainstream trends we are so accustomed to consuming".[26] Spanish representative for Eurovision 2022, Chanel Terrero, stated that she saw Blanca Paloma to be "very prepared... we have a chance of winning and I hope [it happens]".[27] In contrast, radio and television journalist Máximo Pradera [es] criticised the song for sounding like a "Christmas carol", adding, "It is impossible for this trickster to win anything."[28]

[edit]

Amongst international media, reception was consistently positive. In a Wiwibloggs review containing reviews from several critics, the song was rated 8.17 out of 10 points,[29] coming fourth out of 37 songs on the site's annual ranking.[30] Vulture's Jon O'Brien ranked the song 17th overall, describing it as an "aggressively Spanish" song, praising Blanca Paloma's vocal abilities and stage presence.[31] Another three Vulture editors consisting of Charlie Harding, Nate Sloan, and Reanna Cruz all praised the song's connections to Spanish culture and flamenco, writing that the song was musically complex.[32] ESC Beat's Doron Lahav ranked the song first overall out of the 37 entries competing in Eurovision 2023, writing that Blanca Paloma had "very impressive vocal ability" that "put me to tears this year".[33]

BBC News' Mark Savage called the song as "one of the most musically intriguing entries" of Eurovision 2023, predicting a top three finish in the contest while adding that "a lot will ride on how Blanca Paloma's melismatic vocal performance can be recreated live".[34] The Guardian's Ben Beaumont–Thomas included the song in his "14 songs to listen out for at Eurovision 2023" list, describing it as "bold and engaging... the song wraps around you like a fluttering bolt of cloth". He later added that Blanca Paloma's vocal abilities featured "this year's most interesting vocal timbre".[35] i's Anna Bonet ranked it tenth out of the 26 finalists in Eurovision 2023, writing that the song was "bold, and bound to be divisive".[36] The Times' Ed Potten ranked the song fourth out of the 26 finalists, ranking it four out of five stars and described the song as "gratifyingly original".[37]

Eurovision Song Contest

[edit]
Main articles: Spain in the Eurovision Song Contest 2023 and Benidorm Fest 2023

Benidorm Fest 2023

[edit]

Radiotelevisión Española (RTVE) organised an 18-song competition titled Benidorm Fest 2023 in order to select its entry for the Eurovision Song Contest 2023. The competition was split into two rounds: the first round featured two, nine-song semi-finals on 31 January and 2 February, with the highest four placing songs from each semi-final advancing to an eight-song grand final on 4 February.[38] In all rounds, the voting system was determined by a 50/25/25 split of professional juries, a demographic panel, and a televote, respectively.[39]

"Eaea" was drawn to perform fifth in the second semi-final.[40] For its Benidorm Fest performance, Blanca Paloma wore an asymmetrical red top, black strips that covered the majority of her left arm, and white leather pants.[41] The staging featured red hanging fringes, which was a tribute to the clothing style of Blanca Paloma's grandmother displayed on the cover artwork of "Eaea".[42] Blanca Paloma is accompanied by three background dancers consisting of Angélica Moyano, Paula Valbuena, and Paloma Fernández, and two backing vocalists consisting of Desiré Paredes and Saray Frutos.[6] The six performers are described by Blanca Paloma to be performing "a rite of invocation, of trance, of catharsis, where somehow we connect with our ancestors, with the strength they have left each one of us".[8]

The song qualified from the second semi-final, coming in first with 167 points.[43] "Eaea" was later drawn to perform sixth in the grand final.[44] After the final results were announced, the song was revealed to have won the competition. "Eaea" finished first in the expert jury with 94 points, second in the demoscopic jury with 35 points, and first in the televote with 40.[45] The combined total of 169 points was 24 more than the runner-up, "Quiero arder" by Agoney.[46]

At Eurovision

[edit]

The Eurovision Song Contest 2023 took place at the Liverpool Arena in Liverpool, United Kingdom, and consisted of two semi-finals held on the respective dates of 9 and 11 May, and the final on 13 May 2023. As Spain was a member of the contest's main sponsoring countries the "Big Five", "Eaea" automatically qualified for the grand final.[47] It was drawn to perform eighth in the final, ahead of Cyprus' "Break a Broken Heart" by Andrew Lambrou and before Sweden's "Tattoo" by Loreen.[48]

refer to caption
Blanca Paloma performing "Eaea" at a Eurovision semi-final jury show.

The Eurovision performance included tweaks to "elevate the song to a higher status".[49] The staging remained largely similar to the Benidorm Fest version, with slight changes to camera angles and lighting being made to accommodate for the Eurovision stage.[50][51][52] The red curtains, which were hanged from the roof during the Benidorm Fest performance, was now instead made transportable and movable.[53] Blanca Paloma wore an outfit designed by Paola de Diego and Raúl Amor that was made to look like an archer; according to El Mundo, the costume cost €12,650.[54]

The performance received mixed reactions. The Independent's Mark Beaumont described it as "a breathtaking performance that breaks innumerable Eurovision rules."[55] El País' Mariola Cubells stated, "Blanca Paloma did such a powerful performance, very dignified and very worked for. And we have to value the effort put into the performance being for TV, which was hard enough, was good."[56] Another writer for El País, Carlos Marcos, wrote that "Blanca Paloma had a powerful weapon: a huge, deep, pinching voice. Her interpretation was remarkable and the staging attractive without overdoing it."[57] In contrast, Mara Maionchi, commentator for the Italian broadcaster RAI, heavily criticised Blanca Paloma's vocals during her performance, comparing them to "a lullaby, but the child won't sleep anymore because she screams... too much [like a madwoman]".[58]

After the results were announced, the entry finished in 17th out of 26 finalists with 100 points, with a split score of ninth rank from 95 jury points and 26th last from five televoting points.[59] The song received no sets of 12 points. Regarding the former, the highest given was a set of ten points by Portugal. In televoting, the highest score given was a set of three points, also given by Portugal.[60] In response to her result, Blanca Paloma stated that she thought the finish was due to not "connect[ing] to as many people as we'd imagined".[61] She later stated to ABC that "I am happy with the execution. It was risky. I want to encourage people not to stop taking risks with different proposals."[62] El Mundo's Eduardo Álvarez declared in response to the result that "[she] did not deserve those shameful five points from the televote... However, Blanca Paloma has allowed us to dream in recent days to conquer the top of the podium".[63]

Charts

[edit]
Chart performance for "Eaea"
Chart (2023) Peak
position
Lithuania (AGATA)[64] 67

Release history

[edit]
Release history and formats for "Eaea"
Country Version Date Format(s) Label Ref.
Various Original 20 December 2022
Universal [a]

Notes

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Eaea

View on Grokipedia
from Grokipedia
Eaea (: Αἰαία), also spelled , was a mythical in , renowned as the home of the goddess-sorceress , daughter of the sun god and the Oceanid Perse. In Homer's , the serves as a pivotal stop in ' journey, where initially transforms several of his crewmen into swine using a magical potion before relenting and providing guidance for their voyage to the and beyond. The island is depicted as a lush, enchanted realm featuring Circe's stone palace amid wild glades populated by tame yet bewitched lions and wolves, emphasizing her dominion over transformative magic and illusion. Its precise location remains ambiguous in ancient accounts: places it in the distant west near the River , while later traditions, such as those in Apollonius Rhodius' , associate it with the Tyrrhenian shores of , near Mount Circeo, which was mythically linked to the sorceress. Beyond the Odyssey, Eaea plays a role in the , where Jason and the Argonauts arrive seeking purification from after the killing of her nephew Absyrtus, highlighting the island's function as a site of ritual cleansing and divine intervention in heroic quests. further connects it to Tyrrhenia, portraying Circe's arrival there on her father's solar chariot, underscoring Eaea's ties to solar and oceanic deities. These narratives collectively define Eaea as a of perilous enchantment and otherworldly wisdom in classical Greek lore.

Background and development

Inspiration and writing

"Eaea" was co-written by Spanish singer , alongside composers José Pablo Polo and lyricist Álvaro Tato, who collaborated to blend personal narrative with cultural elements. The song emerged from Blanca Paloma's reflections on her family heritage, specifically drawing inspiration from her late grandmother, , whose nurturing presence shaped the artist's early life. The core concept developed as a to maternal figures, evoking the comforting rituals of childhood through a modern structure rooted in Andalusian traditions. has shared that her grandmother would sing traditional songs from her Sevillan roots to soothe her as a , infusing the track with themes of and legacy. This personal motivation intertwined with influences, honoring the expressive depth of Spanish folk practices passed down through generations. The initial writing process began in late 2022, as , Polo, and Tato worked to craft lyrics and music that captured this intimate homage. The collaboration focused on creating an emotional chant-like piece, with the song first released on December 20, 2022, ahead of its selection for 's Eurovision entry.

Recording and production

"Eaea" was produced by José Pablo Polo at studios in , where he also served as co-writer alongside and Álvaro Tato. The track's mixing was handled by Vicent Huma, while Pablo Schuller managed the mastering process. Following the song's win at in February 2023, Polo made revisions to adapt it for the Eurovision stage. Clocking in at 2:59 minutes, the song blends traditional rhythms—characterized by syncopated percussion elements such as palmas (handclaps)—with modern electronic synth layers to create its distinctive sound. Production choices emphasized vocal layering to evoke a ritualistic, ethereal quality, drawing on flamenco's emotive delivery while integrating electronic production techniques.

Music and lyrics

Musical style

"Eaea" is classified as , or flamenco nuevo, a genre that fuses traditional elements with contemporary electronic and pop influences. This blend draws from Spain's musical heritage, incorporating microtonal vocal bends reminiscent of and Arab influences, while updating the sound through synthesizers and electronic beats. The song maintains a fast flamenco rhythm, propelled by percussive hand claps and polyrhythmic patterns at approximately 116 beats per minute, evoking the intricate footwork and palmas of traditional . Its structure follows a classic verse-chorus format, with flamenco-inspired builds that intensify through layered choral elements and escalating percussion in the choruses. Blanca Paloma's vocal delivery is characterized by her distinctive style, featuring emotional phrasing, primal wails, and ad-libbed flourishes that add haunting depth and intensity to the performance. These elements, combined with a of female voices echoing the titular "eaea" , create a cinematic and ritualistic flow that emphasizes the song's pop sensibilities.

Themes and lyrics

"Eaea" is sung entirely in Spanish and serves as a poignant exploring themes of motherhood, loss, and enduring comfort. The depict a mother's tender address to her child, offering solace amid grief and promising eternal vigilance even after death. This narrative draws from personal familial bonds, with briefly noting the song's roots in her grandmother's influence during its creation. Central to the song is the repeated "eaea," a sequence of syllables that mimic the soothing, rhythmic chants of a , evoking memories of childhood innocence and maternal protection. These sounds symbolize a non-verbal form of comfort, transcending literal words to convey emotional heritage passed down through generations. In interviews, Paloma emphasized the importance of connecting with her roots through such elements, blending intimacy with cultural depth. The lyrics weave in cultural ties to Spanish and Andalusian , incorporating motifs of mocked through song, a tradition from where Paloma's heritage lies. A key excerpt illustrates this: "Mi niño, cuando me muera / Que me entierren en la luna / Y to’as las noches te vea / To’as las noches menos una" (translated as "My child, when I die / May they bury me in the / So that I’ll see you every night / Every night but one"). Here, the represents a celestial shrine from which the mother watches over her child, symbolizing love's triumph over mortality, while "every night but one" alludes to the uncertainty of the in Andalusian lore. Another line, "Lagrimitas del Nilo, noches en vela" ("Little tears from the , sleepless nights"), evokes biblical imagery of sorrow and maternal vigilance, reinforcing themes of loss and resilience. Paloma has cited García Lorca's influence, whose works often romanticize Andalusian and the as a symbol of longing and .

Promotion

Music video

The official music video for "Eaea" was directed by Ángel Pastrana and premiered on March 9, 2023, via an exclusive broadcast on , attracting just under 700,000 viewers. The production was handled by in collaboration with El Cuervo Producciones, emphasizing a surreal aesthetic that blends flamenco-inspired elements with dreamlike visuals. Blanca Paloma appears throughout in traditional Spanish attire, including a black veil, underscoring the song's roots as a lullaby tribute to her grandmother and Andalusian heritage. Key scenes feature intense dance sequences, where she performs intricate footwork and gestures amid ethereal settings, symbolizing emotional and familial connection. Other symbolic elements include her seated amid over 300 flickering candles to evoke introspection and loss, as well as floating white fabrics and levitating chairs that enhance the otherworldly atmosphere tied to the track's themes of maternal legacy and cultural ritual. Following the TV premiere, the video was uploaded to the official Eurovision Song Contest YouTube channel, where it quickly gained traction and has since accumulated over 2.1 million views.

Pre-Eurovision performances

Following her win at Benidorm Fest on 4 February 2023, Blanca Paloma appeared on several Spanish television programs to promote "Eaea". On 14 February, she delivered an exclusive acoustic rendition on El Hormiguero, a popular Antena 3 talk show, where host Pablo Motos praised the performance for its emotional depth and spontaneity, noting it was prepared in just one afternoon, which captivated the studio audience and left them visibly moved. This appearance highlighted her vocal versatility while previewing the song's flamenco-inspired intimacy in a stripped-down format. To build international buzz ahead of the contest, performed "Eaea" at key Eurovision pre-parties across in March and April 2023. On 25 March, she took the stage at the Eurovision Party, incorporating dance elements with backing performers that emphasized the song's rhythmic bulería style, earning enthusiastic applause from the crowd for her commanding stage presence and cultural authenticity, though some observers noted the intimate venue amplified the performance's raw energy. She followed this on 7 April by hosting and performing at PrePartyES in Madrid's La Riviera venue, where the integration of traditional footwork and handclaps previewed her evolving staging, drawing positive media comments on the event's welcoming atmosphere and her seamless blend of tradition and modernity. Blanca Paloma continued her promotional tour with a live rendition at Eurovision in Concert in on 15 April, featuring similar dance integrations that showcased synchronized movements to the song's syncopated beats, receiving acclaim from international fans for its hypnotic quality and vocal precision in the larger arena. These pre-contest events allowed her to refine the performance's visual and choreographic components, with brief audience reactions highlighting the growing excitement around Spain's entry.

Critical reception

Spanish media

Spanish media outlets praised "Eaea" for its cultural authenticity and deep connection to flamenco traditions, highlighting its role as a modern tribute to Spanish heritage. In , the song's selection through was described as a "consensus" victory without controversy, fostering an "incipiente culto" (incipient cult) around for blending traditional elements with contemporary innovation. emphasized the track's homage to the artist's roots and her grandmother , portraying it as an exaltation of generational love passed through lullabies, infused with flamenco essence. Flamenco experts and cultural commentators lauded the vocal innovation in "Eaea," noting its emotional depth and revival of flamenco in a pop context. Diario de Sevilla acclaimed the song as a "nana tradicional jonda a ritmo de bulerías" with electronic arrangements, stating that "España está preparada" for this fresh take on flamenco, which captures raw emotional intensity through Paloma's powerful delivery. Musicóloga Zara Codeseira, in El Confidencial, highlighted the track's potential to resonate emotionally by drawing on flamenco's cathartic qualities, describing it as a "nana vanguardista" that innovates vocally while honoring ancestral narratives. Spanish celebrities expressed strong support for the song's flamenco revival and heartfelt lyrics. Actor advised Paloma to "ámalo" (love it) in both good and bad times, praising her dedication to the profession and implicitly endorsing the authenticity of "Eaea" during their encounter at the Premios Talía. Fellow artists like and Tony Aguilar sent messages of encouragement via , celebrating the song's bold fusion of tradition and modernity as a proud representation of Spanish identity. National press extensively covered the win, framing it as a triumph for cultural revival. noted that "Eaea" and Paloma's performance "gritan España por los cuatro costados" (scream from all sides), appreciating its unapologetic embrace of national sounds in a global contest. Vogue portrayed the victory as an "oda al rito, el y las mujeres" (ode to rite, flamenco, and women), underscoring the song's empowering themes of ancestry and resilience.

International media

International media coverage of "Eaea" highlighted its bold fusion of traditional with modern elements, often praising its cultural depth while noting challenges in broader accessibility. The Wiwi Jury from awarded the entry an average score of 8.17 out of 10, commending Blanca Paloma's stellar and powerful vocals as well as the dynamic staging that enhanced the performance's visual impact. Eurovision-focused outlets emphasized the song's role in representing Spanish heritage, with reviewers appreciating how it modernized through vocal delivery and analogue-techno effects, serving as an ode to the artist's grandmother and Andalusian roots. ESC Today described the performance as mesmerizing, underscoring its emotional and cultural resonance in introducing authentic traditions to a global audience. Feedback was mixed regarding the flamenco style's accessibility, with some international commentators finding its repetitive structure and regional flavor limiting for non-Spanish listeners, potentially hindering widespread appeal despite its artistic innovation. noted the absence of a conventional , portraying it as an instinctive, soul-exploring experience that wraps around the listener like fluttering cloth, which added to its experimental allure but may have alienated those seeking more familiar pop conventions. Post-Eurovision analyses in European press reflected on "Eaea"'s 17th-place finish as a testament to the risks of cultural specificity in a diverse , yet celebrated its contribution to elevating underrepresented influences on the international stage. reported Blanca Paloma's own reflection encouraging continued support for such creative, tradition-rooted entries to foster greater diversity in future editions.

Eurovision Song Contest 2023

Benidorm Fest selection

served as Spain's national selection for the , organized by broadcaster and held from 31 January to 4 February at the Palau Municipal d'Esports l'Illa in . The event featured two semi-finals on 31 January and 2 February, each with nine competing entries, from which four advanced to the final based on a combined vote of 50% expert jury, 25% demoscopic panel, and 25% televote. The grand final on 4 February included eight acts, with the winner determined by 50% expert jury votes and 50% public votes, the latter split equally between televoting and a demoscopic sample of 350 participants. Blanca Paloma's "Eaea" participated in the second semi-final on 2 , performing sixth in the running order among entries including Vicco's "Nochentera", Karmento's "Quiero y duelo", and Famous Oberogo's "La Lola". The song secured first place with 167 points, advancing alongside Vicco (135 points), Karmento (107 points), and Famous Oberogo (81 points), thanks to strong support from the jury (92 points), demoscopic panel (35 points), and televote (40 points). In the final, "Eaea" competed against qualifiers from the first semi-final—Agoney's "Quiero arder", Fusa Nocta’s "Mi familia", Alice Wonder's "Yo quisiera", and Megara's "Arcadia"—as well as the other second semi-final advancers: Vicco's "Nochentera", Karmento's "Quiero y duelo", and Famous Oberogo's "La Lola". delivered the performance sixth, featuring staging with two central red fringed semi-circular structures evoking traditional Spanish shawls, accompanied by backing dancers in coordinated red attire to emphasize flamenco-inspired movements and cultural roots. The visual elements paid homage to the singer's grandmother's style, enhancing the song's themes of matriarchal legacy and emotional intensity. "Eaea" emerged victorious with 169 points, earning 94 from the and 75 from the vote, including top scores of 12 points from both the jury and televote, outperforming (145 points) and securing Spain's Eurovision entry.

Performance and results

"Eaea" was performed eighth in the grand final of the , held on 13 May 2023 at the M&S Bank Arena in , . Following her victory at , delivered the song with a staging that emphasized its roots while adapting to the international arena. The performance featured in sleek white trousers and a red top, joined by five dancers incorporating traditional movements to evoke strength and emotion. Central to the staging were two red fringed semi-circular structures surrounding the performers, serving as a to the artist's grandmother and enhancing the intimate, ritualistic atmosphere. LED screens displayed flamenco-inspired imagery, including dancers and clapping hands, complemented by floor projections of an expanding red circle and dynamic black, red, and white lighting that intensified during key moments. During rehearsals, the production team made subtle tweaks to the version, primarily in the second half, including refined sound mixing and lighting adjustments to suit the larger stage and elevate the song's dramatic build. These changes maintained the core essence while amplifying the visual and auditory impact for the global audience. In the final results, "Eaea" placed 17th out of 26 entries, earning a total of 100 points: 95 from the professional juries and 5 from the televote.

Commercial performance

Charts

"Eaea" achieved modest chart performance internationally following its release in February 2023 and performance at the . The song's exposure from provided a temporary boost in select markets, but its mid-table finish limited broader commercial traction. In , "Eaea" entered the AGATA Lithuanian Singles Top 100 as a new entry at number 67 during the chart week of –18, 2023, immediately after the Eurovision final. It spent only one week on the chart, reflecting the event's regional influence on streaming and sales in Eurovision-participating countries. The track did not appear on major global charts, including the Official Singles Chart Top 100 for the week ending May 19, 2023, where higher-placing Eurovision entries like Sweden's "" and Finland's "Cha Cha Cha" debuted in the top 10. Similarly, it failed to enter the , where only top contest performers such as "" (debuting at number 15) gained entry. This pattern underscores how Eurovision results often drive post-contest chart momentum, favoring winners and podium finishers over mid-field entries like Spain's 17th-place showing.

Certifications and sales

"Eaea" has not received any official certifications from major bodies, such as PROMUSICAE in or international equivalents, as of November 2025. On streaming platforms, the single has garnered approximately 9.85 million plays on worldwide by late October 2025, reflecting sustained interest following its Eurovision performance. Estimated physical and digital sales figures for "Eaea" remain limited and unreported in public sources, with no comparable data available to previous Spanish Eurovision entries like those achieving higher commercial thresholds in prior years.

Release history

RegionDateFormatLabel
Various20 December 2022Digital downloadUniversal Music Publishing

References

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  2. https://www.theoi.com/Text/HomerOdyssey10.html
  3. https://www.theoi.com/Text/ApolloniusRhodius4.html
  4. https://eurovision.tv/participant/blanca-paloma-2023
  5. https://www.esc-plus.com/spain-2023-blanca-paloma-has-released-the-official-music-video-of-eaea/
  6. https://www.standard.co.uk/culture/music/blanca-paloma-spain-eurovision-entry-rosalia-b1080146.html
  7. https://wiwibloggs.com/2023/02/03/blanca-paloma-eaea-lyrics-translation-english/275161/
  8. https://eurovision.tv/story/ya-ea-ea-its-blanca-paloma
  9. https://www.esc-plus.com/spain-2023-entry-eaea-has-undergone-changes/
  10. https://www.youtube.com/watch?v=mpZlVtcGtU0
  11. https://www.youtube.com/watch?v=_6Mef__R5dU
  12. https://rateyourmusic.com/artist/blanca-paloma-1
  13. https://eurovoix.com/2024/06/26/eurovision-2024-in-a-cultural-context-songs-traditional/
  14. https://www.vulture.com/2023/05/eurovision-2023-songs-favorites-most-likely-to-win.html
  15. https://wiwibloggs.com/2023/04/27/eurovision-2023-review-spain-blanca-paloma-eaea-wiwi-jury/277153/
  16. https://songbpm.com/%40blanca-paloma/eaea-FJ07Onkgp7
  17. https://escbeat.com/2023/04/30/eurovision-2023-songs-review-part-7-germany-france-italy-ukraine-spain-uk/
  18. https://www.reddit.com/r/eurovision/comments/1l7b4dr/what_is_the_most_experimental_song/
  19. https://escbubble.com/2023/04/blanca-paloma-its-very-important-for-me-to-connect-with-the-audience-and-with-my-roots/
  20. https://genius.com/Genius-english-translations-blanca-paloma-eaea-english-translation-lyrics
  21. https://eurovision.tv/sites/default/files/uploads/2023-04/EUROVISION%25202023%2520MEDIA%2520HANDBOOK.pdf
  22. https://www.rtve.es/television/20230309/eurovision-2023-blanca-paloma-estreno-videoclip-eaea/2430888.shtml
  23. https://eurovoix.com/2023/03/10/700000-viewers-watched-eaea-music-video/
  24. https://esctoday.com/190088/spain-blanca-paloma-releases-the-official-music-video-of-eaea/
  25. https://www.diezminutos.es/famosos-corazon/famosos-espanoles/a43269297/blanca-paloma-video-oficial-cancion-eaea-festival-eurovision/
  26. https://www.rtve.es/play/videos/eurovision/eaea-blanca-paloma-videoclip-oficial-eurovision-2023/6830935/
  27. https://www.heraldo.es/noticias/ocio-y-cultura/2023/03/10/blanca-paloma-estrena-videoclip-eurovision-aparece-rodeada-velas-telas-flotando-sillas-1637115.html
  28. https://www.youtube.com/watch?v=NGnEoSypBhE
  29. https://www.antena3.com/programas/el-hormiguero/entrevista/blanca-paloma-emociona-eaea-directo_2023021463ec031bb5cd3200012ae396.html
  30. https://wiwibloggs.com/2023/03/26/barcelona-eurovision-party-2023-who-gave-the-best-live-performance/276588/
  31. https://www.youtube.com/watch?v=0ycUxy4l00M
  32. https://wiwibloggs.com/2023/04/10/madrid-prepartyes-2023-who-gave-the-best-live-performance/276862/
  33. https://elpais.com/television/2023-02-05/el-incipiente-culto-a-blanca-paloma-la-ganadora-de-la-edicion-del-consenso-del-benidorm-fest.html
  34. https://www.rtve.es/television/20230205/blanca-paloma-gana-benidorm-fest-eaea-representara-espana-eurovision-2023/2421206.shtml
  35. https://www.diariodesevilla.es/ocio/Blanca-Paloma-Eurovision-Eaea_0_1765023846.html
  36. https://www.elconfidencial.com/television/eurovision/2023-02-05/eurovision-2023-blanca-paloma-opciones-triunfo-eurovision_3570201/
  37. https://www.rtve.es/television/20230328/blanca-paloma-consejo-eurovision-antonio-banderas-premios-talia/2433432.shtml
  38. https://www.rtve.es/television/20230513/eurovision-blanca-paloma-mensajes-apoyo-eaea-famosos-pichones/2445786.shtml
  39. https://www.esquire.com/es/actualidad/musica/a43790151/eurovision-espana-blanca-paloma-ganar/
  40. https://www.vogue.es/living/articulos/benidorm-fest-2023-ganadora-blanca-paloma
  41. https://www.theguardian.com/music/2023/may/09/songs-eurovision-loreen-kaarija-tvorchi-mae-muller
  42. https://esctoday.com/189704/spain-blanca-paloma-gives-a-mesmerizing-performance-of-eaea/
  43. https://wiwibloggs.com/2023/05/20/blanca-paloma-encourages-further-cultural-creativity-at-eurovision/277532/
  44. https://eurovoix.com/2023/02/01/benidorm-fest-2023-semi-final-one/
  45. https://eurovision.tv/story/blanca-paloma-takes-benidorm-fest-trophy
  46. https://eurovisionworld.com/national/spain/benidorm-fest-2023/karmento-quiero-y-duelo
  47. https://eurovisionworld.com/national/spain/benidorm-fest-2023/famous-la-lola
  48. https://eurovoix.com/2023/02/03/%F0%9F%87%AA%F0%9F%87%B8-spain-benidorm-fest-2023-finalists-selected/
  49. https://wiwibloggs.com/2023/02/02/spain-benidorm-fest-2023-semi-final-2-results/275133/
  50. https://eurovision.tv/live-blog-thursday-4-may/spain-takes-stage
  51. https://escbubble.com/2023/02/blanca-paloma-wins-benidorm-fest-2023/
  52. https://eurovoix.com/2023/02/04/spain-eurovision-2023/
  53. https://eurovoix.com/2023/02/05/benidorm-fest-2023-final-televote/
  54. https://eurovisionworld.com/eurovision/2023/spain
  55. https://eurovoix.com/2023/05/04/spain-blanca-paloma-first-eurovision-rehearsal/
  56. https://eurovisionfun.com/en/2023/05/eurovision-2023-spains-first-rehearsal/
  57. https://eurovisionfun.com/en/2023/04/spain-eaeas-stage-appearance-will-be-magical-and-dynamic/
  58. https://eurovisionworld.com/eurovision/2023
  59. https://eurovision.tv/story/eurovision-2023-hits-charts
  60. https://www.agata.lt/lt/naujienos/s20-2/
  61. https://www.officialcharts.com/charts/singles-chart/20230519/7501/
  62. https://www.billboard.com/pro/loreen-tattoo-eurovision-billboard-global-charts/
  63. https://kworb.net/spotify/artist/4wm4mhiGnYPzCerFg3venQ_songs.html
  64. https://www.aussievision.net/post/all-the-spanish-eurovision-entries-that-have-charted-in-spain
  65. https://music.apple.com/us/album/eaea-single/1660343905
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