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Electric Callboy
Electric Callboy
Electric Callboy
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Electric Callboy, formerly Eskimo Callboy, is a German electronicore band formed in Castrop-Rauxel in 2010. Initially noted for their serious lyrics and post-hardcore sound, they underwent a line-up and name change during the early 2020s and have since garnered mainstream attention for their comedic songs, live shows, and music videos. They also occasionally perform DJ sets under the name Electric Bassboy.[1]

Key Information

History

[edit]

Early releases and Bury Me in Vegas (2010–2013)

[edit]
Electric Callboy (then Eskimo Callboy) at Wacken Open Air in 2016

The band's debut EP, Eskimo Callboy, was self-released in 2010 and was distributed via EMP. The band later re-released the EP via their actual recording label Redfield Records. The band was a support act for groups like Bakkushan, Callejon, Ohrbooten, We Butter the Bread with Butter, and Neaera. At festivals, the group shared the stage with acts like Casper, Distance in Embrace, and Rantanplan. In 2011, they played at Traffic Jam Open Air and Mair1 Festival. Their debut album Bury Me in Vegas was released worldwide via Redfield Records on 23 March 2012.[2] Between 28 and 30 September 2012, the band toured Japan on the Geki Rock Tour, then toured China and Russia.[3]

In October and November 2012, the band opened for Callejon on their tour through Germany and Austria.[4] During the final show of the tour, at Live Music Hall in Cologne on 10 November 2012, nine fans were injured after pieces of the ceiling fell onto the moshpit area.[5] The concert was stopped and rescheduled to take place at E-Werk in Cologne on 23 February 2013, for which the band could not appear due to touring with The Browning, Close to Home, and Intohimo through Europe.[6][7]

On 17 November 2012, the band announced after a concert in Düsseldorf that they were parting ways with their drummer Michael Maletzki, who was replaced by David Friedrich. In April 2013, the band toured the United States for the first time alongside Kottonmouth Kings and Deuce.[8] In August, the band made an appearance at Wacken Open Air,[9] as well as returning to the Geki Rock Tour in Japan. The band won the Up And Coming Award at the German Metal Hammer Awards, held in Berlin on 13 September 2013.[10]

We Are the Mess, Crystals, The Scene, Rehab, and departure of Biesler (2013–2020)

[edit]
Biesler performing with the band in 2018

The band started recording their second album, We Are the Mess, at Kohlekeller Studios with producer Kristian Kohlmannslehner in autumn 2013. The album was released on 10 January 2014 via Redfield Records and Warner Music Japan.[11] The band played five shows in Germany supported by Annisokay. We Are the Mess peaked at No. 8 on Germany's official long-play charts and No. 64 in Austria. The band also toured in Japan to promote their album.[12] In March, the band toured Europe supported by Iwrestledabearonce, Her Bright Skies, and To the Rats and Wolves.[13]

In August 2019, the band released the single "Hurricane" from their fifth studio album Rehab, which was released on 1 November.[14] Following the release of Rehab, the band embarked on their Rehab European Tour 2019.[15] On 12 February 2020, they announced that lead singer Biesler would be leaving the band.[16][17]

Tekkno and addition of Nico Sallach (2020–present)

[edit]

On 24 April 2020, co-lead singer Kevin Ratajczak announced that the band had found Biesler's replacement, which was confirmed to be Nico Sallach (former frontman of To the Rats and Wolves, who toured with the band seven years prior) on 4 June.[18][19] On 19 June, the band released the song "Hypa Hypa", with its accompanying music video signalling a more comedic direction for the band and becoming their most-viewed YouTube video.[20] On 24 July, the band released the song "Hate/Love".[20] On 11 September, the band released the EP MMXX.[18]

On 3 September 2021, the band released the song "We Got the Moves", whose music video overtook "Hypa Hypa" to become their most-viewed YouTube video.[21] On 3 December, the band released the song "Pump It".[22] On 6 December, the band announced that they had applied to represent Germany in the 2022 Eurovision Song Contest with "Pump It",[23] but ultimately were not included in the final list of participants.[24]

In December, the band announced that they were removing a selection of their old songs from all platforms due to lyrics that had "become increasingly problematic in modern times".[25] In March 2022, they announced that they had changed their name from Eskimo Callboy to Electric Callboy after learning that "Eskimo" can be seen as an outdated term and slur for the Inuit and Yupik people.[25] They subsequently re-released the artwork from their previous albums with their new name.[26] On 8 April, they released their first song under their new name, "Spaceman" featuring rapper Finch.[27] On 15 April, they announced their next album Tekkno, to be released on 9 September 2022.[28][29]

On 8 July 2022, the band released a song called "Fuckboi" alongside American metalcore band Conquer Divide.[30] On 19 August, they released the song "Hurrikan" (unrelated to their old song "Hurricane"),[31] and the release date for Tekkno was changed to 16 September 2022.[32] Tekkno entered the German charts at No. 1 in the first week after release, the highest ranking any of their records achieved. In the following week, they had to postpone their UK and France tour as well as cancelling their participation on the US Level-Up Tour with Attack Attack! due to Sallach suffering from a jaw and ear infection.[33]

On 23 May 2024, the band released the single "Ratatata" alongside Japanese metal band Babymetal,[34] which was used by WWE as the theme song for that year's Bash in Berlin event.[35] During the band's tour in Australia, former Sum 41 drummer Frank Zummo filled in on drums when Friedrich departed unexpectedly due to illness.[36]

On 24 January 2025, the band released the single "Elevator Operator".[37] On 29 April, Friedrich announced his departure from Electric Callboy after 13 years with the band, stating his intention to pursue a new direction in life. The band confirmed they would perform the upcoming tour with a new drummer,[38] with Zummo eventually returning.[39] On 23 May, the band released the single "Revery".[40] On 31 October, the band announced the 2025–2026 Tanzneid World Tour[41] and released the song "Tanzneid" with a music video featuring Zummo on drums for the first time.[42]

Musical style and influences

[edit]

The band's musical style can be described as electronicore,[43][44][45][46] metalcore,[43][20][47][48] melodic metalcore,[46][49] post-hardcore,[45][50][43][47] comedy rock,[47] dubstep,[45] and electro.[45] The musicians named bands like Asking Alexandria and Attack Attack! as their musical influences. Their singer stated that the musicians don't feel like being a part of the "hardcore music scene".[51]

The lyrics deal with themes such as getting drunk, parties, and sex.[52] The band call their music "Porno Metal".[51] In an interview with the German magazine FUZE, vocalist Sebastian Biesler said that their lyrics only use clichés in a satirical way.[53] German Metal Hammer magazine published a positive review of the band, writing, "This is why Eskimo Callboy is enjoyable: because they dismiss themselves and let the fun rule".[54]

Band members

[edit]

Current

  • Daniel "Danskimo" Haniß – lead guitar (2010–present)
  • Daniel Klossek – bass, backing vocals (2010–present)
  • Kevin Ratajczak – lead vocals, keyboards, programming (2010–present)
  • Pascal Schillo – rhythm guitar, backing vocals (2010–present)
  • Nico Sallach – lead vocals (2020–present)

Touring

Former

  • Michael "Micha" Malitzki – drums (2010–2012; guest 2022)
  • Sebastian "Sushi" Biesler – lead vocals (2010–2020)
  • David-Karl Friedrich – drums (2012–2025)

Timeline

Discography

[edit]

Studio albums

[edit]
List of studio albums, with selected chart positions
Title Album details Peak positions Certifications
GER
[55] 		AUS
[56] 		AUT
[57] 		BEL
(FL)
[58] 		BEL
(WA)
[59] 		FIN
[60] 		NLD
[61] 		SWI
[62]
Bury Me in Vegas 65 — — — — — — —
We Are the Mess 8 — 64 — — — — —
Crystals
  • Released: 20 March 2015
  • Label: Spinefarm
  • Format: CD, LP, digital download, streaming
 6 — 54 — — — — 70
The Scene 6 — 14 — — — — 89
Rehab
  • Released: 1 November 2019
  • Label: Century Media
  • Format: CD, LP, digital download, streaming
 16 — 65 — — — — —
Tekkno
  • Released: 16 September 2022
  • Label: Century Media
  • Format: CD, LP, digital download, streaming
 1 66 3 9 123 13 27 6

Extended plays

[edit]
List of extended plays
Title EP details
Eskimo Callboy
  • Released: 3 September 2010
  • Label: Tone Df, Redfield
  • Format: CD
MMXX

Singles

[edit]
List of singles, with selected chart positions
Title Year Peak positions Certifications Album
GER
[55] 		AUT
[57] 		UK
Rock 		US
Hard
Rock
"Is Anyone Up?" 2011 — — — — Bury Me in Vegas
"We Are the Mess" 2013 — — — — We Are the Mess
"Best Day" 2015 — — — — Crystals
"MC Thunder" 2017 — — — — The Scene
"Hurricane" 2019 — — — — Rehab
"Nice Boi" — — — —
"Prism" — — — —
"Hypa Hypa" 2020 77 — — — MMXX
"Hate/Love" — — — —
"We Got the Moves" 2021 93 — — — Tekkno
"Pump It" 31 — — —
"Spaceman" (featuring Finch) 2022 31 — — —
"Fuckboi" (featuring Conquer Divide) — — — —
"Hurrikan" — — — —
"Ratatata" (with Babymetal) 2024 55 66 22 6 Metal Forth
"Elevator Operator" 2025 54 73 27 7 TBA
"Revery" — — — —
"Tanzneid" — — — —

Covers

[edit]
List of singles, with selected chart positions
Title Original artist Year Peak positions
GER
[55] 		US Hard Rock Digi.
"California Gurls" Katy Perry 2010 — —
"Cinema" Benny Benassi and Skrillex 2013 — —
"Everytime We Touch" Cascada 2023 95 —
"Crawling" Linkin Park 2025 — —
"Still Waiting" Sum 41 — 8

Music videos

[edit]
Year Title Director(s)
2010 "California Gurls" (Katy Perry cover)[67] Oliver Schillo
2011 "Is Anyone Up?"[68] Unknown
2012 "Muffin Purper-Gurk"[69] Eskimo Callboy
2013 "Cinema" (Skrillex/Benny Benassi cover)[70] Oliver Schillo and Pascal Schillo
"We Are the Mess"[71] Eskimo Callboy and Oliver Schillo
2014 "Final Dance"[72] Tommy Antonini and Eskimo Callboy
2015 "Crystals"[73] Eskimo Callboy
"Best Day" (featuring Sido)[74] Unknown
"Baby (T.U.M.H.)"[75] Unknown
2017 "The Scene" (featuring Fronz)[76] Eskimo Callboy
"MC Thunder"[77] Pascal Schillo and Oliver Schillo
"VIP"[78]
2018 "Shallows"[79] Christian Ripkens
2019 "Hurricane"[80] Unknown
"Nice Boi"[81] Unknown
"Prism"[82] Unknown
2020 "Made by America"[83] Christian Ripkens
"Hypa Hypa"[84] Pascal Schillo and Oliver Schillo
"Hate/Love"[85]
"MC Thunder II (Dancing Like a Ninja)"[86]
2021 "We Got the Moves"[87]
"Pump It"[88]
2022 "Spaceman" (featuring Finch)[89]
"Fckboi" (featuring Conquer Divide)[90]
"Hurrikan"[91]
"Arrow of Love"[92]
"Mindreader"[93] Mirko Witzki
2023 "Tekkno Train"[94] Pascal Schillo and Oliver Schillo
"Everytime We Touch" (Cascada cover)[95]
"Parasite"[96] Christian Ripkens
2024 "Ratatata"[97] Pascal Schillo and Oliver Schillo
2025 "Elevator Operator"[98]
"Revery"[99]
"Still Waiting" (Sum 41 cover)[100]
"Tanzneid"[101]

Awards and nominations

[edit]

German Metal Hammer Awards

[edit]
Year Nominee / work Award Result Ref.
2013 "N/A" Up And Coming (best newcomer award) Won [10][102]

Impericon Awards

[edit]
Award nominations at Impericon Awards
Year Nominee / work Award Result
2020 "Hypa Hypa" Best Video[103] Won
2021 "We Got the Moves" Best Music Video[104] Won
2023 "Everytime We Touch" Best Music Video[105] Won
2023 Electric Callboy Band of the Year Nominated
2023 Electric Callboy Best Live Band Nominated


Heavy Music Awards

[edit]
Award nominations at Heavy Music Awards
Year Nominee / work Award Result
2022 "Pump It" Best Video[106] Won
2023 Electric Callboy Best International Live Artist[107] Won
2023 Electric Callboy Best International Artist Nominated
2023 "Hurrikan" Best Video Nominated
2024 Electric Callboy Best International Live Artist[108] Won

Tours

[edit]
  • Hypa Hypa European Tour 2022 (2022)
  • Tekkno World Tour (2023–2024)
  • TANZNEID World Tour (2025–2026)

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Electric Callboy

View on Grokipedia
from Grokipedia

is a German band formed in in 2010, characterized by their fusion of breakdowns, screamed vocals, and elements alongside satirical, party-oriented lyrics.
Originally operating as Callboy, the band changed their name in March 2022 after acknowledging that "" is a term derogatory toward peoples.
Their music emphasizes high-energy performances and humorous excess, with dual vocalists delivering both clean singing and harsh growls over guitar-driven heaviness interspersed with trance-like synths and drops.
The band's commercial ascent accelerated with the 2022 release of , which debuted at number one on the German album charts and included the viral single "," amassing over 60 million streams.
Subsequent tours sold out across , and they attempted to represent at the in 2022, underscoring their appeal beyond traditional metal audiences.
Core members include vocalists Kevin Ratajczak and Nico Sallach, guitarists Daniel Haniß and Pascal Schillo, and bassist Daniel Klossek, with handling drums on their 2025 tours following David Friedrich's departure.

History

Formation and early releases as Eskimo Callboy (2010–2013)

Eskimo Callboy was formed in 2010 in , , , by vocalist Sebastian "Sushi" Biesler, unclean vocalist and keyboardist Kevin Ratajczak, guitarists Daniel "Danskimo" Haniß and Pascal Schillo, bassist Daniel Klossek, and drummer Michael Malitzki. The group's initial lineup blended metalcore aggression with electronic elements and party-oriented themes, drawing from local scene influences in the area. The band's first release, a self-titled EP, was self-produced and issued on October 3, 2010, with distribution handled through retailer EMP; it featured five tracks, including "Monsieur Moustache vs. Clitcat" and "Antichrist Sex Pornstyle," emphasizing their fusion of hardcore breakdowns and synth-driven hooks. Following initial local performances, the band secured a deal with Redfield Records, which reissued the EP on June 24, 2011, broadening its availability. In early 2012, ahead of their debut full-length, Eskimo Callboy released the single "Is Anyone Up," which gained traction in European metal scenes for its explicit, humorous lyrics and high-energy production. Their first album, Bury Me in Vegas, followed on March 23, 2012, via Redfield Records, comprising 12 tracks that expanded on the EP's style with guest appearances and polished electronicore elements; it marked their breakthrough in the German underground, supported by tours across Europe. By late 2013, the band had solidified a dedicated fanbase through festival slots and merchandise sales, though internal lineup stability persisted with Malitzki departing in 2012.

Mid-period albums and internal changes (2013–2020)

In 2014, Eskimo Callboy released their second studio album, , which expanded on their sound with heavier breakdowns and party-oriented lyrics, marking a step toward broader accessibility within the genre. The album featured tracks blending elements with screamed vocals and synthesizers, reflecting the band's evolving fusion of EDM and hardcore influences. Following this, Crystals arrived on March 6, 2015, as a re-recorded and expanded version of earlier material, incorporating new production to refine their high-energy style while maintaining humorous, anthemic themes. These releases solidified their presence in the European scene, with tours supporting acts like Callejon emphasizing live performances characterized by theatrical elements and crowd interaction. The band's third full-length album, The Scene, was released on August 25, 2017, via , showcasing polished production and collaborations such as with Frontman of on the title track, which critiqued superficiality in the music industry through satirical lyrics. Recorded in their home studio, it emphasized catchy hooks and electronic drops alongside aggressive riffs, achieving moderate chart success in . In 2019, Rehab followed, continuing the trajectory with tracks exploring themes of excess and recovery in a manner, though it received mixed reception for leaning further into pop sensibilities. These mid-period works demonstrated incremental refinement in songwriting and production, prioritizing replayable energy over experimental risks. Significant internal shifts occurred toward the end of the , particularly in 2020. Founding clean vocalist Sebastian "Sushi" Biesler departed in early February after a with the band, citing a desire to explore darker, more introspective music that diverged from Eskimo Callboy's upbeat ethos; he subsequently formed the project GHØSTKID. To fill the void, the band recruited Nico Sallach, former frontman of To the Rats and Wolves, announced on June 4, 2020, who contributed to their EP MMXX, released September 11 via Century Media. This five-track EP, featuring Sallach's debut on singles like "," bridged the transitional period by amplifying electronic elements and humor, setting the stage for future evolutions while preserving core personnel on guitars, bass, drums, and keyboards. No other major lineup alterations were reported during this span, though the vocalist change influenced lyrical delivery and band dynamics amid ongoing touring commitments.

Rebranding, Tekkno breakthrough, and viral success (2020–2022)

In September 2020, Eskimo Callboy released the EP MMXX, which included the lead single "" first unveiled via music video on June 19, 2020. The track's fusion of breakdowns, electronic dance elements, and humorous party lyrics propelled it to viral popularity, particularly through social media platforms like and , where it reached 10 million views by January 31, 2021. This success marked a pivotal shift, elevating the band's profile beyond niche audiences and setting the stage for broader mainstream appeal. Building on this momentum, the band announced their to Electric Callboy on March 10, 2022, citing the derogatory connotations of "" and a desire not to exclude or offend audiences. The change was permanent, accompanied by a video statement from members explaining the decision after more than a decade under the original name, amid growing cultural sensitivities. The rebrand coincided with intensified activity, including the September 3, 2021, release of "We Got the Moves," which further showcased their evolving electronic-metal hybrid sound. This culminated in the full-length album Tekkno on September 16, 2022, via , featuring 10 tracks that amplified the high-energy, satirical style established by prior hits. debuted at number one on the German album charts, the band's highest charting position to date and a direct result of the viral traction from "" and subsequent singles.

Post-Tekkno developments and recent output (2023–present)

Following the breakthrough success of their 2022 album Tekkno, Electric Callboy sustained their rising profile in 2023 with a nearly sold-out world tour and the second edition of their Escalation Fest festival. That year, they released the live album HYPA HYPA Tour - Live in Ludwigsburg, capturing performances from their ongoing tour cycle, alongside a tour edition of Tekkno featuring additional content. The band continued extensive touring into 2024, including festival appearances such as Ilosaarirock and a collaboration performance of "RATATATA" with Babymetal at Rock am Ring. In 2025, Electric Callboy shifted toward new original material with the release of singles "Elevator Operator" on January 24, a funky EDM-driven track accompanied by a comedic music video featuring Uke Bosse, followed by "Revery" on May 23, which adopted a darker tone with prominent heavy riffs and an anthemic chorus. On August 22, they issued a high-energy cover of Sum 41's "Still Waiting," featuring drummer Frank Zummo, reimagined in their signature style and performed live at festivals like Escalation Fest. An additional single, "Tanzneid," was announced for release on October 31. In a May interview at Slam Dunk Festival, the band indicated they were completing work on a new full-length album, though no official announcement or release date has been confirmed as of October 2025. The band has expanded their live presence with the Tanzneid World Tour, commencing in on November 1, 2025, in , extending to from January to May 2026, and / in August–September 2026, with special guests including for Australian arena dates and supports such as and . Tickets for the tour went on sale December 13, 2025. These developments reflect Electric Callboy's continued fusion of electronic and metal elements while broadening their international appeal through viral-ready singles and high-production tours.

Musical style and influences

Core genre elements and fusion approach

Electric Callboy's core musical foundation lies in , featuring aggressive, low-tuned guitar riffs, syncopated breakdowns, and drumming that emphasize rhythmic heaviness and mosh-pit energy. Vocally, the band employs a dual structure of harsh, screamed verses delivered by multiple members—often in gang-shout style—and contrasting clean, anthemic choruses with electronic effects for melodic accessibility. These elements draw from traditional metalcore tropes, including palm-muted chugs and abrupt dynamic shifts, which provide structural intensity and crowd engagement. The band's signature fusion approach integrates these metalcore pillars with electronic dance music (EDM) components, pioneering a subgenre known as electronicore or "tekkno" in their self-described terminology. Synth-driven leads, pulsating bass drops, and techno/hardstyle beats overlay the metal framework, often building EDM tension through risers and filters before resolving into breakdowns for a hybrid drop-mosh effect. This seamless layering—exemplified by Eurodance hooks accelerating into djent-infused riffs—creates a chaotic yet euphoric sound, prioritizing high-BPM party vibes over pure aggression. The approach evolved from subtler electronic accents in early releases to dominant EDM-metal hybrids post-2020, as articulated by vocalist Kevin Ratajczak, who credits the marriage of rave drops with riff-heavy metal for their crossover appeal. This fusion distinguishes Electric Callboy by rejecting genre silos, instead engineering tracks for dual dancefloor and pit functionality, with electronic production tools like Cubase enabling precise synchronization of disparate elements. While critics note the formula's reliance on formulaic drops, the band's iterative refinement—evident in over 10 years of releases—has sustained commercial success, evidenced by Tekkno's (2022) chart peaks and viral metrics exceeding 100 million streams.

Lyrical themes and humorous ethos

Electric Callboy's lyrics center on exuberant, hedonistic subjects including excessive alcohol consumption, raucous parties, casual sexual encounters, and tumultuous relationships, frequently delivered with hyperbolic exaggeration to evoke amusement rather than solemnity. Tracks such as "" from the 2020 MMXX EP portray frantic club pursuits laced with explicit , while "We Got the Moves" evokes beachside revelry featuring cold and uninhibited dancing as antidotes to mundane life. This thematic focus extends to interpersonal dynamics, as in "Hate/Love," which satirizes toxic romantic cycles through bombastic declarations of passion and conflict. The band's humorous manifests as a deliberate infusion of absurdity and irreverence into conventions, prioritizing levity and audience engagement over introspection or aggression. By blending crass language, pop culture references, and self-aware ridiculousness—evident in songs like "," a gym-motivational with over-the-top —Electric Callboy positions itself as a to the genre's prevailing earnestness, fostering mosh-pit euphoria and viral dance challenges. Band members have articulated this intent in interviews, stressing a boundary between intentional comedy and mere novelty, while aiming to elicit smiles amid heavy riffs. Critics have occasionally faulted these elements for veering into perceived or insensitivity, particularly in earlier Eskimo Callboy-era output amid shifting cultural sensitivities, though the band maintains its content reflects carefree, fictional rather than endorsement of harm. This approach has nonetheless propelled their appeal, transforming potentially divisive tropes into communal anthems that prioritize unpretentious fun.

Key influences and stylistic evolution

Electric Callboy, originally formed as Eskimo Callboy in 2010, drew early influences from metalcore acts such as Asking Alexandria and Attack Attack!, incorporating their aggressive breakdowns and melodic elements alongside electronic music's danceable rhythms and synths. The band's foundational sound fused post-hardcore and metalcore with trance and EDM, creating an "electronicore" style characterized by low-tuned guitar riffs, growled vocals, and upbeat electronic drops, as evident in debut album Bury Me in Vegas (2012). Throughout the Eskimo Callboy era (2010–2020), the style maintained a core of heavy metal instrumentation with humorous, party-oriented lyrics, but production techniques evolved toward greater integration of electronic elements, including wobbles and kicks in tracks from albums like (2015) and The Scene Must Be Green (2017). Band members reported listening across genres without conscious emulation, allowing organic blending of metal aggression with pop and electronic hooks, though internal lineup changes, such as the 2020 addition of vocalist Nico Sallach replacing Sebastian "Sushi" Biesler, prompted a reevaluation of their formula. The 2021 rebranding to Electric Callboy coincided with a pronounced stylistic shift, amplified by the Tekkno album (2022), which prioritized "tekkno" fusion—merging riffs and breakdowns with prominent EDM builds, synths, and pop melodies—over earlier metal-dominant structures. This evolution reflected production advancements, including MIDI-programmed drums, plug-in-based synths and bass via software like Cubase, and reduced reliance on traditional amps, enabling high-energy, rave-like tracks such as "" (2021). Subsequent releases, including collaborations like "Ratatata" with (2024), further experimented with hardstyle-influenced industrial and Schlager-deathcore hybrids, solidifying a "partycore" identity that emphasizes viral, dance-floor accessibility while retaining core heaviness.

Band members

Current members

Electric Callboy's current core members, responsible for the band's recordings and creative direction, are Nico Sallach on clean vocals, Kevin Ratajczak on screamed vocals and keyboards, Pascal Schillo on , Daniel "Danskimo" Haniß on , and Daniel Klossek on bass and backing vocals. These five have formed the band's stable foundation since the 2020 rebranding from Callboy, with Sallach joining as the primary clean vocalist around that period to complement Ratajczak's established role. Following the departure of longtime drummer David-Karl Friedrich on April 29, 2025, after 13 years with the band, Electric Callboy has utilized Frank Zummo—formerly of Sum 41—as their live drummer for festival appearances and tours starting in summer 2025. Zummo contributed to recordings such as the band's 2025 cover of Sum 41's "Still Waiting," but as of October 2025, no permanent replacement for the drumming role in the core lineup has been announced, with Zummo described in sources as a touring and fill-in performer.

Former members

Sebastian "Sushi" Biesler served as clean vocalist from the band's formation in 2010 until his departure in early 2020. The band announced the split amicably, stating it allowed both parties to pursue new directions, amid internal challenges that nearly led to the group's dissolution before Nico Sallach joined as replacement. Michael "Micha" Malitzki performed on from to 2012. David-Karl Friedrich joined as drummer in 2012, replacing Malitzki, and contributed to all subsequent releases until his exit on April 29, 2025, after 13 years, to explore other opportunities; the band confirmed touring continuity with a session replacement.

Touring and session members

In 2025, following the departure of longtime drummer David-Karl Friedrich in April, Electric Callboy recruited , formerly of , as their touring drummer for summer festival appearances and subsequent live engagements. Zummo, known for his session and touring work across punk and rock genres, provided drum playthroughs for Electric Callboy tracks including "Revery" and "," recorded at Recordings. This arrangement ensured continuity for the band's high-energy performances amid internal changes.

Discography

Studio albums

Bury Me in Vegas, the debut studio album by Eskimo Callboy, was released on March 23, 2012, via Redfield Records. Crystals, the second studio album, followed on March 20, 2015, through Universal Music Group. The Scene, released on August 25, 2017, marked a continued evolution in the band's electronicore sound. Rehab, the fourth studio album under the Eskimo Callboy name, appeared on November 1, 2019. After the name change to Electric Callboy, the band issued TEKKNO on September 16, 2022, via Century Media Records, which debuted at number one on the German Albums Chart.

Extended plays

Electric Callboy's initial , released under their original name Eskimo Callboy, is the self-titled Eskimo Callboy. Independently issued on 3 2010, it comprises five tracks: "Intro", "Monsieur Moustache Vs. Clitcat", "Antichrist Sex Pornstyle", "Hey Mrs. Dramaqueen", and "Prom Night". The EP established the band's early fusion of aggression with electronic elements and irreverent humor. Following the 2020 rebranding from Eskimo Callboy, the band released MMXX on 11 September 2020 via . This four-track EP features "Hypa Hypa", "Hate/Love", "MC Thunder II (Dancing Like a Ninja)", and "YOLO", blending high-energy party anthems with trancecore influences and serving as a bridge to their subsequent full-length releases. It garnered attention for revitalizing the band's sound amid the name change transition.

Singles

Electric Callboy's singles have primarily driven their commercial breakthrough, emphasizing high-energy tracks with viral music videos and collaborations. Following the 2022 name change from Eskimo Callboy and the removal of pre-2020 material from streaming platforms due to outdated lyrical content, the band's focus shifted to newer releases starting with the MMXX EP era. These singles often precede or promote albums like (2022), featuring explicit party themes and EDM-metal fusions that propelled streaming numbers into the tens of millions. The following table enumerates key singles with verified release dates, drawn from official video uploads, label announcements, and music databases:
TitleFeatured artist(s)Release dateAlbum/EPNotes
257ersJune 19, 2020MMXXOriginal release as Eskimo Callboy; remix edition May 14, 2021; over 100 million combined streams by 2023.
We Got the MovesNoneSeptember 3, 2021Lead single for Tekkno; viral TikTok traction contributed to album hype.
Pump ItNoneDecember 3, 2021Submitted to Eurovision pre-selection; emphasized EDM drops and humor.
SpacemanApril 8, 2022Featured guest vocals; promoted album rollout.
FckboiJuly 8, 2022Collaboration highlighting dual vocal dynamics.
HurrikanNoneAugust 19, 2022German-language track; delayed album precursor.
Everytime We Touch (TEKKNO Version)NoneMarch 24, 2023Tekkno (Tour Edition)Cascada cover remix; amassed 62 million streams.
RATATATANovember 2023StandaloneInternational collab; peaked on global charts.
NoneEarly 2025StandaloneRecent live staple; focuses on upbeat synths.
ReveryNone2025StandaloneEmphasizes introspective yet energetic production.
None2025StandaloneLatest release highlighting continued evolution.
Earlier singles under the Eskimo Callboy moniker, such as "Hurricane" (2019), were part of the pre-change catalog but have been withdrawn from official distribution, aligning with the band's efforts to distance from past content. No chart data from major territories like the German Official Charts is prominently verified for pre-Tekkno releases, though post-2022 singles have seen independent viral success via platforms like and rather than traditional radio airplay.

Other releases

HYPA HYPA Tour - Live in Ludwigsburg is Electric Callboy's sole live album to date, released on May 16, 2023, through . Recorded during the band's Hypa Hypa European Tour at the MHP Arena in , , on May 16, 2022, the 18-track set spans 59 minutes and includes staples such as "," "," and a cover of ' "My Own Summer (Shove It)." The release captures the group's high-energy performance style, blending breakdowns with electronic elements and audience interaction, and became available across streaming platforms shortly after announcement. No compilations, split releases, or demo recordings have been officially issued by the band beyond their core catalog.

Reception and impact

Critical reception

Electric Callboy's music, initially released under the name Eskimo Callboy, received mixed reviews in its early years, often praised for its high-energy party style but criticized for simplistic songwriting and juvenile lyrics focused on themes of excess and . The 2012 album Bury Me in Vegas was noted for solid production and unpretentious fun, yet reviewers highlighted its reliance on basic breakdowns and repetitive, bro-centric content that prioritized spectacle over depth. Some critiques pointed to problematic elements, such as frequent use of derogatory language toward women, which undermined claims of lighthearted intent. By the late 2010s and into the 2020s, following lineup stability and the viral success of singles like "" in 2021, critical sentiment shifted toward appreciation for the band's genre-blending innovation, merging riffs with EDM and elements in what became termed "partycore" or . The 2022 album , their first under the rebranded name, garnered widespread praise in metal and alternative press for its escapist energy, catchy choruses, and seamless fusion of heavy breakdowns with electronic hooks, clocking in at just over 30 minutes to maintain relentless pace without filler. Reviewers lauded tracks like "Mindreader" for chaotic heaviness and "Tekkno Train" for satirical absurdity, positioning the release as a refreshing antidote to 's prevailing seriousness. awarded it high marks for balancing pop accessibility with brutal intensity, calling it a "rave-metal ." Despite this acclaim, some outlets acknowledged the band's gimmicky roots, describing Tekkno as a "" reliant on willful idiocy and eurodance-metalcore tropes, though even skeptics conceded its value elevated it beyond novelty. This evolution reflected broader acceptance in niche metal communities, where Electric Callboy's refusal to take itself seriously distinguished it from peers, though purist critics continued to dismiss the output as lightweight pop masquerading as metal.

Commercial performance and fanbase growth

Electric Callboy achieved their first major commercial milestone with the single "Hypa Hypa" from the 2021 EP MMXX, which garnered over 1.2 billion streams on Spotify by October 2025. Follow-up singles like "We Got the Moves" contributed further, accumulating over 15 million Spotify streams by September 2025 and initially reaching 250,000 daily streams upon viral uptake. These tracks, amplified by social media platforms including TikTok, propelled the band's overall Spotify streams past 940 million by September 2024. The 2022 album marked their highest chart performance, debuting at number one on the German Albums Chart and sustaining presence across six international charts for 45 weeks. In the UK, it peaked at number 54 on the Official Albums Chart. Multiple singles from the album, including "RATATATA" and "," exceeded 65 million streams each, reflecting sustained digital consumption. Fanbase expansion accelerated post-2020, with monthly listeners surpassing 4 million by June 2024, driven by algorithmic promotion of their high-energy tracks. Recent metrics show continued growth, including spikes of over 70% in daily followers on select dates in 2025, alongside total artist streams approaching 1 billion. This digital traction translated to broader accessibility, with the band maintaining 3 million monthly listeners into late 2025 amid international touring. Prior to these viral hits, Electric Callboy (as Eskimo Callboy) had niche appeal in the scene, but the shift to accessible, meme-friendly content catalyzed exponential audience growth beyond traditional heavy music demographics.

Cultural influence and genre innovation

Electric Callboy has contributed to genre innovation by pioneering a high-energy fusion of metalcore breakdowns and electronic dance music (EDM) elements, often termed "electronicore" or "tekkno," which emphasizes danceable rhythms alongside aggressive riffs and screamed vocals. This approach builds on earlier electronicore acts but distinguishes itself through overt comedic absurdity and party-centric themes, incorporating influences from German Schlager pop, eurodance, and pop-punk to create tracks that alternate between brutal heaviness and euphoric synth drops. Songs like "Hypa Hypa" (2021) exemplify this by layering chiptune synths over mosh-pit breakdowns, enabling seamless transitions from club-like grooves to metal intensity, a structure that has inspired imitators in the "partycore" subniche. While not the originators of metal-EDM hybrids—predecessors include bands like Enter Shikari—their exaggerated humor and visual flair in music videos have amplified the subgenre's appeal, making it more accessible to non-traditional metal audiences. Culturally, has influenced the metal scene by promoting a lighthearted, inclusive that counters the genre's frequent associations with aggression and , fostering environments where fans prioritize communal joy and physical exuberance over introspection. Their viral breakthroughs, such as "We Got the Moves" surpassing 100 million views by mid-2023, leveraged platforms like for meme-driven dissemination, drawing in younger demographics and expanding metal's reach beyond core enthusiasts. This has manifested in sold-out arena tours and festival headline slots, where elaborate stage antics—like synchronized dances and audience sing-alongs—have normalized performative fun in live metal settings, influencing peers to incorporate similar elements for broader engagement. Critics and fans attribute their rise to a "positive influence" that unites diverse crowds, evident in global fan communities sharing self-produced content mimicking their style, though some purists decry it as diluting metal's edge.

Controversies

Name change from Eskimo Callboy

In March 2022, the German band Eskimo Callboy announced their rebranding to Electric Callboy, citing concerns over the term "" potentially offending communities due to its perceived derogatory connotations in some contexts. The decision followed growing online , particularly after the band's increased visibility from viral content, where detractors labeled the name as culturally insensitive or racist. Band members explained in a video statement released on March 9, 2022, that they were unaware of the term's contested status when forming in 2010 but chose to change to avoid excluding or harming anyone, emphasizing unity over division. They retained "Callboy" in the new name to preserve brand continuity after over a decade, rejecting other options that felt mismatched. The aligned with prior actions, including the December 2021 removal of early songs amid lyrical reviews, reflecting broader self-examination amid external pressures. While some fans expressed frustration over the concession to criticism, the band proceeded, updating merchandise, , and future releases under the new moniker.

Removal of early songs and lyrical scrutiny

In December 2021, Eskimo Callboy (later Electric Callboy) announced plans to remove select older songs from streaming platforms, citing that had "become more questionable over time" amid growing cultural sensitivities. This decision followed online criticism targeting the band's early "porno metal" style, which featured exaggerated, satirical depictions of partying, , and absurdity, often through crude humor and sexual innuendos perceived by detractors as misogynistic or objectifying. The intensified alongside debates over the band's name, with fans and observers highlighting tracks from their 2010 self-titled debut EP—such as " Sex Pornstyle" and "Monsieur Moustache Versus Clitcat"—as exemplars of content that aged poorly despite its comedic intent. The band voluntarily delisted the full debut EP from services like , though individual tracks like "Hey Mrs. Dramaqueen" and "We Are Eskimo Callboy" were later reincorporated into subsequent releases such as Bury Me in Vegas (2012), preserving some material in revised contexts. In a March 10, 2022, statement accompanying their rebranding to Electric Callboy, the group acknowledged the feedback, stating, "Thanks for the critical voices about our old , too. They feel less good, but are just as important," framing the removals as a reflective rather than capitulation to external pressure. This move drew mixed reactions, with some supporters viewing it as unnecessary of intentionally provocative , while others praised it as responsible to shifting societal norms on humor and in . The episode underscored tensions in the genre between ironic excess and earnest critique, as Electric Callboy's foundational sound relied on hyperbolic tropes for and entertainment, a tactic common in party metal but vulnerable to reevaluation in an era prioritizing over unfiltered comedy. No formal investigations or platform bans preceded the band's actions, which remained self-initiated and limited to pre-2012 output, allowing later works to retain similar thematic elements in a more refined form.

Broader criticisms and defenses

Critics have characterized Electric Callboy's music and presentation as overly gimmicky, arguing that their heavy reliance on humor, electronic elements, and exaggerated party aesthetics undermines their credibility as serious metal musicians. This perspective often frames the band as a novelty act, with wacky and comedic —such as those in "" and "Ratatata"—prioritizing over artistic depth, potentially alienating traditional metal audiences who view such blends of and EDM as diluting genre purity. Some observers, including metal enthusiasts, have dismissed tracks as "stupid and not metal," reflecting gatekeeping sentiments within the community that question the band's legitimacy amid their viral, TikTok-driven success. In response, band members have emphasized a deliberate distinction between intentional humor and mere ridiculousness, asserting that their approach stems from passion and high production standards rather than superficiality. Vocalist Kevin Ratajczak has defended the "novelty" label by highlighting how their content provided emotional relief during the , with fans crediting songs and videos for alleviating depression and fostering connection. The band points to evolving material, such as the introspective "Prism," which addresses insecurity and empowerment, and "Mindreader," featuring nuanced lyrics and diverse visuals, as evidence of broader artistic range beyond sex and humor. Supporters argue this self-aware levity injects vitality into , uniting diverse listeners without pretension, as evidenced by metrics like over 10 million monthly streams and high-profile collaborations.

Live performances and tours

Early touring and festival builds

Following their formation in Castrop-Rauxel, , in 2010, Eskimo Callboy (as the band was then known) began building a live presence through support slots for established acts in the German and scenes, including Bakkushan, Callejon, Ohrbooten, We Butter the Bread with Butter, and Neaera. These early performances, primarily in domestic clubs and smaller venues, helped cultivate an initial fanbase drawn to the band's high-energy fusion of metal riffs and electronic elements. In 2011, the band secured their first festival appearances at Traffic Jam Open Air and Mair1 , marking a step toward broader exposure amid Germany's summer open-air circuit. Their debut EP, self-released that year via EMP and later reissued by Redfield Records, fueled momentum for these slots, where comedic stage antics and party-oriented sets resonated with younger audiences. The release of their debut full-length Bury Me in Vegas on March 23, 2012, via Redfield Records accelerated touring opportunities. That summer, they performed at Reload Festival (June 15–17, Sulingen, ) and other open-air events such as Open Flair and , alongside acts like Casper, Rantanplan, and Distance in Embrace. These festival builds emphasized tent-stage spectacles, including an release party at in 2012, where fan engagement peaked with onstage marriage proposals during performances. By late 2012, Eskimo Callboy supported the electro duo WassBass on Callejon's Blitzkreuz Tour across and (October–November), honing their setlists around tracks like "Muffin Purper-Gurk." International expansion followed with the Geki Rock Tour in (September 28–30, 2012), succeeded by tours in and , introducing their sound to non-European markets. In early 2013, a European run with , Close to Home, and Intohimo, plus a U.S. support slot with and Deuce in April, further solidified their reputation for chaotic, dance-metal live shows that prioritized audience interaction over traditional metal formality. A return to in August 2013 underscored growing festival demand. These foundational tours and slots, often in capacities of 500–2,000 attendees, laid the groundwork for potential by emphasizing visual humor, crowd-surfing, and genre-blending appeal, distinguishing them from peers in a saturated scene.

Headline tours and international expansion

Following the breakthrough success of their 2021 single "", Electric Callboy launched their first major tour, the Hypa Hypa European Tour, in 2022, which sold out across numerous dates and underscored their rising demand as arena headliners in and neighboring countries. This run capitalized on the track's viral momentum, drawing crowds with high-energy sets blending riffs and electronic drops, and marked a shift from festival slots to self-billed productions. The band's international expansion accelerated in 2023 with a nearly sold-out world tour, extending beyond to include dates in and , where they headlined mid-sized venues and festivals as the primary act, further solidifying their global appeal amid growing streaming numbers and virality. This outing, supported by acts like on select legs, demonstrated logistical scaling from regional to transcontinental operations, with reported attendance nearing capacity in markets such as the and . By 2025, Electric Callboy had established recurring headline presence in international arenas, announcing the TANZNEID World Tour for late 2025 through 2026—spanning over 50 dates across 21 countries, including European legs starting November 1, 2025, in Copenhagen's Royal Arena, followed by North American stops from April 2026 (e.g., Dallas's South Side Ballroom on April 17 with Polaris and Scene Queen), Japanese dates, and Australian shows with Ice Nine Kills and Coldrain. This tour, building on prior sold-outs, reflects sustained expansion into non-European territories, with venue capacities exceeding 5,000 in key cities like Stockholm's Hovet and Lisbon's Altice Arena.

Recent tours and setlist evolutions

Following the release of their 2022 album Tekkno, Electric Callboy undertook a nearly sold-out world tour in 2023, which included headline shows across Europe and North America, complemented by the second edition of their self-organized Escalation Fest in Oberhausen, Germany. This period marked expanded international reach, with performances drawing crowds through high-energy sets blending metalcore and electronic elements. In 2024, the band maintained momentum via festival appearances, such as at Ilosaarirock in Finland, alongside select club and arena dates that solidified their growing live reputation. The 2025 itinerary escalated with a comprehensive world tour launching on November 1 at in , , and extending through (including dates in on November 3 and on November 5), before progressing to , , and in 2026, featuring 23 confirmed shows by early announcements. Additional 2025 engagements encompassed festivals like Nova Rock in on June 11, in on June 19, and Escalation Fest on February 1, reflecting sustained demand and strategic expansion into larger venues. Setlist evolutions in recent tours have emphasized tracks from and subsequent releases, prioritizing anthemic hits like "," "Spaceman," and "We Got the Moves" as staples, often opening with "" following its live debut at Escalation Fest 2025. This shift aligns with the band's post-2022 rebranding, phasing out pre-name-change material from Eskimo Callboy era in favor of newer compositions, while incorporating guest features (e.g., on "Spaceman") and covers such as Cascada's "Everytime We Touch" for crowd engagement. Closers like "" and encores featuring "Tekkno Train" maintain a consistent high-octane structure, with adjustments for festival slots shortening to 10-12 songs focused on viral singles. By mid-2025, sets at events like AMA Music Festival on August 21 and incorporated "Revery" and "," indicating iterative refinements to balance fan favorites with evolving production elements.

Awards and nominations

German Metal Hammer Awards

As Eskimo Callboy, the band won the Up and Coming category at the 2013 German Metal Hammer Awards, held on September 13 in , recognizing their emergence as a promising act in the metal scene. This victory highlighted their early blend of aggression and electronic party elements, which distinguished them from more conventional newcomers. The group attended the ceremony, marking a milestone in their domestic visibility shortly after the release of their debut album Bury Me in Vegas in 2012. They also appeared at subsequent events, including the 2015 awards, though no further wins were recorded at that time. Under the Electric Callboy name, the band received nominations for the 2024 German Awards, including in the strongest social media presence category alongside acts like and . However, they did not claim major prizes, with taking Best German Metal Band. This reflects their sustained popularity but competition from established German metal staples.

Impericon Awards

Electric Callboy won the Impericon Award for Best at the 2023 edition for their single "Everytime We Touch", a cover released on , 2023, as part of the TEKKNO album reissue. The awards, organized by the German alternative music retailer Impericon and determined by public voting, recognized the video's production and impact within the heavy music scene. The band also placed third in the Band of the Year category, behind winners and runners-up , reflecting their rising popularity but trailing established breakthrough acts of 2023. Similarly, Electric Callboy earned third place in Best Live Band, again following and , underscoring voter appreciation for their energetic performances amid competition from peers emphasizing technical extremity and thematic depth. No further Impericon Awards nominations or wins for the band have been recorded in subsequent years.

Other recognitions

Electric Callboy won the Best International Live Artist award at the Heavy Music Awards in 2023. The band secured the same category again in 2024. They were nominated for Best International Artist in both 2023 and 2024 but did not win. Additionally, the band received the Best Video award in 2022 for their work, as announced by the Heavy Music Awards organizers. The single "Hypa Hypa," released in June 2020, achieved gold certification in Germany, signifying sales and streams exceeding 200,000 units. Their 2022 album Tekkno debuted at number one on the German Albums Chart, marking their highest chart position to date. The track "RATATATA" (2023, featuring Babymetal) was submitted for Grammy consideration in the Best Metal Performance category but received no nomination. In 2025, Electric Callboy earned a for Best International Live Artist at the Heavy Music Awards, though took the win. The band's collaboration on "RATATATA" contributed significantly to entries in the Music Awards for Best Cross-Border Collaboration, accounting for nearly half of the category's streaming totals.

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  134. https://newnoisemagazine.com/interviews/eskimo-callboy-cuddle/
  135. https://www.gettyimages.com/detail/news-photo/band-eskimo-callboy-attend-the-metal-hammer-awards-2013-at-news-photo/180498866
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  146. https://www.impericon.com/blogs/magazine/heavy-music-awards-2025-all-winners-from-bring-me-the-horizon-to-knocked-loose
  147. https://www.billboard.com/music/awards/music-awards-japan-cross-border-collaboration-entries-analysis-1235949238/
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