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Elizabethan literature
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Major writers include William Shakespeare, Edmund Spenser, Christopher Marlowe, John Lyly, John Donne, Walter Raleigh, Richard Hooker, Ben Jonson, Philip Sidney, Thomas Kyd, and Richard Barnfield.
Elizabeth I presided over a vigorous culture that saw notable accomplishments in the arts, voyages of discovery, the "Elizabethan Settlement" that created the Church of England, and the defeat of military threats from Spain.
During her reign, a London-centred culture, both courtly and popular, produced great poetry and drama. English playwrights combined the influence of the Medieval theatre with the Renaissance's rediscovery of the Roman dramatists, Seneca, for tragedy, and Plautus and Terence, for comedy. Italy was an important source for Renaissance ideas in England and the linguist and lexicographer John Florio (1553–1625), whose father was Italian, a royal language tutor at the Court of James I, who had furthermore brought much of the Italian language and culture to England. He also translated the works of Montaigne from French into English.
Two of the most important Elizabethan prose writers were John Lyly (1553 or 1554–1606) and Thomas Nashe (November 1567 – c. 1601). Lyly is an English writer, poet, dramatist, playwright, and politician, best known for his books Euphues: The Anatomy of Wit (1578) and Euphues and His England (1580). Lyly's mannered literary style, originating in his first books, is known as euphuism. Lyly must also be considered and remembered as a primary influence on the plays of William Shakespeare, and in particular the romantic comedies. Lyly's play Love's Metamorphosis is a large influence on Love's Labour's Lost, and Gallathea is a possible source for other plays. Nashe is considered the greatest of the English Elizabethan pamphleteers. He was a playwright, poet and satirist, who is best known for his novel The Unfortunate Traveller.
George Puttenham (1529–1590) was a 16th-century English writer and literary critic. He is generally considered to be the author of the influential handbook on poetry and rhetoric, The Arte of English Poesie (1589).
Italian literature was an important influence on the poetry of Thomas Wyatt (1503–42), one of the earliest English Renaissance poets. He was responsible for many innovations in English poetry, and alongside Henry Howard, Earl of Surrey (1516/1517–47), introduced the sonnet from Italy into England in the early 16th century. Wyatt's professed object was to experiment with the English tongue, to civilise it, to raise its powers to those of its neighbours. While a significant amount of his literary output consists of translations and imitations of sonnets by the Italian poet Petrarch, he also wrote sonnets of his own. Wyatt took subject matter from Petrarch's sonnets, but his rhyme schemes make a significant departure. Petrarchan sonnets start with an octave (eight lines), rhyming ABBA ABBA. A (volta) occurs (a dramatic turn in the sense), and the next lines are a sestet with various rhyme schemes. Petrarch's poems never ended in a rhyming couplet. Wyatt employs the Petrarchan octave, but his most common sestet rhyme scheme is CDDC EE. This marks the beginnings of the English sonnet with three quatrains and a closing couplet.
In the later 16th century, English poetry was characterised by elaboration of language and extensive allusion to classical myths. The most important poets of this era include Edmund Spenser and Sir Philip Sidney. Elizabeth herself, a product of Renaissance humanism, produced occasional poems such as "On Monsieur's Departure" and "The Doubt of Future Foes".
Edmund Spenser (c. 1552–99) was one of the most important poets of this period, author of The Faerie Queene (1590 and 1596), an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. Another major figure, Sir Philip Sidney (1554–86), was an English poet, courtier and soldier, and is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, An Apology for Poetry, and The Countess of Pembroke's Arcadia. Poems intended to be set to music as songs, such as by Thomas Campion (1567–1620), became popular as printed literature was disseminated more widely in households. See English Madrigal School.
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Elizabethan literature
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Major writers include William Shakespeare, Edmund Spenser, Christopher Marlowe, John Lyly, John Donne, Walter Raleigh, Richard Hooker, Ben Jonson, Philip Sidney, Thomas Kyd, and Richard Barnfield.
Elizabeth I presided over a vigorous culture that saw notable accomplishments in the arts, voyages of discovery, the "Elizabethan Settlement" that created the Church of England, and the defeat of military threats from Spain.
During her reign, a London-centred culture, both courtly and popular, produced great poetry and drama. English playwrights combined the influence of the Medieval theatre with the Renaissance's rediscovery of the Roman dramatists, Seneca, for tragedy, and Plautus and Terence, for comedy. Italy was an important source for Renaissance ideas in England and the linguist and lexicographer John Florio (1553–1625), whose father was Italian, a royal language tutor at the Court of James I, who had furthermore brought much of the Italian language and culture to England. He also translated the works of Montaigne from French into English.
Two of the most important Elizabethan prose writers were John Lyly (1553 or 1554–1606) and Thomas Nashe (November 1567 – c. 1601). Lyly is an English writer, poet, dramatist, playwright, and politician, best known for his books Euphues: The Anatomy of Wit (1578) and Euphues and His England (1580). Lyly's mannered literary style, originating in his first books, is known as euphuism. Lyly must also be considered and remembered as a primary influence on the plays of William Shakespeare, and in particular the romantic comedies. Lyly's play Love's Metamorphosis is a large influence on Love's Labour's Lost, and Gallathea is a possible source for other plays. Nashe is considered the greatest of the English Elizabethan pamphleteers. He was a playwright, poet and satirist, who is best known for his novel The Unfortunate Traveller.
George Puttenham (1529–1590) was a 16th-century English writer and literary critic. He is generally considered to be the author of the influential handbook on poetry and rhetoric, The Arte of English Poesie (1589).
Italian literature was an important influence on the poetry of Thomas Wyatt (1503–42), one of the earliest English Renaissance poets. He was responsible for many innovations in English poetry, and alongside Henry Howard, Earl of Surrey (1516/1517–47), introduced the sonnet from Italy into England in the early 16th century. Wyatt's professed object was to experiment with the English tongue, to civilise it, to raise its powers to those of its neighbours. While a significant amount of his literary output consists of translations and imitations of sonnets by the Italian poet Petrarch, he also wrote sonnets of his own. Wyatt took subject matter from Petrarch's sonnets, but his rhyme schemes make a significant departure. Petrarchan sonnets start with an octave (eight lines), rhyming ABBA ABBA. A (volta) occurs (a dramatic turn in the sense), and the next lines are a sestet with various rhyme schemes. Petrarch's poems never ended in a rhyming couplet. Wyatt employs the Petrarchan octave, but his most common sestet rhyme scheme is CDDC EE. This marks the beginnings of the English sonnet with three quatrains and a closing couplet.
In the later 16th century, English poetry was characterised by elaboration of language and extensive allusion to classical myths. The most important poets of this era include Edmund Spenser and Sir Philip Sidney. Elizabeth herself, a product of Renaissance humanism, produced occasional poems such as "On Monsieur's Departure" and "The Doubt of Future Foes".
Edmund Spenser (c. 1552–99) was one of the most important poets of this period, author of The Faerie Queene (1590 and 1596), an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. Another major figure, Sir Philip Sidney (1554–86), was an English poet, courtier and soldier, and is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, An Apology for Poetry, and The Countess of Pembroke's Arcadia. Poems intended to be set to music as songs, such as by Thomas Campion (1567–1620), became popular as printed literature was disseminated more widely in households. See English Madrigal School.
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