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Emily Wolfe
Emily Wolfe
Emily Wolfe
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Key Information

Emily Wolfe is an American rock and roll musician based out of Austin, Texas.

History

[edit]

Wolfe was born in Raleigh, North Carolina, and moved to Texas when she was 8 years old. She started playing guitar at the age of 5 and also started to play drums at an early age. In her college years at St. Edward's University she began to perform live.

Career

[edit]

Wolfe released her first album, Director's Notes on February 28, 2012.[1][2][3] Her debut EP, Mechanical Hands, released on May 23, 2013, was produced by Mike McCarthy.[3][4][5] Wolfe performed vocals and guitar, with Hannah Hagar on keys and vocals, Sam Pankey on bass, and Jeffrey Olson on drums.[6] Wolfe released her second EP, Night & Day, on December 17, 2013.[7][8][9][10]

Her third EP, Roulette, self-released in 2014, was produced by Mike McCarthy. That same year she toured with Allen Stone, performed at Austin City Limits, BottleRock Napa, and South by Southwest, and toured the west coast. In 2016, Wolfe was featured in Uproxx's "Uncharted Series" and returned for live dates on the west coast, as well as toured and performed with Gary Clark Jr., The Toadies, Heart, The Pretenders, and performed at Sound on Sound Fest in Texas. In 2016 Wolfe met with a manager from Los Angeles, and the manager told her to delete her old material as not representing her best work, so her earlier albums were withdrawn.[11]

In 2017, she began production for her second full-length album, with Alabama Shakes keyboardist Ben Tanner (St. Paul & The Broken Bones, Dylan LeBlanc) producing. The album was recorded at Portside Sound in Muscle Shoals, Alabama, and Arlyn Studios in Austin, TX, and features Evan Nicholson on bass and Clellan Hyatt on drums. In attempting to bring to life Wolfe's dream of mixing Demi Lovato and Queens of the Stone Age, she has said, "I wanted to explore weird combinations that seem bizarre. I noticed that in pop music, whenever the chorus hits, they put this airy synth in the back of every single pop hit - I’m like, Okay, we’ve got to figure out how to make that happen. That seems to lift the chorus out of the song, making it a monster on its own. I also had a massive folder of just samples – I asked Ben to pick the coolest ones to see if we could use them on the record."[12]

Emily Wolfe performing at The Saint in Asbury Park, NJ in February 2020

Of striving to incorporate this idea with Wolfe's live-show energy, Tanner has said, "The way pop music works - when the chorus hits or the solo hits - things get really tall, and changes in the high end and low end make it feel huge. It’s more produced than just these three people playing together in a room, but you don’t want it to be so overly produced or overly polished that it loses the flow of who Emily is an artist. A lot of it’s in the moment - if we can make it elicit an emotional response in ourselves, then hopefully it will in somebody else, too."[12]

That self-titled, self-released album was released February 15, 2019. A co-billed tour with Black Pistol Fire followed through the east coast and midwest, followed by multiple headline dates through the east coast, midwest, and west coast, including 3rd & Lindsley in Nashville, WTMD’s First Thursday concert series in Baltimore, Baby’s All Right in Brooklyn, Lincoln Calling Festival in Nebraska, The Mint in Los Angeles, The Independent in San Francisco, and the Empty Bottle in Chicago.

In May 2019, the single “Holy Roller” was serviced to AAA radio, with support from 20+ stations, and remained on that format's charts for four-plus months. An extensive radio promotional tour included visits to stations in Nashville, Baltimore, Albany, Woodstock, Pittsburgh, and Columbus, Ohio.

In June 2021, Wolfe released her third album, Outlier,[13] on Crows Feet Records. The album was produced by Michael Shuman of Queens of the Stone Age,[14] who also received performance and co-writing credits on the record.[13]

Wolfe's work has received praise from NPR, The Wall Street Journal,[15] MTV,[16] and numerous online and regional press outlets.

Wolfe's compositions are published by Concord Music Publishing.

On October 20, 2023, Wolfe released her fourth album, The Blowback.[17]

Emily Wolfe performing at The Saint in Asbury Park, NJ in February 2020

Gear

[edit]

Wolfe is "a self-proclaimed gear head," and designs guitar and bass pedal boards for her band "to round out her authentically gritty take on the rock genre."[18]

Wolfe is endorsed by Gibson, Epiphone and Ernie Ball. Wolfe primarily plays an Epiphone Sheraton. In 2021, Epiphone released a signature Sheraton model for Wolfe, known as the Emily Wolfe Sheraton Stealth. In 2023, Epiphone released a second signature Sheraton, the White Wolfe.[19]

Her pedals include a Fulltone Octafuzz, Electro-Harmonix Glove Boost, Fulltone OCD, Klon Centaur KTR, Dynatrem Tremolo, TC Electronic Alter Ego, and Earthquaker Devices Levitation.

Discography

[edit]

Studio albums

[edit]
  • Director's Notes (2012) (Withdrawn)[1]
  • Emily Wolfe (2019)
  • Outlier (2021)
  • The Blowback (2023)

EPs

[edit]
  • Mechanical Hands (2013) (Withdrawn)[2]
  • Night & Day (2013) (Withdrawn)[9]
  • Roulette (2014)

Singles

[edit]
  • "Swoon" (2014)
  • "Atta Blues" (2016)
  • "Holy Roller" (2017)

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Emily Wolfe

View on Grokipedia
from Grokipedia
Emily Wolfe is an , , and based in , recognized for her high-energy live performances and a blend of blues-rock influences with modern pop elements. Born in and raised in Austin, Wolfe developed an early interest in music, becoming drawn to the guitar at age five after seeing one in a and teaching herself to play. She began performing live during her time at , starting at campus coffee shops and progressing to venues like The Cactus Cafe and Mohawk Indoors. Wolfe has cited influences including , , , , and , which shape her triple-threat style as a vocalist, instrumentalist, and producer. Her career gained momentum with the release of her self-titled debut album in 2019, followed by in 2021, which she wrote and recorded during the , and her third studio album, The Blowback, in 2023, noted for its politically charged themes, followed by the single "Kill the Love" in 2024 and a feature on "Lose My Head" by Lips Speak Louder in 2025. Wolfe has toured nationally and internationally, including as support for The Gaslight Anthem's 2024 UK and European dates, and has produced music for other artists while overcoming personal challenges such as , from which she has been sober for over ten years as of 2025. Notable achievements include two signature guitars with , such as the Sheraton Stealth model, and features in publications like Premier Guitar for her gear and rig rundowns.

Early life and education

Childhood and relocation

Emily Wolfe was born on May 11, 1990, in . She relocated to with her family at the age of eight, settling in the Austin area. In the suburbs of Austin, Wolfe grew up in a primarily Southern Baptist community, where she experienced a typical childhood marked by the cultural influences of the region.

Musical beginnings

Emily Wolfe first encountered music as a central part of her life at the age of five, where she began playing both guitar and drums. Drawn intensely to the instrument after spotting one hanging on the wall at a local , she acquired her first guitar—a simple, basic model that sparked her lifelong dedication to the craft. Around the same time, she started exploring drums, using these early encounters to build foundational skills in rhythm and melody without any structured guidance. Largely self-taught, Wolfe developed her abilities through persistent, solitary practice in her bedroom, experimenting with chords, strumming patterns, and basic techniques on her and setup. As a teenager, this private space became her creative sanctuary, where she unplugged her guitar and used an imaginary to mimic performances, gradually achieving in her playing style. Her formative listening habits centered on rock icons such as of and , whose riffs and energy she emulated to refine her sound. By her high school years, Wolfe turned her growing proficiency toward songwriting, crafting initial compositions that reflected personal teenage struggles and emotions as a means of self-expression. These efforts extended to rudimentary bedroom recordings, where she captured her songs using basic equipment to document her evolving ideas and voice. This phase of informal experimentation laid the groundwork for her musical identity, emphasizing raw creativity over technical perfection.

University and initial performances

Wolfe attended in , graduating in May 2012. During her undergraduate years, she balanced academic pursuits with the development of her musical talents, drawing on self-taught guitar skills honed since childhood to explore live performance opportunities. Her transition to public performances began in her freshman year when she met a roommate who was also a , inspiring Wolfe to move beyond private bedroom sessions and commit more seriously to her craft. She started with informal gigs at the university's campus coffee shop, gradually building confidence through these low-stakes settings. Observing local bands during this period influenced her approach, as she sought to carve out a distinct style rather than emulate existing acts. Wolfe's initial live shows expanded to Austin's intimate venues, including an acoustic duo performance with her college roommate at Spider House Ballroom. She also appeared at notable spots like The Cactus Cafe, Mohawk Indoors, and Stubb's Indoors, where she experimented with songwriting and stage presence in front of small audiences. These experiences marked her emergence as a solo act around 2012, laying the groundwork for her professional endeavors while still enrolled.

Career

Early releases and touring (2012–2018)

Emily Wolfe began her recording career with the self-released debut album Director's Notes in , a folk-pop influenced project that showcased her early songwriting and vocal style. In 2013, she released two EPs that marked a shift toward a more rock-oriented sound. Mechanical Hands, issued on May 23, featured electric instrumentation and driving rhythms, building on the of her debut. This EP, along with the follow-up Night & Day released on December 17, was deleted in 2016 on the advice of a manager who deemed them not her best work. Night & Day consisted of five tracks, including "Born Blind" and "One Way Train," further exploring her evolving "dream rock" aesthetic. The EPs remain available online due to a distributor error. Wolfe continued her output with the EP in 2014, produced by and mastered by , which included tracks like "Ghost Limb," "," and "Missionary Son." That year, she issued the single "Swoon" from the EP, gaining attention through placements and exposure. In 2016, the single "Atta Blues" followed, produced by McCarthy and highlighting her guitar-driven style, which amassed over two million streams on . Parallel to her releases, Wolfe built a live presence through touring and festival appearances. Building on her initial performances at , she opened for established acts including in 2016 and later that year at ACL Live. She performed at the in 2014, appearing on the lineup alongside artists like and , and shot promotional content such as the video for "Violent Veins" during the event. In 2016, Wolfe gained broader visibility through a feature in Uproxx's " Series," a video profile that documented her journey from addiction recovery to stage resurgence, sponsored by . This exposure coincided with west coast dates and further regional tours. The following year, she released the single "Holy Roller" on November 17, produced by Ben Tanner of , which marked her initial foray into AAA radio play and helped solidify her growing fanbase.

Breakthrough period (2019–2022)

Wolfe's breakthrough began with the release of her self-titled album on February 15, 2019, a self-released effort that showcased her raw guitar-driven rock sound through tracks like "Holy Roller," which was serviced to AAA radio stations starting in May 2019. The album marked a pivotal shift, blending gritty riffs with introspective lyrics, establishing Wolfe as a formidable presence in the rock scene. In June 2021, Wolfe elevated her profile further with the album , released via Crows Feet Records and produced by of Queens of the Stone Age. Shuman not only handled production but also contributed co-writing credits on several tracks, allowing Wolfe to expand her sonic palette with layered arrangements and heavier trio dynamics while retaining her signature blues-infused edge. Wolfe handled primary songwriting and guitar work throughout, emphasizing themes of resilience and self-discovery, which resonated with critics and fans alike. This collaboration underscored her growing role as both songwriter and producer in her projects. During this period, Wolfe's live performances gained momentum, including tours opening for established acts such as Heart, The Struts, and White Reaper, which exposed her to broader audiences and honed her stage command. She also secured increased festival appearances, notably at SXSW in 2022, where she delivered high-energy sets that highlighted her versatility as a performer. A key endorsement came in 2021 with the launch of her signature Epiphone Sheraton Stealth guitar, designed in collaboration with the brand to reflect her aggressive playing style and aesthetic preferences, complete with a black gloss finish and custom inlays. This model solidified her equipment ties and boosted her visibility among guitar enthusiasts.

Recent developments (2023–present)

In 2023, Emily Wolfe released her third studio album, The Blowback, on October 20, exploring politically charged themes including , reproductive rights, and through raw, assertive songwriting and guitar work. The album marked a shift from her earlier personal narratives to broader , with tracks like "Silencer" addressing survivor experiences and "High Crime" critiquing systemic failures in and healthcare. Wolfe produced the record herself, emphasizing its intimate and urgent tone amid ongoing cultural debates. Building on this momentum, Wolfe issued the single "Kill the Love" on May 2, 2024, a high-energy track inspired by political abandonment during crises, such as Senator Ted Cruz's actions during the 2021 . The song's blistering riffs and lyrics served as an extension of The Blowback's , reinforcing her commitment to calling out hypocrisy in leadership. In 2023, released the "White Wolfe" Sheraton signature model for Wolfe, finished in aged bone white with lightly aged gold hardware, semi-hollow body, SlimTaper neck, and custom features to capture her dynamic stage sound. This followed her original Sheraton Stealth model from 2021 and highlighted her growing influence in guitar design, blending vintage aesthetics with modern playability. Wolfe's live performances in 2025 included an appearance at the Caveman Music Festival in Weston, Colorado, from August 28 to 31, alongside acts like Toadies and Jamestown Revival, and a headline show at Empire Control Room & Garage in Austin, Texas, on September 6. These events underscored her return to intensive touring following a period of studio focus. In October 2025, she announced intentions for expanded road schedules and new music releases in 2026, though specific details were not yet available as of November 2025. In August 2025, Wolfe publicly criticized Southwest Airlines after her signature Epiphone White Wolfe guitar was damaged in transit, advocating for improved policies on musician equipment handling. Throughout 2024 and 2025, Wolfe has been vocal about mental health in interviews, sharing her nine-year sobriety milestone and discussing how themes in The Blowback stem from personal and societal struggles with trauma and recovery. In a February 2024 Guitar World feature, she described using guitar solos as an outlet for unarticulated pain, positioning her music as a tool for advocacy and healing. She also addressed industry accountability on the enough. podcast, reflecting on handling assault allegations within her team and the broader punk rock community's role in support systems.

Musical style and influences

Genre blending and themes

Emily Wolfe's music is rooted in rock, characterized by its raw energy and guitar-centric foundation, yet she seamlessly incorporates pop sensibilities through catchy song structures, melodic hooks, and accessible vocal delivery that broadens its appeal beyond traditional audiences. This blending creates a dynamic sound that draws from classic 's intensity while embracing modern pop's immediacy, allowing her tracks to resonate in both intimate live settings and mainstream playlists. Her production approach as a self-producer emphasizes guitar-driven , where prominent riffs and solos serve as narrative anchors, enhancing the emotional weight of each composition without overpowering the lyrical content. Central to Wolfe's work are themes of political activism, struggles, and personal , often explored through introspective and confrontational that challenge societal norms. In her 2023 album The Blowback, these elements are prominent; for instance, the track "Silencer" addresses sexual assault survival, serving as an anthem for healing and resilience. Songs such as "Predator" and "High Crime" tackle reproductive rights and systemic injustice, with feminist undertones critiquing patriarchal structures, as in "Cleaning up the mess from 1950's decay, America the Great, where men decide your fate." is woven in through raw depictions of anxiety and recovery, underscoring as a defiant response to adversity. Wolfe's evolution reflects a progression from early bedroom-recorded rock, marked by unpolished grit and DIY experimentation, to a refined style as a multifaceted triple-threat—singer, songwriter, guitarist, and producer—capable of delivering sonically layered works that maintain authenticity while achieving professional polish. This shift is evident across her discography, where initial rawness gives way to sophisticated arrangements that amplify her thematic depth, as seen in the assertive production of The Blowback. As of 2025, Wolfe has announced plans for new music in 2026, continuing her evolution.

Key influences

Emily Wolfe's musical influences draw heavily from rock traditions, with Queens of the Stone Age standing out for their impact on her guitar riffs and energetic delivery. She has cited the band's tone, particularly Josh Homme's mid-range sound, as a key inspiration for her own aggressive playing style. Other rock figures like and were among her earliest major influences, shaping her approach to guitar as a dynamic instrument. She has also cited and as significant influences on her guitar playing and songwriting. In the pop realm, Wolfe admires artists such as for their vocal delivery and ability to create accessible, hook-driven songs, which she seeks to blend with rock elements. similarly influences her appreciation for modern pop's immediacy and relevance. Broader classic rock acts like Heart and the Pretenders have informed her sound through extensive touring exposure, where shared stages fostered admiration for their enduring energy and presence; for instance, Chrissie Hynde once gave Wolfe a guitar pick during a performance. Additional inspirations include Billy Gibbons for his chunky, mid-heavy tone and Stevie Ray Vaughan for phrasing, alongside grunge and alternative icons like Nirvana, Hole, and Alanis Morissette. Wolfe's early listening habits were shaped by her father's constant playback of records during childhood, which sparked her interest in the genre and influenced her self-taught guitar playing starting at age five. Her uncle's bluegrass performances also ignited her initial curiosity about music. Pre-university, she explored late '90s and early 2000s pop like and productions, alongside , broadening her stylistic palette.

Equipment

Guitars and endorsements

Emily Wolfe has been endorsed by several prominent guitar brands since the early stages of her career, including Gibson, , and . In 2024, she became a mentor in the Gibson Generation Group program, supporting emerging musicians as of 2025. These partnerships reflect her preference for semi-hollowbody instruments that deliver the versatile tone essential to her aggressive rock style. Her primary guitar is the Sheraton II, which she purchased around 2012 and has used extensively in performances and recordings. Wolfe also frequently employs a , a semi-hollowbody model she has described as a beloved staple for its rich, resonant sound during tours. Additionally, she has incorporated the SG Standard '61 into her setup, as demonstrated in live demos and rig rundowns. In 2021, released the Emily Wolfe Signature Sheraton Stealth, a black aged gloss semi-hollowbody featuring diamond-shaped f-holes, gold hardware, and Classic PRO humbuckers, designed in collaboration with Wolfe to capture her onstage aesthetic. This was followed in 2023 by the Emily Wolfe "White Wolfe" Sheraton, an aged bone white variant with mother-of-pearl block inlays and accents, offering similar specifications but a lighter, more striking finish. Wolfe acquired an G-1275 Custom doubleneck in 2023, finished in white with gold hardware, featuring a 12-string neck in and a 6-string neck in drop C, which she uses for specific performances like her cover of T. Rex's "." These signature models underscore her long-standing affinity for 's durable, high-output designs.

Effects and production setup

Emily Wolfe employs a compact yet versatile effects setup centered around a select group of pedals that emphasize her signature blend of fuzz, overdrive, and octave effects. Among her key pedals is the Fulltone Octafuzz, which she uses to add a fat, octave-up layer before her gain stages, contributing to the thick, aggressive tones in her live and recorded performances. She also relies on a clone, specifically the KTR model, for transparent overdrive that boosts her signal without altering its core character. Complementing these are staples like the Fulltone OCD overdrive for responsive, high-gain dirt and the EarthQuaker Devices analog octave pedal, which she stacks to create her "desert island" lead sound, often finalized with an Six Band EQ for precise tonal sculpting. For amplification, Wolfe favors tube-driven setups that deliver warm, room-filling projection suitable for both studio and stage. Her primary choice is the 4x10 combo, prized for its open-back design and high headroom, which allows her pedals to interact dynamically with the amp's natural . This configuration provides the articulate yet saturated tone she seeks, particularly when pushing the amp with fuzz and overdrive for live shows. In production, Wolfe has taken on self-producing duties for key releases, leveraging modest home studios to maintain artistic control. For her 2021 album , she recorded core tracks using a BOSS BR-600 digital multitrack recorder in her living space, experimenting with direct pedal chains and minimal external processing to capture raw energy. Similarly, The Blowback (2023) was entirely self-produced, beginning with home demos of drums, guitars, and vocals using basic outboard gear and preamps; these sketches guided studio sessions where she balanced her dual roles as performer and engineer, incorporating unconventional techniques like a CD recorder as a makeshift preamp paired with a Fender Vibro Champ for distorted textures. In 2025, she released a signature ToneHub with STL Tones, featuring over 60 presets capturing her grungey blues-driven tones from fuzz, overdrive, and her pedalboard setups. Her approach emphasizes intuition over high-end equipment, often involving custom mic builds from repurposed speakers to achieve unique spatial effects. On tour, Wolfe's live rig prioritizes reliability and portability, built around a custom pedalboard powered by a True Tone CS12 Pro supply for consistent voltage across venues. This setup integrates her core pedals—such as the Tentacle into OCD and EQ—directly into the Fender DeVille, with additional delays like the BOSS DD-500 for rhythmic depth and the Strymon Flint for ambient reverb and tremolo, ensuring seamless transitions between songs during high-energy performances.

Discography

Studio albums

Emily Wolfe's debut studio album, Director's Notes, was independently released on February 28, 2012, as an early indie effort featuring 11 tracks that showcased her emerging songwriting and guitar-driven rock style. The album includes songs such as "Dance On the Record Grooves," "Don't Turn Back," "Heavy," and "Bullets," blending raw energy with introspective lyrics drawn from personal experiences. Though it received limited distribution and was later withdrawn from circulation, early reception highlighted its genuine charm and potential, with one praising its authentic nature that encouraged repeated listens. Her self-titled sophomore album, Emily Wolfe, arrived on February 15, 2019, marking a breakthrough with 10 tracks that fused blues-rock elements with seductive melodies and radio-friendly hooks. Co-produced by Ben Tanner of , the record features standout cuts like "Holy Roller," "Rules to Bend," "White Collar Whiskey," and "Heat of the Moment," exploring themes of desire, rebellion, and introspection through gritty riffs and powerful vocals. It garnered critical acclaim for its stormy, seductive sound, earning praise from outlets like for revitalizing influences, and achieved strong radio play that propelled her visibility. Outlier, released on June 25, 2021, via Crows Feet Records, represents a bold evolution with 10 tracks produced in collaboration with of Queens of the Stone Age, emphasizing genre-blending tension between '70s glam, '80s synth-pop, '90s grunge, and modern pop. Key songs include "No Man," "Cover of Virtue," "Something Better," "Damage Control," and "Heavenly Hell," which balance explosive riffs with electronic edges and themes of personal breakthrough and societal critique. Critics lauded its eclectic mix and ambitious scope, with reviews noting its rough-edged pop appeal and heart-driven delivery that built on her prior work while pushing boundaries. The most recent studio album, The Blowback, self-produced and released on October 20, 2023, contains 10 politically charged tracks that channel rage and through aggressive rock arrangements. Highlights encompass "Silencer," "Dead End Luck," "Predator," "Road to Ruin," and "High Crime," addressing issues like inequality and with raw, boundary-pushing intensity and DIY guitar tones. Wolfe described the production as a thrilling culmination of past lessons, and reception affirmed its rock authenticity, with reviewers commending its talent depth, fury, and resonance for true rock enthusiasts despite some mixed pacing notes.

Extended plays

Emily Wolfe's early extended plays marked her emergence as an Austin-based rock musician, showcasing her songwriting and guitar-driven sound during her formative years. These releases, self-produced and independent, helped build her local following before transitioning to full-length albums. Her debut EP, Mechanical Hands, was released on May 23, 2013, and features six tracks including the title song, "Rabbit Cage," "Howl," "Lion Heart," "Get Right," and "Wolf." The EP blends indie rock with ethereal vocals and introspective lyrics, drawing comparisons to dream pop influences while highlighting Wolfe's raw guitar work. It served as the first installment of a planned two-part debut project, establishing her presence in the Austin music scene. The follow-up EP, Night & Day, arrived in December 2013, comprising five songs: "Born Blind," "One Way Train," "Gamblers," "Night & Day," and "Accident." This release expanded on the atmospheric elements of its predecessor, incorporating more rhythmic drive and thematic contrasts between light and shadow, reflecting Wolfe's evolving exploration of personal vulnerability. Together with Mechanical Hands, it solidified her early style and contributed to her growing reputation through live performances in . In 2014, Wolfe issued Roulette, a five-track EP released on October 7, self-released and produced by Mike McCarthy. The songs—"Ghost Limb," "Swoon," "Marionette," "Violent Veins," and "Missionary Son"—shift toward a more polished rock edge with brooding riffs and dynamic builds, signaling a transitional phase as she prepared for broader projects. This EP captured her post-initial releases momentum, gaining attention at events like SXSW and CMJ.

Singles

Emily Wolfe's early singles marked her emergence as a solo artist in the rock scene. Her debut single, "Swoon," was self-released on February 11, 2014, showcasing her raw guitar-driven sound. Following a brief period of EP releases, Wolfe issued "Atta Blues" on January 15, 2016, a blues-infused track that highlighted her vocal intensity and instrumental prowess. In 2017, she released "Holy Roller" on November 17, produced by Ben Tanner of , which gained traction through radio airplay on the AAA format. These singles were often promoted alongside her live performances on national tours. Wolfe's most recent standalone single, "Kill the Love," arrived on May 2, 2024, addressing themes of political greed with aggressive instrumentation, including her own drum contributions.

References

  1. https://www.minttalentgroup.com/emily-wolfe
  2. https://concord.com/publishing-roster/emily-wolfe/
  3. https://www.premierguitar.com/artists/guitarists/emily-wolfe
  4. https://voyageaustin.com/interview/life-work-with-emily-wolfe-of-south-austin/
  5. https://bigtakeover.com/interviews/InterviewEmilyWolfe
  6. https://www.albumoftheyear.org/artist/136551-emily-wolfe/
  7. https://shemakesmusic.co.uk/new-music/emily-wolfe-releases-in-your-face-in-new-single-kill-this-love/
  8. https://music.apple.com/ca/album/lose-my-head-feat-emily-wolfe-single/1791812517
  9. https://www.emilywolfemusic.com/
  10. https://www.facebook.com/emilywolfemusic/posts/10-years-sober-today-a-whole-decade-of-clarity-growth-and-resilience-sobriety-ha/1188469475972273/
  11. https://www.deezer.com/en/artist/4751556
  12. https://www.ernieball.com/strikingachord/emily-wolfe
  13. https://www.discogs.com/artist/6239308-Emily-Wolfe-2
  14. https://idobi.com/high-life/stepping-out-of-suburbia-and-into-myself-emily-wolfe-shares-her-coming-out-story/
  15. https://risebrewingco.com/blogs/on-the-rise/on-the-rise-emily-wolfe
  16. https://milwaukeerecord.com/podcast/my-first-band-emily-wolfe/
  17. https://thedailytexan.com/2012/09/14/the-realism-of-emily-wolfe-sets-her-apart-from-others/
  18. https://www.columbusalive.com/story/entertainment/music/2020/02/18/the-power-rock-n-roll/1684883007/
  19. https://medium.com/authority-magazine/rising-music-star-emily-wolfe-theres-not-one-person-other-than-you-who-can-make-or-break-your-4dca757099a2
  20. https://www.thelantern.com/2023/09/texas-based-musician-emily-wolfe-to-headline-rumba-cafe-wednesday/
  21. https://www.discogs.com/release/11286227-Emily-Wolfe-Directors-Notes
  22. https://castleqwayr.wordpress.com/2012/05/30/emily-wolfe-directors-notes/
  23. https://kutx.org/song-of-the-day/emily-wolfe-mechanical-hands/
  24. https://ovrld.com/album-reviews/emily-wolfe-mechanical-hands-ep/
  25. https://backlinebeat.com/2023/11/17/emily-wolfe-interview-2023/
  26. https://open.spotify.com/album/28ynERbvY6mrOQJtppP3cx
  27. https://www.last.fm/music/Emily%2BWolfe/NIght%2B&%2BDay
  28. https://soundcloud.com/emilywolfemusic/sets/roulette
  29. https://rateyourmusic.com/release/ep/emily-wolfe/roulette/
  30. https://open.spotify.com/track/1szDKbUMeO9mGFG4YEGCJ4
  31. http://coveringthelimelight.blogspot.com/2016/11/the-pretenders-rock-acl-live.html
  32. https://www.jambase.com/article/austin-city-limits-music-festival-2014-lineup-revealed
  33. https://americansongwriter.com/video-premiere-emily-wolfe-violent-veins/
  34. https://uproxx.com/music/emily-wolfe-uncharted/
  35. https://www.youtube.com/watch?v=n20LVqwMbTo
  36. https://emilywolfemusic.bandcamp.com/album/emily-wolfe
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  38. https://www.earthquakerdevices.com/blog-posts/emily-wolfe-new-album-new-guitar
  39. https://www.youtube.com/watch?v=Wj2dvVY-kG8
  40. https://blog.zzounds.com/2021/03/26/emily-wolfe-on-her-new-signature-epiphone-model/
  41. https://www.thehypemagazine.com/2023/11/04/emily-wolfe-releases-politically-charged-new-album-the-blowback/
  42. https://www.guitarworld.com/features/emily-wolfe-the-blowback-mental-health
  43. https://devilsgatemusic.co.uk/review-emily-wolfe-the-blowback/
  44. https://www.muzilog.com/single-post/emily-wolfe-releases-in-your-face-new-single-kill-the-love
  45. https://www.facebook.com/emilywolfemusic/videos/kill-the-love-has-been-out-for-a-month-thanks-to-everyone-for-listening-i-wrote-/1278151226496495/
  46. https://guitar.com/news/gear-news/epiphone-emily-wolfe-sheraton-signature-guitar/
  47. https://www.guitarplayer.com/news/epiphone-unveils-new-white-finished-emily-wolfe-signature-sheraton-guitar
  48. https://www.premierguitar.com/videos/rig-rundown/emily-wolfe-2023
  49. https://www.jambase.com/festival/caveman-music-festival-2025
  50. https://www.facebook.com/emilywolfemusic/posts/these-last-few-months-of-2025-ill-be-gearing-up-for-next-year-getting-back-on-th/1365965041556048/
  51. https://www.instagram.com/p/DN3RI9c2P5B/
  52. https://guitar.com/news/music-news/emily-wolfe-slams-southwest-airlines-guitar-damage/
  53. https://www.instagram.com/p/C3sw4MtJP3m/
  54. https://www.instagram.com/p/C3lGozTJ6Gk/
  55. https://www.guitarworld.com/features/emily-wolfe-outlier
  56. https://americansongwriter.com/emily-wolfe-goes-track-by-track-on-politically-charged-new-album-the-blowback/
  57. https://joyzine.org/2023/10/22/album-review-emily-wolfe-the-blowback/
  58. https://www.bostonherald.com/2020/02/07/guitar-star-emily-wolfe-its-all-about-the-song/
  59. https://guitar.com/features/interviews/emily-wolfe/
  60. https://www.guitarthrills.com/emily-wolfe-interview/
  61. https://www.guitarcenter.com/riffs/interviews/guitars/emily-wolfe-debut-album-interview
  62. https://americansongwriter.com/daily-discovery-emily-wolfe-rejects-oppressive-masculinity-with-new-song-no-man/
  63. http://www.redguitarmusic.com/the-bakers-dozen/2021/6/25/the-bakers-dozen-29-emily-wolfe
  64. https://www.headson.tv/blog/aligning-with-a-brand-emily-wolfe
  65. https://www.ernieball.com/artists
  66. https://www.ktswblog.net/2021/07/25/emily-wolfe-artist-review/
  67. https://www.gibson.com/blogs/gibson-gazette/she-owned-her-own-power-and-creative-abilities-even-today-this-can-be-difficult-in-a-patriarchal-industry
  68. https://equipboard.com/pros/emily-wolfe
  69. https://www.facebook.com/GuitarCenter/videos/emily-wolfe-epiphone-for-every-stage/560361741573471/
  70. https://www.guitarworld.com/news/epiphone-emily-wolfe-white-wolfe-sheraton
  71. https://www.guitarworld.com/features/emily-wolfe-the-blowback
  72. https://www.guitarcenter.com/riffs/interviews/emily-wolfe-sxsw
  73. https://guitargirlmag.com/interviews/tone-talk/tone-talk-with-emily-wolfe/
  74. https://www.stltones.com/collections/tonehub-expansion-packs
  75. https://archive.org/details/EmilyWolfeFinalAB
  76. https://open.spotify.com/album/0g29Kfki3uQXe80dTdWhxD
  77. https://www.discogs.com/master/2250106-Emily-Wolfe-Emily-Wolfe
  78. https://open.spotify.com/album/0Xie0gkfJ0BCn8Nptm3ubD
  79. https://www.discogs.com/master/2251984-Emily-Wolfe-Outlier
  80. http://www.redguitarmusic.com/album-reviews-1/2021/8/1/emily-wolfe-outlier-album-review
  81. https://emilywolfemusic.bandcamp.com/album/the-blowback
  82. https://www.discogs.com/release/28740061-Emily-Wolfe-The-Blowback
  83. https://blitzweekly.com/emily-wolfe-violent-veins/
  84. https://musicexistence.com/blog/2014/09/23/emily-wolfe-to-release-new-ep-roulette-on-oct-7th/
  85. https://open.spotify.com/album/6SkCQUWI6oiXv0OtvBGlNi
  86. https://diffuser.fm/emily-wolfe-roulette-cmj-interview/
  87. https://www.youtube.com/watch?v=7cbtIEkAEP8
  88. https://www.youtube.com/watch?v=EQ44CPUxUKM
  89. https://relix.com/blogs/detail/premiere_emily_wolfe_goes_full_on_soul_siren_with_holy_roller/
  90. https://www.npr.org/sections/world-cafe/2014/03/12/289063192/5-new-bands-to-watch-at-sxsw
  91. https://music.apple.com/us/album/kill-the-love-single/1740904066
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