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Endless Poetry
Endless Poetry
Endless Poetry
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Endless Poetry
Film poster
Directed byAlejandro Jodorowsky
Written byAlejandro Jodorowsky
Produced byXavier Guerrero
Starring
CinematographyChristopher Doyle
Edited byMaryline Monthieux
Music byAdán Jodorowsky
Release date
  • 14 May 2016 (2016-05-14) (Cannes)
Running time
128 minutes
Countries
  • Chile
  • France
LanguageSpanish

Endless Poetry (Spanish: Poesía Sin Fin) is a 2016 French-Chilean surrealist psychological autobiographical drama film directed by Alejandro Jodorowsky. It is a sequel and the second part of Jodorowsky's film autobiography, which began with The Dance of Reality (2013), which focused on Jodorowsky's childhood in Tocopilla (northern Chile). Endless Poetry, in turn, depicts the adolescence and youth of Jodorowsky in the bohemian Matucana neighborhood of Santiago, in the late 1940s and early 1950s. It was screened in the Directors' Fortnight section at the 2016 Cannes Film Festival.[1][2]

Plot

[edit]

Alejandro Jodorowsky, now living in Santiago, Chile and working at his father's store, rejects the pressuring of his Jewish family to enter medical school and instead pursues a career as a poet. Through his creation of puppets he makes contact with a man who gives him a studio as his first residence. In this new life he encounters artists, poets and performers both notable and amateur, among them Nicanor Parra, whom he insults during a misunderstanding about Stella Díaz Varín, the woman who inspired his poem "The Viper".

His best friend and fellow poet Enrique Lihn has a fight with his girlfriend, whom Alejandro saves from committing suicide. They have sex and she becomes pregnant. An elderly man who used to work in a circus with Alejandro's father Jaime encourages Alejandro to return to the circus, which he does as a means to laugh away his troubles. Enrique and Alejandro later reconcile.

Alejandro's parents notify him that their home has burned down along with all of his writings and childhood possessions. He visits his home to say goodbye to his childhood and contemplate what he wishes to be. He visits Parra, who is teaching mathematics at an engineering school, to ask him for fatherly advice about his future. Parra urges him not to pursue a career as a poet but Alejandro ignores him and refuses to compromise.

When a strong pro-Ibáñez sentiment arises in Chile during his second period in office Alejandro decides to leave for Paris to "save surrealism." His father catches him at the dock before he leaves and attempts to drag him back into working at the store with him by force. Alejandro overpowers him and departs, never to see his father again.

Cast

[edit]

Reception

[edit]

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 94%, based on 52 reviews, and an average rating of 7.3/10. The website's critical consensus reads, "Endless Poetry extends writer-director Alejandro Jodorowsky's singular filmography with another joyously surreal, visually vibrant viewing experience."[3] On Metacritic, the film has a weighted average score of 78 out of 100, based on 19 critics, indicating "generally favorable reviews".[4] Owen Gleiberman from Variety wrote: "Alejandro Jodorowsky's Endless Poetry is the most accessible movie he has ever made, and it may also be the best. It's Felliniesque and moving."[5] A. O. Scott from The New York Times wrote: "Realism is not on the agenda, but Mr. Jodorowsky nonetheless evokes the chaotic, passionate spirit of a time and offers astute insights into his own psychology."[6]

About the cinematography, Justin Chang from the Los Angeles Times wrote: "Dynamically staged and ravishingly shot by the superb cinematographer Christopher Doyle, best known for his work with Wong Kar-wai."[7]

References

[edit]

Bibliography

[edit]
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Endless Poetry

View on Grokipedia
from Grokipedia
Endless Poetry (Spanish: Poesía sin fin) is a 2016 Chilean-French-Japanese surrealist autobiographical drama film written and directed by . It serves as the second chapter in Jodorowsky's planned five-part cinematic memoir, following (2013) and focusing on his early adulthood in Santiago, , where he rebels against familial expectations to embrace poetry and artistic freedom. Starring Adan Jodorowsky as the young Alejandro, alongside Pamela Flores as his mother Sara and as his father Jaime, the film runs for 128 minutes and blends fantasy, biography, and psychological elements to explore themes of self-discovery and creative liberation. Premiering in the section at the , it received widespread acclaim for its vibrant visuals and surreal narrative, earning a 94% approval rating from critics on based on 62 reviews. The story follows the protagonist "Alejandrito" as he departs his disciplinarian father's home in for the bohemian circles of Santiago, vowing to become a against his family's wishes. There, he immerses himself in avant-garde experimentation, forms bonds with fellow artists and surrealists like Enrique Lihn and Stella Díaz Varín, and navigates romantic and existential challenges that shape his artistic identity. Jodorowsky's direction employs his signature style of dreamlike sequences, bold colors, and symbolic imagery to recount these events, drawing directly from his own life experiences in post-war . Produced by Jodorowsky alongside Moisés Cosio and Pablo Falcó, the film was shot primarily in and features contributions from Jodorowsky's family members in key roles, emphasizing its personal nature. It won the Audience Award for Best Narrative Feature at the 2017 Minneapolis St. Paul International Film Festival and garnered nominations at events like the . Critically, it has been praised as one of Jodorowsky's most accessible yet uncompromising works, extending his legacy of midnight movies into a reflective autobiographical vein. With a limited U.S. theatrical release in July 2017 and a gross of $153,440 domestically, Endless Poetry underscores Jodorowsky's enduring influence on at age 87 during production.

Background and Development

Autobiographical Origins

Endless Poetry serves as the second installment in Alejandro Jodorowsky's planned five-film autobiographical series, following (2013), which depicted his childhood in , . The series aims to chronicle Jodorowsky's life through a surreal lens, blending personal history with artistic invention to explore his evolution as an artist. The film draws directly from Jodorowsky's experiences in 1940s and 1950s Santiago, where, as a young man working in his father's store, he faced pressure from his Jewish family to pursue but instead rejected conventional paths to embrace . This decision led him into Santiago's bohemian circles, including encounters with prominent Chilean poets such as and Enrique Lihn, whose influences shaped his early artistic development. These real-life interactions, set against the vibrant yet tumultuous literary scene of the era, form the core inspirations for the film's portrayal of youthful rebellion and creative awakening. Jodorowsky's eventual departure from to in 1953, driven by a desire to immerse himself in the surrealist movement, marks a pivotal transition reflected in the film's narrative arc. At age 87 during the film's writing and production in 2016, Jodorowsky infused Endless Poetry with a deeply reflective tone, emphasizing themes of , self-discovery, and the enduring pursuit of inner truth amid life's chaos. This late-career perspective lends the work an emotional maturity, transforming personal into a universal meditation on artistic becoming. As a semi-fictionalized , it connects these biographical roots to broader explorations of poetry's transformative power.

Pre-production

The pre-production of Endless Poetry (2016), directed by , centered on adapting his autobiographical experiences into a surrealist , building on the personal reflections explored in his earlier The Dance of Reality (2013). Jodorowsky penned the screenplay himself, drawing from his youth as an aspiring poet in 1940s Santiago, , to craft a story emphasizing artistic liberation and bohemian life without external interference from producers. Family members played key roles in integrating creative elements, with Jodorowsky's son composing and performing 15 of the 19 tracks on the film's , contributing to its psychedelic and emotional tone. This collaboration extended the familial dynamic from the prior film, blending personal history with artistry. To fund the independent project, Jodorowsky launched a campaign on February 15, 2015, seeking $350,000 to support needs for this autobiographical sequel. The effort exceeded its goal, raising $442,313 from 3,518 backers, enabling completion of the low-budget endeavor amid its emphasis on poetic consciousness and inner truth. Casting prioritized authenticity in portraying Jodorowsky's bohemian circle, with family members taking central roles: as the teenage Alejandro, and eldest son reprising his role as the authoritarian father Jaime from . This approach underscored the film's intimate, ensemble depiction of artistic and familial tensions. The production operated on a modest estimated at $3-5 million, financed through a pioneering co-production between France's Satori Films, 's Le Soleil Films, and Japan's Uplink Co., reflecting Jodorowsky's return to after decades abroad. logistics, including casting and set preparations, spanned two months, training local Chilean crew to align with Jodorowsky's vision of uncompromised .

Production

Filming Locations and Process

for Endless Poetry began on July 1, 2015, in Santiago, , capturing the city's vibrant urban landscape to evoke the director's youthful experiences in the bohemian scene of the 1940s and 1950s. The production primarily utilized real locations from Alejandro Jodorowsky's past, including streets in the Matucana neighborhood, where modern facades were overlaid with life-sized printed images of period-appropriate buildings to recreate the era's aesthetic. This approach allowed for an authentic grounding in historical sites while accommodating the film's surreal elements, though it presented logistical hurdles in coordinating street closures and set modifications amid Santiago's contemporary environment. Principal photography lasted approximately eight weeks, during which the crew navigated the integration of elaborate custom sets for key surreal sequences, such as puppet theaters and a dramatic burning house scene, to blend with Jodorowsky's psychomagic vision. These challenges were compounded by the need to film in protected historical areas, requiring permissions and temporary alterations that preserved the locations' integrity. wrapped in early 2016, refining the footage for its world premiere at the that May. At 86 years old during much of the shoot and turning 87 by completion, Jodorowsky directed with hands-on vigor, emphasizing improvisational techniques to infuse spontaneity and drawing on family members alongside select non-professional performers for heightened emotional authenticity. This personal involvement extended the process but ensured the film's intimate reflection of his life, with funding from reunions with longtime collaborators enabling the extended Chile-based production.

Technical Crew and Design

The film's was handled by , renowned for his collaborations with , who employed a vibrant, color-saturated palette and dreamlike lighting to evoke the surreal transitions between reality and Jodorowsky's imaginative world. This approach heightened the film's episodic, hallucinatory quality, with Doyle's expressive visuals capturing the bohemian energy of 1940s-1950s Santiago through fluid camera movements and luminous night scenes that blend the mundane with the fantastical. Editing duties fell to Maryline Monthieux, who skillfully interwove the film's linear autobiographical narrative with its more abstract, hallucinatory sequences, maintaining a rhythmic flow that mirrors the protagonist's poetic awakening. Her cuts emphasize thematic contrasts, such as the shift from familial constraints to artistic liberation, using montage to fuse chronological events with symbolic dream interludes without disrupting the overall cohesion. Alejandro Jodorowsky himself served as , overseeing the recreation of Santiago's bohemian locales to immerse viewers in the director's youth. This included custom-built sets and props that enhanced artistic vignettes, such as oversized poetry reading installations and circus-inspired elements that amplified the film's surreal theatricality, drawing on period facades superimposed on actual locations for authenticity. The original score was composed by , the director's son, who blended folk-inspired Chilean motifs with experimental electronic textures and integrated poetic recitations to underscore the film's introspective tone. This eclectic soundtrack, featuring 15 original tracks performed by , evokes the cultural vibrancy of mid-20th-century Santiago while incorporating dissonance to reflect moments of inner turmoil and creative ecstasy.

Plot

Endless Poetry continues the autobiographical story from , focusing on Jodorowsky's youth in 1940s . The narrative follows the teenage Alejandrito (played by Jeremias Herskovits) as his family relocates from to Santiago amid personal and societal turmoil. Rebelling against his authoritarian father Jaime's (Brontis ) expectations for him to pursue a medical career, young (Adan Jodorowsky) chops down a in defiance and vows to become a . In Santiago, Alejandro immerses himself in the bohemian art scene, joining an avant-garde collective of poets and artists. He befriends figures like the poet Enrique Lihn (Leandro Taub) and forms a passionate relationship with the surrealist poet Stella Díaz Varín (Pamela Flores), who becomes his muse. Through dreamlike sequences, symbolic imagery, and theatrical performances—including body painting, puppetry, and absurdist acts—the film depicts his artistic experiments, romantic entanglements, and existential struggles for self-discovery and creative liberation. The older Jodorowsky appears intermittently, interacting with his younger self to reflect on these formative experiences.

Cast and Characters

The film stars members of the Jodorowsky family in key roles, emphasizing its autobiographical nature.
ActorRole
Adan JodorowskyAlejandro Jodorowsky (teenager)
Jaime Jodorowsky
Pamela FloresSara Jodorowsky / Stella Díaz Varín
Leandro TaubEnrique Lihn
Alejandro Jodorowsky (adult)
Jeremias HerskovitsAlejandro Jodorowsky (child)
Julia DíazDoña Adela
Antonio "El Potro" NúñezDon Federico

Themes and Style

Core Themes

Endless Poetry explores personal growth through the Alejandro's rejection of his bourgeois family constraints in , symbolizing a broader escape from limiting heritage toward poetic . The film depicts his departure from a stifling home environment dominated by his father's rigid expectations, marking a pivotal act of self-assertion and liberation. This journey culminates in a where Alejandro forgives his father after decades of resentment, highlighting themes of and transcendence from familial trauma. Artistic influences in the film integrate , , and as essential paths to , drawing inspiration from prominent Chilean literary figures such as , Enrique Lihn, and Stella Díaz Varín. These elements reflect Jodorowsky's own philosophy, where serves as a transformative force, enabling the artist to break free from conventional realities and embrace an eternal quest for the sublime. The narrative portrays Alejandro's immersion in Santiago's bohemian art scene as a catalyst for his evolution from a passive observer to an active creator, underscoring art's role in personal and cultural rebellion. The film offers a pointed on 1950s Chilean society, critiquing rigid roles, class dynamics, and the oppressive norms that stifle individual expression. Alejandro's father's homophobia and adherence to contrast sharply with the protagonist's pursuit of , illustrating the artist's position as a rebel against societal conformity. This critique extends to broader issues like and as barriers to personal autonomy, advocating for over inherited or imposed structures. Autobiographical reflection permeates the work, weaving themes of , , and transcendence through as Jodorowsky reimagines his youth to confront and heal past wounds. By casting his sons as family members and transforming real events into mythic narratives—such as reworking his parents' roles to alleviate childhood repression—the director achieves a psychomagical resolution, turning personal history into a source of wisdom and joy. These elements serve as vehicles for examining how allows one to rewrite and elevate lived experiences beyond .

Surrealist Techniques

In Endless Poetry, employs a non-linear narrative structure that intertwines dream sequences with autobiographical elements, seamlessly blending reality and fantasy to evoke a therapeutic exploration of . This approach features meta-narration, where the elder Jodorowsky intermittently appears to comment on and intervene in his younger self's experiences, creating a layered, self-reflective that disrupts conventional and heightens the film's hallucinatory quality. Such techniques draw from Jodorowsky's psychomagic philosophy, transforming personal history into a fluid, dreamlike tapestry rather than a strict linear recounting. Visually, the film is rich with exaggerated colors and symbolic imagery that amplify its surreal ethos, including vibrant hues that saturate and motifs like to represent and artistic experimentation. Choreographed group performances, evoking circus-like spectacles with clowns and dwarves, further underscore themes of theatricality and the , turning everyday encounters into stylized, mythic rituals. These elements, such as a who communicates solely through operatic song or a dwarf costumed as a for absurd declarations, serve as potent symbols of rebellion and identity formation within Jodorowsky's fantastical . Jodorowsky's surrealist influences are evident in homages to and , manifested through absurd humor and eroticism that infuse artistic scenes with provocative whimsy. Absurdity arises in deadpan moments, like a character wielding a knife not for violence but to fashion writing quills, while erotic sequences blend sensuality with the non-literal, such as tattooed spines or experimental intimacies that prioritize symbolic liberation over realism. These devices echo Buñuel's satirical edge and Dalí's dream logic, adapting them to Jodorowsky's personal narrative for a critique of societal norms. The integration of music, composed primarily by , enhances the film's hallucinatory effects through a score that weaves poetic voiceovers with eclectic instrumentation, creating an auditory dreamscape that mirrors the visual . Tracks like "Matucana" and "Verde" employ lush, atmospheric sounds to underscore transitions between and reverie, while voiceovers deliver introspective narration that poeticizes the chaos, amplifying the overall immersive, trance-like experience. This sonic layer not only supports the narrative's fluidity but also reinforces Jodorowsky's vision of as a transformative force.

Release

World Premiere

Endless Poetry had its world premiere at the on May 14, 2016, in the section. The screening was met with a lasting more than ten minutes. At age 87, director attended the event, introducing the film as a continuation of his autobiographical exploration begun with . Initial reactions praised the film's poetic storytelling and innovative visuals, marking it as Jodorowsky's most accessible work to date. The premiere followed the timely completion of production, allowing for this international launch. Subsequent festival screenings included the , in June 2016, and Munich International Film Festival.

Distribution and Box Office

Following its festival premieres, Endless Poetry received a limited theatrical rollout in the United States on July 14, 2017, beginning in key arthouse markets such as New York and before expanding to additional cities. The film was distributed domestically by ABKCO Films, targeting independent cinema circuits to reach Jodorowsky's audience. In , the release strategy emphasized earlier launches in French-speaking and home markets, with a wide rollout in on October 5, 2016, handled by Le Pacte, and in the on January 6, 2017, via Curzon Artificial Eye. The film also debuted commercially in on October 6, 2016, aligning with its autobiographical focus on the director's youth there, though specific local distribution details remain tied to international co-productions. Financially, Endless Poetry grossed $153,440 in the and and $405,589 internationally, for a worldwide total of $559,029, against a reported of approximately $3 million—reflecting modest returns typical for arthouse surrealist fare. The film's opening weekend in the earned $28,591 across a limited number of screens, underscoring its niche appeal rather than broad commercial viability. For home media, ABKCO Films issued the DVD and Blu-ray in the United States on December 8, 2017, featuring the film's original multilingual audio tracks and subtitles. Streaming availability followed soon after, with the film becoming accessible on platforms such as and Apple TV starting in late 2017, expanding to additional services over the subsequent years to sustain its .

Reception

Critical Response

Endless Poetry received widespread critical acclaim upon its release, with reviewers praising its visual inventiveness and emotional depth as an autobiographical work. On , the film holds a 94% approval rating based on 62 reviews, with an average score of 7.3/10. Similarly, reports a weighted average of 78 out of 100 from 19 critics, indicating generally favorable reviews. Critics frequently highlighted the film's poetic visuals, intimate exploration of Jodorowsky's youth, and the director's persistent creativity at age 87. of Variety described it as "the most accessible movie [Jodorowsky] has ever made, and it may also be the best," calling it a "triumphant return" through its Felliniesque blend of fantasy and . In , noted its "bewitching self-portrait," emphasizing Jodorowsky's restless artistry in transforming personal history into surreal spectacle. Simon Abrams, writing for , awarded it four out of four stars, lauding its "sublime absurdity" and generous spirit that revitalizes the filmmaker's legacy. The Hollywood Reporter's Boyd van Hoeij praised the casting of Jodorowsky's family members, including son Adan as the adult protagonist, which added authentic layers to the familial dynamics. Despite the praise, some reviewers critiqued the film for occasional indulgence and narrative looseness, particularly in its extended surreal sequences. Kenny observed a "tendency to meander and repeat itself," suggesting the poetic expansiveness sometimes diluted focus. Peter Bradshaw of The Guardian found it "bewildering as a laudanum dream," appreciating the energy but noting its overwhelming gusto could border on excess. A review from Escape Into Film highlighted pacing issues in the more abstract segments, describing the overall experience as frustrating for mainstream audiences despite its artistic ambitions.

Awards and Recognition

Endless Poetry premiered in the section of the , where it competed for major prizes but did not win, though its innovative surrealist style drew significant attention from arthouse audiences. The film earned nominations at several international festivals, including the Variety Piazza Grande Award at the 2016 and the Golden Camera 300 for at the 2016 International Cinematographers' . It also received recognition for its visual artistry through a nomination for the / Award for Best International at the 2017 Munich International Film Festival. Among its wins, Endless Poetry took home the Audience Award for Best Narrative Feature at the 2017 , highlighting its appeal to viewers in the arthouse community. It similarly won the Audience Award at the 2017 Minneapolis–St. Paul International , underscoring its resonance with festival-goers. While it did not secure national awards in , such as nominations at the 2017 Ariel Awards, the film's release bolstered Jodorowsky's standing in surrealist and autobiographical cinema, aligning with broader lifetime achievement honors in his career for pioneering experimental filmmaking.

References

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  13. https://raintaxi.com/an-interview-with-alejandro-jodorowsky/
  14. https://www.nytimes.com/2017/07/13/movies/review-endless-poetry-alejandro-jodorowskys-surreal-self-portrait.html
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