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Entreat
Live album by
the Cure
Released25 March 1991
RecordedJuly 1989
VenueWembley Arena (London)
GenreGothic rock
Length47:09 (1991)
69:26 (2010)
LabelFiction
ProducerThe Cure
The Cure chronology
Mixed Up
(1990) 		Entreat
(1991) 		Wish
(1992)
Professional ratings
Review scores
SourceRating
AllMusicStarStarStarStar[1]
Record Mirror7/10[2]
SoundsStarStarStar[3]

Entreat is a live album by the English rock band the Cure, recorded at London's Wembley Arena in July 1989. It consists entirely of songs performed from the band's 1989 record Disintegration; while they were on their international Prayer tour. Initially, Entreat was distributed exclusively in France as a promotional tool in 1989 and then was given away free by HMV stores in the UK and Ireland to customers who purchased two CDs from the band's back catalogue in May 1990. It was then given a full commercial release in March 1991.

The last two tracks were released in 1989 as B-sides to the US version of "Lullaby". "Fascination Street", "Last Dance", "Prayers for Rain", and "Disintegration" were also included as B-sides on the "Pictures of You" CD single.

The re-release of Disintegration in 2010 featured a remastered version of Entreat remixed by Cure frontman Robert Smith, entitled Entreat Plus because it featured all twelve songs from the album, including the four excluded from the original. It was the first time the album was released worldwide, though it had already been released on CD before.

Track listing

[edit]
  1. "Pictures of You" – 7:08
  2. "Closedown" – 4:23
  3. "Last Dance" – 4:41
  4. "Fascination Street" – 5:20
  5. "Prayers for Rain" – 4:49
  6. "Disintegration" – 7:41
  7. "Homesick" – 6:49
  8. "Untitled" – 6:33

Entreat Plus

[edit]
  1. "Plainsong" – 5:19
  2. "Pictures of You" – 7:04
  3. "Closedown" – 4:22
  4. "Lovesong" – 3:24
  5. "Last Dance" – 4:37
  6. "Lullaby" – 4:14
  7. "Fascination Street" – 5:10
  8. "Prayers for Rain" – 4:50
  9. "The Same Deep Water as You" – 10:03
  10. "Disintegration" – 7:54
  11. "Homesick" – 6:47
  12. "Untitled" – 6:45

Personnel

[edit]

Charts

[edit]
Chart performance for Entreat
Chart (1991) Peak
position
Australian Albums (ARIA)[4] 25
Austrian Albums (Ö3 Austria)[5] 19
Dutch Albums (Album Top 100)[6] 88
Finnish Albums (Suomen virallinen lista)[7] 29
German Albums (Offizielle Top 100)[8] 15
New Zealand Albums (RMNZ)[9] 8
Swiss Albums (Schweizer Hitparade)[10] 31
UK Albums (OCC)[11] 10

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Entreat

View on Grokipedia
from Grokipedia
Entreat is a live album by the English rock band , recorded during three consecutive nights at London's on 22, 23, and 24 July as part of their Prayer Tour supporting the studio album Disintegration. Released commercially on 25 March 1991 by in the UK, the double album features eight tracks drawn exclusively from Disintegration, showcasing extended live performances that highlight the band's atmospheric and style. Initially circulated as a promotional eight-track cassette in late , Entreat captures the intensity of the Cure's live shows during a pivotal period in their career. The album's tracklist includes fan favorites such as "Pictures of You," "Fascination Street," "Prayers for Rain," and the title track "Disintegration," with runtimes often exceeding their studio counterparts to emphasize the emotional depth and improvisational elements of the performances. Produced by the band themselves, Entreat was remixed and expanded in 2010 as Entreat Plus, adding four additional tracks—"Plainsong," "Lullaby," "Lovesong," and "The Same Deep Water as You"—to provide a more complete representation of the Wembley concerts. This reissue, available on vinyl and CD, underscores the enduring popularity of the Cure's 1989 tour material among fans and critics. Notable for its raw energy and fidelity to the Disintegration era's themes of melancholy and introspection, Entreat serves as a companion to the studio album, offering insight into how the Cure translated their complex sound to the stage. Several tracks from the original release also appeared as B-sides on singles like "" and "Pictures of You," further integrating it into the band's .

Background

Disintegration Era

The Cure's transition to the Disintegration era marked a deliberate shift from the pop sensibilities of their 1987 album Kiss Me, Kiss Me, Kiss Me, which had embraced brighter, more commercial sounds, toward a darker, introspective aesthetic driven by frontman Smith's pursuit of greater artistic authenticity. Amid rising band tensions, including the escalating alcoholism of co-founder that ultimately led to his dismissal in 1989, Smith grappled with personal pressures such as his impending 30th birthday and a relapse into hallucinogenic drug use, fueled by discomfort with the band's growing mainstream popularity. These internal conflicts peaked in late 1988 when Smith announced his intention to disband and pursue a solo career, viewing the group as creatively stifled; however, after persuasion from remaining members and co-producer , he reconciled with the band, channeling the turmoil into the album's creation as a collective effort to reaffirm their gothic roots. Recording for Disintegration took place from late 1988 to early 1989 at Hookend Recording Studios in Checkendon, , where the band—comprising Robert Smith on vocals and guitar, on bass, Porl Thompson on guitar, on drums, and on keyboards—worked under the guidance of co-producer to craft an expansive sound blending atmospheric keyboards, layered guitars, and Smith's emotive lyrics exploring themes of decay, love, and existential dread. The sessions were intense and isolated, with Smith often handling overdubs alone alongside Allen to refine the album's dense, melancholic textures, reflecting the band's resolve to produce what Smith described as a potential "" before his self-imposed creative deadline. This period of and focused solidified the lineup's chemistry, transforming personal and professional fractures into the album's emotional core. Upon its release on May 2, 1989, Disintegration achieved significant commercial success, peaking at No. 3 on the UK Albums Chart and No. 12 on the US Billboard 200, while selling over three million copies worldwide and becoming the band's highest-charting album to date. Critically, it was hailed as a pinnacle of gothic rock, praised for its ambitious scope and emotional depth, with outlets like NME and Rolling Stone lauding it as a masterful return to the band's post-punk origins that transcended their earlier pop experiments. This acclaim not only revitalized The Cure's artistic reputation but also paved the way for extensive live performances, including the Prayer Tour, which extended the album's immersive sound to audiences.

The Prayer Tour

The Prayer Tour was The Cure's 1989 world tour undertaken to promote their album Disintegration, commencing on May 1 at the site in and concluding on September 23 at the Great Woods Center for the Performing Arts in . The tour encompassed 76 performances divided into a European leg of 52 shows from May to July and a North American leg of 24 shows from August to September, with the name derived from the Disintegration track "." Setlists during the tour centered heavily on Disintegration material, which formed the core of the main set with tracks like "Plainsong," "Pictures of You," "Fascination Street," and "Prayers for Rain," typically accounting for about 12 of the 30 to 35 songs performed per show. Encores incorporated selections from earlier albums such as The Head on the Door ("A Night Like This," "Just Like Heaven") and Pornography ("A Forest"), allowing for a blend of the band's atmospheric goth rock evolution. Performances averaged 2.5 to 3 hours in length, reflecting the band's commitment to extended, immersive live experiences. Despite the tour's success in delivering high-energy renditions that captivated audiences, frontman Robert Smith endured significant physical and emotional exhaustion from the grueling schedule of large-scale venues and frequent travel, which played a key role in the band's subsequent decision to compile live recordings into an album. Attendance was substantial across major legs, exemplified by the dates where the band sold out multiple nights at arenas like (capacity 12,500 per show) and the NEC Arena in Birmingham (capacity approximately 11,000), drawing tens of thousands of fans and underscoring the group's rising stadium-level draw. Production elements enhanced the tour's brooding intensity, featuring dynamic atmospheric lighting with cold blue-to-metallic palettes and spotlights that shifted to match the music's mood, complemented by fog effects to evoke the ethereal quality of Disintegration. The crew's meticulous setup contributed to a sense of ritualistic immersion, further cementing The Cure's live reputation as innovators in gothic and performance traditions established during their 1982 tour and subsequent outings.

Recording

Wembley Arena Performance

The Wembley Arena performances took place over three consecutive nights on July 22, 23, and 24, 1989, during the European leg of The Cure's Prayer Tour, drawing a total of approximately 37,500 attendees to the London venue. Each show filled the arena's capacity of 12,500, reflecting the band's surging popularity following the release of their album Disintegration earlier that year. The sold-out crowds created an electric atmosphere, with fans rushing the stage barriers during the opening "Plainsong" and sustaining high energy throughout the marathon sets. The band delivered their full Prayer Tour setlist, emphasizing tracks from Disintegration alongside earlier material, often extending intros and incorporating improvisations that heightened the emotional depth of songs like "Pictures of You" and "Disintegration." Smith's vocal delivery was marked by raw intensity, complemented by the band's dynamic interplay—Simon Gallup's driving bass, Porl Thompson's atmospheric guitars, and ' propulsive drums—amid a production featuring manic strobe lighting, , and wind chimes that amplified the gothic immersion. Audience interaction was fervent, including collective chants and sing-alongs during "Pictures of You," where fans echoed lyrics in unison, contributing to the communal fervor. The shows were captured via multi-track recording using on-site mobile studio equipment, capturing the unfiltered live energy for potential archival use. In the immediate aftermath, Robert Smith described the residency as a tour pinnacle, noting the overpowering lights during "Disintegration" that even prompted some members to retreat due to their intensity, likening it to inducing epileptic reactions. These performances stood out for their peak execution amid the tour's exhaustive schedule, ultimately swaying the band's initial reluctance toward live releases by providing compelling, high-fidelity documentation of their live prowess.

Track Selection

The track selection for Entreat was curated from the multi-night recordings at Wembley Arena in July 1989, focusing exclusively on performances of songs from The Cure's 1989 studio album Disintegration to preserve the record's atmospheric cohesion and thematic purity. Eight tracks were chosen out of the full 12-song Disintegration setlist, resulting in a runtime of approximately 47 minutes suitable for a concise live album format that emphasized high-energy renditions faithful to the original material's emotional intensity. This decision excluded non-Disintegration songs from the Wembley performances, such as older hits like "A Forest" or "In Between Days," to maintain a focused snapshot of the tour's support for the recent release. Key inclusions highlighted accessible hits to broaden appeal, such as the chart-topping "Lovesong" and the epic "Pictures of You," which captured the crowd's responsive energy during their live delivery. Other selections like "," "Closedown," "Last Dance," "," "Fascination Street," and "" were prioritized for their dynamic transitions and fidelity to the album's brooding soundscape, forming a sequential arc that mirrored much of Disintegration's structure. The omitted tracks—"," "," "Lovesong," and "The Same Deep Water as You"—were not included initially. The editing process for the original 1990 release involved minimal intervention to retain the raw live essence, including natural crowd noise and seamless song transitions that enhanced the immersive feel of the Wembley shows. This approach avoided extensive cuts or overdubs, prioritizing authenticity over polished production, though it drew criticism from fans for the incomplete Disintegration representation. The full 12-track live set was not realized until the 2010 deluxe reissue of Disintegration, which incorporated the previously omitted recordings to complete the Wembley performance archive.

Release

Initial Releases

Entreat was initially distributed as a promotional release exclusively in in 1989, with 4,000 copies of the CD and LP versions provided to stores for giveaway to radio stations and fans. This limited edition, housed in a distinctive pink card sleeve, served as a tool to build anticipation for the band's live performances during the Prayer Tour. In May 1990, an eight-track version of the album was offered as a free giveaway at stores in the UK and to customers who purchased two or more CDs from The Cure's catalog, such as Disintegration. This promotion, advertised in British music press by Polydor, aimed to boost sales of the band's existing releases while introducing fans to the live recordings. The album received its full commercial launch on March 25, 1991, issued by in the UK and in the across CD, cassette, and vinyl formats. These editions featured the core track listing of live renditions from Disintegration, capturing the band's performances at . Promotion for the 1991 release focused on tying it to the band's recent singles and catalog incentives rather than new touring, as entered a hiatus after concluding the Prayer Tour in 1989.

Entreat Plus Reissue

The Entreat Plus reissue was released as part of 's 2010 deluxe edition campaign celebrating the 21st anniversary of their 1989 album Disintegration, with frontman Robert Smith personally overseeing the remixing and remastering of the live recordings to enhance audio clarity and balance. This expanded version builds on the original 1991 Entreat live album by incorporating all 12 tracks from Disintegration in sequence, drawn from the band's July 1989 performance at Wembley Arena during the Prayer Tour, resulting in a total runtime of approximately 69 minutes and presenting a more comprehensive document of the era's live set. Smith specifically adjusted the mix by dampening the drum levels and raising the vocals to better capture the performance's dynamics. Issued on May 24, 2010, in and June 8, 2010, in by , the reissue appeared as the third disc in the 3CD Disintegration deluxe set, alongside a remastered original and a rarities disc featuring demos and B-sides from 1988–1989; it was also made available digitally and later as a standalone limited-edition 180-gram double vinyl in 2011 (exclusive to the band's official store) and a wider U.S. vinyl pressing on 2012, all featuring updated artwork with previously unseen photos and . Smith described the effort as completing the live to reflect the full Disintegration setlist as performed on tour.

Content

Track Listing

The 1991 edition of Entreat features eight tracks, all written by The Cure, sequenced to reflect the live performance order from their shows during the Prayer Tour.
No.TitleDuration
1Pictures of You7:08
2Closedown4:23
3Last Dance4:41
4Fascination Street5:19
54:49
6Disintegration7:42
7Homesick6:49
8Untitled6:33
On the original vinyl LP edition, tracks 1–5 comprise Side A, while tracks 6–8 form Side B. The 2010 Entreat Plus reissue expands the album to twelve tracks, incorporating four additional live recordings from the same Wembley performances ("Plainsong", "Lovesong", "Lullaby", and "The Same Deep Water as You"), all written by The Cure, with the original eight tracks remixed and remastered by Robert Smith; the sequencing maintains the live order with the new additions integrated to mirror the full Disintegration album structure.
No.TitleDuration
15:19
2Pictures of You7:04
3Closedown4:22
4Lovesong3:24
5Last Dance4:37
64:14
7Fascination Street5:18
84:47
9The Same Deep Water as You5:04
10Disintegration7:21
11Homesick6:46
12Untitled6:31
The Entreat Plus 2LP vinyl edition divides the tracks across four sides: Side A (1–3), Side B (4–7), Side C (8–9), and Side D (10–12), with no alterations to the song order beyond the added tracks.

Musical Style

Entreat captures The Cure's signature sound blended with sensibilities, marked by expansive atmospheric constructions driven by layered keyboards and guitars drenched in reverb. These elements create a brooding, immersive texture that amplifies the 's emotional weight, drawing from the moody introspection of their Disintegration era. In contrast to the studio recordings, the live renditions on Entreat feature elongated instrumental sections and heightened dynamics, such as the extended build-up in tracks that invite audience interaction through and sing-alongs, deepening the songs' romantic and melancholic resonance. Robert Smith's vocals emerge rawer and more strained, conveying the tour's cumulative intensity amid the Prayer Tour's demanding schedule. The 2010 Entreat Plus reissue, remixed and remastered by Robert Smith, provides an updated version of the original mixes.

Credits

Personnel

The personnel for the Wembley Arena recordings featured in Entreat consisted of The Cure's core quintet during the 1989 Prayer Tour: Robert Smith on lead vocals and guitar, on bass, Porl Thompson on guitar, on drums, and on keyboards. Smith's multi-instrumental contributions, including occasional six-string bass elements integrated into his guitar work, anchored the live arrangements drawn from the Disintegration era. Gallup's bass lines were prominently mixed to emphasize the rhythmic foundation of the performances. The lineup remained stable throughout the Prayer Tour, reflecting no changes from the touring configuration established for the Disintegration promotional cycle. O'Donnell, who had joined The as a touring in , became a full member following Lol Tolhurst's departure in early 1989. He debuted his full integration into the live ensemble during this tour.

Production Details

The original production of Entreat was handled by themselves, with engineering credited to Smudger and mixing by Robert Smith and Bryan "Chuck" New. The recordings were captured live at in on July 22, 23, and 24, 1989, during the band's Prayer Tour supporting their album Disintegration. No external producers were involved, emphasizing the band's direct control over the process to preserve the raw energy of the performances. Mixing took place in , focusing on maintaining the clarity and intensity of the live sound without excessive studio polish, under Smith's supervision. The sleeve design for the original release featured artwork by Art, a collaborative effort involving band member Porl Thompson and designer Andy Vella, known for their contributions to several Cure album covers. was provided by Paul Cox, capturing the band's aesthetic in line with their imagery. For the 2010 reissue as part of the Disintegration deluxe edition, titled Entreat Plus, Robert Smith personally remixed the tracks in July 2009, expanding the original eight songs to twelve to reflect a full live set from the Wembley shows. This version included newly remastered audio, with additional tracks like "Lovesong," "Lullaby," and "The Same Deep Water as You" to provide a more complete representation of the 1989 performances. The reissue retained the no-external-producer approach, with Smith overseeing the entire process.

Commercial Performance

Chart Positions

Entreat entered the on 6 April 1991 and peaked at number 10, spending a total of 5 weeks on the chart. The album's performance was bolstered by the enduring popularity of following their 1989 studio release Disintegration, which had reached number 3 on the same chart. This marked an improvement over the band's prior live album, Concert: The Cure Live, which peaked at number 26 in the UK in 1984. Internationally, Entreat achieved moderate placements on several album charts in , reflecting the band's strong European and Oceanic following at the time.
Chart ()Peak position
Australian Albums ()25
Austrian Albums (Ö3 )19
German Albums (Offizielle Top 100)15
New Zealand Albums (RMNZ)8
The album did not enter the US 200.

Sales and Certifications

Comprehensive sales figures for Entreat are not publicly available. A promotional version was distributed in 1990, including giveaways at stores with the purchase of two CDs. Entreat received no official certifications from bodies such as the BPI, RIAA, or equivalent international organizations, reflecting the generally lower commercial performance of live albums compared to The 's studio releases.

Reception

Contemporary Reviews

Upon its commercial release in 1991, Entreat received generally positive reviews from music publications, with critics appreciating its faithful reproduction of the band's live energy during the Disintegration tour, though some noted its niche appeal as a companion piece. The album had initially circulated as a promotional eight-track cassette and CD in late 1989 and May 1990, respectively, influencing early fan reception. Record Mirror gave Entreat a 7 out of 10 rating, highlighting its emotive performances and atmospheric sound, with standout tracks like "Pictures of You" and "Fascination Street," while concluding that it captures the essence of the tour for dedicated listeners. offered a mixed assessment, appreciating the communal spirit of the recordings but arguing that the live mix feels raw compared to the original Disintegration tracks. Other outlets echoed these sentiments, positioning Entreat as a solid live document to Disintegration.

Legacy and Retrospective Views

Entreat has had a notable impact within goth rock by showcasing live interpretations of Disintegration material, capturing the band's peak energy on tour through extended performances. Recorded during the 1989 Prayer Tour, the album's renditions of tracks like "Pictures of You" and "Disintegration" have influenced live styles in the genre, emphasizing emotional depth and expansive soundscapes. It has appeared in fan compilations and retrospectives of The Cure's work, underscoring its role in preserving the band's transitional phase from to prominence. The 2010 deluxe of Disintegration featured an expanded edition of Entreat as its third disc, comprising of every song from the album in sequence, which was subsequently released standalone as Entreat Plus in 2011. This garnered positive reception, with hailing the live recordings as "flawless" for gorgeously mirroring the studio tracks and enhancing appreciation of their evolution from demos to stage. Pitchfork's review of the deluxe edition similarly highlighted the third disc's value in providing a complete live counterpart to Disintegration, recorded at before over 10,000 fans, contributing to renewed interest in the material. In fan and critical assessments, Entreat is frequently viewed as a vital document of Smith's emotional intensity during the Disintegration era, often compared to the band's subsequent live release Show () for its raw documentation of tour dynamics, though some critiques note Entreat's more subdued, arena-scale intimacy. Progarchy described it as a "bold move" that showcased the band's confidence in their new material, solidifying its status as a transcendent live artifact. Its ongoing relevance persists through inclusions in reissues, maintaining its place in the discography as a highlight of the Prayer Tour.

References

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  9. https://www.billboard.com/music/rock/the-cure-disintegration-anniversary-influence-8509859/
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  29. http://thecure.cz/1990/05/05/19900505-entreat/
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  41. https://www.officialcharts.com/albums/cure-concert-the-cure-live/
  42. https://austriancharts.at/showitem.asp?interpret=The+Cure&titel=Entreat&cat=a
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  44. https://bestsellingalbums.org/artist/12965
  45. https://worldradiohistory.com/UK/Record-Mirror/90s/1991/Record-Mirror-1991-04-06-OCR.pdf
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  47. https://www.avclub.com/the-cure-disintegration-deluxe-edition-1798165123
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  49. https://drownedinsound.com/releases/15400/reviews/4140058
  50. https://progarchy.com/2016/10/16/soundstreamsunday-entreat-by-the-cure/
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