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Ernie Chan
Ernie Chan
Ernie Chan
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Ernesto Chan (July 27, 1940 – May 16, 2012),[1][2] born and sometimes credited as Ernie Chua, was a Filipino-American comics artist, known for work published by Marvel Comics and DC Comics, including many Marvel issues of series featuring Conan the Barbarian. Chan also had a long tenure on Batman and Detective Comics. Other than his work on Batman, Chan primarily focused on non-superhero characters, staying mostly in the genres of horror, war, and sword and sorcery.

Key Information

Biography

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Ernie Chan was born Ernie Chua due to what he called "a typographical error on my birth certificate that I had to use until I had a chance to change it to 'Chan' when I got my [U.S.] citizenship in '76."[3] He migrated to the United States in 1970 and became a citizen in 1976.[4] For a number of years, he worked under the name Ernie Chua, but he was later credited as Ernie Chan.[5][6] He studied with John Buscema and worked with him as the inker on Conan during the 1970s. He also inked the art of Buscema's brother Sal Buscema on The Incredible Hulk.

Chan entered the American comics industry in 1972 with DC Comics as a penciler on horror/mystery titles such as Ghosts, House of Mystery, and The Unexpected. By 1974, he was working regularly for Marvel Comics on Conan the Barbarian. From 1975–1976, Chan worked exclusively for DC including the artwork for Claw the Unconquered which was written by David Michelinie.[7] While working on the Detective Comics series, he drew the first appearances of Captain Stingaree in issue #460 (June 1976)[8] and the Black Spider in #463 (Sept. 1976).[9] Under the name Chua, he was DC Comics' primary cover artist from approximately 1975 to 1977.[10]

Chan pencilled several issues of Conan and Doctor Strange, and worked on Kull the Destroyer in 1977 and Power Man and Iron Fist in the 1980s. From about 1978 onward, he worked almost exclusively for Marvel and focused on Conan, including the annuals, in the 1980s.[6]

In the early 1990s he joined Sega, providing character design and art for video games such as Eternal Champions.[11]

In 2002, he retired except for commissioned artwork,[4] but returned to comics to draw writer Andrew Zar's adult-oriented webcomic The Vat #1 in 2009.[12]

Personal life

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Chan was based in Oakland, California, and had three children;[13] his daughter Cleo Caron Chan was born April 25, 1978. His daughter Kate Ann Chan was born on July 8, 1980.[14] Ernie Chan died on May 16, 2012, after a nearly yearlong battle with cancer.[2]

Awards

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Ernie Chan received an Inkpot Award in 1980.[15]

In 2024, Chan was posthumously inducted into the Inkwell Awards Joe Sinnott Hall of Fame.[16]

Bibliography

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References

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Ernie Chan

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Ernie Chan is a Filipino-American comic book artist known for his prolific output in American comics during the 1970s and beyond, particularly for his dynamic cover illustrations at DC Comics and his long-term inking work on Marvel's Conan the Barbarian series. He was celebrated for his speed, reliability, and distinctive style that blended detailed illustration with strong storytelling, making him one of the most in-demand artists of his era. Born Ernesto Chan on July 27, 1940 in the Philippines, Chan was initially credited as Ernie Chua due to a typographical error on his birth certificate and immigration documents. He began using the correct family name Chan consistently after becoming a U.S. citizen in 1976. He apprenticed under fellow Filipino artist Tony DeZuniga in both the Philippines and the U.S., helping pioneer the influx of Filipino talent into American comics known as the "Filipino Invasion." Chan contributed to DC's horror anthologies such as Ghosts, House of Mystery, and The Unexpected starting in the early 1970s, later serving as the company's primary cover artist from 1975 to 1977 while drawing series like Claw the Unconquered. At Marvel, he frequently inked John Buscema on Conan the Barbarian and Sal Buscema on The Incredible Hulk, and later became the primary artist on Savage Sword of Conan through the 1980s and 1990s. He also worked on titles including Doctor Strange, Power Man and Iron Fist, and various Batman-related stories. Chan retired from regular comics work in 2002 but briefly returned in 2009 to illustrate the webcomic The Vat. He passed away on May 16, 2012 at age 71 after a battle with cancer.

Early life

Background in the Philippines

Ernesto Chan was born on July 27, 1940, in the Philippines. He developed an interest in drawing from childhood and pursued it as a profession in his native country's comics industry. He began illustrating local comics in the Philippines approximately eight years before his emigration to the United States in 1970, placing the start of his professional career in the early 1960s. His work focused primarily on mature-audience titles in genres such as dramas and soap operas. He apprenticed under Tony DeZuniga for a couple of years and benefited from guidance by colleagues including Alfredo Alcala, while maintaining connections with other Filipino artists who would later also emigrate to the U.S. comics industry.

Arrival in the United States

Immigration and name variation

Ernie Chan immigrated to the United States in 1970. His surname was incorrectly recorded as "Chua" on his immigration documents, resulting in his early comic book work being credited under the name Ernie Chua. In 1976, Chan became a naturalized U.S. citizen and legally restored his surname to Chan, the original family name, which had been incorrectly recorded as "Chua" on his immigration documents. Following this change, he was credited professionally as Ernie Chan in most subsequent publications. At the 1976 San Diego Comic-Con, Chan shared his pride in the citizenship and name restoration with comic writer Mark Evanier, initially hesitating on whether to update his professional signature but ultimately deciding to sign as Ernie Chan thereafter.

Career at DC Comics

Horror anthologies and early contributions

Ernie Chan debuted in American comics in 1972, beginning his career with contributions to DC Comics' horror and mystery anthology series. Credited initially as Ernie Chua, his early interior artwork appeared in titles such as The Dark Mansion of Forbidden Love #4 (March-April 1972), Ghosts #4 (March-April 1972), and The Unexpected #134 (April 1972), among others. He went on to provide pencils and inks for short, self-contained stories in a range of similar anthology titles, including Ghosts, The Unexpected, House of Mystery, House of Secrets, Weird War Tales, The Witching Hour, Secrets of Sinister House, and others. These DC anthologies, prominent in the early 1970s, featured rotating creative teams and episodic tales of supernatural horror, ghosts, and eerie mysteries, offering Chan consistent opportunities to establish his presence in the U.S. market as part of the influx of Filipino artists working in the genre during that era. His contributions to these horror and mystery books continued throughout much of the 1970s, encompassing numerous issues across the line. Following his extensive work in anthologies, Chan transitioned to more prominent series assignments at DC.

Series work and cover artist role

Ernie Chan, often credited as Ernie Chua during this period, transitioned from anthology contributions to more sustained series work at DC Comics in the mid-1970s. He provided pencils and inks for extended runs on Batman issues 262–264, 267, 269–270, and 273–283 (1975–1977) and Detective Comics issues 444, 447–449, 451–453, 456, 458, and 460–466 (1974–1976). Chan also handled pencils and inks on the complete run of Claw the Unconquered #1–7 (1975–1976), a sword-and-sorcery series written by David Michelinie. From approximately 1975 to 1977, Chan served as DC Comics' primary cover artist, producing numerous covers credited as Ernie Chua across various titles during this peak period of his DC tenure. His work on Detective Comics included co-creating the villain Captain Stingaree in issue #460 (1976) and the Black Spider in issue #463 (1976).

Career at Marvel Comics

Inking collaborations and Conan the Barbarian

Ernie Chan, initially credited under the name Ernie Chua due to an immigration clerical error, established himself at Marvel Comics in the early 1970s primarily as an inker. Among his early contributions, he inked Sal Buscema's pencils on The Incredible Hulk and provided inks for other titles, including Gil Kane's barbarian story "Valley of the Worm" in Supernatural Thrillers #3 (1972). Chan's most prominent early role at Marvel was as an inker on Conan the Barbarian, beginning with issue #26 (cover date May 1973), where he inked John Buscema's pencils for the conclusion of a major story arc adapting Robert E. Howard material. He became the primary inker for Buscema on the series, contributing to most stories from issues #26 through #43 in 1974, creating a distinctive gritty texture that defined the character's Marvel depiction during that period. In addition to Buscema, Chan provided inks for other Conan pencillers during this early phase, including Gil Kane and Howard Chaykin on select issues and pages. This inking collaboration with Buscema proved central to Chan's initial Marvel tenure, highlighting inking as his dominant contribution before he transitioned to DC Comics in 1975. Upon returning to Marvel full-time in 1977, he resumed inking Buscema on Conan the Barbarian material while gradually extending into full penciling duties on the title.

Long-term contributions to Conan titles and other series

Ernie Chan emerged as one of Marvel's most prolific and enduring contributors to the Conan franchise, delivering pencils and inks across the company's key Conan titles for over two decades. He provided artwork for Conan the Barbarian from 1973 to 1993, including full-art issues, annuals, and extensive collaborations. Chan also became a mainstay on Savage Sword of Conan, producing full art and inking work from 1978 to 1994. His sustained involvement helped define the visual style of Marvel's Conan line during the 1980s and into the early 1990s. Chan extended his work to other Marvel series during this period. He penciled Kull the Destroyer #21–29 from 1977 to 1978. He supplied inks for Doctor Strange vol. 2 #27–29 in 1978. Chan served as penciller and inker on Power Man and Iron Fist #94–100 in 1983. He also made scattered contributions to titles including King Conan, Thor, Daredevil, and Doc Savage.

Later career

Video game design and final projects

In the early 1990s, Chan contributed character design and art for Sega's Eternal Champions fighting game series. His involvement included significant work on character artwork, though he received only a "special thanks" credit in Eternal Champions despite this contribution. This represented a limited foray into video games while his primary career remained in comics. Chan retired from regular comics work in 2002, limiting his output thereafter to occasional commissioned artwork. He briefly returned in 2009 to illustrate the webcomic The Vat, written by Andrew Zar. This project was his final notable creative endeavor.

Personal life

Family and residence

Ernie Chan resided in Oakland, California during his later years, where funeral services were held following his death. He had daughters including Cleo Caron Chan (born April 25, 1978). Other family details, including the existence of additional children, are not well-documented in available sources.

Death and recognition

Illness, death, and awards

Ernie Chan battled cancer for nearly a year before succumbing to the disease. He died on May 16, 2012, in Oakland, California, at the age of 71. Chan received the Inkpot Award from Comic-Con International in 1980 in recognition of his contributions to the comics industry. In 2024, he was posthumously inducted into the Inkwell Awards Joe Sinnott Hall of Fame, honoring his legacy as an inker whose work notably included long-term collaborations on Conan titles and other series.
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