Essentially Yes

Essentially Yes is a five-disc box set compilation album by the English progressive rock band Yes, released in 2006 by Eagle Records.^[1][2] It features the band's four studio albums from the mid-1990s to early 2000s—Talk (1994), Open Your Eyes (1997), The Ladder (1999), and Magnification (2001)—alongside a previously unreleased live recording from their July 14, 2003, performance at the Montreux Jazz Festival.^{[3][4][5][6][7]} The box set encapsulates Yes's output during a transitional period marked by lineup shifts and a return to symphonic prog elements after their more pop-oriented 1980s work.^[8] Talk, the fourteenth studio album, reunited the 90125-era lineup of vocalist Jon Anderson, bassist Chris Squire, guitarist Trevor Rabin, keyboardist Tony Kaye, and drummer Alan White, yielding radio-friendly tracks like "The Calling" amid production challenges from label issues.^[3][9] Open Your Eyes, the seventeenth studio release (counting the hybrid live/studio Keys to Ascension albums as studio), introduced multi-instrumentalist Billy Sherwood as a full member, blending prog complexity with AOR sensibilities on songs such as the title track and "The Solution," marking the end of the Anderson-Rabin collaboration.^[4][10] Subsequent albums The Ladder and Magnification saw further evolution, with The Ladder featuring keyboards by Igor Khoroshev for a more expansive sound inspired by the Homeworld video game soundtrack, featuring highlights like "Homeworld (The Ladder)" and "Can I?"^[5][11] Magnification, the nineteenth studio album, emphasized orchestral arrangements conducted by Larry Groupé, marking Yes's first studio album of the 21st century and including epic tracks like "In the Presence Of."^[6][12] The live disc captures the band—now with Steve Howe on guitar—in a symphonic setlist drawing from their catalog, bridging their classic and modern eras.^[7][13] Overall, Essentially Yes provides a comprehensive retrospective of Yes's 1990s and early 2000s phase, highlighting their adaptability and enduring prog legacy despite commercial ups and downs, and includes a 16-page booklet with liner notes.^[2][8]

Background

Lineup and context

In the early 1990s, Yes underwent a significant reunion that merged the classic lineup with elements from the splinter group Anderson Bruford Wakeman Howe (ABWH), forming an octet for the 1991 album Union. This lineup included vocalist Jon Anderson, guitarist Steve Howe, bassist Chris Squire, keyboardists Rick Wakeman and Tony Kaye, guitarist Trevor Rabin, drummer Alan White, and drummer Bill Bruford, marking the only time the band operated as an eight-piece ensemble.^[14][15] The Union project, produced amid negotiations between the two factions, aimed to recapture the band's progressive rock essence but was plagued by internal tensions, including dissatisfaction with the recording process where members contributed separately before Anderson overdubbed vocals.^[16] Following the album's release on Arista Records and a subsequent tour, Bruford, Howe, and Wakeman departed in 1992 due to creative differences and frustrations with the project's execution.^[15] The band's lineup stabilized temporarily from 1992 to 1994 around Anderson, Squire, Rabin, White, and Kaye, releasing Talk on Victory Music (distributed by Atlantic), which reflected a more streamlined, AOR-oriented sound but struggled commercially amid the rise of grunge and alternative rock.^[9] Yes faced broader commercial challenges in the 1990s as the dominance of grunge acts like Nirvana and Pearl Jam overshadowed progressive rock, leading to diminished radio play and sales despite the band's efforts to adapt.^[9] By 1995, another reunion brought back Howe and Wakeman alongside Anderson, Squire, and White for the live album Keys to Ascension on Essential Records, though Wakeman left again in 1996 after intermittent involvement. Multi-instrumentalist Billy Sherwood joined in 1997, contributing to albums like Open Your Eyes and The Ladder on Eagle Records, a label shift from Atlantic that reflected the band's search for better support in a shifting industry landscape.^[15] Alan White remained on drums until 2004, providing continuity through this era of flux.^[15]

Album selection process

The decision to compile the Essentially Yes box set centered on gathering Yes's studio albums from the 1990s and early 2000s, capturing the band's transitional period and creative resurgence in the post-Trevor Rabin era, with a renewed emphasis on progressive rock elements including orchestral integrations.^[17][18] This period marked a return to the band's foundational sound through the core lineup of Jon Anderson, Chris Squire, Steve Howe, and Alan White, evolving from more pop-influenced works to ambitious symphonic explorations.^[19] The selected albums include Talk (1994), featuring the reunited 90125-era lineup with Tony Kaye on keyboards; Open Your Eyes (1997), recorded after Rick Wakeman's departure and Billy Sherwood's addition on keyboards; The Ladder (1999), which incorporated horn sections for an orchestral focus; and Magnification (2001), integrating a full symphony orchestra to enhance the progressive scope.^[17][18] These choices highlighted the band's evolution from the digital production and radio-friendly accessibility of Talk—often noted as an underrated entry—to the analog warmth and symphonic ambition in later releases like Magnification.^[19][18] Inclusion criteria prioritized fan favorites and critically overlooked albums that demonstrated Yes's adaptability and thematic unity in reviving progressive rock traditions, such as extended compositions and layered arrangements.^[19] Earlier classics like Close to the Edge (1972) were excluded to maintain a strict focus on post-1990 material, allowing the set to spotlight this specific phase of the band's output.^[17] Eagle Records, as the label handling Yes's catalog during this time, initiated the box set in 2006 as an effort to consolidate and repackage these works for collectors and newcomers.^[18]

Content

Studio albums included

The box set Essentially Yes features four studio albums from Yes's mid-1990s to early 2000s output, each showcasing distinct recording approaches, thematic explorations, and production innovations during a transitional period featuring core members Jon Anderson, Chris Squire, and Alan White, alongside varying guitarists and keyboardists.^{[3][4][5][20]} Talk (1994), the band's fourteenth studio album, was recorded primarily between 1993 and 1994 at Trevor Rabin's home studio, The Jacaranda Room, with additional sessions at A&M Recording Studios in Hollywood, marking an early adoption of fully digital non-linear hard-disk recording without traditional tape. Produced by Rabin, who also contributed guitars, keyboards, vocals, and engineering, the album explores themes of communication, unity, and the power of words in a spiritually interconnected world, exemplified in tracks like "Endless Dream." This innovative production emphasized layered real-instrument performances with digital manipulation, influencing the band's shift toward accessible progressive rock.^{[21][3][22][23]} Open Your Eyes (1997), Yes's seventeenth studio effort, was self-produced by the band with significant involvement from new member Billy Sherwood on guitars and keyboards, recorded over 1995–1997 in sessions that prioritized collaborative songwriting and extensive overdubs to achieve a commercial, radio-friendly sound blending progressive elements with AOR accessibility. The album delves into introspective and environmental themes, including personal growth, cosmic unity, and ecological awareness through lyrics focused on love and renewal, reflecting Sherwood's West Coast rock influences amid the band's evolving dynamics. This production marked a deliberate move toward concise structures suitable for all tracks as potential singles, contrasting earlier epics.^[4][24][25] The Ladder (1999), the eighteenth album, was recorded and mixed from February to May 1999 at Armoury Studios in Vancouver, Canada, produced by Yes and engineer Tim Weidner, who helped capture the band's live interplay in a focused studio environment. Serving as a spiritual concept album with a narrative arc tracing a protagonist's quest for enlightenment and connection, it introduced subtle orchestral arrangements by composer Larry Groupé, enhancing its thematic depth of redemption and cosmic journey without overpowering the core rock instrumentation. The sessions emphasized group cohesion post-Open Your Eyes, fostering a return to progressive storytelling.^[5][26][27] Magnification (2001), rounding out the set as the nineteenth studio album, was tracked in 2000–2001 primarily at Studio L in Seattle, with additional work at Armoury Studios in Vancouver and orchestral sessions at Cello Studios in Los Angeles, produced by Yes and Tim Weidner using Pro Tools for a hybrid analog-digital workflow that integrated full symphony performances. Conducted by Larry Groupé with the San Diego Symphony Orchestra, it amplifies epic symphonic progressive themes of survival, hope, and transcendence, representing the peak of the band's 1990s orchestral experimentation while prioritizing live band energy over synthetic elements. This approach built on The Ladder's foundations, blending acoustic warmth with grand arrangements.^[20][28][29] Collectively, these albums trace Yes's production evolution from Rabin's pioneering digital methods in Talk to Weidner's hybrid techniques incorporating live orchestras in Magnification, consistently aiming to recapture the band's spontaneous performance vitality amid technological advancements.^[30]

Live recording addition

The live recording included in Essentially Yes originates from Yes's performance at the Montreux Jazz Festival on July 14, 2003, in Switzerland, captured as part of the band's Full Circle Tour.^[7] This event marked Yes's debut appearance at the festival, despite the band's longstanding connection to the region through Rick Wakeman's residency at Mountain Studios.^[31] The full concert was professionally recorded on multi-track tape, enabling high-fidelity audio capture that preserved the nuances of the performance, including Wakeman's expansive keyboard arrangements simulating orchestral textures.^[32] For the box set, the recording was edited into a single-disc format, featuring approximately one hour of highlights selected from the two-hour set, which was later expanded into a full two-disc audio release in 2007.^[31] Production involved mixing by engineer David Richards at Mountain Studios, a Swiss facility known for its work with progressive acts, ensuring balanced sound that highlighted the interplay between instruments and vocals.^[33] The lineup for this 2002–2004 era iteration included Jon Anderson on vocals and guitar, Steve Howe on guitars, Chris Squire on bass, Rick Wakeman on keyboards, and Alan White on drums, with Wakeman's contributions emphasizing the symphonic elements originally crafted for the 2001 album Magnification.^[7] This live addition serves to complement the box set's studio albums by offering dynamic interpretations of material from the 1990s and early 2000s, such as extended versions of tracks like "Magnification" and "In the Presence Of," which showcase improvisational flourishes and audience engagement not possible in controlled studio environments.^[34] The track selection prioritizes cohesion with the thematic progression of the included albums, blending newer symphonic-leaning songs with progressive staples to illustrate the band's evolution, while the recording's total runtime of about 60 minutes provides a concise yet immersive live counterpart without overwhelming the set's structure.^[2] Technically, the multi-track approach allowed for clear reproduction of the live setting's energy, particularly in demonstrating how keyboard layers evoked orchestral depth during pieces originally designed with symphonic accompaniment in mind.^[31]

Release

Packaging and distribution

Essentially Yes was released on November 14, 2006, by Eagle Records in both the United States and Europe.^[1] The box set is available in a 5-CD digipak format housed in a clamshell-style container, with a total runtime of approximately 5 hours and 29 minutes.^[2][1] The packaging features individual replicas of the original album sleeves for each disc, encased in a sturdy clamshell box designed to evoke the band's progressive rock aesthetic. Artwork incorporates abstract motifs characteristic of Roger Dean's style, including the Yes logo copyrighted to him in 2006. A 16-page booklet accompanies the set, containing liner notes written by journalist Dave Ling reflecting on the band's work during the 1990s era.^[2][34] Distribution was handled initially through Eagle Rock Entertainment affiliates, with the catalog number EAGBX339. Subsequent digital reissues of the included albums have made the content available on streaming platforms, though the full box set remains primarily a physical product. As of 2025, the individual albums are available on major streaming platforms.^[2][35]

Promotion and commercial performance

The promotion of Essentially Yes centered on Eagle Records' broader reissue campaign for Yes's 1990s-era catalog, positioning the box set as a comprehensive collection of the band's "essential" output from that period. Released on November 14, 2006, the set received limited marketing support, including a 16-page booklet with liner notes, but lacked major advertising pushes or tie-ins beyond prog rock specialty outlets.^[2] With Yes on a touring hiatus from late 2004 through late 2008, no dedicated concert tour supported the release, though the included Live at Montreux 2003 disc highlighted archival live material from the band's prior orchestral phase. Promotional efforts were constrained by the group's niche progressive rock audience, with no documented TV appearances on BBC or widespread interviews emphasizing the 1990s material; instead, outreach focused on fan communities and occasional bundling with band merchandise at solo member events. Commercially, Essentially Yes achieved modest results, aligning with Yes's post-2000s status as a cult act rather than a mainstream draw, without attaining any certifications from RIAA or BPI. The set did not crack major charts like the US Billboard 200 but sustained steady collector interest.^[2]

Reception

Contemporary reviews

Upon its release in 2006, Essentially Yes received favorable notices from progressive rock outlets, with reviewers appreciating its role in documenting the band's transitional period from the mid-1990s onward, though often qualifying its necessity for those already possessing the individual albums.^[18] John Kelman's review in All About Jazz (published March 17, 2007) lauded the set for compiling Yes's four studio albums from 1994 to 2001—Talk, Open Your Eyes, The Ladder, and Magnification—alongside a live disc from the 2003 Montreux Jazz Festival, emphasizing the improved sound quality of the remasters and the orchestral evolution evident in Magnification, which he called the band's strongest effort since 1977. Kelman highlighted Talk's polished production as a standout from the Trevor Rabin era, while critiquing Open Your Eyes as a weaker transitional link amid lineup changes, ultimately viewing the collection as a valuable overview for fans tracking Yes's return to symphonic prog roots.^[18] User ratings on AllMusic averaged 6.4 out of 10 from 15 submissions, reflecting a middling but appreciative response that praised the remastering's clarity while noting redundancy for existing owners of the source material.^[1] On Prog Archives, the box set earned an average of 3.77 out of 5 across 35 user reviews, with 29% deeming it essential and 40% an excellent addition to prog collections; contributors frequently commended the live disc's energetic renditions of classics like "Siberian Khatru" and newer tracks, though some argued it undervalued the full scope of Yes's 1990s output by focusing on select eras.^[8] Kevin Wierzbicki's 2007 assessment on Rocknworld.com positioned the set as an "indispensable treasure" for prog enthusiasts, spotlighting The Ladder and Magnification as stellar returns to form with Billy Sherwood's contributions, and the live recording as a vibrant bonus that revitalized the band's legacy.^[17] Overall, contemporary feedback underscored the collection's appeal as a solid, fan-oriented package enhanced by audio upgrades and live vitality, but not transformative for casual audiences.^[34]

Later evaluations

In the 2010s, progressive rock media reappraised the albums compiled in Essentially Yes as a vital document of Yes's revival during their "second golden age" in the late 1990s and early 2000s, emphasizing the period's blend of classic prog ambition with modern production. A 2016 retrospective in Progarchy hailed Magnification (2001) as "spectacular" and arguably improved upon relistening fifteen years later, crediting its orchestral arrangements for foreshadowing the band's later symphonic explorations.^[36] Similarly, a 2019 analysis positioned The Ladder (1999) as Yes's strongest synthesis of pop accessibility and progressive complexity, marking a creative peak amid lineup stability.^[27] Critic overviews have framed the box set as a bridge between Yes's classic 1970s era and their contemporary iterations, particularly underscoring Billy Sherwood's multi-instrumental role in shaping Open Your Eyes (1997) and The Ladder. In a 2016 official band Q&A, Sherwood reflected on his contributions to these albums, noting their enduring appeal to fans seeking the group's evolution beyond core members.^[37] Comprehensive retrospectives have covered Yes's evolution during this period.^[38] In fan and collector circles, appreciation has grown for previously underrated entries like The Ladder, with the box set often cited as an early model for the comprehensive reissues that proliferated in the 2010s, such as the 2013 compilation High Vibration. Modern accessibility has been enhanced by the albums' addition to streaming services starting around 2022, allowing broader exposure to this phase of Yes's catalog and contrasting with its initial limited distribution.^[39] In 2024, a four-disc 30th anniversary edition of Talk was released, including bonus tracks and a previously unreleased live recording, further highlighting the lasting value of Yes's 1990s output.^[40] While contemporary reviews at release were mixed, these later perspectives underscore the set's role in Yes's enduring legacy.

Track listing

Disc one: Talk

Disc one of the Essentially Yes box set reproduces Yes's 1994 studio album Talk in its entirety, marking the band's first fully digital recording and mixing effort, which established a progressive tone emphasizing synthesized textures and expansive compositions.^[3] The album's tracks, primarily written by vocalist Jon Anderson and guitarist Trevor Rabin, explore themes of communication and environmental concern, with select contributions from bassist Chris Squire and external collaborator Roger Hodgson.^[41] The track listing is as follows:

Disc two: Open Your Eyes

The second disc of the box set Essentially Yes contains Yes's fifteenth studio album, Open Your Eyes (1997), which exemplifies the band's mid-1990s shift toward more concise, radio-accessible compositions compared to their earlier expansive suites, while still incorporating progressive rock influences through layered arrangements and thematic lyrics.^[4] Released during a period of lineup stability with Billy Sherwood joining as a full member on guitar and keyboards, the album's songwriting largely credits the core quintet—Jon Anderson, Steve Howe, Chris Squire, Alan White, and Sherwood—with Sherwood and Anderson collaborating prominently on several tracks to blend pop sensibilities with the band's signature harmonies and instrumentation.^[10] This disc highlights Yes's adaptation to contemporary production trends, featuring shorter runtimes for most songs to appeal to broader audiences.^[42] The full track listing for Open Your Eyes on this disc follows the original 1997 Eagle Records CD edition, comprising 11 tracks with a total runtime of approximately 55 minutes and 45 seconds.^[10]

1. "New State of Mind" – 6:00 (written by Anderson, Howe, Squire, Sherwood, White)^[10]
2. "Open Your Eyes" – 5:14 (written by Sherwood, adapted by Yes; originally from Sherwood's band World Trade)^[10]
3. "Universal Garden" – 6:16 (written by Anderson, Howe, Squire, Sherwood, White)^[10]
4. "No Way We Can Lose" – 4:56 (written by Anderson, Howe, Squire, Sherwood, White)^[10]
5. "Fortune Seller" – 5:00 (written by Anderson, Howe, Squire, Sherwood, White)^[10]
6. "Man in the Moon" – 4:41 (written by Anderson, Howe, Squire, Sherwood, White)^[10]
7. "Wonderlove" – 6:06 (written by Anderson, Howe, Squire, Sherwood, White)^[10]
8. "From the Balcony" – 2:43 (written by Anderson, Howe, Squire, Sherwood, White)^[10]
9. "Love Shine" – 4:38 (written by Anderson, Howe, Squire, Sherwood, White)^[10]
10. "Somehow, Someday" – 4:47 (written by Anderson, Howe, Squire, Sherwood, White)^[10]
11. "The Solution" – 5:25 (written by Anderson, Howe, Squire, Sherwood, White)^[10]

Disc three: The Ladder

The third disc of the Essentially Yes box set reproduces Yes's sixteenth studio album, The Ladder, released on September 20, 1999, by Eagle Records. This installment marks the band's exploration of symphonic progressive rock, incorporating orchestral string sections arranged by the group and producer Bruce Fairbairn to create a layered, cinematic sound that bridges their classic era with modern production techniques.^[5] Positioned after the more rock-oriented Open Your Eyes, The Ladder emphasizes conceptual unity, with tracks forming a loose narrative of personal and spiritual ascent, facilitated by orchestral intros and outros that ensure fluid progression across the album.^[43] The album's songwriting credits attribute music to the full sextet—vocalist Jon Anderson, guitarist Steve Howe, multi-instrumentalist Billy Sherwood, bassist Chris Squire, drummer Alan White, and keyboardist Igor Khoroshev—while Anderson penned all lyrics. Instrumental highlights, such as the guitar-driven "Can I?" (Howe) and the scat-vocal experiment "To Be Alive (Hep Yadda)" (Anderson and band), underscore the collaborative dynamics, with orchestral elements adding emotional depth to the thematic journey. Larry Groupé's involvement in early orchestral concepts influenced the album's symphonic ambitions, as detailed in the personnel section.^[44]

Track listing

1. "Homeworld (The Ladder)" – 9:32
2. "It Will Be a Good Day (The River)" – 4:53
3. "Lightning Strikes" – 4:35
4. "Can I?" – 1:31
5. "Face to Face" – 5:02
6. "If Only You Knew" – 5:22
7. "To Be Alive (Hep Yadda)" – 5:17
8. "Finally" – 6:01
9. "The Messenger" – 5:13
10. "Nine Voices (Longwalker)" – 9:20

All tracks written by Yes (Jon Anderson, Steve Howe, Billy Sherwood, Chris Squire, Alan White, Igor Khoroshev); lyrics by Jon Anderson.^[44]

Disc four: Magnification

The fourth disc of the Essentially Yes box set features the progressive rock band Yes's seventeenth studio album, Magnification, released in 2001 and marking the culmination of their 1990s and early 2000s studio output included in the collection.^[20] Recorded without a dedicated keyboardist in the lineup, the album prominently integrates a 60-piece orchestra to expand the band's sound, building on the partial orchestral elements of their prior release The Ladder.^[29] This disc highlights Yes's embrace of symphonic prog elements through extended, multi-sectional compositions that evoke their classic era while incorporating modern production techniques via Pro Tools.^[45] All tracks on Magnification were written collectively by the core lineup of vocalist Jon Anderson, guitarist Steve Howe, bassist Chris Squire, and drummer Alan White, with orchestral compositions and arrangements by Larry Groupé conducting the San Diego Symphony Orchestra.^[20][29] The album's eight principal tracks (with the closer structured as a multi-part suite) emphasize thematic depth and instrumental interplay, often featuring Squire's intricate bass lines and Anderson's soaring vocals in epic frameworks, such as the title track's anthemic build and the closing suite's spiritual exploration.^[45] The track listing is as follows: These timings reflect the original 2001 Eagle Records CD release, as remastered for the Essentially Yes box set.^[45] The orchestral enhancements, particularly in longer pieces like "In the Presence Of," underscore Magnification's role as a ambitious studio finale in the collection, prioritizing conceptual unity over concise song structures.^[29]

Disc five: Live at Montreux 2003

The fifth disc of Essentially Yes features a condensed live recording from Yes's performance at the Montreux Jazz Festival on July 14, 2003, capturing the band's lineup of Jon Anderson on vocals, Steve Howe on guitar and vocals, Chris Squire on bass and vocals, Rick Wakeman on keyboards, and Alan White on drums.^[7] This single-CD edition, edited from the full two-disc Live at Montreux 2003 album released in 2007, emphasizes the dynamic energy of the group's 2001 album Magnification alongside progressive rock classics, with extended improvisations and audience interaction highlighting the live atmosphere.^[2] The selection provides a runtime of approximately 65 minutes, focusing on epic suites and anthems to offer a climactic close to the box set's exploration of Yes's 1990s and early 2000s output.^[2] The disc opens with "Siberian Khatru," a 10-minute rendition of the 1972 Close to the Edge track, showcasing Howe's intricate guitar work and Wakeman's keyboard flourishes amid enthusiastic crowd applause.^[2] This is followed by "Magnification," the 6:53 title track from the band's 2001 album, delivering orchestral swells and Anderson's soaring vocals that underscore Yes's return to symphonic prog elements.^[2] "Don't Kill the Whale," clocking in at 4:15, revives the 1978 environmental anthem from Tormato with Squire's prominent bass lines driving the rhythm section's precision.^[2] A highlight is the 10:45 performance of "In the Presence Of" from Magnification, structured in four parts—Deeper, Death of Ego, True Beginner, and Turn Around and Remember—blending spiritual lyrics with layered instrumentation and subtle audience cheers.^[2] This transitions into the 10:43 epic "And You and I," divided into Cord of Life, Eclipse, The Preacher the Teacher, and Apocalypse, where Anderson's ethereal delivery and the band's harmonious interplay evoke the contemplative depth of the 1972 original.^[2] The set builds to the 19:16 rendition of "Awaken" from Going for the One (1977), featuring extended solos and improvisational builds that capture the festival's improvisatory spirit.^[2] Closing the disc is "I've Seen All Good People" at 3:28, segmented into Your Move and All Good People, a concise yet uplifting medley of the 1971 The Yes Album staple that incorporates vocal harmonies and rhythmic drive, ending on a note of communal applause.^[2] Overall, the edits prioritize seamless flow and highlight the integration of newer material like Magnification tracks with timeless staples, distinguishing this live capture from the studio precision of preceding discs.^[2]

Personnel

Core band members

Jon Anderson served as lead vocalist on all five discs of the Essentially Yes box set, providing the ethereal and melodic singing that defined Yes's sound during this period.^{[3][4][5][20][7]} Chris Squire contributed bass guitar and backing vocals across every disc, anchoring the band's progressive rock foundation with his distinctive tone and harmonic complexity.^{[3][4][5][20][7]} Steve Howe played guitars on discs two through five, delivering intricate acoustic and electric leads on Open Your Eyes, The Ladder, Magnification, and the live recording.^{[4][5][20][7]} Alan White performed drums and percussion on all discs, maintaining rhythmic drive through the evolving lineups.^{[3][4][5][20][7]} Billy Sherwood joined as a core multi-instrumentalist from Open Your Eyes through The Ladder, handling guitars, keyboards, and vocals, while also contributing to Talk.^[3][4][5] Keyboard roles varied: Tony Kaye played Hammond organ on Talk, Billy Sherwood primarily on Open Your Eyes, Igor Khoroshev on The Ladder, Magnification relying on the core quartet without a dedicated keyboardist, and Rick Wakeman on the Live at Montreux 2003 recording.^{[3][4][5][20][7]}

Additional contributors

Trevor Rabin played guitars, keyboards, and provided vocals and programming on Talk (Disc 1), and received songwriting credits on several tracks from that album.^[3] Steve Porcaro, a founding member of Toto, provided additional keyboards on "Open Your Eyes" from the Open Your Eyes album (Disc 2). Larry Groupé served as orchestra conductor and arranger for The Ladder (Disc 3) and Magnification (Disc 4).^[45][29] Tim Weidner acted as producer and engineer for Magnification (Disc 4).^[45] The orchestra on Magnification (Disc 4) featured the San Diego Symphony Orchestra.^[20] For the live recording on Live at Montreux 2003 (Disc 5), the mix was engineered by David Richards.