Eubie Blake

James Hubert "Eubie" Blake (February 7, 1887 – February 12, 1983) was an American pianist and composer of ragtime, jazz, and popular music. Blake began his career in 1912, and during World War I he worked in partnership with the singer, drummer, and comedian Broadway Jones. After the war he began a collaboration with Noble Sissle with whom he wrote Shuffle Along (1921), one of the first Broadway musicals written and directed by African Americans. When his collaboration with Sissle ended in 1927, he resumed a partnership with Jones which lasted until either 1932 or 1933. He reunited with Sissle briefly for Shuffle Along of 1933, and later the pair worked together in the United Service Organizations during World War II. Blake's compositions included such hits as "Bandana Days", "Charleston Rag", "Love Will Find a Way", "Memories of You" and "I'm Just Wild About Harry". The 1978 Broadway musical Eubie! showcased his works, and in 1981, President Ronald Reagan awarded Blake the Presidential Medal of Freedom.

Blake was born at 319 Forrest Street in Baltimore, Maryland. Of the many children born to former slaves Emily "Emma" Johnstone and John Sumner Blake, he was the only one to survive childhood. John Sumner Blake was a stevedore on the Baltimore Docks.

Blake claimed in later life to have been born in 1883, but records published beginning in 2003—U.S. Census, military, and Social Security records and Blake's passport application and passport—uniformly give his birth year as 1887.

Blake's musical training began when he was four or five. While out shopping with his mother, he wandered into a music store, climbed onto the bench of an organ, and started "foolin’ around". When his mother found him, the store manager told her: "The child is a genius! It would be criminal to deprive him of the chance to make use of such a sublime, God-given talent." The Blakes purchased a pump organ for US$75.00, making payments of 25 cents a week. When Blake was seven, he received music lessons from a neighbor, Margaret Marshall, an organist for the Methodist church. At age 15, without his parents' knowledge, he began playing piano at Aggie Shelton's Baltimore bordello. Blake gained his first big break in the music business in 1907, when world champion boxer Joe Gans hired him to play the piano at Gans's Goldfield Hotel, the first "black and tan club" in Baltimore. Blake played at the Goldfield during the winters from 1907 to 1914, and spent his summers playing clubs in Atlantic City. During this period, he also studied composition in Baltimore with Llewellyn Wilson.

According to Blake, he also worked the medicine show circuit and was employed by a Quaker doctor. He played a melodeon strapped to the back of the medicine wagon. He stayed with the show only two weeks, however, because the doctor's religion didn't allow the serving of Sunday dinner.

Blake said he composed the melody of "Charleston Rag" in 1899, when he would have been only 12 years old. He did not commit it to paper until 1915, when he learned musical notation.

In 1912, Blake began playing in vaudeville with James Reese Europe's Society Orchestra, which accompanied Vernon and Irene Castle's ballroom dance act. The band played ragtime music, which was still quite popular. He made his first recordings in 1917, for the Pathé record label and for Ampico piano rolls. In the 1920s he recorded for the Victor and Emerson labels, among others. His 1917 Pathé records billed as the Eubie Blake Trio possibly were made with Broadway Jones as the drummer. Jones, who was primarily a vocalist and comedian but had a background as the leader of a dance band, was Blake's performing partner during World War I. After having already formed a music partnership, the duo created a vaudeville music and comedy act which they toured in 1918. Blake later became a regular performer at a Harlem nightclub owned by Jones in 1923-1924.

Shortly after World War I, Blake ceased his partnership with Jones and formed a vaudeville musical act, the Dixie Duo, with performer Noble Sissle. After vaudeville, they began work on a musical revue, Shuffle Along, which incorporated songs they had written, and had a book written by F. E. Miller and Aubrey Lyles. When it premiered in June 1921, Shuffle Along became the first hit musical on Broadway written by and about African Americans. It also introduced hit songs such as "I'm Just Wild About Harry" and "Love Will Find a Way". Rudolf Fisher insisted that Shuffle Along "had ruined his favorite places of African-American sociability in Harlem" due to the influx of white patrons. Its reliance on "stereotypical black stage humor" and "the primitivist conventions of cabaret," in the words of Thomas Brothers, made the show a hit, running for 504 performances with three years of national tours.