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"Follow You Follow Me"
Single by Genesis
from the album ...And Then There Were Three...
B-side
  • "Ballad of Big" (UK)
  • "Inside and Out" (US)
Released24 February 1978[1]
RecordedSeptember–October 1977
Genre
Length
  • 3:59 (album version)
  • 3:19 (US remix)
Label
Songwriters
Producers
Genesis singles chronology
"Your Own Special Way"
(1977) 		"Follow You Follow Me"
(1978) 		"Many Too Many"
(1978)
Official video
"Follow You Follow Me" on YouTube

"Follow You Follow Me" is a love song written and recorded by English rock band Genesis. It was released in February 1978 as the first single from their ninth studio album, ...And Then There Were Three... (1978). The music was composed by the band, and the lyrics were written by bassist and guitarist Mike Rutherford.[5] The single became Genesis' first top 10 hit in the UK and first top 40 hit in the US, reaching No. 7 and No. 23 respectively.

Background

[edit]

Like much of the rest of the album, the slower, sentimental "Follow You Follow Me" was a departure from most of their previous work as a progressive rock band, featuring a simple melody, romantic lyrics and a verse-chorus structure. Although previous albums contained love ballads, such as Selling England by the Pound's "More Fool Me" and "Your Own Special Way" from Wind & Wuthering (1976), "Follow You Follow Me" was the first worldwide pop success by the group. The band felt that their music was attracting mainly male audiences, so this song was written specifically to redress the imbalance.[6]

Composition

[edit]

The song started from a guitar riff by Rutherford, who also said he wrote the lyrics in about ten minutes.[7] At the time, the band usually wrote songs individually. Keyboardist Tony Banks was quoted:

It was our only truly group-written number. Mike played the riff, then I started playing a chord sequence and melody line on it, which Phil then centralized around. It worked so well as a very simple thing; it was enough as it stood. I'd just written a simple love lyric for "Many Too Many", and I think Mike was keen to try the same thing. Maybe "Follow You Follow Me" was almost too banal, but I got used to it. I think we find it much easier to write long stories than simple love songs.[5]

Drummer and vocalist Phil Collins described it as "a great rhythm track" but said it "was not intended to be a hit single".[5]

Reception

[edit]

Record World called it an "engaging song" that has a "light, flowing sound."[8]

Chart performance

[edit]

At the time of release, "Follow You Follow Me" became the band's most successful single, spending 4 weeks in the top 10 on the UK Singles chart, peaking at #7 for two weeks. The song also peaked at #23 on the U.S. Billboard Hot 100, #23 on the U.S. Cashbox Top 100 chart [9] and #21 on the Adult Contemporary chart,[10][11] #16 on the Australian singles charts,[12][deprecated source] and #22 on the NZ singles charts.[13][14] The song is included in the 2005 book, Rock Song Index: The 7500 Most Important Songs for the Rock and Roll Era, which states "the formerly progressive Genesis begins to proceed without impediment toward the Top 10".[15]

Music video

[edit]

The music video for the song was a mimed live performance of the band filmed at Shepperton Studios. It later appeared on their DVD The Video Show (2004). In the video Banks is wearing a Vancouver Canucks hockey team sweater. The main scene has Collins using a shaker-type instrument while singing, but he was also separately filmed playing the drums.

Live performances

[edit]

"Follow You Follow Me" was played live during the …And Then There Were Three…,[16] Duke,[17] Three Sides Live Encore tour,[18] Genesis,[19] Invisible Touch (1986 set only),[20] Calling All Stations (with Ray Wilson on vocals),[21] and Turn It On Again tours.[22] An excerpt of the song was also played on the We Can't Dance Tour, as part of an "Old Medley" of Genesis songs.[23] The band would include the song as the last song in their acoustic set for The Last Domino? Tour, following "That's All" and "The Lamb Lies Down on Broadway".

During the Turn It On Again Tour, Collins performed on the drums as well as the vocals (making it one of very few songs in which he performs both simultaneously), while animated line art of a selection of the band's album art played in the background video screens. The first and last scenes in the animated sequence show the "father" character from the We Can't Dance album cover, raising his hand. A bright white spotlight (on Collins) lights up at the beginning of the song, and turns itself off at the end.[24]

The song was also performed live on Collins' solo Not Dead Yet Tour,[25] as well as by Mike + the Mechanics (with Tim Howar on vocals) during their Out of the Blue tour[26] and on Ray Wilson's solo tours.[27]

Personnel

[edit]

Certifications

[edit]
Certifications for "Follow You Follow Me"
Region Certification Certified units/sales
United Kingdom (BPI)[28] Silver 250,000^

^ Shipments figures based on certification alone.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Follow You Follow Me

View on Grokipedia
from Grokipedia
"Follow You Follow Me" is a by the English band Genesis, released in February 1978 as the lead single from their ninth studio album, ...And Then There Were Three.... Written primarily by bassist with music contributions from keyboardist Tony Banks and drummer , the track features simple, direct expressing devotion and companionship, inspired by Rutherford's wife Angie, and was composed in under ten minutes during a studio . The song represented a significant pivot for Genesis, who had recently transitioned to a trio lineup following the departures of vocalist in 1975 and guitarist in 1977, marking their first album without a dedicated lead guitarist following the departure of in 1970. Recorded at Relight Studios in the over three to four weeks, it incorporated a distinctive guitar intro using an flanger pedal and aimed to broaden the band's predominantly male fanbase by appealing to a female audience with its accessible, radio-friendly structure at just over three minutes. Commercially, "Follow You Follow Me" achieved breakthrough success, peaking at number 7 on the UK Singles Chart and number 23 on the US Billboard Hot 100, becoming Genesis's first top 40 hit in the United States and their inaugural top 10 single in the UK. This accomplishment helped shift the band's image from complex progressive rock toward a more pop-oriented style, paving the way for their global stardom in the 1980s, though it drew mixed reactions from some longtime fans who viewed it as overly commercial. As Rutherford later reflected, the track's straightforward approach was a deliberate experiment: "It was the first time I’d written such simple words," highlighting its role as the band's first explicit love song in their catalog.

Background and Recording

Development

Following the departures of vocalist in 1975 and guitarist in 1977, Genesis transitioned from their roots to a more pop-oriented sound as a trio consisting of , Tony Banks, and , with the explicit aim of achieving broader commercial appeal through concise, radio-friendly songs. This shift was motivated by a desire to simplify their compositions, moving away from extended suites and complex arrangements toward accessible structures influenced by acts like and . During band rehearsals in late 1977, Mike Rutherford penned the initial lyrics for "Follow You Follow Me" in approximately 10 minutes, drawing inspiration from a straightforward romantic sentiment tied to his experiences of separation from his wife due to touring. Rutherford later described it as "the easiest song to write lyrically in my life," emphasizing its unadorned simplicity as a departure from the band's typical elaborate style. The band decided to develop the track into a concise , selecting it as the from their 1978 album ...And Then There Were Three... to herald their new trio configuration and signal this stylistic evolution. This choice underscored their intent to prioritize emotional directness and pop accessibility, helping to diversify their audience beyond its previously male-dominated fanbase.

Recording Process

The recording of "Follow You Follow Me" occurred at Relight Studios in Hilvarenbeek, , during the late 1977 sessions for Genesis's ninth studio album, ...And Then There Were Three..., in September 1977 over two weeks. The trio of , Tony Banks, and isolated themselves in a distraction-free environment to concentrate on songwriting and production, following six weeks of prior rehearsals. The track developed rapidly from a group jam, beginning with a simple guitar from Rutherford that Banks enhanced with keyboard chords and harmonic progressions, transforming it from an initial idea for a longer suite into a concise pop-oriented piece. Following the completion of basic tracks, Collins contributed drum overdubs and layered vocal harmonies to add depth and conviction to the performance, while Banks applied additional keyboard layers to bolster the central 's texture. The band co-produced the sessions with longtime collaborator , who engineered the recordings at the affordable Relight facility, which allowed for efficient work within a modest typical of the era's independent studio options. For the US market, the song was remixed and edited down to 3:20 from its length of 3:59, featuring a drum-led introduction instead of the original organ opening to suit radio play.

Composition and Lyrics

Musical Elements

"Follow You Follow Me" opens with a distinctive riff played by , establishing a light and flowing pop-rock atmosphere that sets the song's accessible tone. The track is composed in and maintains a moderate of approximately 94 beats per minute, contributing to its relaxed yet engaging pace. Its structure follows a straightforward verse-chorus format with an added bridge section, allowing for melodic development without intricate complications. Tony Banks provides melodic fills on synthesizers, including a notable solo that enhances the song's harmonic texture and adds subtle prog-rock undertones amid its pop leanings. delivers layered vocals that create a harmonious, intimate feel, complemented by his pattern, which prioritizes rhythmic simplicity and groove over technical complexity to underscore the track's radio-friendly appeal. The song draws from 1970s soft rock influences, marking a deliberate shift from Genesis's earlier progressive epics characterized by elaborate arrangements and virtuosic elements. Notably absent are complex time signatures or extended solos, reflecting the band's intentional move toward concise, emotionally direct songwriting that broadened their audience.

Lyrical Themes

The of "Follow You Follow Me" center on the core theme of mutual devotion in a romantic relationship, emphasizing reciprocity and unwavering commitment between partners. The repetitive chorus, with lines such as "I will follow you, will you follow me? / There won't be a problem, no problems we can't beat," symbolizes this balanced exchange, portraying love as a shared journey that overcomes obstacles together. This straightforward declaration of loyalty contrasts with the band's earlier tendencies toward elaborate, fantastical narratives, marking a shift toward accessible . Written primarily by bassist , the song serves as a simple declaration inspired by his , particularly his relationship with his wife. In a 2017 , Rutherford described the as "a very simple lyric... about my wife really," noting that it was the first time he crafted something so direct and unadorned, completed in mere minutes during the album sessions. The verses evoke imagery of everyday romance intertwined with aspirational paradise, as in "All the islands, all the heaven / With you I'm never alone," which grounds the devotion in intimate, relatable moments rather than abstract complexity. This approach highlights themes of vulnerability and reassurance, with pleas like "Stay with me, my I you'll always be / Right here by my side if ever I need you," underscoring the desire for enduring partnership. Phil Collins' vocal delivery further enhances the song's emotional intimacy, delivering the lines with a yearning tenderness that amplifies the heartfelt sincerity of the romance. His crooning style on phrases like "Just one single tear in each passing year" conveys quiet devotion and minimal sorrow, creating a sense of close, personal connection within the arrangement.

Release and Promotion

Single Release

"Follow You Follow Me" was released on 24 February as the lead single from Genesis's ninth studio album, ...And Then There Were Three..., by in the and in the United States. The release preceded the album's launch on 31 March and marked the band's first single as a trio following the departure of and . Issued primarily in 7-inch vinyl format at 45 RPM, the single featured regional variations in its B-side: "Ballad of Big" in the UK and "Inside and Out" in the US, both non-album tracks previously unavailable on full-length studio albums. The single's promotion emphasized its accessible pop-rock style to broaden Genesis's appeal beyond progressive rock fans, with targeted radio play campaigns focusing on mainstream audiences in advance of the album rollout. This strategy aligned with the band's deliberate shift toward concise, radio-friendly material during the recording sessions. Later, the track appeared on CD reissues, including the 2007 remastered edition of ...And Then There Were Three... released by Rhino/Atlantic, which featured enhanced audio quality and bonus content. In February 2022, Genesis uploaded the official audio version to their YouTube channel, making it widely available digitally.

Commercial Performance

"Follow You Follow Me" achieved significant commercial success upon its release, marking Genesis's breakthrough as a singles act. In the United Kingdom, the single peaked at number 7 on the UK Singles Chart in 1978, spending 13 weeks on the chart and four weeks within the top 10. In the United States, it reached number 23 on the Billboard Hot 100 and number 21 on the Adult Contemporary chart, representing the band's first top 40 entry on the Hot 100. The track also performed well internationally, peaking at number 16 in Australia and number 22 in New Zealand. In the UK, it received a Silver certification from the (BPI) in 1978 for sales exceeding 250,000 units, and no further certifications have been awarded as of 2025. While the single itself lacks a , its parent album ...And Then There Were Three... attained Platinum status in the by the RIAA in 1988, reflecting the song's contribution to the album's overall sales of over 1 million units. In the 2020s, the song experienced a resurgence through digital streaming platforms. On , it has amassed over 50 million streams as of September 2025, while official uploads, including the audio track and , have collectively garnered tens of millions of views. The track has also accumulated 550,000 units in digital sales. This renewed interest underscores the track's enduring popularity in the streaming era.

Critical Reception

Initial Reviews

Upon its release in March 1978, "Follow You Follow Me" garnered favorable notice in the United States from trade magazine Record World, which highlighted the track as an "engaging song" featuring a "light, flowing sound" reminiscent of the band's prior chart entry "Your Own Special Way," predicting strong radio play and affirming that recent lineup changes had not eroded the group's appeal. In the , critical responses to the single and its parent album ...And Then There Were Three... were mixed amid the band's stylistic evolution. New Musical Express (NME) offered a skeptical take in Steve Clarke's April 1978 review titled "Three Too Many," critiquing the trio format and perceived simplification as excessive for the progressive rock outfit. Some progressive enthusiasts echoed this sentiment, viewing the song's concise pop structure as a departure from Genesis's more elaborate compositions. Conversely, 's lauded the album that same month as "strong [and] confident," deeming the pop-leaning shift "surprisingly effective" and on par with the band's finest work. American critics further emphasized the single's commercial viability, with Record World praising Phil Collins's "warm and winning" vocals as a pivotal element that enhanced its crossover potential from progressive to mainstream audiences. The review in the same publication described the material as "more succinct but no less compromising with its usually imaginative song structures," signaling optimism for broader accessibility. This contemporary enthusiasm underscored the track's approachable melody and production as key to Genesis's expanding reach.

Retrospective Assessments

In the 2020s, music publications have revisited "Follow You Follow Me" as a turning point in Genesis's evolution from pioneers to mainstream pop-rock staples, crediting it with facilitating their breakthrough in the United States and broadening their audience demographics. , in a 2020 interview, noted that the song shifted the band's fanbase, which had been predominantly male, by attracting more female listeners and earning recognition from skeptics previously uninterested in their prog-heavy output. This transition is highlighted in analyses as the onset of Genesis's pop era, with the track's accessible structure enabling sustained commercial success into the 1980s. Critics have praised the song's enduring , contrasting it with Genesis's intricate prog legacy while affirming its authenticity and lack of saccharine excess. Rutherford described it as a "simple idea, musically" that flowed naturally as a concise piece, avoiding the multipartite complexity of earlier works like "." Its inclusion on key retrospective compilations, such as the 1999 collection Turn It On Again: The Hits, underscores this lasting appeal, positioning it as an essential entry point for new generations into the band's catalog. Among purists, the song has been viewed by some as emblematic of the band's shift toward radio-friendly pop, which certain critics see as diluting their experimental roots, though it is widely acknowledged as crucial for their longevity and wider accessibility. Recent analyses, amid ongoing career retrospectives like the 2014 R-Kive compilation (which features the song), reinforce its role in sustaining Genesis's relevance over decades.

Music Video and Visual Media

Production

The official music video for "Follow You Follow Me" was directed by B. Rymer and released in to promote the single. It features Genesis as a trio—Tony Banks on keyboards, on drums and vocals, and on guitar—performing the track in a straightforward mimed style typical of late-1970s promotional clips. The video was shot in February , aligning with the single's impending release the following month. Produced in-house by the band's team, the video employs a simple setup with stage lighting to evoke a environment, without narrative elements or elaborate effects, reflecting the low-budget nature of music videos before the launch of in 1981. Its length matches the single version at approximately 3 minutes and 47 seconds, emphasizing the band's chemistry during their first album cycle as a three-piece, and remains available in its original standard-definition quality.

Release and Availability

The music video for "Follow You Follow Me" premiered on television in 1978, appearing on the program Top of the Pops during episodes aired on March 23 and April 6. It was subsequently included on the Genesis DVD compilation The Video Show (also known as The Cinema Show: A Video Anthology), released in 2004 by , alongside other promotional videos from the band's catalog. The video also features in various Genesis video compilations, such as The Music Video Anthology sets. An official lyrics video was added to the band's YouTube channel on April 3, 2020, enhancing accessibility for fans seeking synchronized visuals with the song's text. The official music video, uploaded to YouTube in 2014, has garnered over 4.5 million views as of November 2025. By 2025, the video was widely available on streaming platforms, including Vevo and YouTube, allowing global on-demand access without the need for physical media. No official remakes or alternate versions of the video have been produced.

Live Performances

Genesis Tours

"Follow You Follow Me" debuted live during Genesis's ...And Then There Were Three... Tour in 1978, supporting the album of the same name on which the song appeared. It quickly became a setlist staple, performed regularly across the tour's dates in and , often positioned near the end of the main set before transitioning into medleys like "Dance on a Volcano/Drum Duet/Los Endos." The track's inclusion marked an early indicator of its enduring appeal within the band's repertoire. The song remained a fixture in subsequent tours, including the Duke Tour of 1980, where it was played at nearly every show, such as the June 16 performance at Philadelphia's , again serving as a high-energy closer before the encore. It reappeared prominently during the Tour from 1992 to 1993, integrated into expansive setlists that blended hits from various eras, and was featured in the band's final outing, of 2021–2022. Over these decades, the arrangement evolved from versions with subtle acoustic intros emphasizing the song's melodic intimacy to fuller electric band renditions that amplified its rock drive, frequently placing it as an encore precursor. A poignant highlight came during the tour's closing show on March 26, 2022, at London's , where "Follow You Follow Me" underscored the band's farewell, with original frontman in attendance. The performance elicited widespread audience sing-alongs, reinforcing the song's anthemic status and emotional resonance among fans. These communal moments, evident across tours from onward, highlighted how the track fostered a sense of unity, with crowds joining in on its harmonious chorus.

Solo and Side Project Performances

first incorporated "Follow You Follow Me" into his solo setlists during the in 2017. A notable performance featured guest appearances by Genesis bandmate on bass and guitar during the Still Not Dead Yet Tour in on June 7, 2019. This rendition emphasized a more intimate, collaborative feel compared to the original Genesis version, blending Collins' solo touring style with nostalgic elements from the band's catalog. Mike + the Mechanics, led by Genesis bassist , regularly included the song in their live sets during the 2019 Refueled! Tour, positioning it as a highlight that bridged the band's original material with Genesis classics. Performances, such as those at the Royal Concert Hall in on March 1, 2019, and the on April 8, 2019, featured straightforward rock arrangements that retained the song's melodic accessibility while integrating it into Mechanics medleys. Genesis guitarist Daryl Stuermer has performed "Follow You Follow Me" in solo contexts since 2000, reinterpreting it through jazz-blues lenses on his album Another Side of Genesis and in subsequent live shows. These versions, including a 2017 performance at Oak Creek Community Center with his band, substitute the original's pop-rock drive with improvisational guitar work and smoother rhythms, showcasing Stuermer's instrumental versatility outside the Genesis framework. Ray Wilson, who served as Genesis's from 1997 to 1998, delivered a live cover of the song at the W-Festival in , , on August 27, 2023, as part of his solo touring repertoire focused on Genesis material. Wilson's rendition maintained the song's emotional core but infused it with his distinctive baritone delivery, drawing from his experience with the band's later-era sound. In 2025, tribute acts continued to honor the song through live performances; Genesis Songbook featured it prominently in their Hits and Fan Favourites tour, delivering acoustic and full-band interpretations that highlighted its enduring appeal among fans. Similarly, the U.S.-based tribute group Genesis ReTouched performed an energetic version at Memorial Hall in on February 1, 2025, capturing the original's romantic energy in a high-fidelity recreation.

Covers and Legacy

Notable Covers

"Follow You Follow Me" has inspired over two dozen documented cover versions across various genres, as cataloged by music database . While none have achieved major commercial chart success comparable to the original, these recordings often appear in tribute albums, live sessions, and independent projects, reflecting the song's enduring appeal in and pop circles. Notable examples include indie and acoustic reinterpretations that highlight its melodic simplicity. Guitarist , a longtime collaborator with Genesis, released an instrumental jazz rendition in 2000 on his Another Side of Genesis, transforming the track into a smooth, blues-inflected piece emphasizing intricate guitar work. In more recent years, former Genesis vocalist Ray Wilson performed a live acoustic version at the W-Festival in 2023, stripping the song to intimate vocals and guitar for a heartfelt tribute. Similarly, the Fowlerwood Sessions offered a folk-style cover in 2024, led by , which reimagines the pop ballad with rustic instrumentation and close harmonies. Canadian musician Martin Levac adapted the song for his 2013 jazz-infused live album A Visible Jazz Touch of Genesis, delivering a polished, big-band that nods to the original's romantic essence. A pop-oriented take came from Sonny Jones featuring Tara Chase in 2000, released as a single with dance and radio mixes that aimed for contemporary airplay in . Among independent efforts, Mark Palmer's 2009 solo acoustic cover captures a raw, bedroom-recorded vibe, while Vapor featuring Adaline's 2015 indie electronic version, tied to a Cineplex holiday campaign, blends ethereal vocals with modern production for a cinematic feel.

Cultural Impact and Enduring Popularity

"Follow You Follow Me" marked a pivotal commercial breakthrough for Genesis in the United States, becoming the band's first top 40 single on the where it peaked at number 23. This success broadened their audience, particularly among female listeners, and signaled a strategic shift toward more accessible pop-oriented material that paved the way for their dominant era, including multi-platinum albums like and . The song's enduring appeal as a romantic has cemented its status as a staple for weddings and sentimental occasions, with fans frequently selecting it for first dances due to its heartfelt lyrics and melodic warmth. It has been sampled in lesser-known tracks, such as Girl Talk's mashup "Once Again," and remains a fixture on radio playlists, ensuring its rotation on stations dedicated to and hits. While lacking major synchronizations in films or television—unlike some contemporaries—no prominent placements have been documented, underscoring its primary resonance in personal and musical contexts rather than visual media. In recent years, the track has experienced revivals through cultural events and digital platforms, including a feature at the 2024 Jam charity organized by Extreme guitarist , where its timeless quality was highlighted amid a lineup of classics. By 2025, engagement surged with official unplugged performance shares on commemorating the song's release anniversary, alongside nods in Genesis retrospectives marking over 50 years since the band's formation in 1967. Streaming data reflects this lasting popularity, with the song accumulating over 20 million plays on as of late 2025, affirming its role as a cultural of the late transition from to accessibility.

Personnel

  • Tony Banks – keyboards, backing vocals
  • – lead and backing vocals, drums, percussion
  • – guitars, bass, backing vocals

References

  1. https://www.songfacts.com/facts/genesis/follow-you-follow-me
  2. https://americansongwriter.com/the-meaning-behind-follow-you-follow-me-by-genesis/
  3. https://www.loudersound.com/features/the-story-behind-the-song-follow-you-follow-me-by-genesis
  4. https://loudwire.com/genesis-prog-rock-pop-1980s/
  5. https://ultimateclassicrock.com/genesis-follow-you-follow-me-song/
  6. https://jazzrocksoul.com/albums/genesis-and-then-there-were-three-1978/
  7. https://classicrockreview.wordpress.com/2021/06/03/genesis-and-then-there-were-three-1978-3/
  8. https://www.discogs.com/release/972560-Genesis--And-Then-There-Were-Three
  9. https://open.spotify.com/track/0rRRV71VjSd8cnNsoc5VLv
  10. https://www.discogs.com/master/28842-Genesis-Follow-You-Follow-Me
  11. https://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0065374
  12. https://tunebat.com/Info/Follow-You-Follow-Me-Remastered-2007-Genesis/0HdcunWW5FsRqKr3lwJOIo
  13. https://www.songsterr.com/a/wsa/genesis-follow-you-follow-me-tab-s70915
  14. https://genesisgearrevelation.miraheze.org/wiki/Genesis_...And_Then_There_Were_Three_equipment
  15. https://www.songfacts.com/blog/interviews/mike-rutherford-genesis-mike-the-mechanics
  16. https://www.songfacts.com/lyrics/genesis/follow-you-follow-me
  17. https://www.discogs.com/release/1741085-Genesis-Follow-You-Follow-Me
  18. https://www.discogs.com/release/1910594-Genesis-Follow-You-Follow-Me
  19. https://www.amazon.com/Then-There-Were-Three/dp/B00S5JO4JG
  20. https://www.youtube.com/watch?v=vt2HSAfa2rQ
  21. https://www.officialcharts.com/songs/genesis-follow-you-follow-me/
  22. https://www.billboard.com/charts/hot-100/1978-05-20/
  23. https://www.billboard.com/charts/adult-contemporary/1978-07-01/
  24. https://australian-charts.com/showitem.asp?interpret=Genesis&titel=Follow+You+Follow+Me&cat=s
  25. https://charts.nz/showitem.asp?interpret=Genesis&titel=Follow+You+Follow+Me&cat=s
  26. https://www.bpi.co.uk/award/13899-2000-2
  27. https://chartmasters.org/genesis-albums-and-songs-sales/
  28. https://www.youtube.com/watch?v=h9zj11gf9Qk
  29. https://www.worldradiohistory.com/Archive-All-Music/Record-World/70s/78/Record-World-1978-04-01.pdf
  30. https://thegenesisarchive.co.uk/review-genesis-three-too-many-nme-1st-april/
  31. https://thegenesisarchive.co.uk/album-review-melody-maker-1st-april/
  32. https://iconfetch.com/reviews/genesis-turn-it-on-the-hits-vinyl-edition
  33. https://www.genesis-news.com/archive/2024/www.genesis-news.com/c-Genesis-RKive-3CDset-info-review-s575.html
  34. https://www.imdb.com/title/tt12759438/
  35. https://www.facebook.com/groups/648482968887104/posts/2199701367098582/
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  37. https://totparchive.co.uk/artist.php?name=genesis
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  43. https://www.setlist.fm/setlist/genesis/1992/oakland-alameda-county-coliseum-oakland-ca-3bdbd420.html
  44. https://www.setlist.fm/setlist/genesis/2022/the-o2-arena-london-england-6b897206.html
  45. https://wdrv.com/genesis-plays-last-show-ever-with-original-frontman-peter-gabriel-in-attendance/
  46. https://www.genesis-news.com/article/genesis-tour-diary-of-the-last-domino-european-tour-2022/
  47. https://consequence.net/2017/06/phil-collins-kicks-off-not-dead-yet-tour-in-liverpool-setlist-video/
  48. https://www.youtube.com/watch?v=E4Up_RGqw3k
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  50. https://www.setlist.fm/setlist/mike-the-mechanics/2019/royal-concert-hall-glasgow-scotland-6b92f69e.html
  51. https://www.setlist.fm/setlist/mike-the-mechanics/2019/bristol-hippodrome-bristol-england-3393d499.html
  52. https://www.youtube.com/watch?v=BJT_01ozJJQ
  53. https://www.youtube.com/watch?v=SFsCDSUJg8Y
  54. https://www.youtube.com/watch?v=DtJ8BYwpvBc
  55. https://www.setlist.fm/setlist/ray-wilson/2023/klein-strand-ostend-belgium-ba57d7e.html
  56. https://www.instagram.com/p/DQuusW8DZah/
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  58. https://www.whosampled.com/Genesis/Follow-You-Follow-Me/covered/
  59. https://www.allmusic.com/song/follow-you-follow-me-mt0035136323
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  61. https://www.youtube.com/watch?v=HyQGkDbhmD0
  62. https://music.apple.com/us/album/a-visible-jazz-touch-of-genesis-live/717746137
  63. https://www.youtube.com/watch?v=CCd2kthcDy4
  64. https://www.discogs.com/release/2389661-Sonny-Jones-2-Feat-Tara-Chase-Follow-You-Follow-Me
  65. https://www.officialcharts.com/songs/sonny-jones-featuring-tara-chase-follow-you-follow-me/
  66. https://www.youtube.com/watch?v=rp2zr-1KYsg
  67. https://www.youtube.com/watch?v=fkPRxdNqRHo
  68. https://www.vice.com/en/article/its-time-to-admit-that-genesis-has-always-been-a-great-band/
  69. https://www.whosampled.com/Genesis/Follow-You-Follow-Me/
  70. https://www.the-geyser.com/song-follow-you-follow-me/
  71. https://kworb.net/spotify/artist/3CkvROUTQ6nRi9yQOcsB50_songs.html
  72. https://www.discogs.com/master/28715-Genesis-And-Then-There-Were-Three
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