Hubbry Logo
Free FourFree FourMain
Open search
Free Four
Community hub
Free Four
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Free Four
Free Four
from Wikipedia

"Free Four"
Cover of the 1972 Italy single
Single by Pink Floyd
from the album Obscured by Clouds
B-side
  • "Stay"
  • "The Gold It's in The..."
Released10 July 1972 (1972-07-10)
Recorded
GenreFolk rock[1]
Length4:15
LabelHarvest
SongwriterRoger Waters
ProducerPink Floyd
Pink Floyd singles chronology
"One of These Days"
(1971)
"Free Four"
(1972)
"Money"
(1973)

"Free Four" is a song by the English rock band Pink Floyd, written by Roger Waters and released on the band's 1972 album Obscured by Clouds.[2][3]

Recording and lyrics

[edit]

The song begins with a rock and roll count-in, but in this case Pink Floyd decided to play with words and record, "One, Two, Free Four!" The song deals with reflection of one's life, the "evils" of the record industry, and also makes a reference to Roger Waters' father who was killed in World War 2.[4] The music begins in an upbeat manner, while the lyrics tell a very cynical and somewhat depressing story. "Free Four" was released as a single in the U.S. in 1972 but did not chart. The song charted at number 29 in the Netherlands and 35 in Wallonia (Belgium).

Cashbox reviewed the single saying "Would you believe a happy song about death?"[5] Record World said that it "is not only musically excellent but also accessible and commercial enough to hit as a single."[6]

Track listing

[edit]
American release
No.TitleLength
1."Free Four"3:30
2."Stay"3:58
Total length:7:28
Italian release
No.TitleLength
1."Free Four"4:07
2."The Gold It's in The..."3:01
Total length:7:08
German release
No.TitleLength
1."Free Four"4:08
2."The Gold It's in The..."3:01
Total length:7:09

Personnel

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
"Free Four" is a song by the English progressive rock band Pink Floyd, written by bassist and vocalist Roger Waters. It serves as the eighth track on the band's seventh studio album, Obscured by Clouds, which was recorded between 23 February and 6 April 1972 and released on 2 June 1972 in the United Kingdom by Harvest Records. The album functions as the soundtrack to the 1972 French film La Vallée (also known as The Valley), directed by Barbet Schroeder, marking Pink Floyd's second collaboration with the director after their work on the 1969 film More. "Free Four" was released as a single in the United States on 10 July 1972, backed with the album track "Stay"; it failed to chart but received moderate FM radio airplay, the band's first significant single airplay since "See Emily Play" (1967). The song runs for 4:16. It opens with a deliberate mispronunciation in the count-in—"one, two, free, four"—which inspired the title. Often viewed as a transitional album between Meddle (1971) and The Dark Side of the Moon (1973), Obscured by Clouds peaked at number 6 in the UK and number 46 in the US, and has been reissued multiple times, including in remastered formats.

Background and composition

Development

"Free Four" was written solely by during the early months of 1972, as prepared music for the of the French film La Vallée, directed by . The song emerged from the band's intensive scoring sessions for the project, which took place amid a transitional period for the group following Syd Barrett's departure in 1968, during which Waters increasingly asserted his role as the primary lyricist with a focus on introspective and autobiographical content. This marked a notable evolution in 's songwriting, shifting from the experimental of their Barrett-led era toward more structured, personal expressions reflective of internal band dynamics and Waters' emerging dominance. The title "Free Four" incorporates a playful , derived from the spoken count-in "One, two, free four," mimicking the standard cue but with a humorous twist on the word "three," showcasing Waters' dry wit amid the band's more serious creative explorations. This lighthearted element contrasted with the song's deeper undertones, highlighting Waters' ability to blend levity with substance during a time of artistic reinvention. Classified as , "Free Four" features an acoustic guitar-driven arrangement that diverges from Pink Floyd's signature psychedelic soundscapes, emphasizing simplicity and rhythm over atmospheric effects. This structural choice underscored the band's versatility while contributing to the Obscured by Clouds, released in June 1972.

Lyrics and themes

"Free Four" delves into profound themes of mortality, portraying life as a fleeting "short, warm moment" contrasted against the "long cold rest" of , with that evoke the regrets and reflections of . The opening verses depict an elderly man shuffling through a sickroom, murmuring to himself as he confronts his end, underscoring the ephemeral nature of existence and the limited opportunities one has—eighty years at best—to make an impact. A key autobiographical element emerges in the song's reference to the narrator's father, who left for the war just before dawn and was killed on 18 February 1944 during at the , marking only the second time addressed ' personal loss of his father Eric Fletcher Waters in their lyrics, following "" from the 1968 album . This line personalizes the broader existential dread, tying Waters' family history of wartime tragedy to meditations on legacy and untimely death. The track also offers a sharp critique of the music industry, highlighting exploitation and the of enduring fame through sardonic lines such as "Got a little black book, got your name in it," which allude to contractual traps and the of artists, reinforced by the "Life is a short ." These elements reflect Waters' growing disillusionment with the "bullshit" of , where personal creativity is overshadowed by commercial demands. Autobiographical threads extend to themes of aging and family, as Waters contemplates generational burdens and intimate domestic scenes, like the "grand old lady of the nursery" awaiting death's blade, evoking existential reflection on familial roles and the passage of time. This personal introspection is woven into a broader commentary on human vulnerability. Notably, the song's upbeat, handclapping and gleeful delivery—particularly in Waters' spoken "angel of death"—deliberately juxtapose an infectious with cynical, depressing content, creating an artistic tension that underscores the of finding joy amid inevitable decline.

Recording and production

Studio sessions

The recording of "Free Four" occurred at near , , utilizing the Rolling Stones Mobile Studio, from 23 February to 6 April 1972, as part of the broader sessions for the soundtrack album . These sessions, which produced the entire album alongside other tracks for the film La Vallée, were conducted over a compressed period of about two weeks for the main recording, reflecting the band's need to deliver material quickly for the project. Produced entirely by , the track adopted a straightforward recording approach that prioritized a live-in-the-studio feel, incorporating minimal overdubs to capture the band's raw energy during the brief timeframe. This method aligned with the album's overall production ethos, allowing for efficient completion without extensive layering. Key elements of the recording include the song opening with the signature vocal count-in of "One, two, free four," followed by an riff that sets a reflective tone, gradually augmented by driving bass and to develop into a fuller rock arrangement. This structure was captured with an emphasis on immediacy over complexity, typical of the sessions. Different releases of "Free Four" exhibit variations, ranging from 3:30 on the U.S. single edit to 4:15 on the album version, with the shorter cut achieved through fading out the extended outro for radio play. Some international singles clock in at around 4:08, preserving more of the original fade.

Personnel

"Free Four" features the standard Pink Floyd lineup of 1972, consisting of , , Richard Wright, and . performed lead vocals, , and acoustic guitar. provided backing vocals, acoustic guitar, and electric guitar. Richard Wright contributed backing vocals and keyboards, including . played drums and percussion. The track was produced by , with engineering by various uncredited assistants using the Mobile Studio during sessions at in . No guest musicians appear on the recording, underscoring the band's core ensemble approach.

Release and commercial performance

Single release

"Free Four" was released as a single in the United States on July 10, 1972, by Harvest/Capitol Records under catalogue number 3391.
The A-side featured the track "Free Four", with "Stay" serving as the primary B-side.
Some pressings, particularly in international markets, instead paired "Free Four" with "The Gold It's in the..." on the B-side.
The single supported the album Obscured by Clouds, released on June 2, 1972, in the United Kingdom and June 15, 1972, in the United States by Harvest and Capitol Records.
Obscured by Clouds functioned as the soundtrack for the French film La Vallée, directed by Barbet Schroeder, and the single's promotion was tied to this context.
There were no major single releases internationally beyond the US, with limited editions appearing in select European countries.

Chart performance

"Free Four" achieved moderate success on European charts following its release in 1972. It peaked at number 29 on the , where it spent three weeks on the listing. In , the single reached number 35 on the 50 chart and remained on the chart for four weeks. Despite garnering notable radio airplay in the United States—the first significant exposure for since "" in 1967—"Free Four" did not chart on the Hot 100. Sales data for the single remains unavailable or negligible, though its airplay received attention in industry trade publications.

Critical reception and legacy

Contemporary reviews

Upon its release as a single in the United States in July 1972, "Free Four" received positive attention in American music trade publications for its accessibility and potential to broaden Pink Floyd's audience beyond progressive rock. In its singles review, Cash Box described the track as "a happy song about death," highlighting the ironic contrast between its upbeat folk-rock arrangement and themes of mortality, and predicting it as a "breakthrough for the space rock pioneers into the Top 40." Similarly, Record World praised the song as musically excellent, accessible, and commercial enough to succeed as a single from the Obscured by Clouds album. These reviews underscored the track's role in making the band's sound more radio-friendly, marking a shift toward the concise song structures that would define their later work. In the United Kingdom, where the single was not issued, coverage in music periodicals like Melody Maker and NME was sparse, with the album's origins as a film soundtrack contributing to its overshadowed status. US trade publications also emphasized early airplay, positioning the song as an entry point for Pink Floyd's evolving accessibility to mainstream listeners.

Later assessments

In later years, "Free Four" has been included on several compilation albums, such as the 1983 release Works, which collected a mix of singles and album tracks from the band's early catalog, and the 2011 retrospective A Foot in the Door: The Best of Pink Floyd, preserving its folk-rock character amid more experimental selections. These reissues have helped sustain the song's accessibility, highlighting its straightforward rock structure and introspective lyrics as a departure from the band's denser psychedelic soundtracks. Retrospectives have noted "Free Four" as a pivotal track that foreshadowed ' increasingly personal and thematic explorations of loss and identity, particularly his reflections on his father's death in , which would become central to albums like The Wall (1979) and The Final Cut (1983). The song's blend of acoustic elements and bluesy guitar riffs positions it as a transitional piece, bridging Pink Floyd's with the progressive rock sophistication of their mid-1970s work. Its significant U.S. radio airplay in 1972 contributed to growing American interest that paved the way for The Dark Side of the Moon's commercial dominance. This milestone underscored the song's role in broadening Pink Floyd's appeal beyond niche audiences. The track has inspired occasional fan discussions on Waters' paternal motifs, though no major covers or official live performances by have emerged as of 2025.

References

Add your contribution
Related Hubs
User Avatar
No comments yet.