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Georg Muche
Georg Muche (8 May 1895 – 26 March 1987) was a German painter, printmaker, architect, author, and teacher.
Georg Muche was born on 8 May 1895 in Querfurt, in the Prussian Province of Saxony, and grew up in the Rhön area. His father, Felix Muche, was a naïve painter and art collector who was known as Felix Ramholz.
Muche's art studies began in 1913 in Munich at the School for Painting and the Graphic Arts which had been founded by Anton Ažbe and was then owned by Paul Weinhold and Felix Eisengräber. In 1914 he applied to the Royal Bavarian Academy of Fine Arts in Munich, but failed the entrance examination. His study of painting resumed in 1915, with Martin Brandenburg, when he moved to Berlin. At this time he had already been influenced by Wassily Kandinsky and Max Ernst, and became one of the earliest proponents of abstract art in Germany.
In Berlin, Muche became associated with Herwarth Walden and his Sturm artist group, working as Walden's exhibition assistant at the Sturm Gallery. He also taught painting at the Sturm Art School from 1916 to 1920. Muche's exposure to the Expressionist world influenced him to become more unconventional in his work, creating abstractions that combined elements of Cubism with the colour ideals of Der Blaue Reiter and Marc Chagall. He participated in three exhibitions from 1916 to 1918, each of which paired his work with that another artists: Max Ernst (1916), Paul Klee, and Alexander Archipenko (1918). From 1913 to 1923, Muche produced prints which showed a strong influence by Klee, as well as Marc Chagall.
His art career was interrupted with a one-year stint in the military, serving on the Western Front in 1917 during World War I.
Walter Gropius invited Muche in 1919 to join the Bauhaus art school in Weimar. At the urging of Lyonel Feininger, he accepted, becoming the youngest Master of Form. Herwarth Walden had given him a five-year contract with Sturm in 1917, but Muche dissolved it prematurely to gain some independence for his Bauhaus work.
At Bauhaus, he headed the weaving workshop from 1919 to 1925 and directed the preliminary course from 1921 to 1922. Muche married Elsa (El) Franke, who was a Bauhaus student, in 1922. After 1922 his style evolved from pure abstraction towards more figurative and organic leanings, a sort of lyric surrealism.
Muche was in charge of the 1923 Bauhaus Exhibition, their first major exhibition, for which he designed an experimental house known as "Haus am Horn". It was constructed in 1923 as the first practical implementation of the new Bauhaus building style. Such principles were key influences on 20th-century architecture. Haus am Horn was designed to showcase economical housing, providing a functional design using prefabricated materials for quick and inexpensive construction. The house, which demonstrates a keen understanding of the use of space, has been called "a true artwork of the realization of abstract monumental beauty". In 1996 the Haus am Horn became part of the World Heritage Site now called the Bauhaus and its Sites in Weimar, Dessau and Bernau. Muche was the leading proponent of the Bauhaus architectural group. In 1926 he, along with Richard Paulick, designed the innovative Stahlhaus (Steel House) at Dessau-Törten. From 1925 to 1927 he headed the Bauhaus' weaving workshop in Dessau.
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Georg Muche
Georg Muche (8 May 1895 – 26 March 1987) was a German painter, printmaker, architect, author, and teacher.
Georg Muche was born on 8 May 1895 in Querfurt, in the Prussian Province of Saxony, and grew up in the Rhön area. His father, Felix Muche, was a naïve painter and art collector who was known as Felix Ramholz.
Muche's art studies began in 1913 in Munich at the School for Painting and the Graphic Arts which had been founded by Anton Ažbe and was then owned by Paul Weinhold and Felix Eisengräber. In 1914 he applied to the Royal Bavarian Academy of Fine Arts in Munich, but failed the entrance examination. His study of painting resumed in 1915, with Martin Brandenburg, when he moved to Berlin. At this time he had already been influenced by Wassily Kandinsky and Max Ernst, and became one of the earliest proponents of abstract art in Germany.
In Berlin, Muche became associated with Herwarth Walden and his Sturm artist group, working as Walden's exhibition assistant at the Sturm Gallery. He also taught painting at the Sturm Art School from 1916 to 1920. Muche's exposure to the Expressionist world influenced him to become more unconventional in his work, creating abstractions that combined elements of Cubism with the colour ideals of Der Blaue Reiter and Marc Chagall. He participated in three exhibitions from 1916 to 1918, each of which paired his work with that another artists: Max Ernst (1916), Paul Klee, and Alexander Archipenko (1918). From 1913 to 1923, Muche produced prints which showed a strong influence by Klee, as well as Marc Chagall.
His art career was interrupted with a one-year stint in the military, serving on the Western Front in 1917 during World War I.
Walter Gropius invited Muche in 1919 to join the Bauhaus art school in Weimar. At the urging of Lyonel Feininger, he accepted, becoming the youngest Master of Form. Herwarth Walden had given him a five-year contract with Sturm in 1917, but Muche dissolved it prematurely to gain some independence for his Bauhaus work.
At Bauhaus, he headed the weaving workshop from 1919 to 1925 and directed the preliminary course from 1921 to 1922. Muche married Elsa (El) Franke, who was a Bauhaus student, in 1922. After 1922 his style evolved from pure abstraction towards more figurative and organic leanings, a sort of lyric surrealism.
Muche was in charge of the 1923 Bauhaus Exhibition, their first major exhibition, for which he designed an experimental house known as "Haus am Horn". It was constructed in 1923 as the first practical implementation of the new Bauhaus building style. Such principles were key influences on 20th-century architecture. Haus am Horn was designed to showcase economical housing, providing a functional design using prefabricated materials for quick and inexpensive construction. The house, which demonstrates a keen understanding of the use of space, has been called "a true artwork of the realization of abstract monumental beauty". In 1996 the Haus am Horn became part of the World Heritage Site now called the Bauhaus and its Sites in Weimar, Dessau and Bernau. Muche was the leading proponent of the Bauhaus architectural group. In 1926 he, along with Richard Paulick, designed the innovative Stahlhaus (Steel House) at Dessau-Törten. From 1925 to 1927 he headed the Bauhaus' weaving workshop in Dessau.