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Graham Oliver
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Key Information
Graham Oliver (born 6 July 1952) is an English guitarist who was born in Mexborough, South Yorkshire.[1] He was a founding member in the heavy metal band Saxon from 1976 to 1996.[2]
Career
[edit]Oliver was a budding guitarist while working in a factory in the mid-1970s, but gave up after losing the tip of his index finger in an accident with a door, and sold his prized 1962/63 Fender Stratocaster (he would attempt to track down the guitar 40 years later).[3] He was, however, encouraged by future bandmate Paul Quinn to learn to play again.[3]
Oliver was originally a member of the band SOB, which formed in 1970. SOB played its first shows in 1970 under the name Blue Condition and toured extensively from 1970 to 1975, also in Germany and the Netherlands.[4] The other members were future Saxon bassist Steve Dawson, Steve Firth on vocals and drummers David Bradley, John Hart, Cowley and John Walker.[5][6]
The band merged in November 1975 with another local band (Coast) to become first Son of a Bitch and from 1978 Saxon, with whom Oliver played from the start and until 1995, as guitarist during a period in which the band had five top 20 albums in the UK.[7][8][9][10]
After being fired from Saxon in 1996, he initially reformed his old band Son of a Bitch with former Saxon bassist Steve Dawson and drummer Pete Gill.[10][11][12] Son of a Bitch released the album Victim You with Thunderhead singer Ted Bullet.[12][10][13] Bullet and Gill left the band after the release of the album. They were replaced by the vocalist John Ward, and another former member of Saxon, Nigel Durham on drums.
In 1999, Oliver and Dawson trademarked the name 'Saxon', claiming they had exclusive rights to it, and attempted to stop Saxon singer Biff Byford from using the name.[14] The trademark claim was overturned after it was ruled to be in bad faith, setting a legal precedent for ownership of a band name.[14] Oliver and Dawson changed the name of the band to Oliver/Dawson Saxon, and undertook a British tour with Ronnie James Dio. Graham also duetted with Doug Aldrich on "Rainbow in the Dark" on the last gig at Plymouth.
Oliver has also released the solo album End of an Era in 2001.[15] Five of the tracks were written and performed by the rock indie band Bullrush, with whom Graham Oliver's son Paul played drums, along Steve Tudberry and Scott Howitt. Also appearing on the album were Pete Gill, Steve Dawson, Kev Moore, Paul Johnson, Phil Hendriks, Richard Spencer and Chris Archer.[15]
Since 2002, Oliver has played with former Marc Bolan session musician Paul Fenton, touring under the banner "Mickey Finn's T-Rex" and formerly "T. Rex (A Celebration of Marc and Mickey)".[7][6] This opportunity materialised after Oliver played "Get It On" with Rolan Bolan at a show in Bradford.[16]
Oliver suffered a stroke in January 2010, leaving him without feeling in one arm for several weeks.[17]
In 2011, Oliver joined pupils at Mexborough School in their production of the Ben Elton musical We Will Rock You.[18]
In 2012 guitar manufacturer "Vintage" collaborated with Graham to produce two signature guitars based on his famous Gibson SG and Flying-V guitars. The 'SG' model Vintage VS6GO and the 'V' model Vintage V60GO.[19]
Oliver and Steve Dawson wrote the book Saxon Drugs and Rock and Roll - The Real Spinal Tap, published by Tomahawk Press in 2012, with a foreword by Harry Shearer (who drew inspiration for Spinal Tap from his time on tour with the band in 1982).[3][8][20][21]
As of 2017, Oliver was still playing in Oliver/Dawson Saxon.[22][23] Following Steve Dawson's decision to retire from performing in October 2021, Graham Oliver, Gav Coulson and Bri Shaughnessy recruited new bandmembers and chose to continue working together under the new name of 'Graham Oliver's Army'.
Discography
[edit]Saxon
[edit]Studio albums
- (1979) Saxon
- (1980) Wheels of Steel
- (1980) Strong Arm of the Law
- (1981) Denim and Leather
- (1983) Power & the Glory
- (1984) Crusader
- (1985) Innocence Is No Excuse
- (1986) Rock the Nations
- (1988) Destiny
- (1990) Solid Ball of Rock
- (1992) Forever Free
- (1995) Dogs of War [Does not play on album]
Live albums
- (1982) The Eagle Has Landed
- (1989) Rock 'n' Roll Gypsies
- (1990) Greatest Hits Live!
- (1999) BBC Sessions
- (2000) Live at Buxted Lodge 1980
Son of a Bitch
[edit]- (1996) Victim You
Oliver/Dawson Saxon
[edit]- (2000) Re://Landed
- (2003) It's Alive
- (2003) The Second Wave: 25 Years of NWOBHM
- (2012) Motorbiker
Solo
[edit]- (2001) End of an Era
Collaborations and guest appearances
[edit]Oliver has made a handful of guest appearances with Barnsley comedy band The Bar-Steward Sons of Val Doonican
- (2010) Strong Arm Of The Law (with The Bar-Steward Sons of Val Doonican - on the album 'Cpl Kipper's Barnsley Trades Club Turn') [26]
- (2013) Jump Ararnd (with The Bar-Steward Sons of Val Doonican, Eliza Carthy, Mike Harding, Maartin Allcock and Hugh Whitaker) [27]
- (2013) Ace Of Spades (a folk-rock cover of Motörhead's 80's hit, with The Bar-Steward Sons of Val Doonican - on The Bar-Stewards' Big 7-Inch)
- (2014) The Devil Went Darn To Barnsley (with The Bar-Steward Sons of Val Doonican, Eliza Carthy, Mike Harding, and Maartin Allcock) [28]
- (2017) Crosstarn Traffic (with The Bar-Steward Sons of Val Doonican - on the album 'Ave It: Bold As Brass)[29]
- (2017) Wheels Of Steel (with The Bar-Steward Sons of Val Doonican - hidden track on the album 'Ave It: Bold As Brass)[30]
- (2019) Place Of Spades (with The Bar-Steward Sons of Val Doonican - on the album of the same name.
References
[edit]- ^ "Graham Oliver Twitter Profile", Twitter.com. Retrieved 17 October 2017
- ^ Barton, Geoff (16 January 2013). "Saxon: 'Metal fans are the most loyal in the world' – a classic feature from the vaults". The Guardian. Guardian News and Media. Retrieved 12 February 2013.
- ^ a b c Johnson, Peter (2015) "Rock star seeks reunion with man who bought his Stratocaster", Shetland Times, 2 July 2015. Retrieved 17 October 2017
- ^ "SOB – Saxon Deep DISCOGRAPHY". 26 August 2021.
- ^ Geesin, Joe (2015) "And the Band Played On", Record Collector, Issue 437, February 2015
- ^ a b "Drumming 'hero' to celebrate bandmate Bolan's life with gig", Dewsbury Reporter, 24 February 2017. Retrieved 17 October 2017
- ^ a b "Metal guru Graham still loves to get it on", North-West Evening Mail. Retrieved 17 October 2017
- ^ a b "Rock 'n' Roll excess: Exploring the unusual link between Mexborough band Saxon and Spinal Tap", South Yorkshire Times, 19 January 2016. Retrieved 17 October 2017
- ^ Strong, Martin C. (2001) The Great Metal Discography 2nd edn., Mojo Books, ISBN 1-84195-185-4, pp. 476-7
- ^ a b c Rivadavia, Eduardo "Son of a Bitch Biography", Allmusic. Retrieved 17 October 2017
- ^ Buckley, Jonathan (2003) "Saxon", in The Rough Guide to Rock, Rough Guides, ISBN 978-1843531050, pp. 906-907
- ^ a b "OLIVER/DAWSON SAXON's STEVE DAWSON: 'We Have Never Ever Tried To Be The Original Band'", Blabbermouth.net, 25 September 2007. Retrieved 17 October 2017
- ^ Rivadavia, Eduardo "Victim You Review", Allmusic. Retrieved 17 October 2017
- ^ a b Smartt, Ursula (2017) Media & Entertainment Law, Routledge, ISBN 978-1138961883, p. 423
- ^ a b Heibutzki, Ralph "End of an Era Review", Allmusic. Retrieved 17 October 2017
- ^ "T Rex act are ready to get it on at Manor Ballroom", East Anglian Daily Times, 19 November 2010. Retrieved 17 October 2017
- ^ "Wheels of steel! Ex-Saxon star beats a stroke", South Yorkshire Times, 8 April 2010. Retrieved 17 October 2017
- ^ "Rock star Graham Oliver plays guitar in sellout concert alongside school pupils", Sheffield Star, 1 April 2011. Retrieved 17 October 2017
- ^ "Vintage Guitars".
- ^ Oliver, Graham & Dawson, Steve (2012) Saxon Drugs & Rock 'n' Roll: The Real Spinal Tap, Tomahawk Press, ISBN 978-0955767050
- ^ "The Real Spinal Tap". tomahawkpress.com. Archived from the original on 12 March 2009.
- ^ "New Music Festival Set To Rock Thorne", Thorne Times, 1 July 2017. Retrieved 17 October 2017
- ^ "Ready to rock at Haven and Hell", Times & Star, 23 March 2017. Retrieved 17 October 2017
- ^ "Graham Oliver Archived 19 May 2016 at the Wayback Machine", Mexborough and District Heritage Society. Retrieved 17 October 2017
- ^ Booth, Nigel (2005) "From heavy metal to china", Pontefract & Castleford Express, 20 October 2005. Retrieved 17 October 2017
- ^ "Strong Arm Of The Law | The Bar-Steward Sons of Val Doonican". Thebarstewardsons.bandcamp.com. Retrieved 9 May 2020.
- ^ "Jump Ararnd | The Bar-Steward Sons of Val Doonican". Thebarstewardsons.bandcamp.com. Retrieved 9 May 2020.
- ^ "The Devil Went Darn To Barnsley | The Bar-Steward Sons of Val Doonican". Thebarstewardsons.bandcamp.com. Retrieved 9 May 2020.
- ^ "Crosstarn Traffic | The Bar-Steward Sons of Val Doonican". Thebarstewardsons.bandcamp.com. Retrieved 9 May 2020.
- ^ "Wheels Of Steel (feat. Graham Oliver) | The Bar-Steward Sons of Val Doonican". 13 November 2018. Archived from the original on 13 November 2018. Retrieved 14 November 2020.
External links
[edit]Graham Oliver
View on GrokipediaEarly life
Childhood and upbringing
Graham Oliver was born on 6 July 1952 in Mexborough, South Yorkshire, England.[7] Growing up in the working-class, industrial landscape of South Yorkshire during the post-war era, Oliver showed an early aptitude for music. At age 10, he gained his first taste of performing by miming to The Shadows' instrumental hit "Wonderful Land" during a school event, an experience that captivated him with the guitar's sound and the thrill of the stage.[8] Oliver's formative influences spanned rock and folk genres, reflecting the evolving British music scene of the 1960s. He was drawn to the clean, melodic guitar tones of The Shadows, which sparked his initial interest in the instrument. This expanded with Bob Dylan's Highway 61 Revisited (1965), particularly the revolutionary "Like a Rolling Stone," inspiring him toward songwriting and lyrical depth. By his mid-teens, Jimi Hendrix became a pivotal figure; Oliver first encountered Hendrix's raw energy via a television performance of "Hey Joe," followed by attending a live show and immersing himself in Are You Experienced (1967), with tracks like "Foxy Lady" profoundly shaping his approach to electric guitar playing.[8]Early musical career and accident
Graham Oliver's musical journey began in the early 1970s in the working-class mining communities of South Yorkshire, where he honed his guitar skills amid the local rock scene. As a teenager, he was influenced by performances such as the 1965 Butlins holiday camp show featuring guitarist Ollie Halsall, which sparked his interest in the instrument. By the mid-1970s, Oliver had become a founding member of the heavy rock band Son of a Bitch, alongside bassist Steve "Dobby" Dawson. The group, initially known simply as SOB, gigged extensively in the Barnsley area, performing at venues like the Changes pub—nine times in 1974 alone—and building a following with their raw, energetic sound inspired by acts like Deep Purple and Black Sabbath.[9][10][6] In late 1975, Son of a Bitch merged with the Barnsley-based band Coast, incorporating vocalist Peter Byford (later known as Biff Byford) and second guitarist Paul Quinn, which expanded the lineup and shifted their focus toward a more polished heavy metal style. This collaboration marked the embryonic stage of what would evolve into Saxon, though the band continued under the Son of a Bitch moniker for local performances and early demos. Oliver's contributions as rhythm guitarist were central, providing the dual-guitar harmonies that became a hallmark of the group's sound during these formative club dates across Yorkshire.[10][11] Oliver's burgeoning career faced a major setback in October 1976, when he suffered a severe industrial accident at his factory job in Mexborough, severing the tip of his left index finger. Doctors warned him that the injury would prevent him from ever playing guitar again, leading to a period of doubt where he nearly abandoned music altogether. Undeterred, Oliver adapted his technique, rebuilding strength and incorporating the partial loss into a unique picking style that influenced his aggressive, riff-driven playing. This resilience allowed him to continue with the band, which soon rebranded as Saxon in 1979 to secure a record deal, propelling them into the New Wave of British Heavy Metal movement.[12][13][14]Musical career
Founding and tenure with Saxon
Graham Oliver co-founded the precursor to Saxon in 1970 as the band Blue Condition, alongside bassist Steve "Dobby" Dawson and drummer John Walker, in Barnsley, South Yorkshire.[15] The group evolved through several name changes and lineup shifts, becoming SOB around 1972 and then Son of a Bitch by 1975, with Oliver remaining as guitarist.[16] In 1976, Son of a Bitch merged with local band Coast, incorporating vocalist Peter "Biff" Byford, guitarist Paul Quinn, and drummer Pete Gill, which solidified the core lineup that would define Saxon's sound.[17] The band officially renamed itself Saxon in 1979 after signing with Carrere Records, as the original name was deemed too provocative for commercial release.[2] As a founding guitarist, Oliver played a pivotal role in shaping Saxon's twin-guitar attack, drawing from influences like Free and blending hard rock riffs with emerging heavy metal elements during the New Wave of British Heavy Metal (NWOBHM) era.[18] He co-wrote key tracks on the self-titled debut album (1979), including "Militia Guard" and "Judgement Day," which helped establish the band's aggressive, working-class anthems.[18] Over the next decade, Oliver contributed to landmark releases like Wheels of Steel (1980), which peaked at No. 5 on the UK Albums Chart and featured his dynamic solos on songs such as "Motorcycle Man," and Strong Arm of the Law (1980), solidifying Saxon's international breakthrough with tours alongside acts like Judas Priest.[19] His tenure saw the band achieve commercial peaks, including the gold-certified Crusader (1984) and headlining Monsters of Rock festivals, though internal tensions arose amid the 1980s glam metal shift.[20] Oliver remained with Saxon through their transition to major label EMI in 1983 and into the early 1990s, performing on nine studio albums and contributing to the heavier sound on efforts like Destiny (1988) and Solid Ball of Rock (1990).[15] His departure came in 1995, following the recording of Dogs of War (1994), amid reported disputes over bootleg recordings and creative differences, marking the end of an era for the band's original lineup.[21] During his nearly two-decade stint, Oliver's high-energy stage presence and songwriting helped Saxon sell millions of records worldwide, cementing their status as NWOBHM pioneers.[22]Departure from Saxon and immediate aftermath
Graham Oliver was dismissed from Saxon at the end of 1994, shortly after the band completed recording their album Dogs of War.<grok:render type="render_inline_citation">Post-Saxon's band projects
Following his departure from Saxon in 1995, Graham Oliver reformed the band Son of a Bitch, which had been the original name of Saxon prior to their 1979 rebranding.[6] This reunion included former Saxon members bassist Steve Dawson and drummer Pete Gill, marking a return to the group's early heavy metal roots with a focus on high-energy performances of classic material.[23] The reformed Son of a Bitch toured extensively in the mid-1990s, emphasizing Oliver's signature dual-guitar style and drawing fans nostalgic for Saxon's New Wave of British Heavy Metal era.[16] In 1997, Oliver and Dawson registered the "Saxon" trademark, leading to a brief period of parallel touring bands and subsequent legal disputes with the remaining Saxon lineup.[4] To resolve these issues, the project was renamed Oliver/Dawson Saxon, retaining its core membership and commitment to performing Saxon classics alongside original compositions.[6] The band maintained an active schedule through the 2000s and 2010s, releasing studio albums and live recordings that showcased Oliver's enduring guitar work, often characterized by aggressive riffs and harmonious leads.[3] Oliver/Dawson Saxon became a staple on the European metal festival circuit, appealing to audiences seeking authentic recreations of Saxon's golden period sound.[11] Beyond these core projects, Oliver contributed to select collaborative efforts, including guest appearances on albums by other NWOBHM acts, but his primary focus remained on Oliver/Dawson Saxon as a vehicle for his post-Saxon creative output.[24] This lineup allowed Oliver to sustain a professional touring career, blending reverence for his Saxon legacy with independent musical exploration.[18]Recent performances and collaborations
In recent years, Graham Oliver has continued to perform actively through his band Graham Oliver's Army, a project dedicated to classic New Wave of British Heavy Metal (NWOBHM) material, primarily drawing from his Saxon catalog. Despite his 2023 Parkinson's disease diagnosis, Oliver has maintained a rigorous touring schedule, emphasizing resilience in live settings.[25][13] The band, featuring vocalist Brian Shaughnessy, guitarist Gav Coulson, bassist Jamie Mallender, and drummer Rod Fearnley, has focused on high-energy performances of Saxon staples like "Denim and Leather" and "Wheels of Steel."[26] A notable highlight has been Oliver's collaborations with former Saxon bandmate Paul Quinn, reuniting the duo for the first time since 1995. In June 2023, they performed two shows at Zirco Tokyo in Japan, delivering sets including "Rock 'n' Roll Gypsy," "Stand Up and Be Counted," and "Princess of the Night," marking their initial post-Saxon joint appearances.[27][28] This partnership extended to August 2024, when Quinn joined Graham Oliver's Army for a special gig at Space Odd in Daikanyama, Tokyo, on August 17, featuring Saxon classics such as "Heavy Metal Thunder," "The Eagle Has Landed," and "Stand Up and Be Counted." The performance, lasting nearly two hours, underscored their enduring chemistry from two decades together in Saxon (1975–1995).[29][30] Throughout 2024, Oliver's Army toured extensively in Europe and the UK, with key appearances at Firefest 2024 in Manchester on October 11, where they played a 65-minute set of NWOBHM anthems including "Crusader," and WinterStorm 2024 in Troon, Scotland, on November 29, closing with "And the Bands Played On."[31][32] In December 2023, they headlined at Birdwell Venue in England, incorporating tracks like "Never Surrender."[33] Extending into 2025, the band performed at Muskelrock festival in Alvesta, Sweden, on May 29, delivering a setlist heavy on Saxon hits such as "Frozen Rainbow" and "Backs to the Wall," and at Rock Petrol in Wingene, Belgium, on July 27.[34] These outings demonstrate Oliver's commitment to live music, blending nostalgia with contemporary festival circuits.[35]Discography
Albums with Saxon
Graham Oliver co-founded Saxon in 1977 as a guitarist, providing lead guitar and co-writing contributions across the band's first twelve studio albums released between 1979 and 1995. His playing, often in harmony with rhythm guitarist Paul Quinn, helped establish Saxon's signature twin-guitar heavy metal sound during the New Wave of British Heavy Metal movement.[22][2] The debut album Saxon (1979, Carrere Records) showcased Oliver's raw, aggressive riffs on tracks like "Heavy Metal Thunder" and "Suicide Warrior," setting the foundation for the band's high-energy style. The follow-up Wheels of Steel (1980, Carrere) marked a commercial breakthrough, peaking at No. 5 on the UK Albums Chart and featuring Oliver's prominent solos on the title track and "747 (Strangers in the Night)."[36] Strong Arm of the Law (1980, Carrere), released later that year, continued the momentum with No. 11 UK chart placement; Oliver co-wrote and performed on anthems like the title track and "20,000 Ft.," emphasizing the band's working-class themes.[36] Saxon's golden era peaked with Denim and Leather (1981, Carrere), which reached No. 9 in the UK and is regarded as a NWOBHM cornerstone. Oliver's guitar work drives songs such as "Princess of the Night" and "Midnight Caller," blending melody and power.[36] As the band gained international success, Power & the Glory (1983, Parlophone) peaked at No. 15 in the UK, with Oliver contributing to epic tracks like "Power and the Glory" and "Warrior."[36] Crusader (1984, Parlophone), peaking at No. 18, featured Oliver's neoclassical influences on the title track and "Saxons and Vikings," reflecting the band's growing thematic ambition.[36] The mid-1980s saw a shift toward a more polished sound. Innocence Is No Excuse (1985, Parlophone), which charted at No. 36 in the UK, included Oliver's parts on radio-friendly cuts like "Rockin' Again" and "Northern Lady," though it received mixed reviews for softening the band's edge.[37][36] Rock the Nations (1986, Parlophone), reaching No. 34, returned to harder riffs with Oliver co-writing "Waiting for the Night" and "Rock 'n' Roll Gypsy."[36] By the late 1980s and early 1990s, amid declining sales in the grunge era, Oliver remained a core member. Destiny (1988, EMI), charting at No. 49, explored AOR elements on tracks like the title song, with Oliver's solos adding bite.[38][36] Solid Ball of Rock (1990, EMI) and Forever Free (1992, EMI) maintained the heavy metal core, featuring Oliver on energetic numbers such as "Solid Ball of Rock" and "What Do You Do." His final contribution came on Dogs of War (1995, Atlantic), a thematic album about conflict with Oliver's guitar on "Dogs of War" and "All or Nothing," before his departure later that year.| Album | Release Year | UK Chart Peak | Key Tracks Featuring Oliver's Guitar |
|---|---|---|---|
| Saxon | 1979 | - | "Heavy Metal Thunder", "Frozen Rainbow" |
| Wheels of Steel | 1980 | 5 | "Wheels of Steel", "Motorcycle Man" |
| Strong Arm of the Law | 1980 | 11 | "Strong Arm of the Law", "Dallas 1 PM" |
| Denim and Leather | 1981 | 9 | "Princess of the Night", "Denim and Leather" |
| Power & the Glory | 1983 | 15 | "Power and the Glory", "Battle Cry" |
| Crusader | 1984 | 18 | "Crusader", "A Little Bit of What You Fancy" |
| Innocence Is No Excuse | 1985 | 36 | "Rockin' Again", "Back on the Streets Again" |
| Rock the Nations | 1986 | 34 | "Rock the Nations", "Northern Lady" |
| Destiny | 1988 | 49 | "Destiny", "Redline" |
| Solid Ball of Rock | 1990 | - | "Solid Ball of Rock", "One More for the Road" |
| Forever Free | 1992 | - | "Forever Free", "Ironmode" |
| Dogs of War | 1995 | - | "Dogs of War", "Take Me Home" |
Son of a Bitch releases
Son of a Bitch, reformed in the mid-1990s by former Saxon members Graham Oliver (guitar), Steve Dawson (bass), and Pete Gill (drums), released its debut and only studio album, Victim You, in 1996. The band enlisted Thunderhead vocalist Ted Bullet for lead vocals and Haydn Conway as second guitarist, marking a continuation of the heavy metal style Oliver had pioneered with Saxon but with a raw, post-departure edge. Recorded in Manchester, the album was issued on multiple labels including HiQ Records (Germany), Hengest Records (Europe), and Saraya Recordings (US), with subsequent reissues on Angel Air Records in 2001 and 2012.[39][40] Victim You features 12 tracks blending aggressive riffs, themes of betrayal and resilience, and Oliver's signature twin-guitar leads. The album received modest attention in the metal underground, praised for recapturing the gritty energy of Saxon's early days while showcasing the lineup's chemistry. Key tracks include the title song "Victim You," which critiques personal deceit, and "Treacherous Times," noted for its driving rhythm and social commentary. Production was handled by the band alongside engineered support, emphasizing a straightforward heavy metal sound without extensive overdubs.[39][40]| Track No. | Title | Duration |
|---|---|---|
| 1 | Bitch of a Place to Be | 4:15 |
| 2 | Drivin' Sideways | 5:31 |
| 3 | Past the Point | 3:47 |
| 4 | No One's Gettin' Over | 5:44 |
| 5 | Treacherous Times | 4:44 |
| 6 | Love Your Misery | 3:43 |
| 7 | I Still Care | 5:10 |
| 8 | Old School | 4:28 |
| 9 | More for Me | 4:35 |
| 10 | Evil Sweet Evil | 4:52 |
| 11 | Victim You | 4:48 |
| 12 | Running Away (From You) | 5:02 |