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Greg Chaisson
Greg Chaisson
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Greg Chaisson (born August 9, 1958) is a Canadian bass guitarist, singer, songwriter, and producer who has played in various bands, most notably Badlands, which featured former Ozzy Osbourne guitarist Jake E. Lee, vocalist Ray Gillen, and drummers Eric Singer and Jeff Martin, respectively.

Biography

[edit]

Chaisson got his start in a popular local Phoenix, Arizona band called Ghost Rose[1] but his first recordings of note came with Surgical Steel and St. Michael, two early 1980s Phoenix bands that both featured his future Badlands bandmate, Jeff Martin. St. Michael would contribute the song "The Beauty, The Power" to the U.S. Metal Vol. IV compilation while Surgical Steel appeared on Metal Massacre II with "Rivet Head".

Chaisson then made the move to Los Angeles, CA where he joined one of the last incarnations of Steeler where he was replaced by his younger brother, Kenny, when the band morphed into Keel. Chaisson would join a succession of L.A. bands, including Legs Diamond, Hellion, and Terriff (with future Ozzy guitarist Joe Holmes).[2] In 1986, he unsuccessfully auditioned for Ozzy Osbourne's band where he met Jake E. Lee who invited him to try out for Badlands a couple of years later.[3]

After the demise of Badlands, he joined Sircle of Silence, featuring one-time Accept vocalist David Reece, but left before the first album was recorded. In the ensuing years, Chaisson kept busy recording with the Blindside Blues Band, Die Happy, Red Sea, Pat Travers, and Darrell Mansfield, among others. In 1994, he released a solo album, It's About Time, which featured former Badlands bandmate Eric Singer on drums, ex-St. Michael guitarist Jim McMellen, and Riverdogs alumni, Rob Lamothe and Marc Danzeisen. Chaisson briefly united with former Badlands bandmate Jake E. Lee when he joined his new band Red Dragon Cartel in 2014[4] but was forced to bow out less than a year later[5] after being diagnosed with cancer.[6]

Chaisson resides in Phoenix, AZ with his wife and children where he coaches and teaches baseball and manages Bizarre Guitar & Drum.[7] Additionally, he plays in an original band named Kings of Dust which features vocalist Michael Beck who briefly fronted Red Dragon Cartel, guitarist Ryan McKay, and drummer Jimi Taft.[8] In 2021, Beck was replaced by Ken Ronk on vocals and the band's name was changed to Atomic Kings.

Discography

[edit]

Greg Chaisson

  • It's About Time (1994)

Badlands

Die Happy

  • Volume 2 (1993)
  • Intense Live Series Vol. 4 (1993)

Blindside Blues Band

  • Blindside Blues Band (1993)
  • Blindsided (1994)
  • Messenger Of The Blues (1995)

Pat Travers

  • Just A Touch (1993)

Red Sea

  • Blood (1994)

Craig Erickson

  • Two Sides Of The Blues (1994)

Darrell Mansfield

  • Mansfield & Co. (1995)

Stephen Christian

  • Stephen Christian (1998)

Steeler

Chris Catena's Rock City Tribe

Kings of Dust

  • Kings of Dust (2020)

Compilations

[edit]

Surgical Steel

  • Metal Massacre II (1982)

St. Michael

  • U.S. Metal Vol. IV (1984)

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Greg Chaisson (born August 9, 1958) is a Canadian bass guitarist, singer, songwriter, and record producer best known for his role as a founding member of the hard rock band Badlands. Born in Toronto, Ontario, Chaisson moved to Phoenix, Arizona, in his early twenties and began his professional music career in the late 1970s, initially playing in local bands before gaining prominence in the 1980s Los Angeles heavy metal scene. He first rose to attention as the bassist for Steeler, a short-lived band featuring guitarist Yngwie Malmsteen and vocalist Ron Keel, contributing to their 1983 self-titled debut album. Following Steeler's dissolution, Chaisson played in groups such as Surgical Steel, Legs Diamond, and Blindside Blues Band, while also auditioning for high-profile positions including Ozzy Osbourne's band in 1985, where he reportedly contributed uncredited bass lines to the album The Ultimate Sin. In 1989, Chaisson co-founded Badlands with former Ozzy Osbourne guitarist Jake E. Lee, vocalist Ray Gillen (ex-Black Sabbath), and drummer Eric Singer (later of Kiss), creating a supergroup that blended hard rock, blues, and heavy metal influences. The band's debut album, Badlands (1989), achieved commercial success, followed by Voodoo Highway (1991); a third album, Dusk (1998), was released posthumously after Gillen's death in 1993 from AIDS-related complications. Beyond Badlands, Chaisson has maintained an active career, including bass duties in Die Happy (on their 1993 album Volume 2), Red Sea, and a 2014 stint with Jake E. Lee in Red Dragon Cartel. He released his solo debut, It's About Time (1994), on Frontline Records, showcasing his songwriting and production skills. In recent years, Chaisson fronted Kings of Dust, whose self-titled album debuted in 2020 (later renamed Atomic Kings in 2021, which he left in 2024), while overcoming a 2015 Stage 4 cancer diagnosis to continue performing. Additionally, as of 2025, he owns and manages Bizarre Guitar & Drums, a music store in Phoenix.

Early career

Beginnings in Phoenix

Greg Chaisson was born on August 9, 1958, in Toronto, Ontario, Canada, and relocated to , in 1969 at age 11, during his junior year of school (likely referring to junior high school). He resided there until 1982. Chaisson's entry into music began in the mid-1970s with his role as and singer in Ghost Rose, a popular local band in Phoenix that performed at desert keg parties and built a regional following among youth audiences. During this formative period, he honed his skills as a songwriter, drawing from the emerging scene in the Southwest, which emphasized energetic live performances and original material. By the early 1980s, Chaisson advanced his career with Surgical Steel, a Phoenix-based heavy metal band he joined as , contributing to their track "Rivet Head" on the influential Metal Massacre II compilation released in 1982 by . This appearance marked one of his earliest notable recordings and helped elevate the band's profile within the burgeoning New Wave of British Heavy Metal-inspired underground circuit. Chaisson further developed his musicianship in St. Michael, another early 1980s Phoenix heavy metal outfit where he played bass and provided vocals alongside Jeff Martin, who would later collaborate with him in . The band contributed the song "The Beauty, The Power" to the U.S. Metal Vol. IV compilation in 1984, showcasing Chaisson's growing prowess as a performer in the local metal scene and solidifying his reputation as a versatile bassist and songwriter before his eventual move to .

Move to Los Angeles

In the early 1980s, seeking greater opportunities in the burgeoning and metal scene, Greg Chaisson relocated from Phoenix to in October 1982, arriving with only a handful of acquaintances to support his ambitions as a . This move positioned him amid the vibrant yet cutthroat ecosystem, where aspiring musicians vied for gigs and label attention in an era dominated by aesthetics and high-stakes networking. Upon arriving, Chaisson quickly integrated into the local circuit by joining Steeler in 1983, contributing bass to their self-titled debut album with vocalist and guitarist . As bassist, he participated in lineup auditions for guitarists and performed in high-profile live settings, including a sold-out debut at venue, before the band disbanded. Following Steeler's dissolution, Chaisson's younger brother, Chaisson, stepped into a prominent role in Keel, the subsequent project led by Ron Keel, marking a familial transition within interconnected LA metal circles. Chaisson's involvement extended to several other LA-based groups, where he served as bassist and contributed to live performances and demo recordings amid the scene's relentless turnover. With , a veteran act echoing 1970s influences like Led Zeppelin, he joined in 1983, touring and bolstering their regional shows before departing to prioritize emerging opportunities in . He briefly played with Hellion, an all-female-fronted heavy metal band, supporting their energetic live sets and contributing to early demo efforts that captured the era's raw aggression. In Terriff, alongside future guitarist , Chaisson handled bass duties around 1987, helping develop unreleased demos and performing locally to hone the band's sound before it evolved into other projects. A pivotal moment came in 1985 when Chaisson auditioned for the bassist position in Ozzy Osbourne's band, traveling to , , at Sharon Osbourne's invitation after Bob Daisley's departure. During the session, he jammed extensively with guitarist , forging an immediate musical rapport—"Jake’s really into jamming, so we kind of developed a ," Chaisson later recalled—though Osbourne ultimately selected , citing Chaisson's appearance as unsuitable for MTV's visual demands. Navigating the LA hard rock landscape proved arduous, characterized by fierce competition among hundreds of bands chasing limited club slots and major-label deals in the glam metal surge. Chaisson encountered constant lineup flux and the pressure to conform to image-driven trends, often networking at Strip hotspots like The Whisky or Gazzarri's, where "a lot of the bands from that generation... met each other at a band bar," yet many struggled without the right "look" or connections to break through. This environment demanded resilience, as aspiring acts like Chaisson's faced rejection and reinvention amid the era's transient alliances and stylistic expectations.

Badlands era

Formation and early success

Following his dismissal from Ozzy Osbourne's band in 1987, guitarist contacted bassist Greg Chaisson in 1988 to form a new group, drawing on their prior acquaintance from Chaisson's 1985 audition for Osbourne's lineup. Lee also recruited vocalist and drummer , both ex-Black Sabbath members, to establish as a quartet rooted in ' hard scene. Badlands released their self-titled debut in May 1989 via , produced by Paul O'Neill, which peaked at No. 57 on the 200. The record showcased the band's fusion of heavy metal riffs and bluesy grooves, highlighted by tracks like "High Wire" and "Winter's Call," with Chaisson's prominent bass work anchoring the songwriting and infusing live shows with dynamic energy. The group supported the album with extensive U.S. touring, building a dedicated following through high-energy performances that emphasized their soulful, riff-driven sound. In 1991, after Eric Singer departed to join KISS, drummer Jeff Martin filled the role for Badlands' second album, Voodoo Highway, also on Atlantic Records, which reached No. 140 on the Billboard 200. Produced amid growing internal tensions and Ray Gillen's early health struggles with AIDS symptoms emerging around 1990, the effort featured standout tracks such as "Shine On" and "Soul Stealer," further emphasizing the band's blues-metal hybrid through Chaisson's collaborative song contributions and robust stage presence. Despite challenges, the release solidified Badlands' reputation for raw, influential hard rock in the early 1990s.

Lineup changes and final album

The death of vocalist in December 1993 from AIDS-related complications profoundly affected , halting the band's momentum after the release of their second album, Voodoo Highway, and forcing a reevaluation of their future. Gillen's declining health and internal tensions had already led to his departure in 1992, creating emotional and creative voids within the group, as the band had been built around his powerful, soulful delivery. This loss, combined with prior lineup shifts—such as drummer Eric Singer's replacement by Jeff Martin for Voodoo Highway—intensified the challenges facing bassist Greg Chaisson, guitarist , and the remaining members. After an initial attempt to replace Gillen with vocalist Debby Holiday, he briefly returned for a tour in 1992 before departing again. In response, the band recruited vocalist John West around 1992-1993 to fill the void, allowing them to record demos and perform a limited number of shows as they sought to rebuild. However, these efforts were overshadowed by the posthumous release of in 1998 on Records in , a collection of raw demos from 1992–1993 featuring Gillen's improvised vocals and capturing the band's unpolished energy. Tracks like "" exemplified themes of perseverance amid adversity, reflecting the group's determination to push forward despite personal and professional turmoil. Chaisson contributed song ideas to , including riffs for "The River," while internal tensions—such as his strained relationship with Singer, marked by initial hostility during rehearsals—added friction but also drove a shift toward a heavier, more blues-infused sound in their later material. The band's dissolution came shortly after these attempts to regroup, exacerbated by label disputes with , which withdrew tour support and ultimately dropped them amid the rising dominance of in the mid-1990s . This shift in tastes diminished opportunities for acts like , leading to the group's breakup around 1993. Despite the abrupt end, Badlands developed a dedicated , with their albums selling hundreds of thousands of copies and enduring as fan favorites for their raw intensity. Chaisson has played a key role in preserving this legacy, sharing reflections in interviews on the band's innovative blend of influences and the personal resilience that defined their brief but impactful run.

Later career

1990s projects

Following the dissolution of in the mid-, Greg Chaisson formed Sircle of Silence, an experimental band that blended heavy riffs with introspective lyrics, releasing a self-titled album in 1993 featuring vocalist David Reece, guitarist Larry Farkas, and drummer . Chaisson joined the Blindside Blues Band in the early , serving as bassist alongside guitarist Mike Onesko and former drummer Jeff Martin, and contributing to three albums—the self-titled album (1993), Blindsided (1994), and Messenger of the Blues (1995)—that emphasized a fusion of blues-rock with hard-edged guitar work and soulful improvisation. In parallel, Chaisson provided bass for Die Happy's Volume II (1993), a effort on Intense Records that showcased gritty influences, and appeared on their live release Intense Live Series Vol. 4 (1993), capturing energetic performances from the band's club tours. Chaisson's session work in the mid-1990s included bass duties on Red Sea's blues-infused Blood (1994), formed with Die Happy vocalist Robyn Kyle Basauri and drummer Jeff Martin; Pat Travers' Just a Touch (1993), a -rock collection where he handled most bass tracks; and Craig Erickson's Two Sides of the (1994), a guitar-driven exploration of traditional and modern styles. Later in the decade, Chaisson made guest appearances on bass for Darrell Mansfield's Mansfield & Co. (1995), a Christian blues-rock project featuring covers and originals with harmonica-driven grooves, and Stephen Christian's self-titled album (1998), highlighting his versatility in melodic hard rock and Christian-oriented songwriting.

2000s to present

In the 2000s, Chaisson maintained a low profile in the music industry, engaging in sporadic session work and occasional live performances primarily in the Phoenix area, where he had relocated. He occasionally contributed to local cover bands and focused more on personal musical exploration, including guitar playing, while stepping back from major touring commitments. Chaisson made a notable on the 2020 album Truth in Unity by Chris Catena's Rock City Tribe, providing bass on the track "The Trickster" alongside musicians such as and . This collaboration highlighted his continued affinity for melodic , blending classic influences with contemporary production. In 2014, Chaisson reunited with former Badlands guitarist in Red Dragon Cartel, joining as to replace the previous member and contributing to the band's self-titled and subsequent low-key tours across the U.S. His tenure was short-lived, ending in early 2015 due to health-related reasons that prompted a focus on recovery. Chaisson co-founded Kings of Dust in the late with Jimi Taft, Ryan McKay, and vocalist Michael Thomas Beck, releasing their self-titled debut album in March 2020 via Shock Records. The record featured 10 tracks that fused classic riffs with modern elements, including songs like "Dust" and "Mom's Rocket," drawing on the members' experiences from bands such as and Red Dragon Cartel. Following a vocalist change to Ken Ronk, the group rebranded as Atomic Kings and issued their self-titled album in 2022, emphasizing soulful vocals and riff-driven compositions. Chaisson departed Atomic Kings in January 2024, citing personal commitments as the primary factor, allowing him to prioritize family and local endeavors. As of 2025, he continues to participate in Phoenix-area performances and contributes to the local metal revival scene through guest spots and informal collaborations, though no major new releases have been announced.

Personal life

Health and family

In April 2015, Chaisson was diagnosed with stage 4 tongue cancer caused by the human papillomavirus (HPV), and doctors initially gave him a of eight to ten months to live. He underwent intensive treatment, including , , and , which led to a year-long recovery period during which he stepped away from his music commitments, including his departure from Red Dragon Cartel. Chaisson has shown no signs of recurrence in subsequent interviews, remaining active in music as of 2024. Chaisson resides in , with his wife and children, maintaining a low profile regarding personal details. He has spoken briefly about the importance of , noting his desire to be present for his young son during earlier career decisions and emphasizing family responsibilities in the wake of his health challenges. Following his recovery, Chaisson has balanced his music pursuits with life, resuming projects like Kings of Dust while prioritizing time at home in Phoenix. In interviews, he has highlighted his resilience against the cancer diagnosis, rejecting the initial and focusing on recovery to return to both and creative endeavors, though he remains private about personal matters.

Other activities

In addition to his musical pursuits, Chaisson has managed Bizarre Guitar & Drums, a in , for over 13 years, including more than four years as store manager, where the business specializes in sales of guitars, drums, amplifiers, and related equipment while prioritizing and support for local musicians. Chaisson is deeply involved in youth sports in the Phoenix area, coaching baseball teams under the nickname "Coach Dude," including high school squads, summer skills camps, and formerly providing private lessons at facilities like Arizona World of Baseball in Tempe; he previously guided his son's team through high school and continues to coach his daughter's softball team, reflecting his longstanding personal passion for the sport. Through his role at the store and community connections, Chaisson teaches and music production techniques to aspiring local musicians on an informal basis, while also engaging in music industry mentoring by sharing insights from his career with younger artists. As of 2025, he occasionally takes on production roles for independent projects beyond his primary band commitments, leveraging his experience to guide recordings toward a classic analog sound.

Discography

Solo releases

Greg Chaisson released his only solo album, It's About Time, in 1994 on the independent label Intense Records. The album features collaborations with drummer , formerly of and , and guitarist Jim McMellen, formerly of St. Michael, among other contributors. The record explores themes of personal reflection through a lens infused with bluesy Southern influences, drawing from artists like , the Allman Brothers, , and . Chaisson handled bass, lead vocals, and production duties, delivering a raw, live-in-the-studio sound that emphasized authenticity over polished production. Standout tracks include the introspective ballad "" and the gritty instrumental "Blues For The Rev. Willy G.," which highlight Chaisson's versatile songwriting and instrumental prowess. The received positive notice in underground metal and circles for its unpretentious energy and Chaisson's surprisingly effective vocal performance, despite his own reservations about his singing. As a one-off creative outlet following the dissolution of in the early , It's About Time served as Chaisson's brief foray into solo work, with no subsequent solo albums released.

Badlands contributions

Greg Chaisson served as the bassist for all three Badlands studio , providing the rhythmic foundation with his blues-infused playing that complemented the band's sound. On the self-titled debut Badlands (1989), Chaisson performed bass on all tracks, including standout songs like "High Wire" and "Winter's Call," contributing to the 's raw, blues-metal energy through his solid, groove-oriented lines that supported Jake E. Lee's guitar riffs and Ray Gillen's vocals. For the follow-up Voodoo Highway (1991), Chaisson not only played bass across the record but also co-wrote "Shine On" (with Lee and Gillen), where his contributions added melodic depth to the band's evolving bluesy style. His bass work, described as innovative, helped drive the album's mix of heavy grooves and atmospheric elements. On the posthumously released (1998), recorded in 1992–1993 but shelved until after Gillen's death, Chaisson handled bass duties and co-wrote "The River" (with Gillen and ), infusing the track with a brooding, river-like flow that underscored the album's darker tone. He also contributed to production efforts, including repairs for later reissues, ensuring the material's fidelity. Chaisson's playing on maintained the band's blues-metal essence amid lineup shifts, with his deep, intricate bass lines providing stability to the heavier arrangements. Beyond studio work, Chaisson appeared on live recordings from ' early tours, such as the 1991 Los Angeles performance, where his live bass delivery amplified the band's high-energy blues-rock sets. No official unreleased recordings solely attributed to Chaisson have been documented, though Dusk itself originated as an unreleased project featuring his performances. Overall, Chaisson's bass style—characterized by rock-solid rhythms and bluesy phrasing—significantly shaped ' signature sound, blending heavy metal aggression with soulful, groove-based that distinguished the band in the late 1980s and early 1990s scene.

Other band albums

In the early 1990s, as Chaisson shifted toward blues-influenced projects following his time in heavier rock outfits, he contributed bass and backing vocals to Die Happy's album Volume II, released in 1993 on Intense Records, which featured a mix of and elements alongside bandmates Doug Thieme on guitars and Glen Mancaruso on drums. He also played bass on the band's live release Intense Live Series Vol. 4 that same year, capturing performances that highlighted the group's energetic stage presence. Chaisson served as the bassist for the Blindside Blues Band across their initial three albums, marking a deeper exploration into . The self-titled debut Blindside Blues Band appeared in 1993 on , with Chaisson providing the rhythmic foundation for guitarist Mike Onesko's leads and vocalist Geoff Baer-Keeffe's soulful delivery. This was followed by Blindsided in 1994, which expanded on blues grooves with tracks like "Borderline Blues," and Messenger of the Blues in 1995, incorporating more traditional blues structures. His bass work extended to other blues-oriented collaborations in the mid-1990s. On Pat Travers' Just a Touch (1993, Blues Bureau International), Chaisson handled bass duties on most tracks, supporting Travers' guitar-driven blues rock with contributions from drummer Aynsley Dunbar. For Red Sea's sole album Blood (1994, Rugged Records), Chaisson played bass alongside vocalist Robyn Kyle Basauri and guitarist Chris Howell, delivering a gritty hard blues sound on songs like "Soulshaker" and "Wolves at the Door." Similarly, on Craig Erickson's Two Sides of the Blues (1995, Blues Bureau International), Chaisson provided bass guitar throughout the 11-track set, complementing Erickson's guitar solos and harmonica guest spots by Darrell Mansfield with a solid, funky low-end drive. He also contributed bass to Darrell Mansfield's Mansfield & Co. (1995, independent release), a blues covers album featuring Mansfield's harmonica and vocals, with Chaisson anchoring renditions of classics like "Crossroads" and "Let's Work Together" alongside guitarists Eric Turner and Craig Erickson. Later in the decade, Chaisson played bass on Stephen Christian's self-titled debut album (1998, independent), a hard rock effort that included covers like KISS's "Got to Choose" and featured guest guitar from Dan Wexler of Icon on select tracks. In the 2020s, Chaisson formed Kings of Dust, where he played bass on their self-titled debut album released in 2020 on Shock Records, blending classic hard rock with vocalist Michael Thomas Beck and guitarist Ryan McKay in tracks such as "Keep the Spirit Alive" and "Wolves." He then co-founded Atomic Kings, contributing bass and vocals to their debut self-titled album Atomic Kings (2023, ToneHouse Records), a high-energy hard rock release with vocalist Ken Ronk, guitarist Ryan McKay, and drummer Jimi Taft, before departing the band in January 2024.

Compilations and guest work

Chaisson's early contributions to metal compilations began with his work on the track "Rivet Head" by Surgical Steel, featured on ' Metal Massacre II in 1982, where he provided bass alongside vocalist Jeff Martin, guitarist Jim Keeler, and drummer Jimi Taft. This appearance marked one of the earliest documented recordings in his , showcasing the band's raw heavy metal sound during their Phoenix-based formation. In 1984, Chaisson appeared on ' U.S. Metal Vol. IV: Unsung Guitar Heroes, contributing bass to St. Michael's track "The Beauty, The Power," a melodic piece that highlighted the band's emerging style with guitarist Jim McMellen and vocalist Michael Thomas Beck. The compilation, curated by , assembled unsigned American metal acts and helped expose Chaisson's playing to a broader audience in the underground scene. During his time in the later lineup of Steeler in the mid-1980s Los Angeles era, Chaisson participated in several unreleased demos and live recordings with vocalist Ron Keel, guitarist Kurt James, and drummer , though these did not see official release at the time. Later, selections from this period, including tracks like "Ready to Explode" and "Victim of the Night," were included on the 2005 anthology American Metal: The Steeler Anthology (also released as Metal Generation: The Steeler Anthology), crediting Chaisson on bass for those specific cuts. In more recent guest work, Chaisson provided bass for the track "The Trickster" on Chris Catena's Rock City Tribe project Truth in Unity (2020), joining a supergroup lineup that included Brian Tichy and guitarist Joel Hoekstra on this outing produced by Catena. The album featured various all-star contributions, with Chaisson's performance adding a blues-inflected edge to the song's driving rhythm. Chaisson also made guest appearances with Red Dragon Cartel in 2014–2015, filling in on bass during live sessions and tours alongside guitarist , his former bandmate, including a notable onstage reunion at a show in March 2014 where he substituted for Ronnie Mancuso. This collaboration extended to informal recording sessions during the band's preparations for material, though no studio tracks from these were officially released under Red Dragon Cartel.

References

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