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David Reece
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Key Information
David L. Reece (born 10 August 1960) is an American singer who has been active in the heavy metal and hard rock scenes since the late 1980s, recording with several bands including Bonfire from January 2015 to July 2016. He is best known for his time with the band Accept, appearing on their 1989 album Eat the Heat.
Career
[edit]Early years
[edit]Reece was raised in Oklahoma, eventually moving to Minnesota and performing with major local rockers Dare Force[1] in the early 1980s.[2] He also recorded vocals in 1987 for a demo for the hard rock band Sacred Child. Although he was replaced by Astrid Young before recording their album, the demos were included on a re-release of their debut.
With Accept
[edit]After many auditions, Reece was chosen to be the new Accept singer, and was the lead vocalist appearing on the 1989 album Eat the Heat. He and the rest of the band produced what has been regarded as a much different sounding album compared to the previous Accept albums, and reception was mixed. The 1989–1990 tour with W.A.S.P and Metal Church was eventually cancelled, and he was dropped from the band as Accept went on a hiatus.
After Accept
[edit]After being fired from Accept, he formed Bangalore Choir and released the album On Target with them. The band included members of Reno, Nevada's Razormaid and the slightly more well-known Hericane Alice - a band for which Reece had declined to record demo vocals earlier due to his involvement with Lillian Axe - a partnership which never resulted in any recorded material.[3] The following years, he released two albums with Sircle of Silence with Larry Farkas from Vengeance Rising, Jay Schellen from Hurricane and Greg Chaisson, formerly of Badlands. He then released an album with American band Stream.
In 2007, Reece joined Swedish band Gypsy Rose, releasing an album with them the following year.[4]
Reece released his first solo album in August 2009, with Andy Susemihl (ex-U.D.O.), Stefan Schwarzmann (ex-U.D.O., ex-Accept) and Jochen Fünders (ex-Holy Moses) participating. He later released an album from a joint project with Martin Kronberg from Gypsy Rose in between releases from a reunited Bangalore Choir, and another solo album in between releases by Tango Down. He then released an album with the band EZ Livin' before joining Bonfire in 2015.[5] On the new solo project "Resilient Heart" 2018, Reece teamed up with the musicians Marco Angioni (guitar, songwriter, producer), Martin J. Andersen (guitar, songwriter), Malte Frederik Burkert (bass) and Sigurd J. Jensen (drums). The album was recorded at Death Island Studio in Denmark with Marco Angioni as producer and is entitled 'Resilient Heart'. It was released in November 2018.
Discography
[edit]- Solo
- Cacophony of Souls (2020)
- I Can't Breathe (2021) single
- Blacklist Utopia (2021)
- Enemy Is Me (2024) single
- Baptized by Fire (2024)
- With Accept
- Eat the Heat (1989)
- Generation Clash (1989) maxisingle, some releases include 1 non-album single edit
- Hot & Slow: Classics, Rocks 'n' Ballads (2000) compilation includes 1 unreleased single edit
- With Alex De Rosso
- Alex De Rosso (1995, 2 songs)
- With Bangalore Choir
- On Target (1992) remastered in 2010
- Selections from On Target (1992) promo
- Doin' the Dance (1992) single
- Loaded Gun (1992) single
- Cadence (2010)
- All or Nothing – Live at Firefest (2011) live album
- Metaphor (2012)
- All or Nothing. The complete studio albums collection (2021) compilation includes 3CD with bonus material
- Beyond the Target. Alternate mixes, rarities and demos (2022) compilations includes unreleased material
- Center Mass (2023) includes bonus CD "Live in Hamburg 2022"
- With Bonedryver
- Workin' Man (2022) single
- Valley of Bones (2022, 1 song)
- With Bonfire
- Glorious (2015)
- Pearls (2016)
- With Christian Tolle Project
- The Higher Their Climb (2012, lead & backing vocals)
- Now & Then (2016, lead & backing vocals)
- Point Blank (2018, 5 songs)
- Now & Then "Encore" (2022)
- With EZ Livin'
- Firestorm (2014)
- With Goot
- It's Just Life (2019) single
- As the Earth Rotates (2020) maxisingle
- Deadly Free (2021, 2 songs + 2 remixes)
- Light It Up (2023) EP
- Devour (2023) single
- Weight of Days (2024)
- Tick-Tock (2024) maxisingle
- With Gypsy Rose
- Another World (2008)
- With Ion Pulse
- Rock'n'Roll Children (2022) single
- Children of Snake Mountain (2022) EP
- Heirs to the Wasteland (2022) single
- With Iron Allies
- Full of Surprises (2022) single
- Blood In Blood Out (2022) single
- Blood In Blood Out (2022)
- With John Steel
- John Steel: "Distorted Reality" (2021 single)
- John Steel: "Woman of Ice" (2021 single)
- John Steel: Distorted Reality (2022)
- With Malice
- Fight (2013) single
- With Nergard
- Memorial for a Wish (2013, 1 song)
- Memorial for a Wish. 2018 Version (2013 remixed album, 1 song)
- With Reece
- Universal Language (2009)
- Compromise (2013)
- Any Time at All (2018) single
- A Perfect Apocalypse (2018) single
- Resilient Heart (2018)
- With Reece/Kronlund
- Solid (2011)
- With Sacred Child
- Sacred Child (1998, CD re-release of 1987 album, includes bonus demo with Reece recorded in 1987)
- With Sadly Hated
- You Gotta Go (2023) single
- With Sainted Sinners
- Sainted Sinners (2017)
- Back With a Vengeance (2018)
- With Sickera
- The Story Begins (2023) maxisingle
- With Sircle of Silence
- David Reece (1993) demo tape, as "David Reece" moniker
- Sircle of Silence (1993) demo tape
- Sircle of Silence (1993)
- Suicide Candyman (1994)
- Sircle of Silence (2007) compilation 2CD includes both albums
- With Stephan Georg
- And Again Everything Is Possible (2020)
- Faith Will Never Die (2020, 1 song)
- Fightin' the Virus (2021, 4 songs)
- The Fire Still Burns (2021, 2 songs)
- The Way is the Goal (2022, 3 songs)
- Swallow the Glow (2023)
- With Stian Pian
- Vampire's Empire (2023) single
- With Stream
- Take it or Leave it (1995)
- Chasing the Dragon (2003) compilation with 2 unreleased tracks with Reece
- Stream (2006) compilation with 1 unreleased demo track with Reece
- With Tango Down
- Identity Crisis (2012)
- Charming Devil (2014)
- With The Sheriff
- Leave This Town (2022) single
- Every Moment Counts (2022) single
- With Tight
- Give Me Trust (2023) single
- Give Me Trust (2024, 1 song) EP
- With Voices of Rock
- Voices of Rock II: High & Mighty (2009, 1 song)
- With Wicked Sensation
- Adrenaline Rush (2014)
- Outbreak (2021)
- With Zhenx
- Zhenx (2017, 1 song)
- With Графит
- Wise Man of Truth (2023) single
References
[edit]- ^ "Jeff Severns Guntzel: "Sex, Drugs, & Awesome Hair" in City Pages March 19th 2008". Archived from the original on March 29, 2016.
- ^ "Dare Force - discography, line-up, biography, interviews, photos". www.spirit-of-metal.com.
- ^ "Sleaze Roxx: Hericane Alice". Archived from the original on July 14, 2009. Retrieved July 2, 2009.
- ^ "Sleaze Roxx: David Reece Interview". Archived from the original on June 11, 2008. Retrieved June 11, 2008.
- ^ "David Reece of Bonfire". hardrockhaven.net. March 13, 2015.
External links
[edit]
David Reece
View on Grokipediafrom Grokipedia
Early career
Upbringing and influences
David Reece was born and raised in Oklahoma, where he spent his early years immersed in the local music scene.[11] As a boy, Reece listened to country music daily, an exposure that introduced him to strong vocal storytelling and laid the foundation for his appreciation of melody and emotion in song.[12] During the 1970s, he became increasingly drawn to rock and heavy metal through the burgeoning local scenes, which broadened his musical horizons beyond country roots.[12] Key influences on Reece's developing style included classic rock acts such as Led Zeppelin, whose diverse and energetic sound on albums like Physical Graffiti (1975) captivated him during teenage cruises in the Midwest, and Deep Purple, particularly Ian Gillan's powerful vocals on Deep Purple in Rock (1970) and tracks like "Speed King."[12] Other formative artists encompassed Creedence Clearwater Revival, with John Fogerty's soulful delivery on Bayou Country (1969), and Bad Company, whose natural phrasing on Straight Shooter (1975) inspired his own approach to hard rock vocals.[12] These bands shaped his versatile, high-energy singing style, blending raw power with melodic precision. Reece relocated to Minnesota later in his youth, a move that positioned him amid a vibrant rock community and paved the way for his entry into professional music.[11]Initial bands
Reece's early musical involvement stemmed from his relocation to Minnesota during his youth, where he immersed himself in the local rock scene.[13] In the early 1980s, Reece joined Dare Force, a prominent hard rock band formed in 1977 in North St. Paul, Minnesota, replacing original vocalist Xeno.[13] The group, featuring guitarist Brynn Arens and other local talents, became one of the biggest acts in the Twin Cities area, performing an intense schedule of six to seven nights per week for four to five hours each show.[13] They played at venues such as Duffy's and Mr. Nibs, as well as opening for national headliners and headlining regional gigs across the Midwest, including farm parties and beer bashes, which helped build Reece's stage presence and vocal style amid the competitive club circuit.[13][14] By 1987, Reece had moved to Los Angeles and contributed vocals to a demo recording for the hard rock band Sacred Child, a group based in the city featuring guitarist Chuck Rosa and drummer Paul Jonason.[15][16] The unreleased demo, captured that year, included tracks such as "Intro Theme," "Black Widow," "Chariots of Fire," "Bad as You Want It," "Alive in Steel," and "Party at the Rainbow," showcasing Reece's high-energy delivery in a glam metal context.[17] Although Reece was replaced by Astrid Young before the band's self-titled album was recorded and released later in 1987, the demos later surfaced as bonus tracks on a 1998 CD reissue without his initial consent, highlighting his brief but pivotal role in the project's early development.[18][17] Throughout the late 1980s, Reece continued performing local gigs in the Midwest and California scenes, often with pickup bands or remnants of his prior projects, but faced significant hurdles in breaking beyond regional fame.[1] The grueling club schedules and lack of major label interest in the saturated hard rock market limited advancement, prompting Reece to pursue higher-profile auditions amid economic pressures on independent acts.[14][13] These challenges, including the "insane" performance demands and competitive environment, underscored the barriers of the era's local music ecosystem.[13]Accept era
Audition and recording
Following Udo Dirkschneider's departure from Accept in 1987, the band initiated auditions for a new vocalist in 1988 to revitalize their sound for the American market. David Reece, an American singer, secured an opportunity after submitting a demo tape recorded with guitarist Mitch Perry, which was passed to longtime Accept producer Dieter Dierks. Reece flew to Düsseldorf, Germany, where he replaced an earlier English candidate named Rob who had not meshed with the band. The audition process spanned six weeks of intense rehearsals, demo recordings, and culminated in a live performance at the Empire club in Cologne, Germany before 3,000 fans, after which the band confirmed his selection on the following day.[19] With Reece on board, Accept recorded their eighth studio album, Eat the Heat, at Dierks Studios in Cologne, Germany, from September 1988 to January 1989. The sessions were produced by Dieter Dierks, who also handled engineering, mixing, and arrangements alongside the band. Songwriting was a collaborative effort among the members, with Reece contributing lyrics to several tracks and additional ideas provided by Gaby "Deaffy" Hauke, Accept's longtime manager and creative collaborator. Reece's prior experience with demo work, including the Perry tape, aided his preparation for integrating into the song development process.[20][19] Reece's vocal style, characterized by a smoother, more melodic delivery compared to Dirkschneider's aggressive rasp, influenced a noticeable evolution in Accept's sound toward greater commercial accessibility and American hard rock influences, aiming to broaden their appeal beyond Europe. This shift incorporated cleaner production and hooks designed for radio play, diverging from the raw heavy metal edge of prior releases like Russian Roulette.[21][5][19] The album was released on May 11, 1989, by Epic Records, debuting with moderate success in Europe—peaking at No. 15 on the German Media Control Charts and No. 19 in Norway—while reaching only No. 139 on the US Billboard 200, reflecting limited breakthrough in the American market despite the stylistic adjustments. It later earned gold certification in Sweden and Norway for sales exceeding 20,000 units each.[22][23][24][19] Behind-the-scenes tensions arose during recording due to Reece's need to adapt to the band's disciplined German roots and work ethic, which contrasted with his American background and led to isolated vocal sessions that heightened feelings of pressure from replacing a fan-favorite frontman. The band members remained standoffish at times, grappling with anxieties over the lineup change and label expectations for a US hit, creating an uphill battle for Reece despite his efforts to deliver authentic performances.[19][5]Touring and departure
Following the release of Eat the Heat in May 1989, Accept embarked on a world tour to promote the album, beginning in North America that June with high-energy performances featuring new tracks alongside select classics from prior recordings.[25] The itinerary included notable venues such as Citi Club in Boston on July 21 and The Chance in Poughkeepsie on July 26, often sharing bills with supporting acts like Metal Church and W.A.S.P.[26] The tour extended to Europe later that year, encompassing multiple shows in Germany and appearances in Sweden, Belgium, and the United Kingdom, though drummer Stefan Kaufmann's back injury forced his early exit after a single European date in Cologne. The band hired Ken Mary as a replacement drummer to continue briefly.[27][23] Reece faced significant vocal challenges during the high-energy metal performances, compounded by the pressure of adapting to Accept's demanding style and the expectations of fans still loyal to former singer Udo Dirkschneider.[5] The setlists, drawn from the recent Eat the Heat recording sessions, required Reece to deliver a higher-pitched delivery that contrasted sharply with Dirkschneider's gritty tone, leading to strain amid the tour's rigorous schedule.[5] Internal band dynamics deteriorated progressively, marked by creative differences over the album's stylistic shift toward a more melodic hard rock sound, spearheaded by guitarist Wolf Hoffmann, and the lingering shadow of Dirkschneider's influence on the fanbase.[28] Tensions escalated midway through the tour, culminating in a physical altercation between Reece and bassist Peter Baltes during a Chicago show, highlighting broader mismatches in vision and personality.[28] These issues led to Reece's departure in late 1989, after just one album and the tour, with the band citing stylistic incompatibilities and interpersonal conflicts as key factors; Accept subsequently disbanded shortly thereafter.[28][29] In the immediate aftermath, Reece returned to the United States, marking the end of his brief but intense tenure with the group.[30]Post-Accept projects
Bangalore Choir
Following his departure from Accept in late 1989, David Reece returned to the United States and formed Bangalore Choir in 1991 in Los Angeles.[31] The band featured Reece on lead vocals, guitarists Curt Mitchell and John Kirk (both formerly of the Reno-based band Razor Maid), bassist Dan Greenburg, and drummer Darek Thomas Cava.[32] Early involvement from guitarist Joey Tafolla of Jag Panzer was short-lived, as he departed before recording.[32] Bangalore Choir's debut album, On Target, was recorded and released in 1992 by Giant Records, with production handled by Max Norman.[33] The record showcased a melodic hard rock style infused with AOR elements, drawing on songwriting contributions from established figures like Steve Plunkett of Autograph and even Jon Bon Jovi for select tracks.[32] Themes centered on personal resilience, love, and urban life, delivered through Reece's powerful, versatile vocal range that contrasted his heavier Accept period.[34] Promotion for On Target included a music video for the single "Loaded Gun," which aired on MTV and helped secure initial radio play.[35] The band was courted by major labels and achieved sales of around 400,000 copies, but touring was severely limited—a planned support slot on Whitesnake's 1990s tour was canceled after David Coverdale reportedly deemed Reece's voice too dominant.[31] The rise of grunge later in 1992 shifted industry priorities away from hard rock, leading to canceled record deals and the band's dissolution by the mid-1990s.[34] Bangalore Choir reformed in 2009 with Reece and Mitchell at the core, releasing Cadence in 2010 on AOR Heaven, which revived their melodic hard rock sound with updated production.[36] Subsequent albums included Metaphor (2012) and Image in the Mirror (2017), followed by Center Mass in 2023.[34] The band issued Rapid Fire Succession: On Target Part II on October 24, 2025 via BraveWords Records, featuring new material that paid homage to the debut while incorporating modern elements, alongside reissues of On Target to reach new audiences.[37]1990s and 2000s collaborations
Following the success of Bangalore Choir, which marked a creative high point in Reece's early 1990s output, he pursued several shorter-term collaborations amid a shifting music landscape. In 1993, Reece formed Sircle of Silence with guitarist Larry Farkas (ex-Vengeance Rising, Die Happy), drummer Jay Schellen (ex-Hurricane), and bassist Chris Colovas, releasing a self-titled debut album that year through Roxx Records. The record featured a hard rock sound with progressive elements, but the band did not undertake major tours, limiting its visibility as grunge dominated the market.[38][39] By the late 2000s, Reece joined the Swedish hard rock band Gypsy Rose in 2007, providing lead vocals for their sophomore album Another World, released in 2008 via Escape Music. His contributions included all vocal tracks, such as "Final Call" and "Nothing Really Matters," blending his powerful range with the band's AOR-influenced style; the album received positive reviews for its polished production but saw limited commercial traction. No extensive touring followed due to label constraints.[40][41] The post-grunge market posed significant challenges for Reece's projects during this period, as the rise of alternative rock diminished demand for hard rock and metal, leading to short-lived bands, minimal touring, and reliance on independent labels with limited distribution. Many efforts, like Sircle of Silence and Gypsy Rose, struggled to achieve longevity or broader recognition in an industry favoring grunge and nu-metal acts.[31][42]Bonfire and recent collaborations
Bonfire involvement
In 2015, David Reece joined Bonfire as lead vocalist following the departure of the band's original singer, Claus Lessmann, in 2014. The invitation came from Bonfire's guitarist and founder Hans Ziller, with whom Reece had previously collaborated in the short-lived project EZ Livin', allowing for a seamless transition into the group's hard rock and melodic AOR style.[42][43] Reece's tenure with Bonfire resulted in significant contributions to two albums that marked the band's 30th anniversary. He served as the primary songwriter for Glorious, released in April 2015 via UDR Music, where he composed nearly all melodies and lyrics, including collaborations on tracks like "American Nights" and "Sweet Obsession," under production by Alessandro Del Vecchio; the album revived Bonfire's hard rock sound with polished, anthemic elements.[42][44] For the follow-up Pearls, a double-disc covers and re-recording project issued in March 2016, Reece reinterpreted Bonfire classics such as "Under Blue Skies" and "Down to Atlanta," infusing them with new harmonies and a fresh vocal delivery, while the production was handled by Mario Percudani at Tanzan Music in Italy; the set included orchestral arrangements on its second disc with the Italian Symphony Ensemble, blending rock covers like Lynyrd Skynyrd's "Sweet Home Alabama" with power ballads.[42][43] During this period, Reece performed live with Bonfire on an extensive European tour in 2016, planned to comprise approximately 65 shows across countries including the UK, Russia, and the Czech Republic, though cut short by his departure in July, where the band showcased material from Glorious and Pearls alongside classics to enthusiastic audiences.[42] Reece parted ways with Bonfire in July 2016 amid growing tensions, primarily due to mutual dissatisfaction with Ziller and conflicts involving band management, which escalated during a performance in Italy and led to an abrupt end to his involvement.[45] Reece's metal-infused vocal style, honed from his Accept days, injected a harder edge into Bonfire's established AOR and melodic hard rock foundation, modernizing their sound and contributing to the commercial resurgence of both albums through renewed energy and broader appeal.[42][43]Guest appearances post-2010
Following his involvement with Bonfire, which expanded his connections within European hard rock circles, David Reece adopted a more selective approach to collaborations in the 2010s and 2020s, focusing on guest vocal contributions to albums and singles by various metal acts while prioritizing his solo endeavors.[46] This shift allowed him to lend his distinctive baritone to diverse projects without committing to full band memberships, often appearing on one or a few tracks per release. Notable among these were his recurring guest spots with the Christian Tolle Project, a German hard rock outfit led by guitarist Christian Tolle. Reece provided lead and backing vocals across the full 2012 album The Higher Their Climb, followed by contributions to Now & Then in 2016, five songs on the 2018 release Point Blank, and additional vocals on the 2022 encore edition Now & Then 'Encore'.[47] These appearances highlighted his versatility in melodic hard rock settings, blending seamlessly with Tolle's riff-driven compositions. Similarly, he delivered guest vocals on the entire 2014 album Adrenaline Rush by Italian band Wicked Sensation, marking an early collaboration that showcased his commanding presence on tracks like "King of the World." Reece also featured on sporadic singles and select tracks with emerging acts, emphasizing his role as a veteran influencer in the scene. In 2022, he contributed guest vocals to the single "Workin' Man" and one song on the album Valley of Bones by American rock band Bonedryver, adding raw energy to their blues-infused metal sound.[48] That same year, he appeared on the Ion Pulse single "Rock'n'Roll Children," a nod to classic Dio-era influences. Earlier examples include his vocals on two songs from Stephan Georg's 2021 album The Fire Still Burns and contributions to John Steel's 2021 singles "Woman of Ice" and "Distorted Reality," as well as the full Distorted Reality album.[47] On the live front, Reece made selective appearances at festivals and tribute events, reinforcing his enduring appeal among metal fans. He performed as a special guest at the "King of Rock'n'Roll – Tribute to Ronnie James Dio" concert in Warsaw, Poland, on May 17, 2019, organized by Scream Maker, where he delivered Dio classics alongside Polish vocalists like Grzegorz Kupczyk.[49] Earlier that year, on March 16, he headlined a full set at Sweden's Huskvarna Metal Festival, drawing crowds with a mix of Accept-era hits and solo material.[50] These events underscored his mentorship-like presence, sharing stages with both established and up-and-coming acts. By the mid-2020s, Reece's guest work had evolved into even more targeted involvements, reflecting a balance with his solo career and personal reflections on decades in metal. As of 2025, his guest contributions remain selective, with no major new appearances reported beyond ongoing solo and band commitments. In a September 2025 interview, he discussed his career trajectory, emphasizing the fulfillment derived from these occasional features over exhaustive touring.[51] This selective engagement continued to position him as a respected figure, occasionally mentoring younger musicians through studio collaborations rather than sustained band commitments.Solo career
Debut solo album
David Reece released his debut solo album, Universal Language, on August 28, 2009, through Metal Heaven.[52][53] The album featured collaborations with guitarist Andy Susemihl (ex-U.D.O.) as producer and contributor, blending hard rock with melodic elements and introspective lyrics exploring themes of life, fantasy, and personal struggle in tracks like "Before I Die" and "Fantasy Man."[54] His second solo effort, Compromise, followed on October 25, 2013, via Pure Steel Records.[55] Produced by Reece and featuring musicians such as guitarists Marcus Jürgens and Dennis Ward, the album delivered 11 tracks of hard rock with bluesy undertones, addressing themes of resilience and conflict in songs like "Disaster" and "Fortunate Son."[56] Reception highlighted Reece's vocal strength and the album's solid craftsmanship within the melodic rock genre.[57] In 2018, Reece issued Resilient Heart on November 9 through Mighty Music, marking a return to heavier, traditional heavy metal sounds after band commitments.[58] With production by Reece and contributions from guitarists like Marcus Jürgens and bassists such as Dirk Schlachter, the 10-track release delved into themes of karma, desire, and endurance, exemplified by "Wicked City Blues" and "Karma." Critics praised its modern production and Reece's enduring vocal delivery, positioning it as a strong addition to his catalog.[59]Subsequent releases
Following his early solo foundation, David Reece continued with Cacophony of Souls on March 13, 2020, through El Puerto Records.[60][61] The album was produced by Andy Susemihl, who also contributed guitars, with additional musicians including bassist Malte Frederik Burkert and drummer Andrea Gianangeli.[62][63] Guest appearances, such as rhythm guitar by Randashi on the track "Metal Voice," added to the project's collaborative yet Reece-led feel.[63] The songwriting process was primarily driven by Reece and Susemihl, stemming from their reunion during a tour, and focused on introspective heavy metal themes exploring personal accountability, universal guilt, and moral reckoning—exemplified in songs like "Judgement Day," which addresses reaping what one sows, and "Blood On Our Hands," reflecting on shared human culpability.[63] Stylistically, the album blends the powerful, anthemic drive of Reece's Accept era with more mature, reflective lyrics, delivering a mix of beauty, anger, and ruthless energy through his passionate vocals and punchy guitar work.[64][65] Promotion relied on independent channels, including a presale campaign launched a month prior to release and streaming platforms, amid the challenges of the COVID-19 pandemic, which led to postponed tours planned for May, June, and September 2020.[63] Reception was generally positive among metal critics, who praised its solid production, melodic heavy metal charm, and Reece's enduring vocal prowess, with fans responding enthusiastically through sustained sales during the lockdown period.[61][62][64] These releases marked pivotal steps toward independence for Reece, allowing him creative freedom unencumbered by group dynamics following various band tenures.[63][66] Following the foundation laid by his early solo work, David Reece continued his solo trajectory with Blacklist Utopia on October 29, 2021, an album that amplified the heavier elements of his sound through robust riff-driven structures and enhanced production values. Released via El Puerto Records, the record features 13 tracks blending melodic hard rock with metallic aggression, including standout cuts like "Utopia" and "Down to the Core," where Reece's versatile vocal range shifts between gritty, blues-inflected growls and soaring melodies. Critics praised its high-caliber musicianship and headbanging energy, noting the upgraded production—overseen by Reece himself—as a step forward in clarity and dynamics compared to prior efforts.[67][68][69][70] Reece's vocal evolution on Blacklist Utopia showcased greater depth, incorporating more complex phrasing that reflected his decades of experience in heavy metal, while lyrical themes explored societal disillusionment and personal resolve, underscoring his career longevity. The album received strong acclaim within the melodic rock and metal communities, with reviewers highlighting it as one of Reece's strongest solo outings and a collection of career-highlight songs, though it did not achieve mainstream chart success.[71][72][73] In 2024, Reece released Baptized by Fire, his most recent solo effort as of November 2025, which further emphasized resilience amid adversity through its intense, groove-oriented heavy metal framework and modern production sheen. Issued by El Puerto Records on March 1, the 12-track album delves into themes of defiance and perseverance—evident in songs like "Enemy Is Me," a lead single with an accompanying music video that critiques personal and societal betrayals, and "We've Lost the Fight," which laments the erosion of common sense in contemporary life. Highlights such as "Payback's A Bitch" and "No Rest for the Wicked" deliver crunchy riffs and infectious hooks, blending old-school metal aggression with soulful blues undertones.[74][75][76][77] Reece's delivery on Baptized by Fire demonstrates refined control and emotional intensity, evolving from earlier solo works to convey a battle-hardened maturity that mirrors his enduring presence in the genre. The album garnered enthusiastic reviews for its catchy melodies and fretwork, positioning it as a high-impact addition to Reece's catalog, though no major awards or chart placements were reported. Virtual promotions, including the "Enemy Is Me" video, helped sustain visibility amid limited physical touring in the 2021–2025 period.[78][79][8]Discography
With Accept
David Reece served as the lead vocalist for the German heavy metal band Accept on their eighth studio album, Eat the Heat, released on May 11, 1989, by Epic Records.[20] Recorded at Dierks Studios in Cologne, Germany, from September 1988 to January 1989, the album marked a stylistic shift toward a more hard rock-oriented sound compared to the band's earlier works, featuring Reece's contributions on all tracks.[80] The album consists of 11 tracks on its compact disc edition, with a total runtime of approximately 54 minutes. The track listing is as follows:| No. | Title | Duration |
|---|---|---|
| 1 | X-T-C | 4:26 |
| 2 | Generation Clash | 6:26 |
| 3 | Chain Reaction | 4:42 |
| 4 | Love Sensation | 4:43 |
| 5 | Turn the Wheel | 5:24 |
| 6 | Hellhammer | 5:30 |
| 7 | Prisoner | 4:50 |
| 8 | I Can't Believe in You | 4:50 |
| 9 | Mistreated | 8:51 |
| 10 | Stand 4 What U R | 4:05 |
| 11 | Break the Ice | 4:14 |
With Bangalore Choir
Bangalore Choir, formed in 1991 with David Reece as lead vocalist, released their debut studio album On Target in 1992 on Giant Records. Produced by Max Norman, the album blended hard rock with melodic elements and included songwriting contributions from established figures such as Steve Plunkett of Autograph on "Angel in Black" and "Loaded Gun," as well as Aldo Nova and Jon Bon Jovi on "If the Good Die Young (We'll Live Forever)" and "Doin' the Dance."[33][82] The track listing for On Target is as follows:| No. | Title | Length |
|---|---|---|
| 1 | Angel in Black | 3:28 |
| 2 | Loaded Gun | 3:47 |
| 3 | If the Good Die Young (We'll Live Forever) | 4:26 |
| 4 | Doin' the Dance | 4:09 |
| 5 | Hold on to You | 4:09 |
| 6 | All or Nothin' | 3:52 |
| 7 | Slippin' Away | 3:53 |
| 8 | She Can't Get Enough | 4:02 |
| 9 | Love and Hate | 3:45 |
| 10 | Try and Stop Me | 3:28 |
Solo albums
David Reece's solo discography includes five studio albums.Compromise (2013)
Compromise was released in 2013 by AOR Heaven.[55] The album features 10 tracks:- Compromise (4:12)
- Evil Never Dies (4:28)
- Everything to Everyone (3:56)
- Treasure Hunter (4:05)
- The Great Divide (4:32)
- Sea of Lies (3:48)
- No Man's Land (4:15)
- One Step Behind (4:22)
- The Reckoning (4:38)
- Run to the Hills (4:45)
Resilient Heart (2018)
Resilient Heart was released on November 9, 2018, by Mighty Music.[58] It includes 10 tracks:- Any Time at All (3:45)
- Wicked City Blues (4:12)
- Karma (3:58)
- Desire (4:05)
- I Don't Know Why (3:52)
- Two Coins (4:18)
- Ain't Got the Balls (3:47)
- Resilient Heart (4:22)
- Hell or High Water (4:10)
- The Way You Love Me (3:55)
Cacophony of Souls (2020)
Cacophony of Souls was released on March 13, 2020, by El Puerto Records.[60] The album features 12 tracks:- Chasing the Shadows (3:43)
- Blood on Our Hands (3:17)
- Judgement Day (3:30)
- Collective Anesthesia (5:22)
- Cacophony of Souls (3:57)
- Another Life Another Time (4:46)
- Metal Voice (3:26)
- Over and Over (3:45)
- Back in the Days (3:43)
- A Perfect World (5:07)
- Bleed (3:37)
- No Disguise (3:49)
Blacklist Utopia (2021)
Blacklist Utopia followed on October 29, 2021, also via El Puerto Records, with guest contributions from guitarist Roland Grapow on "Civil War" and keyboardist Jimmy Waldo on "Civil War" and "Before We Fade Away."[67] It includes 13 tracks:- Utopia (4:50)
- Red Blooded Hell Raiser (3:39)
- Down to the Core (4:05)
- Civil War (4:42)
- I Can't Breathe (3:30)
- Most of the Time (3:29)
- American Dream (4:15)
- Before We Fade Away (3:47)
- Hindsight Is 2020 (4:19)
- Devil at My Doorstep (4:28)
- Save Me (5:07)
- Highway Child (3:56)
- Book of Lies (4:55)
Baptized by Fire (2024)
The most recent release, Baptized by Fire, came out on March 1, 2024, under El Puerto Records, with no special editions announced as of November 2025.[75] The album comprises 12 tracks:- The Enemy Is Me (3:38)
- We've Lost the Fight (3:37)
- Wrong Move (3:46)
- Payback's a Bitch (4:21)
- No Rest for the Wicked (3:32)
- Twilight of the Gods (4:16)
- Seasons of a Man (3:47)
- Closer to God (4:41)
- The Archbishop of Anarchy (3:58)
- My Heart Burns (4:38)
- Acceptance of Denial (3:54)
- Tomorrow Don't Matter Today (3:51)