Hard-Ons

The Hard-Ons' origins are traced to Western Sydney's Punchbowl Boys High School, where three founding members were students.^[3][4] In 1981 the first version of the band, then-known as Dead Rats, included Peter "Blackie" Black on guitar, Brendan Creighton on drums and Shane Keish de Silva on guitar and vocals.^[3][5][6] In 1982 Creighton left to form Thrust and Raymond Dongwan Ahn joined on bass guitar with de Silva taking over on drums, the group began playing as The Plebs before being renamed as The Hard-Ons by the end of the year.^[3][5][6] Initially being too young to play in pubs, the band featured at birthday parties and school dances.^[4] On 20 June 1984, The Hard-Ons played their first official show at the Vulcan Hotel in Ultimo.^[1] Black later recalled "We wanted to be punk rockers ... We didn't want Keish's parents to see so we had bags full of these jackets and chains and stuff and went around the corner of the street and put all these clothes on. Keish's dad busted us".^[4] Quickly gaining a considerable following, in August 1985 the band released its debut extended play, Surfin' on My Face, on ViNil Records.^[3][5] This was the beginning of a series of releases for the band that netted them a run of 17 consecutive No. 1 listings on the Australian alternative music charts.^[3]

The band demonstrated an independent punk spirit, with the members deliberately controlling their own careers: recording, booking and promoting themselves, creating their own artwork (mostly by Ahn), choosing support bands and even managing the merchandise stand whilst on tour.^[3][6] During 1987 the group were promoted as part of the Australian skate boarding scene.^[7] While maintaining a solid if underground following in Australia, The Hard-Ons were popular in Europe, scoring a Top 10 hit in Spain and a Top 5 slot in Greece with their 1989 album, Love is a Battlefield of Wounded Hearts. It also reached the Top 5 on the NME chart; this made The Hard-Ons the third Australian band after Nick Cave and the Bad Seeds and the Go Betweens to do so. In 1989 the group recorded a split EP with British band The Stupids. Two years later they teamed up with Henry Rollins and released a cover version of AC/DC's hit, "Let There Be Rock", which was released in a limited edition on 10" vinyl. In January 1992 the group performed at the inaugural Big Day Out and were joined on-stage by Rollins on four songs.^[3] Following the release of 1993's album, Too Far Gone, and after recording a live album for Your Choice Records, the band announced their break up, to pursue projects outside The Hard-Ons' style of music: "after more than ten years of playing the same songs, they were just not interested in doing so any more".^[3]

During the break-up of The Hard-Ons, Ahn and Black formed another punk band, Nunchukka Superfly, with Pete Allen of Massappeal on drums and, a short time later, James McCann from Harpoon on vocals; while de Silva created Malibu Stacey.^[3][4] Nunchukka Superfly released their debut, self-titled album in 1999.^[3] Black compared Nunchukka Superfly with The Hard-Ons as "a much heavier and experimental outfit, citing psychedelic, avant-garde, progressive rock, free jazz, funk and dub among the usual inspirations of punk and post-punk".^[4]

In October 1997, The Hard-Ons played a reunion gig which was followed by the release of a new EP, Yesterday and Today, in 1998 and a compilation album, The Best Of, in 1999.^[3] In August 2001, ABC TV broadcast the rock music series, Long Way to the Top.^[8] The Hard-Ons featured on "Episode 6: Gathering of the Tribes 1984–2000" where they were described as "an eclectic band of misfits that took up where punk had left off in the early 80s. Their challenge was to make that sound relevant and exciting in the 1990s. There was nothing left but to get downright offensive".^[9] In 2001 they played simultaneously with the Austrian noise musicians Farmers Manual as part of the What is Music? festival at the Newtown RSL.^[10]

Following This Terrible Place... in 2000, the band's first line-up change in twenty years occurred, with de Silva deciding to leave the band during 2001.^[6] Black took up full-time vocals and Pete Kostic (Front End Loader, Regurgitator) was brought in on drums.^[6] In 2002 The Hard-Ons and Boom Boom Kid issued a shared EP, Split!.^{[citation needed]} In 2003 The Hard-Ons released Very Exciting!, their first album for Chatterbox Records.^{[citation needed]}

In 2005, the 21st anniversary of the band's first pub gig was celebrated by Australian and European tours as a four-piece, with Kostic drumming and de Silva on vocals. Although technically a three-piece band, de Silva maintained a close relationship with his old band.^{[citation needed]} Recordings were made in 2006 with contributions from all four – though primarily Black, Ahn and Kostic – with the intention of releasing a double album. This project was eventually released as two separate albums: the 'poppier' Most People Are a Waste of Time (2006) and the 'heavier' Most People Are Nicer Than Us (2007), with subsequent tours around Australia. The band recorded with United States comedian Neil Hamburger on guest lead vocals in January 2008.^{[citation needed]} In April 2011, the group announced via their website that Kostic had left. On 5 August that year Murray Ruse (Conation, Captain Cleanoff) played his first show as their new drummer.

In 2012, the band began re-issuing their early catalogue as bonus re-packagings featuring unreleased songs and live tracks. The first to be released was a new 60-track version of Smell My Finger and The Hard-Ons promoted it with a national tour. While working a shift as a taxi driver between legs of that tour on 18 May 2012, Black suffered a severely fractured skull when he was assaulted with a skateboard. Several fund-raising shows were held to raise money for his care and recovery, including special Hard-Ons shows in Sydney and Newcastle on 1 and 2 June that featured the line-up of Ahn, Kostic and de Silva on vocals and guitar. Within three months, Black had recovered sufficiently to perform a short tour in support of his solo album No Dangerous Gods in Tunnel that was followed by a Hard-Ons tour of Europe and Japan. Another Australian tour to wrap up the previously cancelled shows was completed in October, with a 51-track re-release of Dickcheese coming out around the same time.^{[citation needed]}

Keish de Silva was removed from the Hard-Ons in March 2021 following allegations of sexual misconduct. A planned documentary on the band was also cancelled.^[11]

In August 2021, it was announced that Tim Rogers was the group's new lead singer. The band's thirteenth studio album was released on 8 October 2021, titled I'm Sorry Sir, That Riff's Been Taken.^[12][13] The album debuted at number 4 on the ARIA charts, becoming the band's first to enter the ARIA top 50.^[14]

In April 2023, the band announced a new album entitled Ripper '23 and an accompanying Australian tour.^[15] The album peaked at No. 28 on the national chart. During 2024, the Hard-Ons toured Australia with The Damned and played on four dates of Radio Birdman's 50th anniversary tour.^{[citation needed]}

I Like You a Lot Getting Older, the Hard-Ons' 15th studio album, was released on 4 October 2024.^{[citation needed]} By 16 October 2024, it had reached number five in the ARIA Australian music charts. Their 40th anniversary Australian tour begins on 8 October 2024.^{[citation needed]}

A feature-length documentary film about the band's career titled The Most Australian Band Ever, directed by Jonathan Sequeira, premieres at SXSW Sydney^[16] on 18 October 2024.^[17]

Early recordings by The Hard-Ons such as Smell My Finger, Dickcheese, Love Is a Battlefield of Wounded Hearts, and Yummy! set the blueprint for the group's sound: messy pop-punk with metal and psychedelia elements. Australian music historian Ian McFarlane described their music as "cheap and potent, their appeal selective. Yet never has so much been owed by so many to so few chords ... fused punk tempos, hardcore attitude, heavy metal riffs and surf-pop melodies into a seamless ball of energy".^[3] A 1987 Beat Magazine article described their sound as "Motörhead meets the Beach Boys"; AllMusic's Jody McGregor describes it as a "mix of punk, pop, and metal" with "dashes of power pop, psychedelic rock, thrashy metal, and a healthy dose of humor".^[6] Though originally inspired by punk bands such as Sex Pistols, The Buzzcocks, The Damned, Ramones and The Saints,^[2] the band also blended pop, psychedelia and metal elements; "death-pop" as described by Ahn.^[3] The band had a very similar sound to Hüsker Dü, especially their Candy Apple Grey era. They were also noteworthy not only within punk but also within rock music for having their lead vocals handled by de Silva, the group's drummer. The physical challenge of drumming to the band's fast punk rock songs as well as singing (as opposed to shouting) made for charismatic live performances. Guitarist Black provided another original touch to the band with his distinctive guitar sound that is both melodic and messy, often making use of feedback.

Major recurring lyrical themes range from girls, love and relationships (as in: "I Do I Do I Do", "Just Being With You", "Girl in the Sweater") to toilet humour ("I Farted", "Oozin' for Pleasure") as well as other variations, particularly in the post-Keish line-up of the band.

• Ray Ahn – bass guitar, backing vocals (1982–1993, 1998–present)
• Peter "Blackie" Black – guitar (1982–1993, 1998–present), backing vocals (1982–1993, 1998–2001, 2016–present), lead vocals (2001–2016, occasional live shows 2025–present)
• Murray Ruse – drums (2011–present)
• Tim Rogers – lead vocals (2021–present)

• Pete Kostic – drums (2002–2011, 2025 US tour; substitute for Murray Ruse)
• Keish de Silva – drums (1982–1993, 1998–2001), lead vocals (1982–1993, 1998–2001, 2016–2021)
• Jerry A – lead vocals (2025 US tour; substitute for Tim Rogers)

The Australian Independent Record Awards (commonly known informally as AIR Awards) is an annual awards night to recognise, promote and celebrate the success of Australia's Independent Music sector.