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How to Build a Girl
Theatrical release poster
Directed byCoky Giedroyc
Screenplay byCaitlin Moran
Based onHow to Build a Girl
by Caitlin Moran
Produced by
Starring
CinematographyHubert Taczanowski
Edited by
  • Gary Dollner
  • Gareth C. Scales
Music byOli Julian
Production
companies
Distributed by
Release dates
  • 7 September 2019 (2019-09-07) (TIFF)
  • 8 May 2020 (2020-05-08) (United States)
  • 24 July 2020 (2020-07-24) (United Kingdom)
Running time
102 minutes[1]
Countries
  • United Kingdom
  • United States
LanguageEnglish
Box office$70,632[2]

How to Build a Girl is a 2019 coming-of-age comedy film directed by Coky Giedroyc, from a screenplay by Caitlin Moran, based on her 2014 novel. The film tells the story of Johanna Morrigan, an aspiring music journalist in 1990s Wolverhampton. It stars Beanie Feldstein, Paddy Considine, Sarah Solemani, Alfie Allen, Frank Dillane, Laurie Kynaston, Arinzé Kene, Tadhg Murphy, Ziggy Heath, Bobby Schofield, Chris O'Dowd, Joanna Scanlan, and Emma Thompson.

How to Build a Girl had its world premiere at the Toronto International Film Festival on 7 September 2019 and won the FIPRESCI Special Presentations award.[3] The film was released in the United States on 8 May 2020 by IFC Films and in the United Kingdom on 24 July 2020 by Lionsgate.

Plot

[edit]

In the 1990s, 16-year-old Johanna Morrigan lives on a council estate in Wolverhampton with her aspiring rock star father Pat, exhausted mother Angie, brothers Krissi and Lupin, and two infant twins.

Johanna dreams of escaping her life to become a writer, and finds comfort in speaking with the portraits of her idols covering her bedroom wall. A poem she wrote is selected for a televised competition, but she is overcome with nerves and humiliates herself on national television. After inadvertently revealing that her family is illegally breeding Border Collies, resulting in her father losing his disability benefits, Johanna is determined to earn money for the family.

Krissi refers her to D&ME, a London music paper seeking a rock critic, and Johanna submits a review of the Annie soundtrack. She is invited to interview at the D&ME offices, but arrives to learn the staff assumed her submission was a joke. Undeterred, she convinces them to give her a chance, so is assigned to cover the Manic Street Preachers in Birmingham.

Eager to reinvent herself, Johanna adopts a new style, bright red hair, and the pen name "Dolly Wilde". She attends her first rock show and falls in love with the music, immersing herself in the local scene.

D&ME agrees to send her to Dublin to interview musician John Kite, who is instantly smitten with her bubbly personality. She spends the day with John, who brings her onstage with him. Afterward, they open up to one another about their lives, and Johanna finds herself enamored with him.

Returning home, Johanna writes a glowing feature on John, which her editor dismisses as the work of a teenage girl with a crush. Realising that negative criticism is the path to success, she begins writing deliberately cruel reviews as Dolly.

Now a scathing but popular critic, Johanna is able to support her family with her writing income. She becomes sexually active, forcing Krissi to listen as she recounts her sexual exploits. Pat, still hoping to achieve fame with his band Mayonnaise, gives his single to Johanna to promote. She brings it to a D&ME gathering where it is derided by the others, who force her to skeet shoot the record.

At a music industry event, Johanna receives an award for "Arsehole of the Year", and runs into John. She drunkenly confesses her feelings for him and tries to kiss him, but he kindly rejects her advances.

The next morning, Johanna writes a piece about his life, including deeply personal details he told her in confidence. She quits school, leading her parents and Krissi to confront her over her increasingly delinquent behaviour, but she cruelly reminds them that her money is supporting the family.

Johanna goes to a party with her coworkers, where she accepts a full-time position at D&ME, but overhears them badmouthing her. Unleashing a tirade against their smugness and negativity, she quits and returns home to find John has called about her article, ending their friendship.

Distraught, Johanna drinks and cuts her wrist with a drawing compass, but is knocked unconscious when her "Arsehole" award falls on her head. Recovering at the hospital, she reconciles with her family.

To make amends, Johanna tries to apologise to every musician she criticised. She writes a piece on self-harm, and is hired by The Face magazine to write her own column, "Building a Girl".

Finding John, Johanna apologises for her article, and shows him her original writing about him. She also gives him her newly cut-off hair as a token of apology. John forgives her, and says that while they may not be in a relationship anytime soon, he is happy to be her friend. Breaking the fourth wall, Johanna tells the audience that a girl can always reinvent herself for the better.

Cast

[edit]

Production

[edit]

In November 2014, it was announced Alison Owen and Debra Hayward had acquired rights to the novel of the same by Caitlin Moran, who also wrote the script for the film. Owens and Hayward produced the film under their Monumental Pictures banner, along with Film4 Productions.[4] In May 2018, Beanie Feldstein joined the cast of the film, with Tango Entertainment producing and financing the film.[5] In June 2018, Alfie Allen joined the cast of the film.[6] In July 2018, Paddy Considine, Sarah Solemani, Laurie Kynaston, Joanna Scanlan, Arinze Kene, Frank Dillane, Tadhg Murphy and Ziggy Heath joined the cast of the film. Daniel Battsek, Ollie Madden, Sue Bruce-Smith, Tim Headington, Lisa Buman, Zygi Kamasa, Emma Berkofsky and Caitlin Moran will executive produce the film under their Film4 Productions and Tango Entertainment banners, respectively. Lionsgate will distribute in the United Kingdom.[7] In August 2018, Jameela Jamil joined the cast of the film.[8] In October 2018, Emma Thompson and Chris O'Dowd joined the cast of the film.[9]

Filming

[edit]

Principal photography began on 16 July 2018. The school scenes were filmed on the premises of Spelthorne Primary School, London.[10]

Release

[edit]

The film had its world premiere at the Toronto International Film Festival on 7 September 2019.[11] In November 2019, IFC Films acquired North American distribution rights to the film.[12] It was released in the United States on 8 May 2020.[13] Originally intended to receive a theatrical release in the United Kingdom, Lionsgate decided to release it straight to streaming as an Amazon Original on Prime Video on 24 July 2020.[14]

Reception

[edit]

Box office

[edit]

In its opening weekend on the US, the film grossed $15,000 from six theatres.[15] In its second weekend, it made $36,000 from nine drive-in cinemas, for a 10-day total of $55,802.[16]

Critical response

[edit]

On Rotten Tomatoes, the film has an approval rating of 79% based on 139 reviews, with an average rating of 6.6/10. The site's critical consensus reads: "Led by Beanie Feldstein's charming performance, How to Build a Girl puts a disarmingly earnest spin on the familiar coming-of-age comedy formula."[17] On Metacritic, the film has a weighted average score of 69 out of 100, based on 26 critics, indicating "generally favorable" reviews.[18]

Ann Hornaday of The Washington Post wrote: "To every girl who watched Almost Famous and High Fidelity and bears the scars of trying to shoehorn her inner self into the male protagonist's cramped psyche, How to Build a Girl arrives like a soothing, if imperfect, balm."[19]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

How to Build a Girl

View on Grokipedia
from Grokipedia
How to Build a Girl is a semi-autobiographical coming-of-age novel by English author and journalist Caitlin Moran, first published in 2014.[1] The story centers on Johanna Morrigan, a 14-year-old girl growing up in poverty in 1990s Wolverhampton, England, who reinvents herself as the bold alter ego Dolly Wilde—a snarky music critic—to escape her circumstances and support her large family after landing a job at a music magazine.[1] Moran, a twice-weekly columnist for The Times of London and winner of the British Society of Magazine Editors' "Columnist of the Year" award eight times, drew from her own experiences as the eldest of eight children in a working-class household to craft the novel's humorous and poignant exploration of adolescence, feminism, sexuality, and class identity.[2] Following her 2011 bestseller How to Be a Woman, which sold over a million copies worldwide and established her as a leading voice in contemporary feminism, How to Build a Girl was published in the United States by Harper on September 23, 2014.[1] The book received widespread acclaim for its witty prose and insightful portrayal of teenage self-discovery, with reviewers praising its blend of irreverent humor and emotional depth.[3] The novel was adapted into a film of the same name in 2019, directed by Coky Giedroyc and starring Beanie Feldstein as Johanna/Dolly, with Emma Thompson in a supporting role; Moran herself wrote the screenplay.[2] The movie, which premiered at the Toronto International Film Festival, captures the book's spirit while emphasizing its themes of reinvention and personal growth amid the grunge-era music scene.[4]

Story and characters

Plot

In 1990s Wolverhampton, Johanna Morrigan is a shy, bookish 16-year-old living in a cramped council house with her large, struggling family, including her unemployed father Pat, a former musician turned reclusive due to depression; her mother Angie, overwhelmed by raising seven children including twins and dealing with postnatal issues; and her supportive older brother Krissi, an aspiring musician.[5] Johanna escapes her mundane life through voracious reading and writing poetry, but her first tentative romance with a local boy ends awkwardly, highlighting her social awkwardness and lack of confidence.[6] Seeking an outlet, she enters a televised poetry competition, where her earnest but overly personal poem about her mother's struggles humiliates her nationally, deepening her isolation.[5] Encouraged by Krissi, Johanna records a bold, irreverent audition tape for a job at the music magazine Disc & Music Echo (D&ME), adopting a brash persona to mask her insecurities.[5] She wins the position and reinvents herself as Dolly Wilde, dyeing her hair bright red and donning extravagant outfits inspired by historical figures like Oscar Wilde.[5] Her debut assignment is to interview and review rock star John Kite in Dublin, whose brooding intensity sparks an infatuation in her; she submits an adoring piece, but her editors fire her for lacking edge.[5] Desperate to reclaim her job, Dolly rewrites the review as a savage takedown, securing her role but straining her budding connection with John, whom she rejects romantically to maintain her tough image.[5] As Dolly, Johanna rises rapidly in the male-dominated music journalism scene, penning increasingly caustic reviews that earn her notoriety and the "Arsehole of the Year" award at a glamorous industry event.[5] Her success strains family ties—Pat grows distant, viewing her transformation as abandonment, while Angie and the siblings feel neglected amid ongoing financial woes.[5] Dolly embarks on a passionate but exploitative affair with music promoter Tony Rich, blurring professional boundaries and fueling her increasingly performative persona, though it leaves her feeling hollow.[5] Meanwhile, her harsh critique of John's latest album publicly humiliates him, severing their friendship and amplifying her identity crisis as the line between Johanna and Dolly blurs.[5] Overhearing her colleagues mocking her behind her back at D&ME, Dolly quits in disillusionment, returning to Wolverhampton where depression engulfs her; she spirals into self-harm and a dangerous accident involving her award statue, landing in the hospital.[5] Supported by her family, who rally around her without judgment, Johanna confronts her fractured self, burning her Dolly Wilde wardrobe in a cathartic ritual and reconciling with Pat, Angie, and Krissi, who affirm her worth beyond any persona.[5] She apologizes to John, restoring their platonic bond, and lands a job at a more supportive publication, embracing a "built" girl who is authentically herself—flawed, kind, and unapologetically Johanna.[5]

Cast

The cast of How to Build a Girl features a diverse ensemble that infuses the film with a blend of wry humor, emotional depth, and authentic British working-class vibrancy, enhancing its coming-of-age tone through standout performances that balance eccentricity and relatability.[7] Led by Beanie Feldstein's breakout portrayal of the protagonist, the supporting actors bring nuance to the family dynamics and music industry interactions central to the story.[8]
ActorRoleDescription
Beanie FeldsteinJohanna Morrigan / Dolly WildeThe aspiring teenage music critic from a working-class Wolverhampton family who reinvents herself as a bold journalist.[7]
Paddy ConsidinePat MorriganJohanna's unemployed father and failed rock musician who inspires her creative ambitions.[9]
Sarah SolemaniAngie MorriganJohanna's supportive yet overwhelmed mother managing a chaotic household.[10]
Alfie AllenJohn KiteThe charismatic rock star who becomes Johanna's mentor in the music scene.[8]
Chris O'DowdAlan "Wilko" WilkinsonThe bumbling local TV presenter who develops a connection with Johanna.[10]
Emma ThompsonAmandaThe authoritative magazine editor who launches Johanna's career.[10]
Frank DillaneTony RichThe sleazy music promoter encountered in Johanna's professional journey.[9]
Laurie KynastonKrissi MorriganJohanna's awkward teenage brother navigating family life.[11]
CleoBianca MorriganJohanna's young sister in the bustling Morrigan household.[8]
Dónal FinnKarl BodenJohanna's school friend and early romantic interest.[11]

Background

Source material

How to Build a Girl is a semi-autobiographical coming-of-age novel written by English author and journalist Caitlin Moran, first published in the United Kingdom on 3 July 2014 by Ebury Press.[3] The story follows protagonist Johanna Morrigan, a 14-year-old girl from a large, impoverished family in 1990s Wolverhampton, as she navigates adolescence through reinvention, aspiring to escape her circumstances by becoming a music journalist under the alias Dolly Wilde.[12] The narrative blends sharp humor, feminist perspectives, and a deep immersion in punk rock and music culture, drawing directly from Moran's own experiences growing up in a similar working-class environment.[13] Key elements of the novel include explorations of identity formation amid family poverty—Johanna's household includes a mother suffering from postnatal depression, an alcoholic father, and seven siblings—and the transformative influence of punk rock, which inspires her bold, rebellious persona.[13] Themes of self-discovery and empowerment are central, as Johanna grapples with societal expectations of femininity while forging her path in a male-dominated music scene.[14] The book achieved commercial success as a Number One Sunday Times bestseller in both hardback and paperback editions, reflecting its broad appeal and cultural resonance.[12] The novel is the first in a two-book series, followed by the sequel How to Be Famous in 2018. It received nominations for awards such as the Alex Awards in 2015, recognizing its appeal to young adult readers.[15] In contrast to the film's more outwardly directed visual comedy, the novel employs an introspective, first-person stream-of-consciousness style that delves deeply into Johanna's internal monologues, offering a raw, unfiltered view of her thoughts and emotions.[16] This approach emphasizes psychological depth and humorous self-reflection over external action, capturing the chaotic essence of teenage introspection in a way that prioritizes verbal wit and personal narrative.[14] Moran later adapted her novel into the screenplay for the 2019 film, maintaining core thematic elements while shifting the focus to cinematic storytelling.[17]

Development

The film rights to Caitlin Moran's 2014 novel How to Build a Girl were acquired by Monumental Pictures in November 2014, shortly after the book's publication, marking the production company's inaugural project.[18] Moran, drawing from her semi-autobiographical experiences as a teenage music journalist, announced her involvement in adapting the story for the screen, aiming to capture the novel's themes of self-reinvention and youthful ambition while transforming its introspective narrative into a cinematic coming-of-age tale.[17] The screenplay was co-written by Moran and Scottish screenwriter John Niven, with Moran initially drafting around 40 pages before seeking Niven's input to shift the focus from internal monologue to action-driven events suitable for film.[19] Key adaptations included streamlining the story's episodic structure to emphasize visual humor and upbeat sequences, such as introducing Johanna's "god wall" of inspirational posters to visually represent her isolation and hero worship, elements less prominent in the novel's prose-heavy format.[19] This approach balanced the book's blend of heartbreak and comedy, avoiding punitive coming-of-age tropes in favor of an empowering, crowd-pleasing tone enhanced by period music and witty dialogue.[20] Director Coky Giedroyc was attached in the lead-up to production, selected by producers Alison Owen and Debra Hayward due to their prior collaboration on the Hulu series Harlots, where Giedroyc's handling of bold, female-led narratives demonstrated her fit for the film's fresh and unapologetic take on teenage reinvention.[20] Giedroyc contributed notes to the script, refining its comedic rhythm and visual elements to highlight Johanna's transformation from awkward Wolverhampton teen to confident alter ego Dolly Wilde.[20] The project was produced by Owen and Hayward under Monumental Pictures, with co-financing from Film4 and U.S. financier Tango Entertainment, alongside support from the BFI's locked box initiative to facilitate international distribution.[21] Development spanned from the 2014 rights acquisition through script revisions and team assembly, culminating in principal photography beginning in July 2018.[22]

Production

Casting

Beanie Feldstein was cast in the lead role of Johanna Morrigan in July 2018, following a rigorous audition process that included two days of taped sessions in London while she was performing in the Broadway production of Hello, Dolly!.[23] The director Coky Giedroyc and writer Caitlin Moran selected her for her ability to capture the character's witty, awkward charm and comedic timing, drawing from Feldstein's breakout performance in Lady Bird (2017), which showcased her skill in portraying complex teenage dynamics.[24] To prepare for the 1990s Black Country setting, Feldstein immersed herself in the region by taking a part-time job in a Wolverhampton gift shop to master the local dialect and mannerisms, ensuring authenticity in her portrayal of a working-class Midlands teen.[23] For the supporting role of rock star John Kite, Alfie Allen was announced in June 2018, chosen for his established presence in period dramas and ability to embody a brooding musician, building on his recognition from Game of Thrones (2011–2019).[25] Allen's casting aligned with the film's need for an actor who could convincingly perform live music, as he recorded original songs like "Day Making Girl" and handled on-screen guitar and vocal performances in concert sequences.[26] Emma Thompson joined the cast in October 2018 as Amanda, the sharp-tongued magazine editor who serves as a mentor figure to Johanna, selected for her versatile dramatic range and command of authoritative roles in British cinema.[27] Similarly, Chris O'Dowd was cast that month as Alan "Wilko" Wilkinson, a bumbling TV host, valued for his natural charm and comedic warmth that fit the film's lighthearted ensemble dynamics.[27] The production emphasized a predominantly British supporting cast to ground the story in its 1990s Wolverhampton and London settings, with Paddy Considine cast as the hapless father Pat Morrigan in July 2018 for his nuanced portrayals of working-class men in films like Dead Man's Shoes (2004).[28] Other roles, such as Sarah Solemani as the mother Angie Morrigan, further reinforced this focus on authentic regional talent.[28] Casting presented challenges in securing performers capable of musical elements, particularly for the film's concert and performance scenes set in the music journalism world. The team prioritized actors with singing and instrumental experience; Feldstein's Broadway background enabled her to handle vocal demands, while Allen's preparation included music rehearsals to deliver credible rock performances.[23] This approach ensured the ensemble could integrate seamlessly with the soundtrack's 1990s Britpop influences without relying heavily on dubbing.

Filming

Principal photography for How to Build a Girl commenced on 16 July 2018 and continued through August, spanning roughly six weeks under the direction of Coky Giedroyc.[29][30] Cinematographer Hubert Taczanowski captured the film's 1990s setting with a focus on the protagonist's emotional journey, employing intimate framing to highlight Johanna Morrigan's growth amid the vibrant music scene.[31][32] Filming primarily occurred in Wolverhampton, West Midlands, England, to authentically depict the story's working-class council estate environment, with additional scenes shot in London.[33] Key interior sets, such as the recreated 1990s New Musical Express (NME) office, were built to evoke the era's rock journalism hub.[20] Concert and music venue sequences utilized real locations including Koko in Camden and Fire in Vauxhall, enhancing the film's period authenticity through on-site energy and props like vintage music magazines.[20] The production faced logistical challenges in sourcing period-accurate costumes and assembling crowd extras for gig scenes, contributing to the visual style's nostalgic texture.[31] Comedic family interactions benefited from the cast's natural chemistry, allowing for spontaneous moments that amplified the humor in domestic sequences.[34] Post-production, including editing by Gary Dollner to maintain a brisk pace reflective of the protagonist's whirlwind reinvention, wrapped in time for the film's world premiere at the 2019 Toronto International Film Festival.[35][32]

Release

Premiere

The film had its world premiere on September 8, 2019, at the Toronto International Film Festival (TIFF) in the Special Presentations program.[36] The screening was attended by key cast members, including Beanie Feldstein and Alfie Allen, along with director Coky Giedroyc and author Caitlin Moran.[32] At TIFF, How to Build a Girl received the FIPRESCI Prize for the Special Presentations section, recognizing its witty coming-of-age narrative.[37] The film went on to screen at subsequent festivals, including as the closing gala at the Glasgow Film Festival on March 8, 2020, and other international events such as the SFFILM Festival.[38] Early festival responses generated positive buzz, with critics praising Feldstein's energetic and charismatic performance as the aspiring rock journalist Johanna Morrigan.[39] The COVID-19 pandemic significantly impacted the film's rollout, delaying its planned March 2020 UK theatrical release and leading to a shift toward limited screenings and video-on-demand distribution later that year.[40][41]

Theatrical release

The film's theatrical rollout was significantly impacted by the COVID-19 pandemic, leading to delays and a shift toward digital and limited cinema availability. In the United Kingdom, originally scheduled for a 2019 theatrical release, it was postponed and instead premiered exclusively on Amazon Prime Video on July 24, 2020.[42] Lionsgate handled UK distribution, with BBC Films serving as a primary producer. In the United States, the film received a video-on-demand release through IFC Films on May 8, 2020, functioning as its primary streaming premiere amid theater closures.[43] Marketing campaigns featured trailers released in April 2020 that spotlighted the coming-of-age comedy elements and the vibrant 1990s rock soundtrack, capturing the protagonist's transformation into a bold music critic.[44] Promotional efforts included tie-ins with Caitlin Moran's source novel, such as author interviews linking the film's themes to the book's semi-autobiographical roots, alongside curated playlists of era-specific music to evoke the story's Wolverhampton-to-London journey.[45] Poster artwork prominently displayed Beanie Feldstein in punk-inspired attire, symbolizing the character's rebellious reinvention as Dolly Wilde.[46] Internationally, the rollout remained limited to digital platforms in select European markets, including Ireland, and Australia in late 2020, bypassing wide theatrical distribution due to ongoing pandemic restrictions.[41]

Reception

Critical reception

The film received generally favorable reviews from critics, holding a 79% approval rating on Rotten Tomatoes based on 139 reviews, with the site's consensus stating, "Led by Beanie Feldstein's charming performance, How to Build a Girl puts a disarmingly earnest spin on the familiar coming-of-age comedy formula."[7] On Metacritic, it scored 69 out of 100 from 26 critics, indicating "generally favorable reviews."[47] The audience score on Rotten Tomatoes stood at 54%, reflecting a more divided response from viewers.[7] Critics widely praised Beanie Feldstein's energetic and charismatic portrayal of Johanna Morrigan, noting her ability to infuse the character with infectious vitality and humor that anchors the film's chaotic energy.[31] The nostalgic depiction of 1990s British rock culture, including its grunge aesthetics and music journalism scene, was highlighted as a vibrant backdrop that captures the era's rebellious spirit effectively.[31] Feminist themes of self-reinvention and female empowerment resonated strongly, with reviewers appreciating how the story empowers its protagonist to navigate sexism and societal expectations through wit and resilience.[48] For instance, The Guardian awarded it 3 out of 5 stars, calling it an "enjoyably rough-and-ready" tale of youthful exuberance.[48] Variety described the ensemble as part of a "brisk British comedy" that cheekily explores young female sexuality and critiques toxic relationships.[31] However, some critiques pointed to uneven pacing, with the narrative racing through key moments and abrupt scene transitions that undermine emotional depth.[31] Stereotypical supporting characters and jarring tonal shifts—from raunchy humor to sentimental introspection—were seen as detracting from the film's cohesion, occasionally rendering it formulaic.[31] The Independent gave it 3 out of 5 stars but noted its reliance on familiar empowerment tropes that feel somewhat clichéd in execution.[49] U.S. outlets like Roger Ebert's site echoed concerns about cultural specificity, suggesting the Wolverhampton setting and British slang might limit broader appeal despite its universal coming-of-age elements.[34] Thematically, reviewers analyzed the film's commentary on class struggles in working-class Britain, portraying Johanna's journey as a critique of economic hardship intertwined with personal growth.[48] Music's role as a transformative force for self-expression was emphasized, with the soundtrack and period details underscoring themes of artistic rebellion.[31] Comparisons were frequently drawn to films like Lady Bird for its witty female-led introspection and Juno for its quirky humor, though some noted it evokes Almost Famous in its music-industry focus but with a sharper feminist edge.[34]

Box office

Due to the COVID-19 pandemic, "How to Build a Girl" received a limited theatrical release in the United States on May 8, 2020, grossing $13,201 in its opening weekend across six theaters.[50] The film's total domestic earnings reached $70,632, accounting for its entire worldwide box office, as international theatrical runs were negligible amid cinema closures.[51] The pandemic's disruptions significantly hampered the film's commercial potential, forcing a pivot to streaming and video-on-demand platforms like Hulu shortly after its limited theatrical window, which limited traditional box office revenue.[52] Per-screen averages were modest at around $2,200 for the U.S. opening, lower than comparable indie coming-of-age films like "Booksmart" (2019), which achieved over $10,000 per screen in wider release. Overall, while theatrical earnings fell well under $100,000 globally, the film achieved modest commercial viability through ancillary markets, including streaming deals that provided additional revenue streams without publicly disclosed figures.

References

  1. Exclusive First Read: Caitlin Moran's 'How To Build A Girl' - NPR
  2. Caitlin Moran - HarperCollins Publishers
  3. How to Build a Girl review – Caitlin Moran's quasi-cautionary tale of ...
  4. 'How To Build A Girl': Beanie Feldstein Stars In Caitlin Moran's Story
  5. HOW TO BUILD A GIRL - The Movie Spoiler
  6. How to Build a Girl (2019) - Plot - IMDb
  7. How to Build a Girl - Plugged In
  8. How to Build a Girl | Rotten Tomatoes
  9. How to Build a Girl (2019) - IMDb
  10. How to Build a Girl (2020) - Cast & Crew - TMDB
  11. How to Build a Girl | Cast and Crew - Rotten Tomatoes
  12. How to Build a Girl - Full Cast & Crew - TV Guide
  13. How to Build a Girl - Penguin Books
  14. How to Build a Girl by Caitlin Moran review – a Portnoy's Complaint ...
  15. Caitlin Moran's 'How to Build a Girl' - The New York Times
  16. Alex Awards 2015 Nominees - American Library Association
  17. How to Build a Girl review – an adaptation without a voice
  18. Caitlin Moran novel How to Build a Girl reinvented as film adaptation
  19. Monumental to Adapt Caitlin Moran's Novel 'How to Build a Girl'
  20. How to Build a Girl movie by Caitlin Moran - interview - Digital Spy
  21. How Coky Giedroyc and Monumental brought Caitlin Moran's 'How ...
  22. Shooting Begins On Monumental Pictures' How To Build A Girl - Film4
  23. Caitlin Moran's How To Build A Girl starts shooting - Channel 4
  24. Beanie Feldstein Graduates to Leading Lady in 'How to Build A Girl'
  25. Why Beanie Feldstein Was Cast In How To Build A Girl - Refinery29
  26. Alfie Allen signs up for 'How To Build A Girl' based on Caitlin Moran ...
  27. Day Making Girl - song and lyrics by Alfie Allen | Spotify
  28. Emma Thompson, Chris O'Dowd to Star in 'How to Build a Girl'
  29. Beanie Feldstein Comedy 'How To Build A Girl' Adds Cast, Lionsgate
  30. Filming under way on Caitlin Moran movie How To Build A Girl
  31. Filming begins on adaptation of Caitlin Moran's How to Build a Girl
  32. Toronto Film Review: 'How to Build a Girl' - Variety
  33. 'How to Build a Girl': Film Review | TIFF 2019
  34. How to Build a Girl (2019) - Filming & production - IMDb
  35. How to Build a Girl movie review (2020) | Roger Ebert
  36. How to Build a Girl (2019) - Full cast & crew - IMDb
  37. Toronto 2019: How to Build a Girl - Solzy at the Movies
  38. Toronto Film Festival Jury Winners: 'Martin Eden', 'Murmur', 'How To ...
  39. Glasgow Film Festival to open with Alice Winocour's 'Proxima'
  40. How To Build A Girl Review TIFF 2019, Book Adaptation - Refinery29
  41. Caitlin Moran adaptation How To Build A Girl gets its UK release date
  42. How to watch How To Build A Girl in the UK, Amazon Prime cast, trailer
  43. Caitlin Moran's 'How To Build A Girl' launching exclusively on Amazon
  44. Beanie Feldstein's 'How to Build a Girl' Bought by IFC - Variety
  45. How to Build a Girl - Official Trailer | HD | IFC Films - YouTube
  46. How to Build a Girl Movie Review | Common Sense Media
  47. 'How to Build a Girl' Trailer: Beanie Feldstein Coming-of-Age Comedy
  48. How to Build a Girl Reviews - Metacritic
  49. How to Build a Girl review – enjoyably rough-and-ready
  50. How To Build a Girl never quite matches up to the talents of its star
  51. How To Build A Girl - Film4 Productions
  52. https://www.boxofficemojo.com/title/tt4193072/
  53. How to Build a Girl (2020) - Box Office and Financial Information
  54. Weekend box office figures | BFI
  55. https://www.boxofficemojo.com/release/rl4206723585/
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