Recent from talks
Nothing was collected or created yet.
Humjoli
View on WikipediaThis article needs additional citations for verification. (May 2019) |
| Humjoli | |
|---|---|
Theatrical release poster | |
| Directed by | T. R. Ramanna |
| Written by | Pt. Mukhram Sharma Ramayan Tiwari |
| Based on | Panakkara Kudumbam (1964) |
| Produced by | Prasan Kapoor Jeetendra (Presents) |
| Starring | Jeetendra Leena Chandavarkar Mehmood |
| Cinematography | M.A. Rehman |
| Edited by | M.S. Money |
| Music by | Laxmikant–Pyarelal |
Production company | Tirupati Pictures |
| Distributed by | R.K. Studios Rajkamal Studios Vasu Studios Vauhini Studios |
Release date |
|
Running time | 154 minutes |
| Country | India |
| Language | Hindi |
Humjoli (transl. Fellow) is a 1970 Indian Hindi-language romantic drama film, produced by Prasan Kapoor under the Tirupati Pictures banner and directed by T. R. Ramanna. The film stars Jeetendra, Leena Chandavarkar, and is music composed by Laxmikant Pyarelal. It is a remake of the Tamil film Panakkara Kudumbam (1964).[1]
Plot
[edit]Gopal Das (Pran) is a vile greedy man who is in love with a girl Shyama (Shashikala). Once, he visits a wedding which is called off as the bride Roopa (Poornima) is dark. During that plight, Gopal Das marries Roopa, for her property. Later, he returns and assures Shyama that he will shortly discard Roopa and marry her. Time passes, and the couple is blessed with a baby girl Rani. Due to extortion by Shyama, Gopal Das seeks to kill Roopa along with the baby. Fortuitously, the child is rescued which Gopal Das hides. Years roll by, and Gopal Das marries Shyama and secretly rears Rani (Leena Chadravakar). In college, she loves a smart guy Rajesh (Jeetendra) the brother of her close friend Shobha (Aruna Irani). After completion of their education, they all go back to their home towns. Gopal Das accommodates Rani separately and comforts her with a job as his personal secretary but on the condition that no one should know she is his daughter. Meanwhile, Rajesh & Shobha leave their father's house since they oppose his remarriage (D.K. Sapru). They move to the same city as Rani, where Rajesh befriends Shivram (Mehmood) who rents a portion of his house. Rajesh also acquires a job at Gopal Das's office with the help of Rani. Meanwhile, Shivram falls for Shobha and they get married. Rajesh's presence begrudges Man Mohan (Man Mohan) the distant relative of Shyama, one that keeps a bad eye on Rani. Man Mohan shadows Gopal Das and learns the reality. Hence, he threatens Gopal Das to get him married to Rani by holding a letter that he wrote long ago regarding the evil plan to slay Roopa. So, Gopal Das pleads with Rajesh to break up with Rani and he does so by pretending to be an imposter. Later, Gopal Das realizes Rajesh's honesty, divulges the actuality to Rani, unites them, and surrenders himself to the Police. Later we find out, fortunately, Roopa is alive. Being aware of it, Man Mohan schemes to eliminate her but Shyama dies while guarding Roopa. At last, Rajesh rescues Roopa and acquits Gopal Das. The movie ends on a happy note with the marriage of Rajesh & Rani.
Cast
[edit]- Jeetendra as Rajesh
- Leena Chandavarkar as Ranibala
- Pran as Gopal Das
- Shashikala as Shyama
- Mehmood as Shivram, Balram and as Parshuram (triple role)
- Aruna Irani as Shobha
- Nazir Hussain as Roopa's dad
- Manmohan as Manmohan
- C.S. Dubey as Shyama's Uncle
- D.K. Sapru as Rajesh's dad
- Purnima as Roopa Rai
- Geeta Banker as Lily
- Mumtaz as Cabaret Dancer
Soundtrack
[edit]| # | Title | Singer(s) |
|---|---|---|
| 1 | "Chal Shuru Ho Ja" | Kishore Kumar, Mohammed Rafi |
| 2 | "Haye Re Haye" | Lata Mangeshkar, Mohammed Rafi |
| 3 | "Dhal Gaya Din Ho Gayi Sham" | Mohammed Rafi, Asha Bhosle |
| 4 | "Ho Tu Tu Tu" | Kamal Barot, Asha Bhosle |
| 5 | "Yeh Kaisa Aaya Zamana" | Kishore Kumar, Mukesh, Mahmood |
| 6 | "Tik Tik Tik Mera Dil" | Lata Mangeshkar, Mohammed Rafi |
References
[edit]- ^ "Happy 74th birthday Jeetendra: His 10 most memorable performances". News18. 7 April 2014. Archived from the original on 3 December 2018. Retrieved 1 November 2021.
External links
[edit]Humjoli
View on GrokipediaProduction
Development
The film Humjoli originated in the late 1960s as a production of Tirupati Pictures, spearheaded by producer Prasan Kapoor.[2] Originally produced by Mehmood, the project was later acquired by Prasan Kapoor, making it Jeetendra's first home production.[5] Directed by T. R. Ramanna, the screenplay was written by Pt. Mukhram Sharma, with dialogue by Ramayan Tiwari.[6] The story was adapted from the 1964 Tamil film Panakkara Kudumbam, also directed by Ramanna, incorporating themes of family intrigue and redemption in a romantic drama framework.[7] Casting decisions favored rising stars Jeetendra and Leena Chandavarkar, capitalizing on their growing popularity in Bollywood during the early 1970s; Jeetendra had gained recognition through films like Farz (1967), while Chandavarkar had debuted successfully in Vishwas (1969).Filming
Principal photography for Humjoli took place primarily at studios in Mumbai and Chennai to accommodate the film's mix of urban and rural settings. Key locations included R.K. Studios in Chembur, Mumbai, for interior and set-based scenes; Rajkamal Studios in Parel, Mumbai; Vasu Studios in Chennai; and Vauhini Studios in Chennai, which supported outdoor and constructed rural village sequences.[7][8] The cinematography was led by M.A. Rehman as director of photography, employing standard Eastmancolor techniques prevalent in 1970s Indian cinema to capture the film's dramatic and musical elements. Editing duties were handled by M.S. Mani, who focused on assembling the narrative and song sequences during post-production.[6][9]Cast and characters
Lead roles
Jeetendra portrays Rajesh, the protagonist who falls in love with Ranibala and faces family and romantic challenges while working at her father's office. Known for his energetic performance style, Jeetendra brings charm to Rajesh's role as he navigates obstacles, including a temporary breakup, before reuniting with Ranibala.[2] Leena Chandavarkar plays Ranibala Rai (Rani), the daughter of heiress Roopa and Gopalnath. After surviving her father's murder attempt on her and her mother, she is secretly raised by him and later employed as his secretary, initially unaware of her true heritage. Her arc evolves from hidden vulnerability to confronting her past through her romance with Rajesh. This role held significant importance in Chandavarkar's early career, helping establish her as a prominent leading actress in Hindi cinema during the 1970s.[2][10] Pran embodies Gopalnath (also referred to as Gopal Das or Gopal Rai), a cunning and avaricious man whose primary motivation is amassing wealth, leading him to marry the heiress Roopa after her groom abandons her, only to attempt her murder along with their daughter to secure the fortune and pursue his lover Shyama.[2] His antagonistic drive propels the central conflict, as Ranibala's return forces him to reckon with his deceitful actions. A key scene underscores his greed when he reflects on universal desires, stating, "Duniya mein har insaan ko do cheez ki bhook hoti hai ... ek daulat ki aur doosri mohabbat ki" (In the world, every person has a hunger for two things ... one for wealth and the other for love).[11]Supporting roles
Shashikala played Shyama, Gopal's lover who is jilted for Roopa but becomes involved in his schemes; her arc contributes to the narrative's exploration of redemption, culminating in her sacrificial death while protecting Roopa from harm.[12] Mehmood delivered comic relief through his triple role as Shivram, Balram, and Parshuram, three bumbling brothers whose misadventures provide levity; one of them, Shivram, befriends the protagonist, aids in employment, and pursues a romance with Shobha through slapstick antics and songs.[2] Specific humorous scenes alleviate tension, while songs like "Yeh Kaisa Aaya Zamana" underscore camaraderie.[2] Their portrayals reinforce themes of familial solidarity.[13] Aruna Irani enacted Shobha, Rajesh's sister whose romantic entanglements with Shivram add layers to the subplot, blending humor with family dynamics and reconciliation.[6] Through dance sequences, she enhances the narrative's vibrancy.[2] Poornima portrayed Roopa, the heiress whose marriage to Gopalnath sets the plot in motion; she survives the murder attempt and is rescued at the climax.Soundtrack
Track listing
The soundtrack of Humjoli comprises six songs composed by Laxmikant–Pyarelal, whose style in 1970s masala films often featured rhythmic, folk-infused melodies and versatile arrangements blending classical elements with Western influences to suit dramatic and comedic sequences. All lyrics were written by Anand Bakshi, known for his poignant and situational poetry that enhanced the film's emotional layers. The songs serve key narrative functions, from establishing romantic tension between the protagonists to providing comic relief through ensemble performances, while dance sequences highlight the leads' chemistry and the supporting cast's antics.[14]| No. | Title | Singer(s) | Lyricist | Duration |
|---|---|---|---|---|
| 1 | Ho Tu Tu Tu | Asha Bhosle, Kamal Barot | Anand Bakshi | 4:38 |
| 2 | Haye Re Haye Neend Nahin Aaye | Lata Mangeshkar, Mohammed Rafi | Anand Bakshi | 4:29 |
| 3 | Dhal Gaya Din Ho Gayi Sham | Asha Bhosle, Mohammed Rafi | Anand Bakshi | 4:53 |
| 4 | Chal Shuru Ho Ja | Kishore Kumar, Mohammed Rafi | Anand Bakshi | 4:45 |
| 5 | Yeh Kaisa Aaya Zamana | Kishore Kumar, Mehmood, Mukesh | Anand Bakshi | 6:03 |
| 6 | Tik Tik Tik Mera Dil | Lata Mangeshkar, Mohammed Rafi | Anand Bakshi | 4:30 |
