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Isabella Summers
Isabella Janet Florentina Summers (born 31 October 1980) is an English film composer, songwriter, music producer and musician. She is best known as the keyboardist of the indie rock band Florence and the Machine. Summers spent 14 years writing, producing, touring, and composing before making pop music and composing for film and television.
Summers lived her first nine years in Hackney, London. When Summers was ten, her family moved to Aldeburgh, Suffolk. There Summers attended Woodbridge School, had piano lessons and grew an interest in music, crediting some influence from mixtapes made by her father with "a very eclectic mixture of everything and anything from Beethoven to Bob Dylan, rarities, poetry, even the Shipping forecast". Hip-hop was a preferred genre, as her neighbours gave her a tape with Snoop Dogg's Doggystyle (1993) and 6 Feet Deep (1994) by Gravediggaz; she would also spend evenings with fishermen's sons "who smoked loads of weed and listened to hard American rap."
Summers moved to East Dulwich, back in London, where she would get a fine arts degree at Central Saint Martins. While there, she bought a set of DJ mixers to learn how to mix, while also doing side jobs such as being a courier for Top of the Pops and transcriptions and film digitizing for Alan Parker. Soon she was working with Dan Greenpeace on his 'All City Show' radio show on XFM London, an experience that led Summers to buy her first MPC which was installed at the cupboard of her shared flat. With the help of a friend she started a studio in a former plastics factory at Crystal Palace, and began making hip hop. During this time, Summers worked with, amongst others, Kashmere, The Iguana Man, IRS Crew, MBC Crew, Inja and The Last Skeptik. She met Florence Welch through art school and DJ work, as Welch was attending the Camberwell College of Arts.
As Summers was hired to remix songs by the band Ludes, Welch became a more common sight at her studio given she was dating Ludes' guitarist Matt Alchin, and even impressed Summers with her singing. One day, as Summers got into a creative rut, which she described as getting "sick of boys telling me what to do", she thought of writing pop music with a woman, and invited Welch to make songs with her. Following a day joining Summers' beats with Welch's lyrics, they began writing demos together, which were produced by Summers by banging on the walls to make drum sounds and using the string sounds from her keyboard. It was also during this period that Summers saw a man on the street carrying a "coffin shaped box" and asked him what it was, it turned out to be Tom Monger carrying his harp, Summers suggested that he play on the demos that became "Dog Days Are Over" and "Between Two Lungs". This led to their performing together for a time under the name Florence Robot/Isa Machine, the project was renamed Florence and the Machine. Summers had only thought of being a producer and songwriter on the project but ended up also as the group's keyboardist, with her second gig being the 2007 Glastonbury Festival. Summers has co-written and produced on Florence and the Machine's first three albums Lungs (2009), Ceremonials (2011) and How Big, How Blue, How Beautiful (2015). As of June 2016, "Dog Days Are Over" has had over 3,151,000 downloads in the United States alone. The song was used in Marvel's 2023 movie Guardians of the Galaxy Vol 3. It was also referenced on Drake's track "Rich Baby Daddy" featuring SZA and Sexyy Red from his 2023 album For All The Dogs.
Summers has also written, produced and remixed tracks for artists including Beyoncé, Juliette Lewis, Jennifer Hudson, Jasmine Thompson, Cara Delevingne, Chloe x Halle, Flux Pavilion, Rita Ora, Judith Hill, LP and The Game.
Summers had created the main title song "Was It Love" for the Sky Atlantic series Riviera, and provided her friend Sam Levinson the song "Rage" for his film Assassination Nation (2018), when right after finishing the High as Hope Tour, that film's music supervisor Mary Ramos invited Summers for her first composing gig in a team-up with Mark Isham, scoring the Hulu miniseries Little Fires Everywhere, which won her a Primetime Emmy Award nomination. Summers followed it by composing the score for the Prime Video series Panic alongside Brian H. Kim, Summers co-wrote the Tate McRae song "The Darkest Hour" as featured in the show. Netflix's Sex/Life followed next in another collaboration with Isham. Her first solo composing gig was the Apple TV show Physical, whose 1980s setting led to a score full of "crazy synths and over-the-top guitar solos". Afterwards Summers scored her first movie, Call Jane (2022), and the Paramount+ show The Offer.
In 2022, Summers scored Sony's 3000 Pictures and Netflix film Lady Chatterly's Lover, directed by Laure de Clermont-Tonnerre and starring Emma Corrin and Jack O'Connell. In 2023, Summers scored the Apple TV+ adult animation series Strange Planet by Dan Harmon and Nathan W. Pyle, released on August 9, 2023. Following this she also scored the third and final season of Physical for Apple TV+ released on August 2, 2023. In 2023, Summers scored the soundtrack for the Focus Features film Lisa Frankenstein, directed by Zelda Williams and released in February 2024.[citation needed] She also scored the film Breathe, directed by Stefon Bristol and starring Jennifer Hudson, which was released in April 2024.[citation needed] In June of 2024, Summers made her documentary scoring debut on the feature Slave Play. Not a Movie. A Play. The film was directed by Jeremy O. Harris and follows the playwright as he deconstructs his Tony-nominated play Slave Play.[citation needed] Summers wrote the original score for the Netflix show Kaos released in August 2024 and the animated comedy Hitpig! released in November of 2024.[citation needed]
In 2025, she composed the score for the Netflix Rom-Com My Oxford Year, the movie version of the acclaimed novel written by Julia Whelan.[citation needed] She also composed the score for two films directed by American film maker Pete Ohs, The True Beauty of Being Bitten by a Tick and Erupcja, the forthcoming film starring Charli XCX.[citation needed] Summers composed the music for the horror/thriller film Dust Bunny. The film was directed by Bryan Fuller and premiered at the 2025 Toronto International Film Festival.[citation needed]
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Isabella Summers
Isabella Janet Florentina Summers (born 31 October 1980) is an English film composer, songwriter, music producer and musician. She is best known as the keyboardist of the indie rock band Florence and the Machine. Summers spent 14 years writing, producing, touring, and composing before making pop music and composing for film and television.
Summers lived her first nine years in Hackney, London. When Summers was ten, her family moved to Aldeburgh, Suffolk. There Summers attended Woodbridge School, had piano lessons and grew an interest in music, crediting some influence from mixtapes made by her father with "a very eclectic mixture of everything and anything from Beethoven to Bob Dylan, rarities, poetry, even the Shipping forecast". Hip-hop was a preferred genre, as her neighbours gave her a tape with Snoop Dogg's Doggystyle (1993) and 6 Feet Deep (1994) by Gravediggaz; she would also spend evenings with fishermen's sons "who smoked loads of weed and listened to hard American rap."
Summers moved to East Dulwich, back in London, where she would get a fine arts degree at Central Saint Martins. While there, she bought a set of DJ mixers to learn how to mix, while also doing side jobs such as being a courier for Top of the Pops and transcriptions and film digitizing for Alan Parker. Soon she was working with Dan Greenpeace on his 'All City Show' radio show on XFM London, an experience that led Summers to buy her first MPC which was installed at the cupboard of her shared flat. With the help of a friend she started a studio in a former plastics factory at Crystal Palace, and began making hip hop. During this time, Summers worked with, amongst others, Kashmere, The Iguana Man, IRS Crew, MBC Crew, Inja and The Last Skeptik. She met Florence Welch through art school and DJ work, as Welch was attending the Camberwell College of Arts.
As Summers was hired to remix songs by the band Ludes, Welch became a more common sight at her studio given she was dating Ludes' guitarist Matt Alchin, and even impressed Summers with her singing. One day, as Summers got into a creative rut, which she described as getting "sick of boys telling me what to do", she thought of writing pop music with a woman, and invited Welch to make songs with her. Following a day joining Summers' beats with Welch's lyrics, they began writing demos together, which were produced by Summers by banging on the walls to make drum sounds and using the string sounds from her keyboard. It was also during this period that Summers saw a man on the street carrying a "coffin shaped box" and asked him what it was, it turned out to be Tom Monger carrying his harp, Summers suggested that he play on the demos that became "Dog Days Are Over" and "Between Two Lungs". This led to their performing together for a time under the name Florence Robot/Isa Machine, the project was renamed Florence and the Machine. Summers had only thought of being a producer and songwriter on the project but ended up also as the group's keyboardist, with her second gig being the 2007 Glastonbury Festival. Summers has co-written and produced on Florence and the Machine's first three albums Lungs (2009), Ceremonials (2011) and How Big, How Blue, How Beautiful (2015). As of June 2016, "Dog Days Are Over" has had over 3,151,000 downloads in the United States alone. The song was used in Marvel's 2023 movie Guardians of the Galaxy Vol 3. It was also referenced on Drake's track "Rich Baby Daddy" featuring SZA and Sexyy Red from his 2023 album For All The Dogs.
Summers has also written, produced and remixed tracks for artists including Beyoncé, Juliette Lewis, Jennifer Hudson, Jasmine Thompson, Cara Delevingne, Chloe x Halle, Flux Pavilion, Rita Ora, Judith Hill, LP and The Game.
Summers had created the main title song "Was It Love" for the Sky Atlantic series Riviera, and provided her friend Sam Levinson the song "Rage" for his film Assassination Nation (2018), when right after finishing the High as Hope Tour, that film's music supervisor Mary Ramos invited Summers for her first composing gig in a team-up with Mark Isham, scoring the Hulu miniseries Little Fires Everywhere, which won her a Primetime Emmy Award nomination. Summers followed it by composing the score for the Prime Video series Panic alongside Brian H. Kim, Summers co-wrote the Tate McRae song "The Darkest Hour" as featured in the show. Netflix's Sex/Life followed next in another collaboration with Isham. Her first solo composing gig was the Apple TV show Physical, whose 1980s setting led to a score full of "crazy synths and over-the-top guitar solos". Afterwards Summers scored her first movie, Call Jane (2022), and the Paramount+ show The Offer.
In 2022, Summers scored Sony's 3000 Pictures and Netflix film Lady Chatterly's Lover, directed by Laure de Clermont-Tonnerre and starring Emma Corrin and Jack O'Connell. In 2023, Summers scored the Apple TV+ adult animation series Strange Planet by Dan Harmon and Nathan W. Pyle, released on August 9, 2023. Following this she also scored the third and final season of Physical for Apple TV+ released on August 2, 2023. In 2023, Summers scored the soundtrack for the Focus Features film Lisa Frankenstein, directed by Zelda Williams and released in February 2024.[citation needed] She also scored the film Breathe, directed by Stefon Bristol and starring Jennifer Hudson, which was released in April 2024.[citation needed] In June of 2024, Summers made her documentary scoring debut on the feature Slave Play. Not a Movie. A Play. The film was directed by Jeremy O. Harris and follows the playwright as he deconstructs his Tony-nominated play Slave Play.[citation needed] Summers wrote the original score for the Netflix show Kaos released in August 2024 and the animated comedy Hitpig! released in November of 2024.[citation needed]
In 2025, she composed the score for the Netflix Rom-Com My Oxford Year, the movie version of the acclaimed novel written by Julia Whelan.[citation needed] She also composed the score for two films directed by American film maker Pete Ohs, The True Beauty of Being Bitten by a Tick and Erupcja, the forthcoming film starring Charli XCX.[citation needed] Summers composed the music for the horror/thriller film Dust Bunny. The film was directed by Bryan Fuller and premiered at the 2025 Toronto International Film Festival.[citation needed]