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Jenny Lee Lindberg
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Key Information
Jennifer Lee Lindberg (born July 30, 1981)[1] is an American musician, singer-songwriter, record producer and painter, best known as the bassist of the indie rock band Warpaint. In 2015, Lindberg released her first solo album, Right On!, under the name "Jennylee".
Career
[edit]Warpaint
[edit]Lindberg formed Warpaint with Emily Kokal, Theresa Wayman and Lindberg's sister Shannyn Sossamon on Valentine's Day 2004. After rehearsing and composing original material alone for 18 months, Warpaint began performing regularly in Los Angeles and self-released their debut extended play, Exquisite Corpse, in August 2008.[2]

Warpaint's debut studio album, The Fool, was released in October 2010 on Rough Trade Records following a number of lineup changes, including the recruitment of drummer Stella Mozgawa.[3] The album was well received by critics and peaked at No. 176 on the Billboard 200.[4][5] The band's second eponymous studio album was released in January 2014, and featured Lindberg performing vocals on two tracks: "Disco//very" and "CC". Receiving favorable reviews and charting in several countries,[6] Warpaint reached the top 10 on the UK Albums Chart,[7] Irish Independent Albums Chart,[8] and Billboard's Alternative, Independent and Tastemaker album charts.[5]
Right On!
[edit]Lindberg's debut solo studio album, Right On!, was released on December 11, 2015, on Rough Trade; she was credited as "Jennylee". Featuring elements of new wave and gothic rock, the album was produced by Lindberg with Norm Block and featured Warpaint's Mozgawa on drums.[9]
Collaborations
[edit]Lindberg has collaborated with other musicians during her career. In 2009, she played bass on Brian Blade's Mama Rosa (2009).[10] She later played bass on "Goodbye Lovers & Friends", a song from Boom Bip's Zig Zaj (2011), and "The Madness of Clouds", a song from Viv Albertine's The Vermilion Border (2013). Lindberg worked with Jimmy Giannopoulos of Lolawolf on the project CRW$HD.[11][12] In 2020 she played bass on Phoebe Bridgers's album Punisher. In 2021 as part of her 'Singles Club' project, Lindberg collaborated with Depeche Mode frontman Dave Gahan on the single "Stop Speaking".[13]
Influences
[edit]When she was young, Lindberg listened to Tears for Fears, which influenced her later music. She has also cited among her influences Jah Wobble's bass playing with PiL in her "list of all-time greats". She named Siouxsie Sioux of Siouxsie and the Banshees as one of her favorite voices of all time, saying, "I have a lot of respect for Siouxsie and she's given me a lot of inspiration over the years". Sylvester, Carly Simon, Art of Noise, Kraftwerk, Aphex Twin and Depeche Mode were other acts that inspired her.[14]
Personal life
[edit]Lindberg was born on July 30, 1981, in Elko, Nevada. She is the daughter of Sherry Sossamon, a nurse, and Todd Lindberg. She is the sister of actress and musician Shannyn Sossamon. Following their parents' divorce when Lindberg was two, she and her sister were raised by their mother, who remarried to Randy Goldman.[15][16] Her maternal grandmother is of Hawaiian and Filipino descent, while the rest of her ancestry is Dutch, English, German, French and Irish.[17] Raised in Reno, Nevada, Lindberg relocated to Los Angeles, California as an adult.[18]
She was formerly married to Chris Cunningham. They divorced in 2016.[19]
Discography
[edit]- Solo
- Right On! (2015)
- Heart Tax (2022)
- With Warpaint
- Exquisite Corpse EP (2008)
- The Fool (2010)
- Warpaint (2014)
- Heads Up (2016)
- Radiate Like This (2022)
- Guest appearances
- Brian Blade – Mama Rosa (2009)
- Boom Bip – "Goodbye Lovers & Friends" on Zig Zaj (2011)
- Viv Albertine – "The Madness of Clouds" on The Vermilion Border (2012)
- TT (Theresa Wayman) – "Take One" on LoveLaws (2018)
References
[edit]- ^ "Live Sessions". Live Sessions. Retrieved October 29, 2024.
- ^ Perry, Andrew (October 18, 2010). "Warpaint: Who's that tomboy over there, who looks like she doesn't care?". The Daily Telegraph. Retrieved September 15, 2015.
- ^ Barton, Laura (February 12, 2011). "Warpaint: Women on the verge | Music". The Guardian. Retrieved September 15, 2015.
- ^ "Review for The Fool by Warpaint". Metacritic. CBS Interactive. Retrieved September 15, 2015.
- ^ a b "Warpaint | Awards". AllMusic. All Media Network. Retrieved September 15, 2015.
- ^ "Review for Warpaint by Warpaint". Metacritic. CBS Interactive. Retrieved September 15, 2015.
- ^ "Warpaint | Official Chart History". Official Charts Company. British Phonographic Industry. Retrieved September 15, 2015.
- ^ "Top 10 Independent Artist Albums, Week Ending 23 January 2014". Chart-Track. GfK. Archived from the original on February 19, 2014. Retrieved September 15, 2015.
- ^ Staff writer(s) (September 15, 2015). "jennylee Announces Solo Album righton!". Rough Trade Records. Beggars Group. Retrieved September 15, 2015.
- ^ Mama Rosa (Album notes). Brian Blade. Verve Forecast. 2009. B0012613-02.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Zig Zaj (Album notes). Boom Bip. Lex Records. 2011. LEX080CDI.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ The Vermilion Border (Album notes). Viv Albertine. Cadiz Music. 2013. CADIZLP120.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ "Listen to Warpaint's Jennylee's new Depeche Mode-featuring single, 'Stop Speaking'". NME. December 17, 2021. Retrieved December 21, 2021.
- ^ Kerr, David (March 16, 2015). "Under the Influence: Warpaint's Jenny Lee Lindberg". Theskinny.co.uk. Retrieved May 10, 2016.
- ^ "Shannyn Sossamon Biography (1979–)". www.filmreference.com. Retrieved July 30, 2018.
- ^ Kennedy, Mark (March 5, 2002). "Falling through the door of fame". The Age. Melbourne.
- ^ "The Kid Stays In The Club: Shannyn Sossamon". PAPER. November 1, 2002. Archived from the original on December 8, 2015. Retrieved July 30, 2018.
- ^ Barlow, Eve (March 7, 2015). "Warpaint: prepare for combat | Music". The Guardian. Retrieved September 15, 2015.
- ^ "Warpaint: The Un-Breakup Music". Magnet. November 7, 2016. Retrieved November 28, 2018.
External links
[edit]Jenny Lee Lindberg
View on GrokipediaEarly life
Family background
Jenny Lee Lindberg was born on July 30, 1981, in Elko, Nevada. She is the daughter of Sherry Sossamon, a nurse, and Todd Lindberg. Her older sister is actress and director Shannyn Sossamon, known for roles such as Princess Jocelyn in A Knight's Tale (2001) and Persephone in The Matrix Reloaded (2003) and The Matrix Revolutions (2003).[4] Lindberg's parents divorced in 1984, when she was three years old, after which she and her sister were raised primarily by their mother in Reno, Nevada; their mother later remarried Randy Goldman, a salesman and manager of an auto dealership.[14][7] The family home provided a supportive environment for artistic expression, with her parents encouraging her early interests in dance and choir, though they did not initially provide formal instruments due to cost.[14][7] At age 18, Lindberg relocated from Reno to Los Angeles to join her sister, immersing herself in the city's vibrant creative scene during her late teens and early adulthood.[7]Education and early interests
Lindberg attended high school in Reno, Nevada, where she grew up after her early childhood in the Tahoe area. During her senior year, she frequently skipped classes due to a lack of engagement with her surroundings and a growing desire to leave Reno, ultimately failing a drama class after refusing to perform in a required play owing to severe stage fright.[15][16] Raised in a family that fostered creativity without providing formal instruments, Lindberg explored music through childhood involvement in choir and dance, alongside listening to radio broadcasts and cassette tapes of artists like Tears for Fears, which her mother purchased. She bonded with her older sister over shared admiration for Siouxsie and the Banshees during her teenage years. Following her high school graduation around 1999, Lindberg moved to Los Angeles at age 18, where she received a bass guitar and amplifier as a gift from a friend.[7][17][14] At around age 19, Lindberg began teaching herself bass through intensive daily practice sessions lasting up to four hours, initially without any prior musical training beyond casual piano tinkering as a child. She took only a handful of lessons to learn basic scales and three specific songs—"Only in Dreams" by Weezer, "Sexy Boy" by Air, and "Lovesong" by The Cure—before relying on self-directed experimentation with drum machines to develop her style. Her earliest musical foray occurred at a neighbor's house party in Los Angeles, where she performed "Roxanne" by The Police for the first time in front of an audience.[7][18]Musical career
Warpaint
Warpaint was formed on Valentine's Day 2004 in Los Angeles by Emily Kokal (vocals and guitar), Theresa Wayman (vocals and guitar), Jenny Lee Lindberg (bass and backing vocals), and Shannyn Sossamon (drums), who is Lindberg's sister.[19] The band initially rehearsed and composed material independently for about 18 months before performing live, drawing from influences like shoegaze, dream pop, and post-punk to create an atmospheric indie rock sound.[2] In 2008, Sossamon departed to focus on acting, and after several temporary drummers, Australian drummer Stella Mozgawa joined in 2009, solidifying the lineup that has remained intact since.[19] Lindberg serves as Warpaint's primary bassist and backing vocalist, where her contributions are central to the band's hypnotic rhythms and textural depth. Her distinctive bass lines, often melodic and driving, underpin tracks across their discography, notably providing a brooding foundation on the debut album The Fool (2010), such as in "Undertow," and adding groovy, propulsive energy to the more upbeat grooves of Heads Up (2016), including the title track.[20] These elements help define Warpaint's ethereal yet grounded sonic identity, with Lindberg's playing frequently described as a key structural pillar.[21] The band's evolution accelerated after their early EPs, leading to a signing with Rough Trade Records in early 2010 following a buzz-generating performance at SXSW.[19] This deal facilitated the release of The Fool and subsequent albums, while enabling extensive international touring; Warpaint supported major releases with headlining tours across the US, Europe, and Australia, including slots at festivals like Coachella and Glastonbury, which helped build a dedicated global fanbase.[22] Over the years, the group balanced intense touring periods with creative experimentation, refining their collaborative approach to songwriting and production. For their fourth studio album, Radiate Like This (2022), Lindberg played a significant role in songwriting and production, contributing bass parts and vocal harmonies during remote sessions amid the COVID-19 pandemic, including from her home studio in Salt Lake City.[23] The album marked a return to a warmer, more cohesive sound after individual pursuits, with Lindberg's input helping shape tracks like "Melting" through the band's shared desert writing retreat in 2019.[23] Warpaint has experienced periodic hiatuses to allow members to pursue solo endeavors and personal lives, notably after the 2016 release of Heads Up, during which Lindberg focused on her own music. The band reunited for Radiate Like This in 2022, followed by celebratory tours marking their 20th anniversary in 2024, including US dates and a new single, "Common Blue."[24] As of late 2024, they announced a short break after summer touring to prioritize family and individual projects, with no major activities reported in 2025, though the members have expressed ongoing commitment to future reunions.[24]Solo projects
Lindberg's solo career began under the moniker jennylee with her debut album Right On!, released on December 11, 2015, via Rough Trade Records. The album incorporates electronic and psychedelic rock elements, diverging from Warpaint's sound through driving bass lines, machine-like drumming, and hazy, dance-oriented grooves inspired by new wave and post-punk acts like Joy Division and Siouxsie and the Banshees.[25][26][27] Standout tracks such as "Never" exemplify this with its psychedelic soundscapes layered over rhythmic propulsion, emphasizing Lindberg's creative autonomy in exploring personal introspection.[28][29] Her second solo album, Heart Tax, arrived on May 27, 2022, through Jenny's Recordings and initially as a Record Store Day exclusive. This release features collaborations including Depeche Mode's Dave Gahan on the track "Stop Speaking," and delves into themes of introspection, healing, and releasing pent-up emotions through stream-of-consciousness artistry.[5][30] Tracks like "Tickles" and "Newtopia" highlight more experimental electronic textures, building on the electronic leanings of her debut while incorporating ambient and industrial influences for a raw, personal evolution.[31][32] The production for Heart Tax involved self-recording processes initiated in Southern California around 2018 and largely completed in Salt Lake City, where Lindberg sought a change of environment to channel accumulated energy and confront emotional baggage.[33][34] This DIY approach underscores her emphasis on autonomy, contrasting Warpaint's collaborative band dynamic with solo ventures that prioritize experimental electronic experimentation and intimate thematic depth. No new solo singles or EPs have been released since 2022.[35]Collaborations
Lindberg has frequently collaborated with electronic and indie artists, contributing vocals, bass, and production to expand her sonic palette beyond Warpaint. In 2017, she provided lead vocals for Danish producer Trentemøller's track "Hands Down" from the album Harms Way, blending her ethereal style with his atmospheric electronica.[36] This partnership continued in 2019 with her featured vocals on "Try A Little" from Obverse, where her delivery added a haunting intimacy to the track's pulsating rhythm.[37] Trentemøller also remixed her solo single "boom boom" in 2016 and produced tracks like "Tickles" for her 2022 album Heart Tax.[38] Her guest appearances highlight her demand as a collaborator in indie rock circles. In 2021, Lindberg contributed vocals to rock duo Deap Vally's single "Look Away," infusing the garage-punk energy with her signature melodic depth.[39] That same year, she joined Goldensuns on their hazy track "Empty," delivering backing vocals alongside Warpaint bandmate Theresa Wayman to create a dreamy, sun-soaked vibe.[40] In 2023, she remixed Swim Deep's "King City" under her jennylee moniker, reimagining the indie pop song with subtle electronic layers for the band's 10-year anniversary release.[41] On her 2022 solo album Heart Tax, Lindberg incorporated several high-profile guest appearances that underscored her network of musical allies. Depeche Mode's Dave Gahan joined her on the duet "Stop Speaking," where their voices intertwined to explore themes of solitude and resilience.[42] Warpaint provided harmonies on "Clinique," while individual contributions came from drummer Stella Mozgawa, producer Belief, and Goldensuns across various tracks, blending experimental pop with collaborative intimacy.[43] In addition to performing, Lindberg has taken on production roles for emerging artists. She produced most of Spring Summer's debut album T.E.A.R.S. (2022), shaping the dream-pop record with lush arrangements and featuring drummer Jason Schwartzman on several songs, resulting in a nostalgic yet forward-leaning sound.[44] These efforts demonstrate her growing influence in guiding experimental and indie projects through to completion.Other activities
Acting roles
Lindberg has appeared in minor acting roles in television and film, often alongside her musical contributions to soundtracks. Warpaint's track "Undertow" was featured in the HBO series True Blood (2014, episode "Love Is to Die").[45] In the YouTube Premium series Impulse (2018), Warpaint's track "Heads Up" was featured in episode 2.[3][46] She appeared in a cameo role credited as Jennifer Lindberg in the HBO Max series Made for Love (2021–2022), where Warpaint's song "Lilys" (HBO 'Made For Love' Cut) was included in the soundtrack.[3][47][48] In the 2024 horror film The Watchers, directed by Ishana Night Shyamalan, Lindberg had an acting role credited as Jennifer Lindberg and contributed to the soundtrack as a co-writer and performer on Warpaint's "Disco//Very," which incorporates original score-like elements for the film's atmospheric tension.[49][3] As of November 2025, no additional acting projects or soundtrack work for Lindberg have been announced.[3]Visual arts
Jenny Lee Lindberg maintains a visual arts practice centered on painting, which emerged as a significant creative outlet during the COVID-19 pandemic. Guided by a stream-of-consciousness approach without preconceived plans, her process emphasizes spontaneity, allowing forms and colors to evolve in a childlike, non-judgmental manner.[50] Her style is abstract, featuring vibrant and chaotic color palettes, dynamic shapes, and explorations of spatial relationships and emotional release. Influenced by artists such as Morten Lassen for his handling of form, color, and space, and Teresa “tyda” Sterbova for her bold, expressive hues, Lindberg's works often convey themes of introspection and transformation. Notable examples include Blue Dream, which portrays floating Tetris-like pieces evoking a sense of cohesion amid uncertainty; Smoking Ghosts, symbolizing the expulsion of negative energy to reveal underlying brightness; Space In, delving into personal boundaries through layered compositions; and Coral Reef, a sparkling, multicolored abstraction reminiscent of avian life on an island.[50] By the early 2020s, Lindberg's paintings had transitioned into professional showcases, including an online feature in HERO Magazine in May 2022, where she presented a series of pandemic-era works alongside inspirational pieces. She has also integrated her art with her music career by designing cover artwork for her solo releases. Starting in 2021, Lindberg used her abstract paintings as covers for a series of limited-edition 7" singles under the moniker JennyLee, beginning with "Newtopia." Subsequent releases, such as "Tickles" b/w "Heart Tax" in December 2021 and the final "Stop Speaking" b/w "In Awe Of" on December 17, 2021, similarly featured her original visuals, blending her visual and sonic creativity.[50][51][52]Artistic influences
Musical influences
Jenny Lee Lindberg's musical influences draw heavily from post-punk and psychedelic rock, shaping her distinctive approach to bass playing and songwriting. She has cited Siouxsie and the Banshees as a major inspiration, particularly admiring Siouxsie Sioux's vocal tone and the band's ability to blend dark, gothic elements with poppy structures, which echoes in Warpaint's atmospheric sound.[17] Tracks on her solo album have been noted by reviewers for evoking the hypnotic repetition and rhythmic drive reminiscent of Joy Division and The Cure's Disintegration era, with bass and drums forming the core pulse emphasizing dream pop and new wave textures.[27] Her bass style is particularly informed by innovative players who prioritize groove and experimentation over traditional techniques. Lindberg has expressed admiration for Jah Wobble's dub-infused lines in Public Image Ltd., describing his playing as one of her all-time favorites and noting similarities to her own "Jen Wobble" moniker.[17] She also highlights Bernard Edwards' funky precision on Chic tracks, as well as the versatile, emotive styles of Flea and Thundercat, positioning her own approach as a blend that emphasizes melodic lines and textural depth in both Warpaint and her solo projects.[18] Over time, Lindberg's influences evolved to incorporate electronic elements, evident in her collaborations with Danish producer Trentemøller on tracks like "Tickles" and "Try A Little," where pulsating bass integrates with synth-driven rhythms to expand her experimental palette beyond rock roots.[53][54]Broader inspirations
Lindberg's broader inspirations draw from diverse cultural and personal sources that shape her holistic approach to artistry. In a 2022 interview, she highlighted films like The Batman (2022), directed by Matt Reeves, for its realistic portrayal and strong character dynamics between Robert Pattinson and Zoë Kravitz, which resonated with her appreciation for grounded storytelling.[55] She also praised the National Geographic series Life Below Zero for depicting off-grid Alaskan living, noting its ability to alleviate anxiety through immersion in raw, natural environments.[55] Books such as Brian Weiss's Many Lives, Many Masters (1988) further influenced her, with its exploration of past lives through hypnotherapy reigniting her spiritual curiosity and prompting deeper self-reflection.[55] Travel and immersion in nature have profoundly impacted Lindberg's creative process, particularly her relocation to Utah from 2019 to around 2023, during which—as of 2022—she lived in Salt Lake City and engaged in hikes, snowboarding, and outdoor activities amid stunning landscapes.[55][56] This move, as she described in a 2016 interview, connects to her affinity for nature-filled places like Utah and her childhood home in Tahoe, fostering inspiration and a sense of renewal that permeates her work.[15] This period aided her in cultivating introspection during creative periods.[56] Her connections to visual arts extend to abstract expressionism, which informs her own painting practice through a stream-of-consciousness style that embraces uninhibited change and emotional release, as seen in pandemic-era works like Blue Dream.[50] Contemporary painters such as Morten Lassen, admired for his masterful use of shape, color, space, and lines, and Teresa “Tyda” Sterbova, celebrated for her chaotic yet vibrant palettes, serve as key influences, guiding Lindberg's focus on freedom and spatial dynamics in abstract forms.[50] Recent reflections from 2023 underscore themes of healing and introspection, with Lindberg crediting the pandemic era's isolation in Utah for enabling personal evolution and resilience, channeled into more narrative-driven songwriting rooted in lived experiences.[56] In 2024, she described the band's 20 years as "psychedelic," reflecting on personal growth toward calmness in her 40s as an ongoing influence.[22]Personal life
Relationships
Lindberg was married to British music video director Chris Cunningham from 2010 until their divorce in 2016.[14] During their marriage, Cunningham documented the recording sessions for Warpaint's self-titled 2014 album, contributing to its visual and creative process.[57] Her debut solo album, Right On! (2015), draws on deeply personal themes, including reflections on love and vulnerability inspired by her relationship with Cunningham, such as the closing track "Dreams," which she wrote about him.[58] This work marked a shift toward greater emotional introspection in her songwriting, exploring inner turmoil and relational dynamics with raw honesty.[7] Following the divorce, Lindberg has maintained a high degree of privacy regarding her personal relationships, with no further public details on romantic partnerships emerging as of 2025.[59]Health and advocacy
In 2015 interviews, Jenny Lee Lindberg openly discussed her struggles with anxiety, describing how social interactions often left her feeling overwhelmed and how early performances triggered intense nervousness, sometimes leading to emotional breakdowns like crying after gigs.[7] Her debut solo album Right On! served as a platform for exploring these issues, incorporating meditations on anxiety and depression, as well as themes of personal demons and self-imposed limitations that held her back.[7] Around this time, Lindberg also shared aspects of her sobriety journey, noting in early 2014 that she had abstained from alcohol for 10 months and, by 2015, emphasizing the challenges and benefits of writing music sober after years of more casual drinking in the studio.[60][61] Lindberg's advocacy for mental health awareness has primarily manifested through her music, where she channels personal introspection to promote self-acceptance and emotional release. In her 2022 solo album Heart Tax, she incorporated healing themes drawn from allowing her stream of consciousness to flow freely during creation, which facilitated the processing of old emotional baggage and the release of pent-up feelings from her past.[62] She described the recording process as a calming period of introspection that helped her confront long-suppressed emotions, marking a significant step in her ongoing personal growth.[62] Beyond mental health, Lindberg has supported women's roles in the music industry by highlighting the empowering yet challenging nature of female collaborations, which require extensive communication but foster mutual strength.[63] As a member of the all-female band Warpaint, she views their self-sufficiency in producing and performing their own music as a subtle form of protest against industry expectations for women, emphasizing autonomy as key to breaking barriers.[61]Discography
Solo albums
Lindberg's debut solo album, right on!, was released on December 11, 2015, by Rough Trade Records.[64] The album consists of eight tracks and peaked at number 40 on the UK Official Record Store Chart and number 7 on the UK Official Independent Album Breakers Chart, spending one week on each.[65] Track listing:- "blind"
- "boom boom"
- "never"
- "long lonely winter"
- "bully"
- "riot"
- "he fresh"
- "offerings"[66]
- "Stop Speaking" (feat. Dave Gahan)
- "Tickles"
- "Newtopia"
- "Heart Tax"
- "Clinique" (feat. Warpaint)
- "In Awe Of You"
- "Right On!"
- "What You Want"
- "Star"
- "Vibe As Chill"[5]
Singles and EPs
Lindberg's solo career began with the release of her debut single "Never" in October 2015, which served as the lead track from her album Right On!. The song, characterized by its shoegaze-infused dream pop sound, was accompanied by an official music video directed by Mia Kirby and Lindberg herself, featuring ethereal visuals and performance footage. It was issued as a limited-edition cassette single on Rough Trade Records.[69][70][71] In 2020, Lindberg released the double A-side 7" single "I'm So Tired" / "Some Things Last a Long Time" for Record Store Day, limited to 1,000 copies on her own Jennys Recordings label. "I'm So Tired" is her cover of the Fugazi classic, reimagined with hazy, atmospheric production, while the B-side covers Daniel Johnston's poignant track, showcasing her interpretive vocal style. The release highlighted her interest in reinterpretation during a period of relative quiet in her solo output.[72][73][74] Lindberg launched her Jennylee Singles Club in 2021, a series of limited-edition 7" vinyl releases (each capped at 1,000 copies) distributed through her label, aimed at sharing new material directly with fans ahead of her second album. The inaugural single, "Newtopia" / "Clinique," arrived in October 2021; "Newtopia" is an upbeat, synth-driven track marking her return to original solo songwriting after six years, while "Clinique" features contributions from her Warpaint bandmates. This was followed in December by "Tickles" / "Heart Tax," with "Tickles" produced and mixed by Trentemøller, blending electronic elements with Lindberg's raw vocals, and "Heart Tax" serving as a brooding B-side. The series concluded that same month with "Stop Speaking" (featuring Depeche Mode's Dave Gahan) / "In Awe Of," where Gahan's baritone complements Lindberg's plea for solitude in the A-side, a collaboration that drew attention for bridging indie and alternative rock scenes; an official audio video was released for "Stop Speaking." These Singles Club releases formed the backbone of her 2022 album Heart Tax, emphasizing non-album standalone distribution. No further solo EPs or singles have been released as of 2025.[75][76][77][78][79][80]with Warpaint
Jenny Lee Lindberg serves as the bassist and a backing and lead vocalist for Warpaint, contributing to songwriting and production across the band's releases.[2] Her bass lines often provide the rhythmic foundation for the group's dream pop and indie rock sound, while her vocal contributions add layered harmonies and occasional leads.Exquisite Corpse (2008 EP)
Warpaint's debut EP, Exquisite Corpse, was self-released in 2008 and reissued by Manimal Vinyl in 2009. Lindberg is credited with bass and backing vocals on all tracks, co-writing the material alongside bandmates Emily Kokal, Theresa Wayman, and then-drummer Shannyn Sossamon.[81] The EP was produced by the band with mixing by John Frusciante.[82]- "Stars"
- "Elephants"
- "Bill's Mandolin"
- "Beetles"
- "Burgundy"
- "Krimson"[81]
The Fool (2010)
The band's debut full-length album, The Fool, was released on October 25, 2010, via Rough Trade Records. Lindberg performed bass and backing vocals throughout, and co-wrote all songs with her bandmates, including new drummer Stella Mozgawa. The album was self-produced by Warpaint, with additional production by Tom Krell on select tracks.- "Set Your Arms Down"
- "Warpaint"
- "Undertow"
- "Bees"
- "Shadows"
- "Composure"
- "Baby"
- "Majesty"
- "Lately"
- "Sleep"
Warpaint (2014)
Warpaint's self-titled second album arrived on January 21, 2014, through Rough Trade. Lindberg handled bass duties on every track, provided lead vocals on "Feeling Alright" and "So Good," and co-wrote all compositions with the group. The album was co-produced by the band and Flood.- "Intro"
- "Keep It Healthy"
- "Love Is to Die"
- "Hi"
- "Biggy"
- "Teese"
- "Disco//Very"
- "Go In"
- "Feeling Alright"
- "'This Magic Feeling'"
- "Ffa"
- "CC"
- "Drive"
Heads Up (2016)
Released on September 23, 2016, via Rough Trade, Heads Up marked a more upbeat shift for the band. Lindberg contributed bass, backing vocals, and co-wrote every song, with lead vocals on "Above Control." The album was self-produced by Warpaint.[83]- "Whiteout"
- "By Your Side"
- "New Song"
- "The Stall"
- "So Good"
- "Don't Wanna"
- "Don't Let Go"
- "Dre"
- "Heads Up"
- "Above Control"
- "Summer"
Radiate Like This (2022)
Warpaint's fourth studio album, Radiate Like This, was issued on May 6, 2022, by Virgin Music/ Rough Trade. Lindberg played bass, delivered backing and lead vocals (including on "Stevie" and "Beautiful"), co-wrote all tracks, and participated in production. The album was primarily self-produced by the band, with mixing by Sergio Acosta.- "Champion"
- "Hips"
- "Hard to Tell You"
- "Stevie"
- "Like Sweetness"
- "Trouble"
- "Proof"
- "Altar"
- "Melting"
- "Radiate Like This"
- "Send Nudes"