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Joe Ide
View on WikipediaJoe Ide (/ˈiːdeɪ/ EE-day, born c. 1958[1]) is an American crime fiction writer of Japanese descent.
Key Information
Career
[edit]Ide grew up in South Central Los Angeles, which he used as the setting for a series of crime novels that feature his recurring young Sherlockian protagonist, Isaiah Quintabe.
Ide's 2016 debut novel IQ received high critical acclaim and was included on numerous Top 10 book lists for both 2016 and 2017.[2] It went on to be nominated for the 2017 Edgar Award for Best First Novel by an American writer,[3] and received many other nominations and awards. IQ's sequel Righteous was also widely praised.
In 2020, it was announced that Snoop Dogg and his Snoopadelic Films would work on a project to produce the IQ novels for television.[4]
Personal life
[edit]Ide is a cousin of Francis Fukuyama.[5]
Bibliography
[edit]Isaiah "IQ" Quintabe series
- IQ (2016)
- Righteous (2017)
- Wrecked (2018)
- Hi Five (2020)
- Smoke (2021)
- Fixit (2023)
Other novels
- The Goodbye Coast (2022) (A Philip Marlowe Novel)[6]
Awards and honors
[edit]- Winner of the Anthony Award for Best First Novel 2017 for IQ
- Winner of the Macavity Award for Best First Mystery 2017 for IQ
- Winner of the Shamus Award for Best First P. I. Novel 2017 for IQ
- Nominated for the Edgar Award for Best First Novel 2017 for IQ
- Nominated for the Barry Award for Best First Novel 2017 for IQ
- Nominated for The Strand Critics Award for Best First Novel 2017 for IQ
- Short-listed for the CWA John Creasey New Blood Dagger 2017/2018 for IQ
- Winner of AudioFile Earphones Award 2016 for IQ (audiobook), narrated by Sullivan Jones
- Winner of AudioFile Earphones Award 2017 for Righteous (audiobook), narrated by Sullivan Jones
- Winner of AudioFile Earphones Award 2018 for Wrecked (audiobook), narrated by Sullivan Jones
- Winner of AudioFile Earphones Award 2020 for Hi-Five (audiobook), narrated by Zeno Robinson
References
[edit]- ^ Beckerman, Gal. "Raised in South Central, Joe Ide Expands the Territory of L.A. Noir". The New York Times, 2018-09-28. Retrieved 2018-10-17.
- ^ Critics’ and authors’ praise for Joe Ide and the IQ series https://www.joeide.com/praise
- ^ Flax, Margery. "MWA Announces the 2017 Edgar Nominations". Mystery Writers of America, press release, 2017-01-19. Retrieved 2018-10-17.
- ^ "Snoop Dogg to Produce Reimagined 'Sherlock Holmes' Series 'IQ' From Alcon Television, Atlas Entertainment". The Wrap. March 5, 2020.
- ^ Winters, Ben A. "The Smartest Guy in the Room". Los Angeles Review of Books, 2016-11-07. Retrieved 2018-10-17.
- ^ The Goodbye Coast A Philip Marlowe Novel by Joe Ide. Mulholland Books, Retrieved 2021-01-25.
External links
[edit]
Quotations related to Joe Ide at Wikiquote
Joe Ide
View on GrokipediaEarly life and education
Childhood and family background
Joe Ide was born in 1958 in Los Angeles, California, to Japanese American parents.[1] His family, including his grandparents who had purchased a modest wood-frame house during the Great Depression, remained in the area despite economic hardships that prompted other Japanese American families to relocate after World War II.[1] As one of three brothers raised in a multigenerational household, Ide experienced the financial strains of poverty firsthand, with his family "just scraping by" in a home that housed three generations under one roof.[2] Ide grew up as the only Japanese American family in a predominantly Black neighborhood in South Central Los Angeles during the 1960s and 1970s, a period marked by the aftermath of the 1965 Watts riots and ongoing urban decay.[1] The East Adams area, where his family lived, was a bustling, working-class enclave characterized by noise, hustlers, drunks, and territorial gangs, fostering an environment of constant vigilance and observation for the young Ide.[2] His grandparents embodied traditional Japanese values, with his stern grandfather collecting samurai swords and speaking little English, creating a stark contrast to the outside world.[1] From an early age, Ide was immersed in the realities of street crime, gangs, and poverty, surrounded by a community where such elements were pervasive.[2] He and his brothers spent much of their time with Black neighborhood children, forming close friendships that profoundly shaped his cultural understanding, speech patterns, and mannerisms—"the vernacular was my first language," as he later reflected.[2] These interactions, in a neighborhood where "most of our friends [growing up] were black," instilled a sense of adaptability and self-reliance amid the challenges of economic deprivation and social tensions.[8]Formal education
Joe Ide attended local public schools in South Central Los Angeles during his childhood, navigating the challenges of a neighborhood marked by socioeconomic difficulties and limited resources, and graduated from high school in the late 1970s as an indifferent student who exerted just enough effort to pass.[8][9] Following high school, Ide enrolled at East Los Angeles College, a community college, where he performed adequately without notable distinction, before transferring to California State University, Los Angeles to complete his undergraduate studies.[9] He earned a bachelor's degree there around the early 1980s, marking a period of gradual academic motivation amid his otherwise restless youth.[10] During his college years, Ide developed an early engagement with literature, discovering classic mystery novels such as those by Raymond Chandler, which ignited his interest in storytelling and the genre's narrative structures.[11] This exposure complemented his longstanding admiration for Arthur Conan Doyle's Sherlock Holmes stories, fostering a foundational passion for crime fiction that would later influence his writing.[12] In the mid-1980s, Ide pursued graduate studies and obtained a master's degree in education, initially aspiring to a career in teaching as a way to channel his academic background into community impact.[2][1]Professional career
Pre-writing occupations
Following his completion of a master's degree in education, Joe Ide began his professional career as an elementary school teacher, instructing grades 4 through 6 for one semester. He quickly found the role unfulfilling, citing his disinterest in working with children, whom he described as "noisy and fussy" and prone to constant questioning.[2][1] This brief stint ended as Ide sought other opportunities, later briefly lecturing in education at a university but similarly disengaging from the position.[3][9] Over the subsequent years, Ide held a variety of miscellaneous jobs spanning more than two decades, reflecting a period of professional restlessness. These included roles as a business consultant, a middle manager at a conglomerate, and the operator of an NGO providing services for abused women.[9][13] He also managed apartment buildings for low-income immigrant residents, ran an answering service staffed by transgender individuals, and served as an assistant to a French entrepreneur who later proved fraudulent.[2][9] These positions, often administrative or labor-oriented, provided financial stability but lacked creative fulfillment, as Ide continued to nurture his interest in writing on the side.[1] In the late 1980s and early 1990s, Ide transitioned to screenwriting, marking the longest phase of his pre-novel career. After producing a dozen unsuccessful scripts, he sold his thirteenth—a spec script—to Disney, which opened doors to steady employment with major Hollywood studios.[2][14] Over nearly a decade, he contributed to numerous projects, including rewrites and additional spec sales, working for entities like Disney and other prominent production companies.[15][14] Despite this progress, none of his work resulted in produced films, leaving him in a cycle of development without realization.[14][16] Ide's screenwriting tenure ended in burnout by the early 2010s, exacerbated by the industry's relentless pace and persistent pitching demands. He described profound frustration with the format's constraints and the lack of control over projects, often handed off to inexperienced executives, leading to a sense of creative depletion and even physical aversion to screenwriting software.[2][1] This culminated in his decision to quit around his early fifties, after a particularly disillusioning meeting where a young studio representative referenced Pretty Woman as a "classic," underscoring generational and artistic disconnects.[16] As a Japanese American navigating a predominantly white industry, Ide faced inherent challenges in gaining traction, though his persistent efforts highlighted broader barriers for minority writers in Hollywood.[2]Transition to writing
In the early 2010s, following a decade of unsuccessful screenwriting endeavors that left him frustrated with unproduced scripts and harsh feedback, Joe Ide quit Hollywood and began writing at home as a self-motivated pursuit, without enrolling in any formal MFA programs.[15][17][3] He viewed prose as a logical next step to sustain his writing career after "reality slapped me in the face."[17][15] Ide drew heavily from his upbringing in South Central Los Angeles, where he grew up in a multigenerational Japanese-American household amid a predominantly Black community, to shape his protagonists and infuse his work with authentic urban details.[2] Experimenting within the mystery genre, he blended these autobiographical elements with fictional narratives, creating intellectually driven characters inspired by his neighborhood experiences and cultural immersion.[2][15] This approach allowed him to explore deeper storytelling possibilities unavailable in screenwriting. Over the next three years, Ide spent one year building confidence in prose and two more developing his voice, ultimately completing the manuscript for his debut novel after extensive revisions—reportedly rewriting it 27 times to refine its quality.[15][17] Despite facing numerous rejections, a common hurdle he had already navigated in screenwriting, he secured literary agent representation around 2015.[15][3] His decision to prioritize novels over scripts stemmed from a desire for greater creative control, free from the collaborative constraints and lack of autonomy in Hollywood, where even an optioned project like his Disney screenplay proved unfulfilling.[17][15][2]Writing career
Debut and breakthrough
Joe Ide's debut novel, IQ, was published on October 18, 2016, by Mulholland Books, an imprint of Little, Brown and Company.[18] The book introduces Isaiah Quintabe, known as IQ, a young Black unlicensed private investigator operating out of East Long Beach, California, whose genius-level intellect and deductive skills draw inspiration from Sherlock Holmes.[19] Set against the backdrop of a tough urban neighborhood, IQ takes on cases overlooked by the LAPD, often accepting unconventional payments like household goods from his clients.[20] The novel garnered critical acclaim for its innovative revival of the noir genre, infusing traditional detective tropes with sharp humor, high-stakes action sequences, and incisive social commentary on race, poverty, and community life in contemporary Los Angeles.[21] Reviewers praised Ide's vivid portrayal of East Long Beach as a character in itself, blending gritty realism with witty dialogue that captures the vernacular of the streets.[19] IQ was selected as one of the New York Times' top books of 2016 and achieved bestseller status, marking Ide's rapid ascent in the crime fiction world.[22][15] Ide secured a literary agent after refining the manuscript through multiple revisions, ultimately sparking a bidding war that led to a substantial six-figure advance from Mulholland Books for the debut and additional titles in the series.[17] Initial marketing efforts highlighted Ide's distinctive background as a Japanese American raised in South Central Los Angeles, which informed the novel's authentic depiction of Black neighborhood dynamics without delving into personal anecdotes that might reveal plot details.[17] This unique perspective positioned IQ as a fresh voice in multicultural crime fiction, appealing to readers seeking diverse narratives in the genre.[3] Early media coverage amplified the book's launch, with interviews focusing on Ide's upbringing in a predominantly Black community and how it shaped his empathetic rendering of IQ's world, while carefully avoiding spoilers about the central mystery involving a threatened rap mogul.[2] Outlets like NPR emphasized Ide's immersion in South Central's culture during his childhood, crediting it for the novel's believable slang and social insights, which helped build buzz among both mainstream and genre-specific audiences.[2] This attention not only boosted sales but also established Ide as a promising newcomer capable of bridging literary and commercial appeal in detective fiction.[8]Major works and series
Joe Ide's primary body of work is the Isaiah Quintabe series, commonly known as the IQ series, which features the eponymous protagonist, a brilliant, self-taught private investigator operating in the multicultural neighborhoods of East Long Beach, California.[23] Each novel in the series advances IQ's investigations into intricate crimes, weaving in threads of family relationships and his ongoing personal evolution, all vividly set against the urban landscape of Los Angeles.[23] The series is characterized by its progression from localized neighborhood enigmas to expansive conspiracies, heightening the narrative tension across installments.[23] The IQ series consists of the following titles, published in chronological order:- IQ (2016)
- Righteous (2017)
- Wrecked (2018)
- Hi Five (2020)
- Smoke (2021)
- Fixit (2023)
