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Join the Army
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| Join the Army | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | April 1987[1] | |||
| Recorded | January 1987 at Record Plant Studios, Los Angeles | |||
| Genre | ||||
| Length | 38:53 | |||
| Label | Caroline | |||
| Producer | Lester Claypool, Suicidal Tendencies | |||
| Suicidal Tendencies chronology | ||||
| ||||
| Singles from Join the Army | ||||
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Join the Army is the second studio album by American crossover thrash band Suicidal Tendencies. It was released in April 1987,[1] and is one of the most well known albums for crossing over the genres of punk and thrash metal, known as crossover thrash, a genre that Suicidal Tendencies have been credited for creating. Join the Army is arguably one of Suicidal Tendencies' most popular efforts, although it only reached No. 100 on the Billboard 200 chart.[3] This was their first album with guitarist Rocky George and drummer R.J. Herrera, and their last recording with bassist Louiche Mayorga (although he did co-write songs on their next album How Will I Laugh Tomorrow When I Can't Even Smile Today). This is also the last album to feature the band playing hardcore punk before an extended period with a more thrash metal focus. However, on some more recent albums, hardcore punk is again part of the mix.
Musical style
[edit]Mike Muir used vastly different vocal techniques and range compared to their debut album (sometimes sounding similar to Lemmy from Motörhead).[citation needed] Original guitarist Grant Estes had been replaced by Jon Nelson in 1984, who was then soon replaced by Rocky George, who influenced the change of the band's sound into the thrash direction. Original drummer Amery Smith was replaced by R.J. Herrera, who used the particularly metal drum feature of double kick.
Reception and legacy
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
Reviews for Join the Army were mostly positive. AllMusic's Eduardo Rivadavia gave it three stars out of five and called it "a transitional album in the transformation of the band's sound from hardcore punk to thrash metal".[2]
Join the Army was also the first Suicidal Tendencies album to enter the Billboard 200; it peaked at No. 100, and remained on the chart for thirteen weeks.[3] "Possessed to Skate" preceded the album's release as a single, which also had a music video created for it. The video featured old school skateboarding tricks, and as such is considered a classic visual period piece of skateboarding.[citation needed] The success of Join the Army garnered attention from major labels, including Epic Records, with whom Suicidal Tendencies would eventually sign in 1988.
"War Inside My Head" is featured in the game Guitar Hero: Metallica. "Possessed to Skate" is featured in the game Skate 2. "Suicidal Maniac" was covered by Hatebreed on their 2009 release For the Lions.
Over the years and with the involvement several line-ups, Suicidal Tendencies have recorded new versions of 10 of the 13 songs originally included in Join the Army, including two different new versions of two of those tracks: "War Inside My Head" and "A Little Each Day" (Still Cyco After All These Years); "Join the Army" and "Go Skate! (Possessed to Skate '97)" (Prime Cuts); "Two Wrongs Don't Make a Right" (Year of the Cycos); "Suicidal Maniac", "Possessed to Skate", "The Prisoner", "I Feel Your Pain... And I Survive", "Join the ST Army", "No Name, No Words", and "Born to Be Cyco" (No Mercy Fool!/The Suicidal Family).
Track listing
[edit]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Suicidal Maniac" | Rocky George, Mike Muir | 2:57 |
| 2. | "Join the Army" | Louiche Mayorga, Mike Muir | 3:37 |
| 3. | "You Got, I Want" | Suicidal Tendencies | 2:55 |
| 4. | "A Little Each Day" | Muir | 4:08 |
| 5. | "The Prisoner" | Mayorga, Muir | 2:53 |
| 6. | "War Inside My Head" | Mayorga, Muir | 3:51 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 7. | "I Feel Your Pain" | George, Muir | 3:27 |
| 8. | "Human Guinea Pig" | Suicidal Tendencies | 2:05 |
| 9. | "Possessed to Skate" | Mayorga, Muir | 2:34 |
| 10. | "No Name, No Words" | Mayorga, Muir | 2:35 |
| 11. | "Born to Be Cyco" | Mayorga, George, Muir | 2:13 |
| 12. | "Two Wrongs Don't Make a Right (But They Make Me Feel a Whole Lot Better)" | George, Muir | 2:49 |
| 13. | "Looking in Your Eyes" | Mayorga, Muir | 2:50 |
- "War Inside My Head", "Human Guinea Pig", and "You Got, I Want" were originally written by previous guitarist Jon Nelson. He traded the rights for "War Inside My Head" for a Flying V guitar after he left the band.[4]
- A different version of "War Inside My Head" was played live and existed as early as 1982, but with a different arrangement and lyrics. The song is sometimes labeled as "War Inside Myself" on certain bootleg releases but is an entirely different song that appeared on the 2nd Demo in 1982.[5]
- "Human Guinea Pig" does not appear on vinyl or cassette versions of the album.
Credits
[edit]- Mike Muir – lead vocals
- Louiche Mayorga – bass, backing vocals
- Rocky George – guitars, backing vocals
- R.J. Herrera – drums
- Recorded and mixed at Record Plant, Los Angeles, California
- Produced by Lester Claypool and Suicidal Tendencies
- Engineered by Lester Claypool
- Guitar and vocals recorded at Baby/O/
- Album cover by Michael Seiff
Chart positions
[edit]References
[edit]- ^ a b "Suicidal Tendencies Tour Dates". metallipromo.com. Retrieved April 21, 2022.
- ^ a b c AllMusic review
- ^ a b "Join the Army - Suicidal Tendencies". Billboard. Retrieved December 25, 2012.
- ^ "Entrevista – Jon Nelson | SUICIDAL MANIAC". Stillcyco.wordpress.com. October 13, 2009. Retrieved February 26, 2012.
- ^ "SUICIDAL TENDENCIES - live @ Bob's,Los Angeles-CA". September 3, 1982.
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| Notable songs | |
| Related articles | |
Join the Army
View on Grokipediafrom Grokipedia
Background and production
Band context
Suicidal Tendencies is an American crossover thrash band formed in 1981 in Venice, California, by vocalist Mike Muir, the younger brother of Z-Boys skateboarder Jim "Red Dog" Muir.[7] Initially rooted in the hardcore punk scene of Los Angeles, the band gained notoriety with their self-titled debut album in 1983, released on Frontier Records, which featured aggressive tracks like "Institutionalized" that addressed themes of societal alienation and mental health, sparking controversy and bans in some markets despite its satirical intent.[8] The original lineup consisted of Muir on vocals, guitarist Grant Estes, bassist Louiche Mayorga, and drummer Amery Smith, blending raw punk energy with skate culture influences that resonated with underground audiences.[8] By the mid-1980s, Suicidal Tendencies experienced lineup instability amid the evolving punk and metal scenes, with Estes departing shortly after the debut, followed by a brief stint from guitarist Jon Nelson (1983–1984), and Smith leaving in 1984.[9][10] For their second album, Join the Army, the band stabilized around core members Muir and Mayorga, recruiting guitarist Rocky George—known for his metal-infused style from prior work with traditional heavy metal acts—and drummer R.J. Herrera in 1984 to inject heavier riffs and tighter rhythms into their sound.[5] This configuration marked a pivotal shift toward crossover thrash, merging punk's speed and aggression with thrash metal's technicality, as the band signed with Caroline Records to broaden their reach beyond the indie punk circuit.[3] The Join the Army era reflected Suicidal Tendencies' maturation amid the 1980s' thriving alternative music landscape, where bands like them bridged punk, metal, and skate punk subcultures. Production credits list Muir on vocals, George on guitar and backing vocals, Mayorga on bass and backing vocals, and Herrera on drums, with the album self-produced by the band under the guidance of engineer Lester Claypool.[11][4] This lineup's chemistry helped solidify the band's reputation for high-energy live performances and anthemic songs that critiqued authority and personal struggle, setting the stage for their enduring influence in heavy music.[12]Recording process
The recording sessions for Join the Army commenced in January 1987 at the Record Plant in Hollywood, California, where the majority of the instrumentation was captured.[4] Additional guitar overdubs and all vocal tracks were then recorded at Baby 'O' Studios, also in Hollywood, spanning January and February 1987.[4] The album was co-produced by the band Suicidal Tendencies and Lester Claypool, with Claypool additionally serving as engineer on the project. Following the tracking phase, mixing occurred at the Record Plant from February to March 1987, emphasizing the band's aggressive crossover thrash dynamics through a prominent bass presence in the final mix.[4] Mastering was handled by Bernie Grundman at Bernie Grundman Mastering in Hollywood. This structured approach to production, utilizing established Los Angeles facilities, contributed to the album's polished yet raw sonic profile upon its April 1987 release via Caroline Records.[4]Musical style and themes
Genre and sound
"Join the Army" is widely recognized as a seminal work in the crossover thrash genre, which fuses the raw energy of hardcore punk with the aggressive riffing and speed of thrash metal.[5] This style emerged prominently in the mid-1980s as bands like Suicidal Tendencies bridged underground punk scenes with the burgeoning heavy metal movement, and the album exemplifies this hybrid by incorporating punk's rebellious attitude alongside metal's technical precision.[4] AllMusic classifies it within Pop/Rock, with associated styles including hardcore punk and punk metal, highlighting its role in the American underground scene.[13] The album's sound is characterized by breakneck tempos, prominent bass lines, and groovy mid-tempo sections that provide dynamic contrast within its high-energy framework. Engineered by Les Claypool, the production emphasizes the bass guitar's lively presence, often driving the tracks with infectious grooves, while Rocky George's guitar work delivers thrashy riffs and manic solos that add a metallic edge.[14] Mike Muir's vocals shift from the whiny shouting of the band's debut to a more restrained, moaning delivery, incorporating rap-like cadences that enhance the street-smart, confrontational tone without overpowering the instrumentation.[14] Tracks like "Suicidal Maniac" and "Possessed to Skate" showcase this blend, with sharp, dry guitars cutting through fast-paced rhythms that evoke both punk fury and metal martiality.[15] Overall, the record's thrashcore elements—termed as such for its intense, decisive pacing—distinguish it from pure punk or metal albums of the era, creating a dirty yet composed sonic palette that influenced subsequent crossover acts.[15] While not overly polished, the sound avoids excessive low-end muddiness, allowing the drums' modest but effective propulsion and the guitars' raw bite to maintain clarity amid the chaos.[15] This balance contributes to its enduring appeal in skate and punk communities, where the album's aggressive yet accessible style resonates as a high-water mark for genre fusion.[13]Lyrics and influences
The lyrics of Join the Army, penned primarily by frontman Mike Muir, center on themes of personal resilience, social alienation, anti-establishment rebellion, and the vibrant skateboarding subculture that defined the band's Venice Beach origins. Drawing from hardcore punk's raw emotional directness, the album's words often portray inner turmoil and external pressures through vivid, narrative-driven storytelling, blending frustration with defiant calls to unity. For instance, the opening track "Suicidal Maniac" evokes the chaotic energy of the band's fanbase as a "giant" force raging across towns, symbolizing collective intensity born from music and community.[16] Tracks like "War Inside My Head" and "I Feel Your Pain...And I Survive" explore psychological conflict and endurance, with Muir's gruff delivery emphasizing survival amid mental and emotional battles—reflecting broader punk motifs of individual struggle against societal indifference. "Possessed to Skate" stands out as a high-energy ode to skateboarding's liberating rush, capturing the subculture's ethos of freedom and rebellion. Meanwhile, "The Prisoner" critiques imposed authority, rejecting conformity through declarations of personal sovereignty. The title track "Join the Army" serves as a rallying cry, reinterpreting military imagery to recruit listeners into the "Suicidal army"—a metaphorical brotherhood of outsiders united against mainstream norms, rather than literal enlistment.[17] Muir's songwriting on the album marks a maturation from the debut's more visceral aggression, incorporating pseudo-rap cadences in "Join the Army" and introspective hooks in closers like "Looking in Your Eyes," which ponders vulnerability with somber reflection. Overall, these lyrics prioritize empowerment over victimhood, a core tenet Muir has articulated as central to his creative ethos: "To me, it was about not being a victim."[18] Lyrically, Join the Army draws heavily from the confrontational spirit of 1970s punk pioneers, with Muir citing Johnny Rotten (John Lydon) of the Sex Pistols as a key influence for his unapologetic, anti-authoritarian voice that challenges hypocrisy and conformity. The album's themes also echo the raw social commentary of early 1980s Los Angeles hardcore bands like Black Flag and T.S.O.L., which shaped Muir's focus on alienation and self-reliance amid urban decay. Skate culture itself serves as a foundational influence, infusing lyrics with references to street life and subcultural identity drawn from the band's Venice roots. While the musical evolution toward crossover thrash added metallic aggression, the words retain punk's unfiltered honesty, influenced by Motörhead's gritty realism in blending rebellion with rhythmic punch.[18][19][17]Release and promotion
Commercial release
Join the Army was commercially released in April 1987 through Caroline Records in the United States, marking Suicidal Tendencies' second studio album and a pivotal shift toward crossover thrash.[1] The album's initial pressing was on vinyl LP under catalog number CAROL 1336, with a cassette edition also available shortly thereafter to broaden accessibility in the punk and metal markets.[3] A compact disc version followed in the same year, reflecting the growing adoption of digital formats in rock releases during the late 1980s.[20] Internationally, the album saw distribution via Virgin Records, Caroline's parent company, with the UK edition released on vinyl LP under catalog V 2424.[4] This partnership facilitated wider European availability, including versions in Germany and other markets, often featuring similar artwork and tracklisting to the US counterpart.[3] The release strategy emphasized the band's evolving sound, positioning Join the Army as a bridge between hardcore punk roots and thrash metal influences to attract a broader audience beyond underground circuits.[1] No major promotional tie-ins or special editions accompanied the initial launch, focusing instead on grassroots support through live tours and fanzine coverage, though the album's packaging included striking cover art depicting military imagery to align with its thematic elements.[3] Subsequent reissues in the 1990s and 2000s by labels such as Caroline Records and Virgin expanded formats to include CDs, but the 1987 originals remain the cornerstone of its commercial rollout.[3]Singles and media
The only official single released from Join the Army was "Possessed to Skate", issued in 1987 as a 12-inch, 45 RPM vinyl single in the UK by Virgin Records. The A-side featured the title track, while the B-side included "Human Guinea Pig" and "Two Wrongs Don't Make a Right (But They Make Me Feel a Lot Better)", both appearing on the album.[21] This release supported the album's crossover thrash and skate punk themes, aligning with the band's Venice Beach roots and growing popularity in the punk and metal scenes. A music video for "Possessed to Skate" accompanied the single, directed by Bill Fishman and released in 1987. The video emphasized high-energy performances by the band alongside skateboarding footage, capturing the song's rebellious spirit and contributing to its airplay on MTV's emerging alternative programming.[22] In 1990, a music video for the album track "War Inside My Head" was produced, featuring the band in a raw, live-style setting that highlighted their thrash influences. Although released years after the album, it helped sustain interest in Join the Army during the band's transition to Epic Records and broader commercial success.[23] No other official singles or major promotional media were issued directly for the album at the time of its 1987 launch.Reception
Critical response
Upon its release, Join the Army received mixed reviews from the punk press. In Maximum Rocknroll issue #49, the album was critiqued as "not as speedmetal as [expected]... though there’s plenty of guitar wanking woven into the HC," with the lyrical content described as "pretty thin, with lots of egotism," ultimately deeming it "okay, but not special" given the four-year gap since the band's debut.[24] Retrospective assessments have been more favorable, highlighting the album's role in bridging hardcore punk and thrash metal. A 2015 Louder feature praised it as a "stone cold classic" that introduced enduring anthems like "Possessed to Skate" and "War Inside My Head," crediting it with elevating Suicidal Tendencies to Billboard chart success and solidifying their crossover appeal.[25] In a 2020 analysis, Metal Academy's Daniel noted its transitional nature, with production by Primus bassist Les Claypool improving sound quality over the debut but retaining a raw, hardcore edge that prioritizes intensity over metal complexity, making it particularly resonant for punk and skateboarding audiences.[6] AllMusic assigns it a 3.5 out of 5 rating, reflecting its enduring influence in the genre.[13]Commercial performance
Join the Army, released on the independent label Caroline Records, marked a breakthrough for Suicidal Tendencies in terms of mainstream chart visibility. The album reached a peak position of number 100 on the US Billboard 200 by July 1987, spending a total of 13 weeks on the chart.[1] Internationally, the album performed modestly on the UK Albums Chart, entering at number 81 and charting for one week.[26] Despite lacking major label backing, its chart entry represented a significant achievement for an independent hardcore punk release, helping to elevate the band's profile within the emerging crossover thrash genre.[1]Legacy
Cultural impact
Join the Army played a pivotal role in establishing Suicidal Tendencies as pioneers of the crossover thrash genre, blending hardcore punk's aggression with thrash metal's technicality and speed. Released in 1987, the album marked a significant evolution for the band, incorporating lead guitar solos and a heavier sound that further solidified their role in the punk-metal fusion scene, which the band had helped pioneer.[27][28] This shift helped define crossover thrash. The album's cultural resonance extended deeply into skate punk subculture, rooted in the band's Venice Beach origins and the broader Southern California skate scene of the early 1980s. Suicidal Tendencies, many of whose members were avid skateboarders, embodied the raw energy of skate parks like those in Oxnard, where punk's velocity mirrored the adrenaline of skating.[27] Tracks like "Possessed to Skate" directly celebrated this lifestyle, fostering a symbiotic relationship between the band and skateboarders, who adopted the group's music as anthems for rebellion and community.[29] This association elevated skate-thrash as a distinct movement, contributing to the mainstreaming of skate culture through media like Thrasher magazine.[27][28] Beyond music, Join the Army amplified Suicidal Tendencies' notoriety in broader pop culture, often tied to themes of societal defiance and institutional critique. The band's shows, notorious for violence and police interventions—leading to a temporary ban in Los Angeles by 1983—reinforced their image as outcasts, resonating with disenfranchised youth.[27] Their earlier MTV exposure with "Institutionalized" from the debut album paved the way for Join the Army's reach, broadening punk's audience and challenging mainstream perceptions of the genre.[28] Over time, the band's legacy, exemplified by albums like Join the Army, influenced diverse artists, including former members Robert Trujillo and Thundercat, as well as modern thrash revival bands like Iron Reagan.[30]Reissues and covers
The album Join the Army has seen several reissues since its original 1987 release on Caroline Records and Virgin Records in various formats including vinyl, cassette, and CD across regions such as the US, UK, Europe, and Japan.[3] A 1992 European vinyl reissue was issued by Virgin Records with the 12-track lineup, omitting "Human Guinea Pig" as in the original vinyl pressing.[3] In 1994, Caroline Records released a US CD reissue, followed by a 2005 Argentine CD edition from Virgin that replicated the standard tracklist.[3] The most recent official reissue occurred in 2022 via Music On Vinyl, pressing the full album on 180-gram black vinyl for the European market and including an insert with lyrics; this edition notably ensured the inclusion of "Human Guinea Pig" on vinyl, a track sometimes absent from early pressings but standard on CD versions.[31] An unofficial 2014 Russian CD pressing also surfaced under the Virgin imprint, though it lacks official endorsement.[3] Songs from Join the Army have been covered by various artists, particularly within hardcore punk and metal genres, highlighting the album's influence on subsequent acts. Hatebreed's rendition of "Suicidal Maniac" appears on their 2009 covers compilation For the Lions, delivering a metalcore-infused take that emphasizes the track's aggressive energy.[32] Swedish hardcore band 59 Times the Pain covered the title track "Join the Army" on their 1995 album Even More Out of Today, incorporating it as a high-tempo punk homage to the original's crossover thrash style.[33] "War Inside My Head" has received multiple interpretations, including a 2009 version by Finnish metal band Children of Bodom on their covers album Skeletons in the Closet, which adds neoclassical metal elements to the song's introspective lyrics about inner conflict. More recently, in 2023, Finnish metal outfit Philadelphia Incident released a single cover of "War Inside My Head," infusing it with a modern thrash twist while preserving the raw emotional intensity of the 1987 original. These covers underscore the enduring appeal of Join the Army's themes of alienation and rebellion among later generations of punk and metal musicians.Track listing and credits
Track listing
The album Join the Army features twelve tracks, as detailed in the original 1987 Caroline Records release.[35]| No. | Title | Length |
|---|---|---|
| 1. | "Suicidal Maniac" | 2:55 |
| 2. | "Join the Army" | 3:34 |
| 3. | "You Got, I Want" | 2:56 |
| 4. | "A Little Each Day" | 4:09 |
| 5. | "The Prisoner" | 2:54 |
| 6. | "War Inside My Head" | 3:51 |
| 7. | "I Feel Your Pain...And I Survive" | 3:25 |
| 8. | "Possessed to Skate" | 2:29 |
| 9. | "No Name, No Words" | 2:33 |
| 10. | "Cyco" | 1:26 |
| 11. | "Two Wrongs Don't Make a Right (But They Make Me Feel a Whole Lot Better)" | 2:45 |
| 12. | "Looking in Your Eyes" | 2:48 |
Personnel
The lineup for Suicidal Tendencies' album Join the Army featured Mike Muir on lead vocals, Rocky George on guitar, Louiche Mayorga on bass, and R.J. Herrera on drums.[36] The band co-produced the album alongside Lester Claypool, who also served as engineer.[36][1] Additional engineering support was provided by assistant engineers Nick Els and Allen Abrahamson.[5] Mastering was handled by Bernie Grundman at Bernie Grundman Mastering.[1][5] The album cover artwork was created by Michael Seiff.[36][1] Recording took place primarily at the Record Plant in Hollywood, California, in January 1987, with additional guitar and vocal overdubs at Baby-O Studios in Hollywood from January to February 1987; mixing occurred at the Record Plant from February to March 1987.[36][5]References
- https://secondhandsongs.com/performance/103289/[versions](/page/The_Versions)