Justhis

Justhis (Korean: 저스디스, pronounced approximately as "jeo-seu-di-seu" [Revised Romanization: jeoseudiseu]; syllables: jeo like "juh", seu "suh", di "dee", seu "suh"), born Heo Seung (Korean: 허승, May 7, 1991) is a South Korean rapper and hip-hop artist recognized for his melodic rap style, introspective lyrics, and technical prowess in freestyles.^[1][2][3] He debuted independently in 2015 with the single "Nowon (No One)" and released his first full-length album, 2 MANY HOMES 4 1 KID, in 2016, establishing himself as a key figure in the underground Korean hip-hop scene.^[4] Throughout his career, Justhis has gained widespread acclaim for his appearances on the competitive rap program Show Me The Money, participating in seasons 9 (2020), 10 (2021), and 11 (2022), where his performances, including the viral "Killing Verse" freestyle on Dingo Killing Verse (amassing over 36 million YouTube views), showcased his rapid delivery and emotional depth.^[3][4] He was affiliated with Indigo Music from 2017 to 2022 and GROOVL1N—founded by VIXX member Ravi—from September 2022 to November 2025, during which he expanded his collaborative output with artists like Nafla and Suen.^[3][5][6] Justhis's discography includes notable EPs such as Do Not Go Gentle Into That Good Night II (2022) and singles like "GOAT" (2024) and "VIVID" (2024), often blending jazz rap, hardcore hip-hop, and conscious themes.^[4] He has performed at major festivals and events, including the JT2DE MVLD 10 YEAR ANNIVERSARY SHOW in 2024, solidifying his reputation as a versatile performer in South Korea's evolving hip-hop landscape.^[4] In 2025, he drew media attention for a public feud with AKMU's Lee Chan-hyuk over comments on rap's "coolness," reigniting discussions on genre authenticity.^[7]

Early life and education

Birth and family

Justhis, whose real name is Heo Seung (허승), was born on May 7, 1991, in Nowon-gu, Seoul, South Korea.^[8][9] He grew up in a family consisting of his parents and one older sister, who graduated from Dongguk University Law School, with limited public details available about his extended relatives.^[1][10] His childhood unfolded in Seoul's bustling urban landscape, where the city's vibrant cultural scene provided early ambient exposure to diverse musical influences, though specific family involvement in music remains undocumented.^[1] Justhis stands at 168 cm in height and has self-reported a weight of around 61.5 kg in various artist profiles.^[1][10]

Schooling and early music interests

Justhis attended Kyungdong High School in Seoul, where he initially pursued an art major and aspired to enter an art college.^[10] During his senior year, he began exploring music more seriously, transitioning from earlier interests in soft rock and electronic dance music to hip-hop influences like Kanye West's "Stronger," which he first encountered in middle school.^[11] After high school, Justhis enrolled at the International University of the Arts, majoring in Practical Music, but dropped out after approximately six months to dedicate himself fully to hip-hop pursuits.^[11] The decision stemmed from conflicts with peers who lacked deep knowledge of hip-hop and a desire to avoid broader music studies that did not align with his growing passion for rapping. His family provided support throughout his childhood, encouraging his artistic endeavors despite the shift from traditional paths.^[11] Justhis's introduction to hip-hop occurred during his university orientation, where professor Nachal played the album Mos Def & Talib Kweli Are Black Star in class, profoundly impacting him and igniting his conscious engagement with the genre.^[12] Inspired, he began self-teaching rapping around 2010 while still in school, initially using the alias TiMeWiNe and featuring on producer Shirosky's EP track "Peacemaker." He participated in initial underground activities such as music academy sessions introduced by artist Kebee, though his early work under the alias preceded his independent debut.^[12][9][13] During this formative period, Justhis developed his stage name from a vivid dream featuring a self-portrait in a museum labeled "Justhis," drawing inspiration from DC Comics' Justice League and philosopher Michael Sandel's book Justice: What's the Right Thing to Do?.^[12] This pseudonym reflected his emerging identity as a rapper focused on conscious themes, marking the transition from his student life to a dedicated artistic path.

Career

2011–2015: Mixtapes and independent debut

Justhis entered the Korean hip-hop scene in 2011 under the alias TiMeWiNe, releasing his debut mixtape A Little Bird Told Me on September 9 of that year, which featured tracks showcasing his early lyrical style and production skills. This initial project marked his underground beginnings, as he began collaborating with established artists, appearing as a featured rapper on albums by Bulhandang, Mad Clown, and P-Type, helping him gain traction within Seoul's independent rap community.^[14] His second mixtape, QUAL N TITY : True Up, followed on August 8, 2012, continuing to build his presence with introspective and experimental tracks. By 2014, Justhis had further solidified his reputation with the release of his third mixtape, Money Vs. Love: Dream (MVLD), on May 7, which explored themes of ambition, relationships, and personal struggle through introspective tracks produced by artists like Samiyam. The mixtape received critical acclaim in the underground circuit, earning the Mixtape of the Year award at the 2014 HipHopPlaya Awards, where it topped voting among members for its raw energy and narrative depth.^[14][15] These independent releases, distributed primarily through online platforms and hip-hop forums, established Justhis as a rising figure known for his bilingual flows and unfiltered storytelling.^[16] Justhis's official independent debut came on June 12, 2015, with the single "No One (노원)" featuring vocalist Sunwoo Jung-a, a soulful track that played on his hometown of Nowon-gu through its title's homophone while addressing isolation and self-reflection.^[14][17] Produced in collaboration with Deepfry—a veteran known for work with Garion and P-Type—the single served as a precursor to his full-length album 2 Many Homes 4 1 Kid, further cementing his reputation as a key underground talent through consistent output and affiliations in Seoul's rap circles.

2016–2019: Major label signing and breakthrough

In 2016, Justhis released his debut studio album, 2 Many Homes 4 1 Kid, on June 14, marking a pivotal step in his career following years of independent mixtapes.^[18] The album featured collaborations with artists such as Sunwoo Junga, DJ DJA, Paloalto, and Occasion, and was produced primarily by Deepfry, Ian Ka$h, and Justhis himself, blending conscious hip-hop with experimental and jazz rap elements.^[19] This release garnered critical attention within the Korean underground scene, showcasing his intricate lyricism and personal storytelling, which helped solidify his reputation and attract major label interest. Building on this momentum, Justhis signed with Indigo Music, a sub-label founded by rapper Swings, on August 8, 2017, transitioning from independent artistry to a structured major label environment.^[20] The signing was commemorated with the collaborative single "In the End" alongside Swings, highlighting Justhis's growing ties to the label's roster, which included emerging talents like Kid Milli and Young B.^[21] Under Indigo Music, Justhis expanded his reach, participating in label showcases and collaborations that elevated his profile in the mainstream Korean hip-hop landscape. Key releases during this period further propelled his breakthrough. In 2017, he issued singles like "Tru Rich" and "Anyway" (featuring Swings), which demonstrated his versatile flow and thematic depth on topics like perseverance and identity.^[22] The 2018 collaborative album 4 the Youth with Paloalto, released on March 7, featured 22 tracks including "Ayy" (with JINBO) and "Switch," blending high-energy anthems with introspective cuts and guest appearances from OLNL, YESEO, and others.^[23] Additionally, the posse cut "IndiGO," released on June 24, 2018, with Kid Milli, NO:EL, and Young B, became a label anthem, emphasizing crew unity and rapid-fire delivery, and charted notably on Gaon.^[24] Justhis's rising prominence was affirmed at the inaugural Korean Hip Hop Awards in 2017, where he won Rookie of the Year for his contributions, including 2 Many Homes 4 1 Kid, recognizing his fresh impact on the genre.^[25] His visibility surged further through high-profile involvement in the 2018 diss battle with VMC crew members like Deepflow and Don Mills, culminating in his nine-minute track "THISISJUSTHIS" on April 4, which addressed industry rivalries and defended his underground roots, drawing widespread media coverage and fan discourse.^[13] These moments, combined with consistent performances and label support, positioned Justhis as a key figure in Korean hip-hop's evolving mainstream scene by 2019.

2020–2025: Producing, controversies, and recent projects

In 2020, Justhis expanded his role in the Korean hip-hop scene by participating as a producer on the ninth season of Mnet's rap competition Show Me the Money, teaming up with GroovyRoom to mentor contestants and contribute beats during the audition rounds.^[26] He continued this role in season 10 (2021) and season 11 (2022), partnering with R.Tee each time; their team in season 10 produced runner-up Huh Yun-jin. That same year, he released the single "That Ain’t Real" on June 6, produced entirely by himself, which showcased his trap-influenced style and self-reflective lyrics critiquing inauthenticity in the industry.^[27] By 2022, Justhis parted ways with Indigo Music, the label he had joined in 2017, marking a significant shift in his career trajectory.^[3] On September 15, he signed with GROOVL1N, founded by Ravi of VIXX, allowing him greater creative control and alignment with a label focused on hip-hop innovation.^[3] Under this new affiliation, he dropped the EP Do Not Go Gentle Into That Good Night II on July 22, a five-track project featuring collaborations with artists like DON MALIK, Gonggonggoo009, and Kwaii, exploring themes of resilience and artistic defiance inspired by Dylan Thomas's poem.^[28] Justhis continued to diversify his involvement in media and music production into the mid-2020s. On November 28, 2024, he featured on Lil Cherry's single "FUEGO O NADA," alongside BLASÉ, Loopy, GOLDBUUDA, and Tiger JK, delivering a high-energy verse that blended bilingual flows with the track's fiery, collaborative vibe.^[29] On June 5, 2025, Mnet announced his role as rap master and mentor for the survival show BOYS II PLANET, where he guided contestants in both Korean and Chinese trainee groups on lyricism and delivery, emphasizing authenticity in performance.^[30] Later that year, he contributed a remix titled "VVS 2025" for the cypher in Show Me the Money 12, released on August 26 as part of the rapper recruitment phase, updating the classic track with contemporary bars to hype the upcoming season.^[31] Justhis's activities in 2025 also drew significant controversy, particularly surrounding his appearances on Show Me the Money 12. In the August 26 teaser cypher, he included lyrics interpreted as a diss toward AKMU's Lee Chan-hyuk, referencing past debates over hip-hop's "coolness" and Lee's avoidance of mandatory military service via alternative civilian duties, which sparked widespread backlash for perceived pettiness and irrelevance to the show's focus.^[32] Netizens criticized the move as forced drama, reigniting discussions on plagiarism allegations from Lee's work and Justhis's own history of feuds, with some accusing it of being promotional stunt rather than genuine artistry.^[33] The tension escalated in September when Justhis shared a mashup of Lee's 2021 track "Panorama" layered over a beat reminiscent of The Weeknd's style, prompting renewed accusations of stylistic similarities between "Panorama" and The Weeknd's synth-driven sound, though defenders noted Lee's prior acknowledgments of such influences without direct copying.^[34] Justhis responded to the mounting criticism on September 13, defending his artistic choices and questioning the linkage between his raps, military exemptions, and plagiarism claims, stating that such debates undermined hip-hop's core values.^[35]

Musical style

Rap technique and themes

Justhis's rap style is defined by fast-paced flows, intricate wordplay, and heavy lyricism, often drawing comparisons to dense, narrative-driven verses reminiscent of influential figures in hip-hop. His delivery frequently incorporates off-beat rhythms and rapid-fire rapping, creating a sense of urgency and complexity that can sometimes appear out of sync with the beat but underscores his experimental approach.^[9][36] Key techniques in Justhis's rapping include multisyllabic rhymes and rapid delivery, particularly evident in cypher performances where he demonstrates exceptional breath control and tonal shifts. He emphasizes authenticity and introspection, using irregular voice modulations and long, uninterrupted phrases to convey emotional depth, as seen in tracks that showcase up to 93 syllables in a single breath. This aggressive yet controlled style highlights his versatility, adapting flows to fit alternative hip-hop structures while maintaining a sharp, narrative focus.^[9][1] Common themes in Justhis's music revolve around personal struggles, urban life in Seoul, critiques of the hip-hop industry, and explorations of youth and identity. His lyrics often delve into the pressures of conformity, image obsession, and toxic social dynamics within the Korean scene, blending pessimism with ambiguous storytelling to reflect on societal expectations. For instance, in his debut album 2 Many Homes 4 1 Kid, he examines "homes" as metaphorical mindsets encompassing family, friends, hip-hop, and art, addressing fragmented personal experiences and alternative values in a noisy industry.^[37][38][9] Over time, Justhis's style has evolved from the raw, aggressive lyricism of his early mixtapes, rooted in underground intensity, to a more polished form with greater thematic depth in subsequent albums. This progression incorporates broader introspection and vocal experimentation, such as subtle singing elements, while retaining core elements of wordplay and speed to bridge his underground origins with mainstream appeal.^[9]

Production work

Justhis has taken on significant production roles in his own music, often serving as executive producer and contributing to beat creation. His debut full-length album, 2 Many Homes 4 1 Kid (2016), was executive produced by Justhis in collaboration with Defry, marking an early showcase of his hands-on approach to crafting instrumental backdrops for his lyricism. Similarly, for the 2022 extended play Do Not Go Gentle Into That Good Night II, Justhis is credited as an album producer alongside Humbert, ILLUID HALLER, Code Kunst, and GroovyRoom, overseeing the sonic direction of its introspective tracks. These efforts highlight his ability to integrate personal artistic vision into the production process from inception to final mix. Beyond his solo work, Justhis has produced tracks for fellow artists, particularly within the IMJMWDP crew and its affiliated Indigo Music label. He handled general production for Illinit's third full-length album Cosmos (2018), shaping its overall sound, and produced all tracks on Indigo Music's compilation single Trash (2019), featuring contributions from Kid Milli, YANGHONGWON, and Swings. An earlier example includes creating the beat for Dun Malik's track "Mowgli," demonstrating his skill in tailoring beats to complement diverse rap styles within the underground hip-hop scene. Justhis's production contributions extend to high-profile television formats, where he served as a beatmaker and producer team member for Show Me the Money. In season 9 (2020), he teamed up with GroovyRoom to produce key tracks such as "VVS" and "Hero," providing experimental instrumentals that challenged contestants' flows. He returned for season 11 (2022) alongside R. Tee, further solidifying his reputation for delivering dynamic beats under competitive pressure. Notable collaborative productions include his executive role on the joint album 4 the Youth (2018) with Paloalto, where he co-produced tracks like "Cooler Than the Cool" and "Bro," blending raw hip-hop energy with structured arrangements. His production style emphasizes experimental hip-hop elements, frequently incorporating heavy sampling, off-beat rhythms, and fusions of traditional boom-bap with subtle electronic influences to create layered, atmospheric soundscapes. This approach is evident in remixes and cyphers, such as the 2025 "VVS 2025 REMIX" for Show Me the Money 12, which updates the original with innovative sampling techniques to maintain relevance in evolving hip-hop trends.

Personal life

Family and relationships

Justhis was born and raised in Seoul, South Korea, in a close-knit family that includes his parents and an older sister.^[1] His family played a significant role in his early life, with his mother working at an orphanage and his sister attending Dongguk University's law school, as referenced in his 2016 track "Motherfucker Pt. 2" from the album 2 MANY HOMES 4 1 KID.^[39] The rapper has occasionally alluded to a generational gap with his parents, which influenced themes in his music exploring societal pressures and personal struggles.^[40] Justhis maintains a strong emphasis on privacy regarding his romantic relationships, rarely discussing them publicly. In a December 2024 appearance on the YouTube program The Bob Studio, he casually revealed that he had broken up with his girlfriend approximately two weeks prior to the broadcast.^[41] Earlier, in April 2025, during an episode of Jo Hyun-ah's Ordinary Thursday Night, he confirmed being single, joking about his search for a new partner while recounting a dream involving an ex-girlfriend who had recently announced her marriage on social media.^[42] These brief disclosures highlight his preference for keeping personal matters out of the spotlight despite occasional shares on variety shows.

Lifestyle and beliefs

Justhis, born and raised in Seoul, maintains an urban lifestyle in the city, where he resides with a notably low-key public presence despite his prominence in the Korean hip-hop scene. He has shared limited details about his daily habits, focusing instead on his professional commitments while avoiding high-profile social engagements.^[8] Previously a pollo-vegetarian, Justhis adopted the diet to address chronic headaches, though his current status remains unspecified as of 2025. He has no publicly stated religious affiliation and rarely discusses personal philosophies beyond his artistic pursuits. In interviews, he emphasizes hip-hop's role in promoting authenticity and has touched on mental health themes, highlighting the genre's potential for emotional expression and resilience.^[1] Justhis has voiced strong critiques of commercialism within the music industry, particularly during the 2025 diss controversies surrounding his appearance on Show Me the Money 12, where he targeted perceived inauthenticity in mainstream trends and TV formats. He advocates for genuine artistry, stating in a response to backlash that hip-hop represents a "religion" born from love, dismissing those who treat it as a fleeting trend.^[35] His AB blood type is noted in profiles, and while details of his military service are not publicly shared, it became a point of debate in 2025 discussions, with critics questioning his eligibility amid the controversies.^[9]

Discography

Studio albums

Justhis's debut studio album, 2 Many Homes 4 1 Kid, was released on June 14, 2016, comprising 14 tracks that delve into themes of displacement and the search for belonging, portraying "home" as emotional ties to family, friends, hip-hop, and art rather than a fixed location.^[43] Executive produced and arranged by Justhis himself, the project incorporates self-produced elements alongside contributions from producers Deepfry and Ian Ka$h, with guest appearances from artists such as Sunwoo Junga, DJ Djanga, Paloalto, and Okasian.^[43] Highlight tracks like "Motherfucker HOME 1" and "No One" showcase raw lyricism and alternative hip-hop influences, earning critical acclaim for their narrative depth and introspective storytelling.^[44] The album peaked at number 27 on the Gaon Album Chart (now Circle Chart), marking a significant entry for Justhis into commercial hip-hop. Justhis's second studio album, LIT, was released on November 17, 2025. The album features 8 tracks exploring themes of intensity and reflection, with collaborations including BUMKY on "내가 뭐라고". It received positive reception for its mature lyricism and production.^[45][46]

Mixtapes and EPs

Justhis began his career with a series of independent mixtapes released under his early alias TiMeWiNe and later as JUSTHIS, which served as foundational projects in the Korean underground hip-hop scene. These works, distributed primarily through free digital platforms like SoundCloud, allowed him to experiment with raw lyricism and production while building a grassroots following prior to his major label debut. Lacking commercial backing, they did not achieve significant chart performance but garnered critical acclaim within hip-hop communities for their introspective depth and innovative sound.^[47][8] His debut mixtape, rappitapple A Little Bird Told Me, was released on September 9, 2011. Clocking in at around 22 minutes across eight tracks, it featured personal narratives on youth and self-discovery, with collaborations including DJ Dopsh from the Dopplegänger crew on "Not Even Knowing." The project showcased Justhis's early affinity for melodic flows and lo-fi beats, establishing his presence in Seoul's indie rap circles through limited online drops.^[48][49][47] The second mixtape, QUAL N TITY: True Up, arrived on August 8, 2012, expanding to 11 tracks over 34 minutes. Produced with influences from DJ Babu, it delved into themes of authenticity and personal growth, with standout cuts like "Justro (True Up)" and "Paranoid (Just Diss)" highlighting aggressive diss-style verses and conscious rap elements. Released independently, it included features from Dopplegänger affiliates and emphasized Justhis's technical prowess, further solidifying his underground reputation without mainstream promotion.^[16][50] Justhis's third and most acclaimed mixtape, Money Vs. Love: Dream (MVLD), dropped on May 7, 2014, comprising 13 tracks produced by artists like Samiyam and FLYamSAM. This 40-minute project explored the tension between material ambition and emotional vulnerability, blending abstract hip-hop, glitch, and experimental elements in a raw, thematic narrative. It won the 2014 HipHopPlaya Best Mixtape award, praised for its cohesive storytelling and high production value despite being a free release that featured Dopplegänger crew members. These early mixtapes collectively hyped Justhis's transition to polished studio albums.^[51][52][53] Justhis's EP, Do Not Go Gentle Into That Good Night II, arrived on July 22, 2022, under the GROOVL1N label as a sequel to his 2021 conceptual single of the same name, expanding on motifs of resilience and defiance inspired by Dylan Thomas's poem. Featuring five tracks with diverse production from Humbert and others, it highlights collaborative efforts on the title track with KWAII, DON MALIK, and GongGongGoo009, alongside standout cuts like "Noble Game" (feat. ILLINIT) that blend soothing, chill beats with poignant reflections on perseverance.^[54] Critics praised its narrative cohesion and emotional maturity, noting how Justhis's delivery over varied instrumentation creates a meditative exploration of inner strength without relying on aggressive singles.^[54] The release achieved modest physical sales of 705 copies in South Korea, reflecting its niche appeal within the underground scene.^[55]

Singles and collaborations

Justhis debuted as a solo artist with the single "No One" (노원), released on June 12, 2015, featuring vocalist Sunwoo Jung-A.^[14] The track served as a precursor to his debut album, showcasing his aggressive rap style over a hard-hitting beat he produced himself.^[56] "Veni, Vidi, Bitch" was released in 2015 as an early single demonstrating his technical rap skills.^[8] In 2017, Justhis released the single "Tru Rich" featuring ILLINIT.^[8] On June 24, 2018, Justhis released the collaborative single "IndiGO," featuring Kid Milli, NO:EL, and YANGHONGWON under Indigo Music.^[57] The song blended trap influences with multilingual lyrics, earning recognition on the Gaon Digital Chart where it accumulated a digital index of over 149 million points in the first half of 2019. This track highlighted his growing ties to the Indigo Music collective and marked one of his early mainstream breakthroughs. In 2018, Justhis released the single "Thisisjusthis".^[8] "That Ain’t Real," a self-produced single released on June 6, 2020, addressed themes of authenticity in relationships through introspective verses.^[27] The track received positive reception for its emotional depth but did not achieve significant chart placement on the Gaon Digital Chart.^[58] Justhis's notable collaborations include the 2018 joint album 4 the Youth with Paloalto on Hi-Lite Records, a 22-track project featuring additional artists like JINBO and YunB, which explored youth culture and hip-hop camaraderie.^[59] He also contributed to the 2019 crew single "IMJMWDP," produced by GIRIBOY and featuring members of the IMJMWDP collective such as NO:EL, Black Nut, and Swings, emphasizing group unity in the Korean hip-hop scene.^[60] In 2019, Justhis released the single "Momo" featuring Gary.^[8] A major highlight was his feature on "VVS" by MIRANI, Munchman, Khundi Panda, and MUSHVENOM, produced by GroovyRoom and released on November 21, 2020.^[61] The track topped the Gaon Digital Chart for seven consecutive weeks, amassing over 178 million digital index points by year-end and solidifying Justhis's commercial impact.^[62] "GOAT," released on August 6, 2024, features MUSHVENOM and Dynamic Duo, blending boastful lyrics with dynamic production.^[63] "VIVID," released on December 11, 2024, features Insooni and explores vivid emotional expressions through melodic rap.^[64] More recently, Justhis featured on Lil Cherry's "FUEGO O NADA," released on November 28, 2024, alongside BLASÉ, Loopy, GOLDBUUDA, and Tiger JK.^[65] The bilingual track fused Latin trap elements with rapid-fire verses, celebrating bold artistry and cultural fusion. In 2025, he performed the "VVS 2025 REMIX" as a cypher for Show Me the Money 12, updating the original hit with fresh bars to promote rapper auditions.^[31]

Other activities

Television and media appearances

Justhis first gained prominence on television through his role as a producer on the ninth season of Mnet's hip-hop competition show Show Me the Money 9, which aired in 2020, where he partnered with the production duo GroovyRoom to mentor and select contestants.^[26] In 2025, he appeared as a participant in the cypher round of Show Me the Money 12, delivering a controversial diss track in the "VVS 2025 Remix" that included lines perceived as targeting AKMU's Lee Chan-hyuk, sparking widespread debate in the Korean hip-hop community.^[35] Justhis expanded his television presence as the rap mentor for Mnet's boy group survival program BOYS II PLANET, a role announced on June 5, 2025, drawing on his experience from prior music competitions to guide contestants in rap performance and songwriting.^[66] Beyond these major roles, Justhis has made guest appearances on various Mnet hip-hop programs and conducted interviews discussing his career and the genre's evolution, though specific episodes remain limited in public documentation.^[9] For media outreach, Justhis maintains active promotional profiles on Instagram under the handle @thisisjusthis, where he shares updates on his projects and engages with fans; on YouTube via the channel THISISJUSTHIS (youtube.com/justhiseung), featuring music videos and behind-the-scenes content; and on SoundCloud at soundcloud.com/THISISJUSTHIS, hosting streams of his tracks and collaborations.^[67][68] These appearances have notably boosted his visibility within the Korean entertainment industry, solidifying his influence as a multifaceted figure in hip-hop.

Awards and nominations

Justhis has received recognition primarily within the Korean hip-hop scene, with notable wins at the inaugural Korean Hip Hop Awards and earlier independent awards, reflecting his rise from underground mixtapes to mainstream collaborations. His accolades total three major wins, centered on breakthrough performances and track excellence, alongside several nominations for artist and album categories.